00:04:804 (4804|3,4934|2,5064|0) - 感觉更应该和00:05:325 (5325|2,5456|0,5586|2) - 后面对应，第一个音00:04:673 (4673|1) - 太轻了，至少00:04:804 (4804|3) - 得给1/2，前面那个缩短

00:11:325 (11325|1,11325|2) - 00:12:369 (12369|1,12369|2) - 这一段这种小节结束前的最后一个double我个人感觉没啥必要，音很轻，最多和前面那个重音叠一下就够了，一直到00:21:891 - 结束

00:19:804 (19804|0,19804|3,19869|2,19934|0,19999|2,20064|1,20064|0) - 这个交互给的是啥音

00:25:021 (25021|3,25412|3,25804|3) - 可以考虑LN抓这个音效，下一段有；如果这里加了低难度也可以考虑适当突出一下

00:37:934 (37934|0,37950|1,37967|2,37999|3) - 应该和00:35:847 (35847|1,35847|0,35912|2,35978|3) - 是同一种音

00:39:760 (39760|2,39793|3,40021|2,40054|3,40282|2,40314|3,40543|2,40575|3) - 连续用四个感觉重复太多了，有些是不太一样的，比如00:39:760 (39760|2,39793|3)明显比别的短而且弱，可以换写法

00:41:456 (41456|2,41488|3) - 00:41:978 (41978|1,42010|0) - 类似

00:42:499 (42499|1,42532|0) - 这里没啥特别的东西

00:49:282 (49282|3,49282|1,49543|3,49543|1,49804|3) - 一致性太奇怪了吧

01:23:116 (83116|1,83116|0,83246|1,83246|0,83507|1,83507|0,83638|1,83638|0) - 这里这种两个叠一起的我感觉没有体现这段的节奏啊，最明显的后面那个更重现在这样打不出这种手感

次难度的处理感觉就比较好，如果spread上不想完全一样的话我建议是删低难度不必要的double

01:30:681 - ~ 01:47:377 - 这一段我个人感觉有些地方写的太超标，导致体感上进下一段直接就萎了

• 01:32:246 (92246|0,92312|1,92377|2,92507|1,92507|3,92572|2,92638|1) - 这种很轻的音拉这么大的LN感觉有点违和
• 01:33:159 (93159|3,93159|0,93159|1,93225|2,93290|1,93290|3,93355|2,93420|0,93420|1,93551|3,93551|1) - 01:33:812 (93812|3,93812|1,93877|0,93942|2,93942|1,94007|0,94072|1,94072|3,94138|2,94203|3,94203|0,94268|2,94333|1,94333|3,94399|2) - 长对切比你后面一整段所有东西都难
• 01:36:942 - ~ 01:39:681 - 几乎是满的2121还有带锁手的锚，我感觉没必要

大概就是我觉得这段需要整体nerf，现在这样把后面有些你想突出难度的地方，比如01:48:942 (108942|1,108942|0,109007|3,109072|1,109072|2,109138|3,109203|1,109203|0,109268|3,109333|2,109333|1,109399|3,109464|0,109464|1) - 都盖过了

01:55:138 - 1/4吃了

02:01:920 - 02:18:616 -

01:56:246 - 01:57:290 - 逻辑问题，这里交互音感觉明显比前面01:48:942 - 的弱但是pattern因为长单手切好像还更难打一点，我觉得得稍微改简单（次难度的处理就还行）

02:04:072 - ~ 02:10:333 - 感觉有点乱，缺少主线

• 02:04:333 (124333|2,124333|3,124333|1) - 给了三押但是到后面同样的鼓02:04:855 (124855|3,124855|0) - （甚至还多了别的音），三押却给了前面的02:04:725 (124725|3,124725|2,124725|1) -
• 02:05:377 (125377|3,125377|1,125507|2,125572|1,125638|2) - 给我的感觉是你刚开始想抓02:05:377 (125377|3,125377|1) - 这种和前面02:04:464 (124464|0,124464|1,124464|3,124985|2,124985|1,124985|0) - 一样的synth，然后02:05:507 (125507|2,125638|2) - 半路换成了突出另一种音
• 02:08:246 (128246|0,128638|0,128899|3,129029|3,129159|0,129290|3,129420|3,129551|0) - 类似问题，LN整体的指向性感觉不明确，或者说直接顺下去我get不到这几组ln是为了突出什么

