Corne2Plum3 wrote:

Review the 2 firsts chapters ever made in the OT!Library

Reyalp51 wrote:

will you make a review for each chapter in danganronpa or just when you finish?

Patatitta wrote:

--- the nightmare before christmas ---

turns out I had already seen this movie like it was originally intented, in high school, near the end of the school year, in english class when the teacher just wanted their vacations already so they put a movie and forget about teaching that day, and of course, I didn't pay attention as I was talking with my friends and crushing over girls, not only that, but the movie is like an hour and a half and you normally don't see more than 50 minutes of a movie during a class (because the actual class is an hour long total)

pleasantly surpised about the actual movie tho. I think that in terms of western animated movies this has to be one of the better ones, if not my favourite currently. It uses stop motion, but the fact that it's older than something like corpse bride gives it more charm, since it's even more apparent that it's stop motion. The movie is a musical and the OST is like actually really fucking good, features "this is halloween" like that song is already better than any other song from any animated western musical

the actual plot is very simple, nothing too special about it, it's just that the combination of the art and ost that just creates a really enjoyable movie

placed in B tier

Scyla wrote:

Can you analyze

50 shades of gray
And 50 shades darker

Scyla wrote:

Can you analyze

50 shades of gray
And 50 shades darker

lostsilver wrote:

ooh, wait you should also review tim burton's edward scissorhands!

Hydreigon wrote:

Scyla wrote:

Can you analyze

50 shades of gray
And 50 shades darker

dont forget 50 Shades Freed

Patatitta wrote:

Scyla wrote:

Can you analyze

50 shades of gray
And 50 shades darker

I would rather kill myself

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Can you analyze

50 shades of gray
And 50 shades darker

I would rather kill myself

Why? This is a certified classic

The whole American Pie series then

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Can you analyze

50 shades of gray
And 50 shades darker

I would rather kill myself

Why? This is a certified classic

The whole American Pie series then

denied

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Can you analyze

50 shades of gray
And 50 shades darker

I would rather kill myself

Why? This is a certified classic

The whole American Pie series then

denied

How about Victor Magtangol

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Can you analyze

50 shades of gray
And 50 shades darker

I would rather kill myself

Why? This is a certified classic

The whole American Pie series then

denied

How about Victor Magtangol

denied

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Can you analyze

50 shades of gray
And 50 shades darker

I would rather kill myself

Why? This is a certified classic

The whole American Pie series then

denied

How about Victor Magtangol

denied

Frieren and the seven dwarfs

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Can you analyze

50 shades of gray
And 50 shades darker

I would rather kill myself

Why? This is a certified classic

The whole American Pie series then

denied

How about Victor Magtangol

denied

Frieren and the seven dwarfs

I don't think that was frieren

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Can you analyze

50 shades of gray
And 50 shades darker

I would rather kill myself

Why? This is a certified classic

The whole American Pie series then

denied

How about Victor Magtangol

denied

Frieren and the seven dwarfs

I don't think that was frieren

It is

How about

Barbie in the Nutcracker

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Can you analyze

50 shades of gray
And 50 shades darker

I would rather kill myself

Why? This is a certified classic

The whole American Pie series then

denied

How about Victor Magtangol

denied

Frieren and the seven dwarfs

I don't think that was frieren

It is

How about

Barbie in the Nutcracker

honestly that is something that I wouldn't actually really mind that much but denied

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Can you analyze

50 shades of gray
And 50 shades darker

I would rather kill myself

Why? This is a certified classic

The whole American Pie series then

denied

How about Victor Magtangol

denied

Frieren and the seven dwarfs

I don't think that was frieren

It is

How about

Barbie in the Nutcracker

honestly that is something that I wouldn't actually really mind that much but denied

Cocomelon

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Can you analyze

50 shades of gray
And 50 shades darker

I would rather kill myself

Why? This is a certified classic

The whole American Pie series then

denied

How about Victor Magtangol

denied

Frieren and the seven dwarfs

I don't think that was frieren

It is

How about

Barbie in the Nutcracker

honestly that is something that I wouldn't actually really mind that much but denied

Cocomelon

now we're back in the deep end

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Can you analyze

50 shades of gray
And 50 shades darker

I would rather kill myself

Why? This is a certified classic

The whole American Pie series then

denied

How about Victor Magtangol

denied

Frieren and the seven dwarfs

I don't think that was frieren

It is

How about

Barbie in the Nutcracker

honestly that is something that I wouldn't actually really mind that much but denied

Cocomelon

now we're back in the deep end

Say yes?

