[General]
- The official romanization of 葉月ゆら is Yura Hatsuki as seen on her official website
- Unicode title should be Shadows ~影色妖精絵本~ with the full width tildes as they appear on the website.
- 00:51:819 (3,4) - Rhythm here could be swapped to match with 00:44:962 (3,4) since they are the same part of the phrase. Same for 02:17:533 (3,4)
- 01:51:819 (1,2,3) - I think it would be better not to chain 1/2 beats like this. It may be hard for beginner players to keep up since this is an Easy difficulty. I think you could shorten (2) by 1/2 beat.
- 00:28:891 (7) - I don't think this note is really significant, so I'd actually recommend removing it to put space between for more emphasis on 00:29:105 (8)
- 00:56:962 (1) - Minor nitpick about the slider shape - the fourth point could be moved down a bit to make the second section of the slider curve more smoothly: http://puu.sh/uXkSs/154fe1395e.jpg
- 01:15:819 (5,6,1) - Flow here feels a bit unnatural, since (1) goes outside the curve of movement between (5,6,1).
- 01:46:676 (3,4,5) - It would feel better to play if the flow wasn't so linear. I think it would be better to move (4) outward to get a rounder motion between (3,4,5).
- 03:29:962 (6) - I think it would be nice to curve this downward, or at least point it in the direction of (7).
- 00:07:248 (1,2,3) - Instrument is very prominent in this section, so I think it would be nice if you mapped to it. This rhythm would fit much better with the release at 00:07:462 and detached notes at 00:07:676 and 00:07:891 http://puu.sh/uXznq/432d8a97aa.jpg
- 00:08:105 (4,5,6) - This rhythm could be confusing for the player since the drums are very quiet relative to the instrument, and the player might not understand this rhythm since the 1/6 in the instrument is so loud, and you've mapped over it with a single slider. I think it would be better if you had this rhythm: http://puu.sh/uXzsa/3271ddc4fb.jpg since it would actually place the string beat on a slider head rather than a slider end.
- 00:08:962 (1,2,3,4,5,6,7) - Consider applying the previous two points here as well.
- 00:52:891 (5,1) - It would help with readability if you spaced these a bit further apart. I know it's 1/6 gap, but really, since the click on (5) is at the red tick, it plays the same regardless of time spacing to (1).
- 01:13:676 (5,6,1) - This rhythm seems kind of awkward to play, especially for Hard diff. I think it would be more comfortable with something like this: http://puu.sh/uXzPq/94dc530fd2.jpg allowing (5) to be part of the group with (3,4) representing those accented instrumental notes.
- 01:30:391 (4,5,6) - Same suggestion as 00:08:105 (4,5,6)
- 02:11:533 (4,1) - This dropoff flow feels kinda bad to play since flow from (3,4) is clockwise, and (1) forces the player to move outward in a weird way. I think it would play nicer if you changed the direction of (4). Something like this: http://puu.sh/uXA5w/d2e1ab054f.jpg
- 02:18:605 (5,1) - Would read better if you spaced it out.
- 03:27:819 (1) - Change to circle to match with 03:20:962 (1)
- 04:05:533 - Same suggestions for this section as earlier in the map.
- 00:08:319 (3) - Why not actually map out the 1/6? They are quite prominent in this part of the song.
- 00:18:605 (5,1,2) - That flows pretty awkward. Maybe move (1) down and left so the flow is rounder: http://puu.sh/uXArv/1fe0bb5001.jpg
- 00:53:033 (3,1) - I recommend keeping the spacing here the same as the triple, since the time spacing is the same. Your current distance spacing makes it seem like 00:52:891 (1,2,3) is a triple detached from 00:53:105 (1) timewise. You can also remove new combo from 00:53:105 (1) since you already have combo change at 00:52:891 (1) Same suggestions for 02:18:605 (1,2,3,1) and 03:51:176 (2,3,4,1) and 04:04:891 (1,2,3,1)
- 01:27:176 (1,2,3,4) - Space this consistently too. You did it right at 01:37:462 (1,2,3,4)
- 02:23:105 (5) - New combo to match with 00:57:391 (1)
- 02:52:891 (1,2,3,4) - Same as 01:27:176 (1,2,3,4)
- 03:07:141 (4,1) - Space this out more? It looks kinda of ugly as it is.