当然，还有个因素是我个人觉得整段三押用的有点过多了，很多地方要被迫做让步就导致整段的结构看起来很混乱，实在没办法的话可以考虑整体舍弃部分，这段的音乐强度也并不算特别大

02:24:479 (144479|3,144845|3,145211|3) - 做减弱和后面过渡可以，但是长LN全放在非重音的地方感觉还挺怪，不知道改成放在主音的位置会不会好点

00:11:064 (11064|2,11195|1,11195|3) - 00:12:108 (12108|3,12108|2,12238|0,12238|1) - 等等，这种连续两个鼓的地方也许还是可以叠，现在这样手感比较单薄而且太简单

00:13:934 - 这么roll的排列我感觉可以小节中间的位置再小拐一次，这样不会后面交互的地方显得突兀。其他重复的地方也一样

00:36:499 (36499|3) - 没看懂这个ln跟的是啥

低难度同

00:39:043 (39043|1,39108|3,39173|0,39238|1,39238|3) - 这里明显3/4节奏写成这样其实是很奇怪的，虽然主难也没突出这个节奏型但是至少没叠1/2，反正能改的话尽量改一下

00:42:369 (42369|3,42434|2,42499|1) - 前一个roll还行，但是这个可能画多了，实际上没太多细节音

00:48:369 (48369|0) - 不确定是不是多写的，因为感觉这段你基本double就只抓鼓的节奏，前面都很稳定

01:31:203 (91203|0,91203|3) - 和后面的01:35:312 (95312|0,95312|2) - 我觉得反而明显是前面这里更强，所以pattern的强度关系反了

如果这里改了其他难度也可以调整一下

01:31:725 (91725|2,91725|0,91725|3) - 01:35:899 (95899|1,95899|3,95899|0) - 整段就这两个地方三押了，稍微有点怪我感觉

01:32:638 (92638|0) - 01:32:899 (92899|2) - 等等，如果主难这段削了这种double感觉就没必要了，反而让思路看起来很不清晰

01:36:812 (96812|1) - 类似，如果要叠体现连贯性可以01:36:681 (96681|0) - 放col4

01:36:942 - 这里如果主难削了可以考虑短面稍微少一些，实际上没有那么好打，而且和前一个难度差距很大

01:41:899 (101899|2) - col4？这一串交互其实比较突然

01:45:290 (105290|3,105681|0,106072|3) - 倾向于加double，节奏感更强

01:47:899 (107899|0,107899|3) - 这个double是干啥的，其他有旋律没鼓的地方加double勉强可以接受，这种地方基本啥都没有

01:49:985 (109985|0,109985|3) -

01:55:725 (115725|3,115725|0,115855|1,115855|2,115985|3,115985|2,116116|1,116116|2) - 这种pattern手感上太硬了，比主难难打，特别是前后还都是交互，随便摆了摆或者你自己改一个顺眼的

02:01:464 - 这里这一小撮LN切感觉double用的有点随机，没太看懂

02:02:507 (122507|1) - 可以加double，其他每个小节中间的地方基本都加了，这里写的偏简单

02:08:899 (128899|2,128899|0,129029|3,129029|1,129159|2,129290|0,129290|3,129420|2,129551|0,129551|3,129681|1,129746|2,129812|0,129812|3) - 可能有和主难类似的问题，感觉这里LN的意图不是很清楚，如果低难度有类似思路的可以一起看看