Jangsoodlor wrote:

watch Hyouka

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Can you analyze

50 shades of gray
And 50 shades darker

I would rather kill myself

Why? This is a certified classic

The whole American Pie series then

denied

How about Victor Magtangol

denied

Frieren and the seven dwarfs

I don't think that was frieren

It is

How about

Barbie in the Nutcracker

honestly that is something that I wouldn't actually really mind that much but denied

Cocomelon

now we're back in the deep end

Say yes?

that's a no



-----

Jangsoodlor wrote:

watch Hyouka

damn surprised you didn't recommend a anime full of lolis, will watch

Patatitta wrote:

I fear getting muted for spam so breaking the chain


denied

Scyla wrote:

Patatitta wrote:

I fear getting muted for spam so breaking the chain


denied

Selos by Shaira

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

I fear getting muted for spam so breaking the chain


denied

Selos by Shaira

not doing music also denied

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

I fear getting muted for spam so breaking the chain


denied

Selos by Shaira

not doing music also denied

Fruit catchers monthly January: a bunch of cool scores by dahcreeper

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

I fear getting muted for spam so breaking the chain


denied

Selos by Shaira

not doing music also denied

Fruit catchers monthly January: a bunch of cool scores by dahcreeper

wow best video ever made whoever did it sure is the best youtuber in the platform

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

I fear getting muted for spam so breaking the chain


denied

Selos by Shaira

not doing music also denied

Fruit catchers monthly January: a bunch of cool scores by dahcreeper

wow best video ever made whoever did it sure is the best youtuber in the platform

I give up

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

Scyla wrote:

Patatitta wrote:

I fear getting muted for spam so breaking the chain


denied

Selos by Shaira

not doing music also denied

Fruit catchers monthly January: a bunch of cool scores by dahcreeper

wow best video ever made whoever did it sure is the best youtuber in the platform

I give up

skill issue

igorsprite wrote:

try league of legends xDDDD

_GameFlow wrote:

kingdom hearts is an amazing series

twewy(the world ends with you) is also really good

i havent seen re:Zero or mob psycho 100 requested and those are like my top 2 (anime)

id also recommend Follow the Clouds North-NorthWest and Dragon and Chameleon

im just throwing out my fav stuff sorry about the long list!

igorsprite wrote:

review tiger, tiger: a memoir

Patatitta wrote:

igorsprite wrote:

review tiger, tiger: a memoir

the Margaux Fragoso book?

igorsprite wrote:

Patatitta wrote:

igorsprite wrote:

review tiger, tiger: a memoir

the Margaux Fragoso book?

Yes

179bpm wrote:

seconds by bryan lee o'malley please

Corne2Plum3 wrote:

Now review Helluva boss as I've the 666th post

/j

burgernfat wrote:

review the atletico madrid vs inter match

reffty_gag wrote:

SOUND VOLTEX

Patatitta wrote:

reffty_gag wrote:

SOUND VOLTEX

denied, I don't do arcade games, for games I only review the ones that are story focused

Kobold84 wrote:

How far are you into danganronpa?

reffty_gag wrote:

Patatitta wrote:

reffty_gag wrote:

SOUND VOLTEX

denied, I don't do arcade games, for games I only review the ones that are story focused

i just edit that recently, and its a movie request (pls respone before you offline)

Patatitta wrote:

Kobold84 wrote:

How far are you into danganronpa?

still early

reffty_gag wrote:

Patatitta wrote:

reffty_gag wrote:

SOUND VOLTEX

denied, I don't do arcade games, for games I only review the ones that are story focused

i just edit that recently, and its a movie request (pls respone before you offline)

I actually have already seen the movie but since you're so impatient i'm going to proceed to not tell you what I think for like 6 hours

MaxIsABigKaiju wrote:

Bumping

Patatitta wrote:

MaxIsABigKaiju wrote:

Bumping

no need to bump this thread, I always bump it myself with these types of post

----- monster (2023, not the anime from 2004, or the american movie from 2003) -----

This is a japanese movie by director hirokazu kore-eda, i've actually seen multiple films from this guy, i've seen nobody knows and shopliftes. This director seems to specialize in dramas involving families, however these are NOT family movies as some of these are emotionally painful (mainly nobody knows)

monster is a very unique film, it showcases a very difficult case of bullying from 3 different perspectives, in order, the mother perspective, the teacher perspective, and the child perspective. The timeline of the movie starts with a totally unrelated fire happening somewhere in town, you know you've went to the past and changed perspective by that fire appearing again. Neither the mother or teacher have an actual clear and accurate perspective of the situation, as they're competely filled with external bias, meaning that they see the exact same events in totally different ways.

the child's perspective is the most interesting tho, turns out, that the root problem of the issue was a conflict that involved him protecting another kid who was gay, adding another whole dimension to the already complicated problem. Japan is not really the most tolerant country for LGBT people, so if there is a case like this, it actually makes it very difficult for the kid to actually speak up about the actual situation out of fear or having consequences for taking that stance in support of LGBT people. After that, the teacher understood the situation in a very different way and the mother understood in a very different way, adding a layer of distortion each time, making things worse and worse.

It's also important to say that while the mother's and teachers perspective aren't pure or "true", I don't really think they were wrong, that distortion of the original problem has created another entirerily different issue, and that problem is as worthy of being solved and creating emotional distress as any other.

I really enjoyed this movie, had watched it in the past, It's my second favourite movie of last year (my top 1 is la sociedad de la nieve) and I find the fact that maestro was nominated in the oscars over this really fucking funny if not insulting, but as we know the oscars are very america-focused so it was to be expected

placed in A tier

---

still have to beat danganronpa
haven't started the anime or the manga I have to watch now

Corne2Plum3 wrote:

Review Shrek lol

Corne2Plum3 wrote:

Review Shrek lol

Hydreigon wrote:

hmm how bout...



review Ford v Ferrari

Patatitta wrote:

about danganronpa, i'm enjoying the game but tbh I may blacklist requesting videogames for this thread, they're wayyyyyyyyyy too much of a time commitement to just do because of the funnies and whatever, idk if I will do that or if I will finish danganronpa or whatever

- Marco - wrote:

Review the OT President Building and the OT Parliament

Corne2Plum3 wrote:

- Marco - wrote:

Review the OT President Building and the OT Parliament

Do a review for 2023, wait one month later, and review the new parliment

Nuuskamuikkunen wrote:

If I had time I'd do a similar thread to this.

But everything tells me that this next semester might try to kill me.

MrMcMikey22 wrote:

i swear to god i might aswell review all the things that patatitta has denied at this point...

burgernfat wrote:

review ww2

burgernfat wrote:

review ww2

Nuuskamuikkunen wrote:

Wonder what would you think about ef - a tale of memories (and sequel, ef - a tale of melodies)

Ymir wrote:

Stardew Valley

Ymir wrote:

There is a plot in Stardew Valley, though I haven't played enough to get a grasp of how good it is.

I'm not sure how short the game is.

Ymir wrote:

There is a plot in Stardew Valley, though I haven't played enough to get a grasp of how good it is.

I'm not sure how short the game is, so I'll just request Postal-2 instead.

npc_BeaniCraft wrote:

OMORI.

it's a REALLY good game.

Reyalp51 wrote:

npc_BeaniCraft wrote:

OMORI.

it's a REALLY good game.

have you played the game?

lostsilver wrote:

Reyalp51 wrote:

npc_BeaniCraft wrote:

OMORI.

it's a REALLY good game.

have you played the game?

beani has played the game like 3 times
i would know, i've watched

npc_BeaniCraft wrote:

OMORI.