02:14:246 (134246|3) - 感觉没必要省略这个double了，这里节奏很清楚，而且你后面写的爆

02:05:899 (125899|3) - 02:10:072 (130072|2) - 包括这些可能也可以加回来

02:16:007 - 鼓

02:19:007 (139007|0) - 主难没有这个，而且这里很卡手

02:19:725 - 这里的锁手锚切感觉有点太spike了，虽然主难也spike，但是这个diff整体的强度来看这里明显太过，可以稍微削点排列

02:24:106 (144106|2,144169|3,144232|1,144295|2) - 叠的位置感觉和前面02:22:333 - 保持一致更好，三连放前面

02:29:242 (149242|2,149357|2,149469|2) - 稍微re一下，bpm上来了三连还和后面接着就很不好打，而且前面02:25:821 - 02:27:493 - 都已经换了简单的排列了

00:11:717 (11717|1,11717|2) - 和前面不是同一种鼓，可以换轨

00:13:804 - ~ 00:17:717 - 这里看的出来是想简化，但是有点太简单了，可以至少把1/1的位置写上这样至少有连续感

00:22:412 - 这里开始一样

01:02:977 (62977|0,63107|0,63273|0,63440|0) - 这么衔接感觉不是特别有必要，挺容易崩的

01:22:725 - 这里这个1/2感觉可以加，刚好和后面01:23:116 (83116|2,83246|2,83507|2,83638|2) - 对应

另外这一段好像就这一小节的叠是锁手的，可以挪一下

01:28:464 (88464|2,88529|3,88594|1,88594|0) - 可以继承前面小节的小交互写法

01:32:768 (92768|0,92768|2) - 好像没啥double LN的必要

01:41:116 (101116|3,101116|0) -

01:37:464 - 和开头的那条类似，这里把1/1位置的LN也加上更符合连续感

01:44:377 (104377|2) - 确认一下是不是有意写的这个，高难度没突出而且前面01:36:029 - 也没有

01:58:399 (118399|1,118464|2,118529|1,118594|0,118659|1,118725|2,118790|1,118855|0) - 为啥这里突然和前面01:57:290 - 难度差一大截，没啥特别明显的变化吧

02:01:464 (121464|3,121529|0,121594|2,121659|1,121725|3,121790|0,121855|2,121920|1) - 前面01:54:942 - 都用短LN了，这里第二次出现理论上情绪应该更强，除非有特殊理由要弱化这个地方

02:07:659 - 鼓

02:10:725 (130725|2) - 漏LN了？

02:11:638 (131638|0) - 鼓double

02:39:371 - 尾拉的和其他难度不一样

（不知道是不是改timing导致的，之前好像还看到哪里拉歪了但现在我找不到了，，，你可以自己查查）

00:08:456 (8456|1) - 这个note我感觉不一定要，前面00:07:412 (7412|0) - 这种有两个音重合的地方你也没有给double

00:09:108 - 漏音？

相反前面00:08:195 (8195|2) - 是没有音却写了

00:40:934 (40934|0) - 好像没必要，和前面思路不连贯

00:50:847 (50847|0) - double

01:23:116 (83116|3,83246|3,83507|2,83638|2,83899|3,84029|3) - 这段这么写说实话有点怪，不是同一个音感觉不如还是写double但是不叠

01:31:138 (91138|2) - LN不如给1/2重音的位置

01:32:246 (92246|0,92246|3) - why double

然后说实话这一段一直到01:39:029 - 感觉一致性有点混乱，最开始01:30:942 (90942|1,90942|0,91464|3,91464|2) - 抓的是重拍，然后到01:32:768 - 之后有些地方又不抓了，01:37:985 (97985|3,97985|0,98246|3,98246|0,98377|1,98507|0,98507|3,98638|2,98768|3,98768|0) - 这几个也没太看懂抓的是什么

01:39:812 - 1/1写漏了?

01:42:681 (102681|0,102812|0,102942|1,103072|1) - 这种230bpm放单手有点难打，前面01:34:333 - 也是

01:55:203 (115203|1,115203|2) -可能不用double，感觉对这个难度有点太细节了

01:55:725 (115725|1) - 反而是这个肯定要double的你没加

01:57:551 (117551|1,117681|1) - 如果不是有意的感觉应该和前面01:56:246 (116246|0,116377|0,116507|1,116638|1) - 一个写法

02:03:290 (123290|2,123420|1,123551|0,123681|1,123812|2,123942|1) - 有点简单，现在这里这么写成了整段最简单的地方了，感觉要么加叠要么加面

02:12:420 (132420|0) - 感觉可以double，cymbal还挺明显的

02:26:065 (146065|1,146065|2,146303|1,146303|2) - 就这里写了两同轨的，最好挪一下吧

这个难度感觉00:51:108 - 之前的有点太简单了，从密度条就可以看出来，前1/3稍微多加点note

01:47:638 (107638|0,107638|1,108029|0,108029|1,108420|0,108420|1,108812|0,108812|1) - 这段是故意去抓这种反拍的吗，感觉不是特别顺而且上一个抓的也是正拍

02:09:290 - 02:07:203 - 这两个地方从你这个难度抓音的思路来看我觉得应该写成一样的

02:15:942 (135942|3,136072|0) - 这个音明显是从1/2开始滑的，加上和后面02:16:333 (136333|2,136464|3,136594|0) - 一模一样放一起就很奇怪，感觉不如LN直接从1/2开始，或者换排列之类的

00:15:612 - 00:19:212 - 这两grace是故意不写的吗？

另外前面有些地方grace感觉1/8不是特别准，偏1/6，有可能是误差但是如果要更准可以重新对一下

00:36:162 (36162|1) - 感觉放3轨好点，00:36:012 (36012|0,36012|1,36162|1,36162|0,36312|1,36312|0) - 这种东西这一段就出现了这一次

00:37:512 (37512|5,37512|6,37512|1) - 可能可以加个，前面那种重鼓这里还有

00:39:912 (39912|6,39912|2,39912|1,39912|4,39912|0,39912|5) - 这个六押有点多了吧，其实这一整段我感觉你pattern总体很清楚，但是consistency有点奇怪，看看能不能修？04:30:312 - 这段一样

比如00:42:012 (42012|0,42012|2,42012|1,42012|3) - 00:42:312 (42312|0,42312|1,42312|6) - 00:42:612 (42612|1,42612|0,42612|6,42612|2) - 00:42:912 (42912|0,42912|3,42912|2,42912|1) -

00:49:512 (49512|1,49512|2,49512|3,49512|0,49512|6) - 00:49:812 (49812|6,49812|0,49812|3,49812|4,49812|5) - 00:50:112 (50112|6,50112|1,50112|2,50112|0) -

01:07:287 (67287|5,67287|4,67437|0,67437|1,67587|6,67587|5,67737|2,67737|1) - 这几个LN有点稍微跟旋律的感觉，但是全都1/2长感觉有点太重了，左手两个不在重拍上的砍成1/4我感觉更好一点

01:12:837 (72837|5,72912|4,72987|3,73062|0,73062|4,73062|1,73062|6,73137|5) - 有类似上一段00:44:112 (44112|0,44130|1,44149|4,44187|6,44224|5,44262|2) - 这种地方的特殊效果音，要不要考虑pattern稍微做更特殊一点？现在感觉基本还是跟着前面在切，也可以只在左手做一点burst

01:16:512 (76512|0,76537|1,76562|2,76587|3,76662|0) - 这里感觉比前面弱不少了，pattern可以弱化一点，把面缩短或者改成米都行

01:27:612 (87612|4,87612|5,87612|6,87612|3,87630|0) - 可能得和01:18:012 (78012|1,78012|2,78012|0,78030|3,78049|4) - 一样用3个note的grace

01:45:762 (105762|3,105837|6,105837|5,105855|4,105912|1,105912|2,105930|0,105987|5,105987|4,106005|3,106062|1,106062|0,106080|6,106137|4,106137|3,106155|2) - 这里这个我感觉和前一次出现的时候音乐差别还是有点大，这里3/4节奏上的01:45:837 (105837|6,105837|5,105855|4,106062|0,106062|1,106080|6) - 明显很多