It's a REALLY good game.

Patatitta wrote:

npc_BeaniCraft wrote:

OMORI.

It's a REALLY good game.

1- i'm saying that I may limit play time, so please read the thread

I actually have played omori, it's one of my favourite games, i've said it in the past, but I have some beef with how some people in the forum perceive omori, so I will also go into that, so please, read this post in full

omori is a psychological horror RPG, focusing more on the psychological aspect than the terror since the game isn't particularly scary. As always, I went blind into this game, even if during the first hour of gameplay or so since I hate horror and they had me to really convince me to play it

the game is made in rpg maker, and while it does have some combat and stuff, that's not at all the point of the game, the combat is nice but you're not playing omori because of the gameplay, you're playing it because of the story, (or in the case of some, the memes...)

the actual plot is pretty emotional, it's about the main protagonist coping with the mental weight of having accidently killed her sister, developing some sort of amnesia and split personality as a result, and the steps the protagonist takes in order to forgive themselves. This is not a comedy game or a chill game by any metric, it's fucking brutal

There are multiple areas in this game, (however I can't get into it without going into severe spoilers) each one having some sort of meaning, the two most important ones are headspace and real life, headspace is the world that sunny has created in his head, and the real life is self explanatory

headspace is supposed to be beautiful and comfy and happy, however, the actual feeling of guilt ends up overcoming sunny, having aspects of reality leak into the dream. The way this is most common is via basil, however there are some other more references. Sunny tries to delete and forget about basil, however, he just cants.

There is also white space, this area is the link between the real world and dreams. Whenever it is sunny in white space they have the option to go deep in their dream or to wake up. To go in the dream is as easy to just go in the door, to wake up, you must kill yourself, you can see this as an analogy of how living in the dream is easier than to even try to change things in real life

further in the game, whenever you actually are about to forgive yourself and erase headspace, white space reacts, by turning into black and then red space. Red space is notorious for having a scene where you kill basil over, and over, and over.

headspace and the real life share multiple characters, however, in headspace they're innocent children, however, in the real life they're older teenagers, each one of them coping with the death of mari (sunny's sister) in different ways

kel just tries to ignore it
aubrey turned to violence
hero tried to ignore the real world by studying and working
and basil is just straight up fucked

in terms of game design. The actual game just understand really well how each scene will affect the player, so it can create a really well done and polished emotional rollercoaster, basically breaking you by the end


---- this is the part I want lostsilver and beanicraft to read ----

SO we've clarified that omori is a fairly complex, very psychological, extremely emotional and pretty dark game. However, if you've been in OT, you may have not realized that since the acutal perception a part of the fanbase seems to have of the game is just totally different, and that just has to do with fandoms and how they can change the game experience for someone

i've called out this exact phenomenon before at least like 4 times, straight up naming people in some of them, however, you guys either have seem to not read it or don't understand it

a cult has formed around omori, the reason why I do not know, but they seem to treat omori as a comedy game. Kel isn't this portrait of someone who tries to put on a facade while he is actually heavily traumatized. But the funny hamburger guy, basil isn't this guy who is about to fucking explode, but this cute little guy who wouldn't hurt anyone

(This has to be the single most out of touch interpretation of omori i've seen in my entire life)





It seems like the entire perception of omori by some is just the funny memes. They once saw a funny meme about a character, and now they go into the game with that mentality that this is a funny meme game.