01:54:612 (114612|5,114612|0,114912|4,114912|6) - 这两个相比前面01:49:812 (109812|5,109812|1,109812|3,109812|6,110112|1,110112|3,110112|2,110112|0) - 为什么押这么小

01:55:212 (115212|2,115212|0,115212|3,115212|1,115287|4,115287|5,115362|0,115362|6,115437|1,115512|3,115512|4,115512|2,115587|6,115587|1,115587|5,115662|0,115662|4,115737|1,115737|2) - 前面画那么大，这里好像有点过于简单，不是同一种音但是这里感觉也很有《锯齿感》

02:03:912 (123912|4,123987|3,124062|5,124062|2,124137|4) - 和上一条类似，可能可以1/6和周围的区分

02:39:512 (159512|0,159512|1) - 这里的1/3感觉多加一个和后面一段连上感觉更好，旋律上的感觉是连接的

02:41:412 (161412|0,161412|1,161412|6,161612|1,161612|4,161812|4,161812|1) - 感觉值得尝试把这里的节奏做出来，因为一整段的pattern基本都是围绕这个重kick的，02:51:012 - 同

02:52:962 - 1/2有鼓

02:53:337 - 这里这个1/4理论上应该也有，可能空格加一个note还好

03:06:012 - 03:06:612 - 这两拍开始的地方还是有点滋滋声，直接全1/4感觉略简单

03:29:712 (209712|0) - 感觉放3轨比这样单独一个没叠上的好

03:39:312 (219312|5,219462|3) - 这里过渡稍微简单一点可以，但是我感觉没有弱到这个地步，可以稍微加一两根LN

03:52:662 (232662|5,232662|3,232662|4,232662|6,232662|2,232737|0,232737|1,232812|4,232812|2,232812|6,232812|5) - 感觉434对鼓的突出比524好，03:52:662 (232662|3) - 往上挪一格就行，03:57:462 - 一样

03:55:062 - 03:59:862 - 要看看怎么改

03:53:862 (233862|1,233862|5,233937|6,233937|4,233937|3,234012|1,234012|5,234012|0,234012|2) - 改325突出下一个重音？

03:58:662 -

03:56:112 (236112|1,236112|3,236112|4,236187|6,236262|2,236299|1,236337|5,236374|4) - 感觉可以加一点吧，这里突然空了一下手感上感觉比较奇怪，至少考虑1/2加保持一个叠的手感

04:00:912 -

00:08:329 (8329|3,8393|2) - The vocal here is in really high pitch and has some pitch shift feeling so probably this could be turned into OH trill for a bit more emphasize, but up to you

01:13:970 - 02:36:021 -

00:38:073 (38073|3,38073|0,38137|2,38201|0) - 00:39:098 (39098|3,39098|0,39162|1,39226|3) - Pretty subjective and i get that adding a jack here would probably help with the pause feeling, however using a normal 1/4 jack does feel a bit blend with other jacks around, slightly tweak it into stuff like 1/5 might work a bit better imo, or probably just not jack it like 02:00:124 -

00:46:021 - It kinda has another accent in between around 1/2 line here that i feel still audible in 100%, might see if you want to just move 00:46:117 (46117|0) - a bit earlier to connect that

01:52:303 - Feel like 1/4 note could probably be added here since there is really no other instrument going

02:08:970 (128970|1) - The vocal here does still feel a bit longer here, and currently the pattern feels a little bit empty so probably it can be extended by a bit

03:02:688 (182688|3,182816|0,182816|1) - Since these two drums are the same sample i feel it would be better to have one more note on left hand here to connect the jack for it, it also won't make too hard given the jack is still pretty straightforward

03:03:714 (183714|2,183778|3) - Could have one more note for the burst sound effect?

03:46:876 (226876|2,226961|1,227047|0,227111|3,227143|2,227175|1) - Not sure if would be better to flip the direction of your pattern here, but the sound does kinda feel going towards to opposite direction in terms of pitch compared with 03:46:363 (226363|2,226449|0,226534|3,226620|2,226705|1) - , or probably flip the previous one if you want to keep it the same flow with 03:43:714 - 03:51:919 -

00:17:070 (17070|6) - Not sure about why this LN is longer since i didn't find anything special compared with other similar places here

00:22:770 (22770|1,22920|1) - 00:23:370 (23370|1,23520|1) - 00:23:970 (23970|5,24120|5) - 00:24:570 (24570|5,24720|5) - etc, the 1/2 shield in this section seems to follow some sort of rhythm, but it's hard to feel what they're corresponding to because the 1/2 sounds being too weak, probably nerf some of them to normal 1/2 streams would feel a bit better

00:35:070 (35070|3,35220|3) - 00:37:020 (37020|4,37170|4) - These two shields feel a bit unnecessary from how the melody is going, can be rearranged to get rid of them

00:43:470 (43470|2,43470|4,43470|1,43620|5,43620|2,43620|3,44070|5,44070|1,44070|2,44220|1,44220|0) - Maybe can slightly nerf the chordsize here, the song is still building up from calm section and they're not that strong imo

00:48:570 (48570|5) - Would probably be cleaner to just change this to normal note since a new phrase starting here, also the extending 1/2 LN feels a bit weird to play with 00:48:570 (48570|5,48645|3,48645|4,48795|4) -

00:57:345 (57345|5) - Did you miss one 1/4 note here? Probably should have one at col3

01:06:870 (66870|4,66907|3,66945|2,66982|1,67020|6,67020|0,67057|5,67095|4,67132|3,67170|2,67207|1,67245|6,67320|4,67320|5,67395|2,67395|1) - These being in completely same one as previous burst feels a bit lack of variation since both wub's feeling and piano gets changed, i think at least changing the direction would make the pattern much better, for example (some notes were intentionally removed for better gameplay and flow while sacrificing note consistency by a little bit)

01:07:920 (67920|0,67995|1,67995|2,68070|6,68070|3,68070|5,68145|4,68145|0,68220|3,68220|1,68295|2) - Personally feel you can just make pianos single while only emphasizing drums, a lighter pattern seems to match the song's feeling better after previous burst

01:12:420 (72420|4,72570|4,72720|4,72870|4) - Not hard but i think it's a bit weird anchor here since there is no sign of it, could try to rearrange if possible

And while you're at it i think 01:13:170 (73170|0) - could have LN for piano as well since you always map those sounds as LN in this section

01:13:770 (73770|1,73770|0,73845|5,73845|2,73845|6,73845|4) - Maybe make both as triples so it can be more consistent with others?

01:16:170 (76170|1,76207|2,76245|4,76282|5,76320|6) - It would probably be more fit to just have normal chord here since it's mainly drums but not synth, LN tails can still be the same way tho, e.g.

01:20:970 - a few inconsistency in this section could be looked at:

• 01:23:820 (83820|1,83820|3) - has a drum better to be triple
• 01:25:620 (85620|1,85620|4) - triple like 01:26:220 (86220|4,86220|1,86220|5) -
• 01:30:870 (90870|4,90870|2,90870|0,90870|6) - can be just triple since there is nothing special on it

Just some minor adjustment tho i think

01:26:670 (86670|4,86895|4) - Not a big deal, but just want to ask if it's intended not to map piano as LN here?

01:34:120 (94120|5,94170|0,94170|6,94170|1,94207|2,94207|3,94245|4,94245|5,94282|2,94282|1,94320|4,94320|3) - i think this burst is way too harsh as it's basically hitting 200 minijack-trill, which feels pretty unnecessary given how it is mapped as simple as 01:29:520 - before

01:38:820 (98820|0,99120|6) - These two could probably be extended LNs to enhance the pattern's feeling here, e.g.

01:46:320 (106320|2,106395|3) - Maybe switch these two to make pattern shape, and previous anchor 01:45:720 (105720|2,105870|2,106020|2,106170|2,106320|2) - has been a little bit long

01:47:370 (107370|6,107370|0) - Add one more note like 01:46:770 (106770|0,106770|6,106770|5) - ?