Not only that but the actual community is an echo chamber. Making memes out of the already existing memes, always striding further from the original product and interpretation of the game. The actual perception in the game in that part of the community and the actual games are two completely different beasts. The actual game has been buried under so much crap that it doesn't feel like it matters anymore

fandoms can affect the way you see a piece of media. For example I think shrek is a good example. Would people care as much about shrek if there weren't 400000 memes about it?, probably not, but now it is perceived as this titan of modern culture and animation.

if you go into a game with the mentality that you're going to hate it, the chances that you actually hate it are higher, this applies with any mentality you have, as you're trying to see things that don't exist. This is not wrong by itself, this is just called bias, it's a part of being a human

However, I feel it's important to recognise what biases you have, because when you have a totally distorted view of something and you post about it online, you're just missrepresenting the game. Which will end up keeping people that may actually enjoy the game away from the game just because of that



This often connects to a bigger problem, and that is people not really trying to go outside their bubble, often than not, people just find a single piece of media that they enjoy and they would rather just keep watching that over and over making memes of it than actually venture outside it, I talked about that in this thread

We both may have played omori, but we have not had the same experience. I interpret it as a really dark rpg, and you interpet is as a fandom. Which I will say again, is not bad, but at least be self-aware. Don't misrepresent the game.

I have more to say about fandoms, and for that read my review on undertale yellow, which I also talked about in this thread.


omori is an S rank for me, however, I cant say that I respect the way you guys portray omori. And while it's true that you've played the games, it doesn't even really fucking matter as your perception on it is totally different

npc_BeaniCraft wrote:

Patatitta wrote:

npc_BeaniCraft wrote:

OMORI.

It's a REALLY good game.

1- i'm saying that I may limit play time, so please read the thread

I actually have played omori, it's one of my favourite games, i've said it in the past, but I have some beef with how some people in the forum perceive omori, so I will also go into that, so please, read this post in full

omori is a psychological horror RPG, focusing more on the psychological aspect than the terror since the game isn't particularly scary. As always, I went blind into this game, even if during the first hour of gameplay or so since I hate horror and they had me to really convince me to play it

the game is made in rpg maker, and while it does have some combat and stuff, that's not at all the point of the game, the combat is nice but you're not playing omori because of the gameplay, you're playing it because of the story, (or in the case of some, the memes...)

the actual plot is pretty emotional, it's about the main protagonist coping with the mental weight of having accidently killed her sister, developing some sort of amnesia and split personality as a result, and the steps the protagonist takes in order to forgive themselves. This is not a comedy game or a chill game by any metric, it's fucking brutal

There are multiple areas in this game, (however I can't get into it without going into severe spoilers) each one having some sort of meaning, the two most important ones are headspace and real life, headspace is the world that sunny has created in his head, and the real life is self explanatory

headspace is supposed to be beautiful and comfy and happy, however, the actual feeling of guilt ends up overcoming sunny, having aspects of reality leak into the dream. The way this is most common is via basil, however there are some other more references. Sunny tries to delete and forget about basil, however, he just cants.

There is also white space, this area is the link between the real world and dreams. Whenever it is sunny in white space they have the option to go deep in their dream or to wake up. To go in the dream is as easy to just go in the door, to wake up, you must kill yourself, you can see this as an analogy of how living in the dream is easier than to even try to change things in real life

further in the game, whenever you actually are about to forgive yourself and erase headspace, white space reacts, by turning into black and then red space. Red space is notorious for having a scene where you kill basil over, and over, and over.

headspace and the real life share multiple characters, however, in headspace they're innocent children, however, in the real life they're older teenagers, each one of them coping with the death of mari (sunny's sister) in different ways

kel just tries to ignore it
aubrey turned to violence
hero tried to ignore the real world by studying and working
and basil is just straight up fucked

in terms of game design. The actual game just understand really well how each scene will affect the player, so it can create a really well done and polished emotional rollercoaster, basically breaking you by the end


---- this is the part I want lostsilver and beanicraft to read ----

SO we've clarified that omori is a fairly complex, very psychological, extremely emotional and pretty dark game. However, if you've been in OT, you may have not realized that since the acutal perception a part of the fanbase seems to have of the game is just totally different, and that just has to do with fandoms and how they can change the game experience for someone

i've called out this exact phenomenon before at least like 4 times, straight up naming people in some of them, however, you guys either have seem to not read it or don't understand it

a cult has formed around omori, the reason why I do not know, but they seem to treat omori as a comedy game. Kel isn't this portrait of someone who tries to put on a facade while he is actually heavily traumatized. But the funny hamburger guy, basil isn't this guy who is about to fucking explode, but this cute little guy who wouldn't hurt anyone

(This has to be the single most out of touch interpretation of omori i've seen in my entire life)





It seems like the entire perception of omori by some is just the funny memes. They once saw a funny meme about a character, and now they go into the game with that mentality that this is a funny meme game.