01:56:745 - 01:57:345 - These two pause of 1/4s feel a bit weird imo, since the song is kinda non-stop in this whole section

02:00:270 (120270|2,120270|5,120270|4,120270|1,120270|6,120570|3,120570|1,120570|4,120570|0) - Can make them same chordsize?

02:05:370 (125370|1,125370|5,125370|2,125370|4,125445|6,125445|4,125445|5) - is it intended to make the chord different with previous two here?

02:07:920 - The burst-like synth here is still pretty pronounced like 02:07:270 (127270|4,127320|5,127370|6) - , actually it appears every beat around here but at least for this one i think you can do the dump pattern to make it same structure with previous one

02:17:370 (137370|5,137520|4,137670|2,137820|1) - i guess that the pattern was intentionally being made simple to have contrast with 02:14:970 - since the main melody does get weaker, but on another aspect it also gets too similar with 02:16:620 (136620|4,136770|2,136920|5,137070|3,137220|4) - these now. Personally feel like probably you could still turn some 1/4s to LN here to enhance it by a little bit

02:21:420 (141420|0) - This is the only one spots that the LN gets off from main melody in this whole section (the melody is at 1/1 02:21:270 - ), so do want to ask if this is intended or not, at least it feels a bit weird to be off from melody to me

02:22:170 (142170|3,142245|4,142245|5,142320|2,142320|6,142395|3,142470|4,142470|5,142545|6,142545|2,142620|3,142620|5) - vs 02:24:570 (144570|3,144645|0,144645|4,144720|5,144720|1,144795|2,144795|6,144870|3) - They could probably be a bit more consistent in terms of how to capture the progressively weak melody synth, since they're close enough and do feel kinda similar

02:25:320 (145320|0,145620|6) - Might not be that necessary from pattern design imo, and also i feel like this kinda makes the transition a bit awkward 02:24:870 (144870|0,145020|0,145170|0,145320|0,145470|0) -

Same for 02:26:520 (146520|6,146820|0) - if you agree

02:34:020 (154020|5,154050|4,154080|3,154110|2,154140|1,154170|0) - The wub sound kinda obviously starts a bit earlier here imo, probably around 1/4 02:33:945 - , maybe you can try to redesign the pattern to better align with that

02:35:670 (155670|3) - 02:36:270 (156270|1) - 02:38:117 (158117|4) - Feel it would be good to have one more note for the drum at these places, but up to you if you want to keep current pattern structure

Also 02:38:748 (158748|6) - could add one at spacebar i think

02:47:102 (167102|4,167149|6,167195|4) - Kinda subjective but i think minijack like this could be placed at where the sound is more pronounced instead, which would do better emphasize, for example 02:46:961 (166961|2,167008|1,167055|3) -

02:53:992 (173992|6,174086|1,174117|2,174149|3,174180|4,174211|5) - Probably one or two notes could be filled between the 1/4 and 1/2 here 02:53:992 (173992|6,174086|1) - as it feels a bit empty compared with other places when the sound is pretty fairly intense

02:58:774 (178774|2,178774|4,178774|5,178891|1,178914|2,178938|3,178961|4,179055|2,179102|3,179149|4,179149|1,179149|5,179242|2,179289|3,179430|4,179430|5,179477|3,179524|2,179524|1,179617|5,179617|4,179664|3,179711|1,179711|2,179805|5,179805|4,179852|3,179899|2,179899|1) - All these kinda crowded in the inner column that i think it can be more spread out for dynamix and flow while they're not hard, for example

• 02:59:149 (179149|5,179149|4) - to [67] so it can be different with 02:59:430 (179430|4,179430|5,179617|5,179617|4,179805|4,179805|5) -
• 02:59:711 (179711|2,179711|1) - to [13] to distinguish from nearby chords

03:04:399 (184399|1) - Maybe can shorten this and add one 1/1 note to emphasize the cymbal 03:04:774 (184774|4,184774|5,184774|6) - more? Currently pattern shape is also a bit weird imo with 03:04:399 (184399|1,184680|2,184727|0) -