Not only that but the actual community is an echo chamber. Making memes out of the already existing memes, always striding further from the original product and interpretation of the game. The actual perception in the game in that part of the community and the actual games are two completely different beasts. The actual game has been buried under so much crap that it doesn't feel like it matters anymore

fandoms can affect the way you see a piece of media. For example I think shrek is a good example. Would people care as much about shrek if there weren't 400000 memes about it?, probably not, but now it is perceived as this titan of modern culture and animation.

if you go into a game with the mentality that you're going to hate it, the chances that you actually hate it are higher, this applies with any mentality you have, as you're trying to see things that don't exist. This is not wrong by itself, this is just called bias, it's a part of being a human

However, I feel it's important to recognise what biases you have, because when you have a totally distorted view of something and you post about it online, you're just missrepresenting the game. Which will end up keeping people that may actually enjoy the game away from the game just because of that



This often connects to a bigger problem, and that is people not really trying to go outside their bubble, often than not, people just find a single piece of media that they enjoy and they would rather just keep watching that over and over making memes of it than actually venture outside it, I talked about that in this thread

We both may have played omori, but we have not had the same experience. I interpret it as a really dark rpg, and you interpet is as a fandom. Which I will say again, is not bad, but at least be self-aware. Don't misrepresent the game.

I have more to say about fandoms, and for that read my review on undertale yellow, which I also talked about in this thread.


omori is an S rank for me, however, I cant say that I respect the way you guys portray omori. And while it's true that you've played the games, it doesn't even really fucking matter as your perception on it is totally different

yeah, i can say that i agree with a lot of the stuff you said with the fandom in basically 99% of cases and that the fandom acts all funny and wholesome but it's not great for the whole context of the game. and i most definitely stand by the fact that it is a REALLY good but REALLY dark game.

Patatitta wrote:

npc_BeaniCraft wrote:

Patatitta wrote:

npc_BeaniCraft wrote:

OMORI.

It's a REALLY good game.

1- i'm saying that I may limit play time, so please read the thread

I actually have played omori, it's one of my favourite games, i've said it in the past, but I have some beef with how some people in the forum perceive omori, so I will also go into that, so please, read this post in full

omori is a psychological horror RPG, focusing more on the psychological aspect than the terror since the game isn't particularly scary. As always, I went blind into this game, even if during the first hour of gameplay or so since I hate horror and they had me to really convince me to play it

the game is made in rpg maker, and while it does have some combat and stuff, that's not at all the point of the game, the combat is nice but you're not playing omori because of the gameplay, you're playing it because of the story, (or in the case of some, the memes...)

the actual plot is pretty emotional, it's about the main protagonist coping with the mental weight of having accidently killed her sister, developing some sort of amnesia and split personality as a result, and the steps the protagonist takes in order to forgive themselves. This is not a comedy game or a chill game by any metric, it's fucking brutal

There are multiple areas in this game, (however I can't get into it without going into severe spoilers) each one having some sort of meaning, the two most important ones are headspace and real life, headspace is the world that sunny has created in his head, and the real life is self explanatory

headspace is supposed to be beautiful and comfy and happy, however, the actual feeling of guilt ends up overcoming sunny, having aspects of reality leak into the dream. The way this is most common is via basil, however there are some other more references. Sunny tries to delete and forget about basil, however, he just cants.