03:09:012 (189012|0) - The strong start here really lacks emphasize imo, probably previous pattern could be shortened a bit for more room

03:11:678 (191678|0) - Kinda similar feeling that i think it would be better to at least have a double at 1/1

03:17:292 (197292|2,197502|1,197502|0,197502|6,197660|1,197660|0) - i think it has completely different feeling here compared with previous spots 03:16:871 - , where has much louder cymbal and drums, a way i think of is just to make the pattern less repeated (and "full"), or you can come up with other ways you're in favor of

03:31:848 (211848|4,211848|0,211848|2,211848|6) - 4-note might be a bit too much for this one since there isn't any actual chord here

03:33:798 (213798|2,213798|0,213798|4) - 03:36:198 (216198|2,216198|0,216198|5) - Could be 4-note instead to match 03:26:598 (206598|4,206598|0,206598|2,206598|6) - probably

03:43:498 - Thte 1/4 can be added here imo, seems nearly as noticeable as 03:43:926 (223926|3) -

03:53:891 (233891|5) - Kinda subjective but maybe it would be cool to move this to col5 here to create an anchor for the high pitch melody synth, similar with what you do at 03:52:731 (232731|1,232868|1,233004|1) -

04:02:069 (242069|6,242101|5,242134|4) - It feels similar with 04:01:025 - here so i think the 1/8 around 1/1 line could be reduced but changed to just a chord note instead, like this

04:10:417 -

04:02:721 (242721|0) - i think this one could be extended to 1/1 length instead, which feels better in terms of flow imo, and current pattern feels a bit empty

And probably 04:11:069 (251069|4) - to 1/2 length

04:19:286 (259286|1,259286|5) - Probably can be reduced as it's fairly light here and being much weaker than the one before 04:18:243 (258243|5,258243|6,258243|1,258243|0,258243|3) -

04:21:895 (261895|4,261895|0,261895|1,261895|6) - 04:22:938 (262938|6,262938|0,262938|4,262938|1) - Probably can be reduced, the sound is really light imo

And also 04:22:025 (262025|5,262025|2) - should be the same as 04:23:069 (263069|2,263069|0,263069|3) -

04:26:069 (266069|1,266199|1,266330|1,266417|0,266460|1,266503|2,266590|1,266786|1,266982|1,267112|1,267243|1,267373|1) - i think these kinda put a bit too much pressure on the col2 with burst pattern in between, might try to rearrange to make it a bit more balanced consider the high bpm

04:31:156 (271156|6,271156|1,271156|4,271156|2) - is it intended not to map piano as grace here like before? Although it does get a kick so it's a bit different

04:31:156 (271156|4,271286|4,271417|1,271417|4,271482|6,271547|4,271547|1,271612|6,271677|1,271743|6,271808|1,271873|6) - The alternative anchors here feels a bit overwhelm for a transition imo, especially consider the hard burst pattern later i feel like it would be better to ease them by a bit

04:34:156 - Seems obvious 1/4 drums being missed here (maybe copy-paste error?)

04:39:308 - The 1/4 is kidna obvious here that i think can still be mapped

04:47:330 - Different snap could probably be used here to distinguish from the simple 1/4 pattern before since it has complex synth, e.g.

04:55:417 (295417|3,295547|3,295547|0,295677|0,295677|3,295808|0,295938|3,296069|3,296199|3) - This plays a bit too awkward i think, probably need some rearrange. Also seeing that the anchor at 04:51:373 - 04:53:460 - are both emphasizing loud drums i think the two on the spacebar can be reduced

05:01:025 (301025|5,301058|4,301090|3,301123|2,301156|1,301188|0,301417|0,301442|1,301468|2,301494|3,301520|4,301547|5,301938|5,301960|4,301990|3,302016|2,302042|1,302069|0) - Personally can't really feel what are these going for, as they seem to be related with different sound but all the repeated same pattern, and i think it can be made into more accurate representation to better distinguish each other