There is also white space, this area is the link between the real world and dreams. Whenever it is sunny in white space they have the option to go deep in their dream or to wake up. To go in the dream is as easy to just go in the door, to wake up, you must kill yourself, you can see this as an analogy of how living in the dream is easier than to even try to change things in real life

further in the game, whenever you actually are about to forgive yourself and erase headspace, white space reacts, by turning into black and then red space. Red space is notorious for having a scene where you kill basil over, and over, and over.

headspace and the real life share multiple characters, however, in headspace they're innocent children, however, in the real life they're older teenagers, each one of them coping with the death of mari (sunny's sister) in different ways

kel just tries to ignore it
aubrey turned to violence
hero tried to ignore the real world by studying and working
and basil is just straight up fucked

in terms of game design. The actual game just understand really well how each scene will affect the player, so it can create a really well done and polished emotional rollercoaster, basically breaking you by the end


---- this is the part I want lostsilver and beanicraft to read ----

SO we've clarified that omori is a fairly complex, very psychological, extremely emotional and pretty dark game. However, if you've been in OT, you may have not realized that since the acutal perception a part of the fanbase seems to have of the game is just totally different, and that just has to do with fandoms and how they can change the game experience for someone

i've called out this exact phenomenon before at least like 4 times, straight up naming people in some of them, however, you guys either have seem to not read it or don't understand it

a cult has formed around omori, the reason why I do not know, but they seem to treat omori as a comedy game. Kel isn't this portrait of someone who tries to put on a facade while he is actually heavily traumatized. But the funny hamburger guy, basil isn't this guy who is about to fucking explode, but this cute little guy who wouldn't hurt anyone

(This has to be the single most out of touch interpretation of omori i've seen in my entire life)





It seems like the entire perception of omori by some is just the funny memes. They once saw a funny meme about a character, and now they go into the game with that mentality that this is a funny meme game.

Not only that but the actual community is an echo chamber. Making memes out of the already existing memes, always striding further from the original product and interpretation of the game. The actual perception in the game in that part of the community and the actual games are two completely different beasts. The actual game has been buried under so much crap that it doesn't feel like it matters anymore

fandoms can affect the way you see a piece of media. For example I think shrek is a good example. Would people care as much about shrek if there weren't 400000 memes about it?, probably not, but now it is perceived as this titan of modern culture and animation.

if you go into a game with the mentality that you're going to hate it, the chances that you actually hate it are higher, this applies with any mentality you have, as you're trying to see things that don't exist. This is not wrong by itself, this is just called bias, it's a part of being a human

However, I feel it's important to recognise what biases you have, because when you have a totally distorted view of something and you post about it online, you're just missrepresenting the game. Which will end up keeping people that may actually enjoy the game away from the game just because of that



This often connects to a bigger problem, and that is people not really trying to go outside their bubble, often than not, people just find a single piece of media that they enjoy and they would rather just keep watching that over and over making memes of it than actually venture outside it, I talked about that in this thread

We both may have played omori, but we have not had the same experience. I interpret it as a really dark rpg, and you interpet is as a fandom. Which I will say again, is not bad, but at least be self-aware. Don't misrepresent the game.

I have more to say about fandoms, and for that read my review on undertale yellow, which I also talked about in this thread.


omori is an S rank for me, however, I cant say that I respect the way you guys portray omori. And while it's true that you've played the games, it doesn't even really fucking matter as your perception on it is totally different

yeah, i can say that i agree with a lot of the stuff you said with the fandom in basically 99% of cases and that the fandom acts all funny and wholesome but it's not great for the whole context of the game. and i most definitely stand by the fact that it is a REALLY good but REALLY dark game.

do you realize i'm grouping you with "the fandom" right

npc_BeaniCraft wrote:

Patatitta wrote:

npc_BeaniCraft wrote:

Patatitta wrote:

npc_BeaniCraft wrote:

OMORI.

It's a REALLY good game.

1- i'm saying that I may limit play time, so please read the thread

I actually have played omori, it's one of my favourite games, i've said it in the past, but I have some beef with how some people in the forum perceive omori, so I will also go into that, so please, read this post in full

omori is a psychological horror RPG, focusing more on the psychological aspect than the terror since the game isn't particularly scary. As always, I went blind into this game, even if during the first hour of gameplay or so since I hate horror and they had me to really convince me to play it

the game is made in rpg maker, and while it does have some combat and stuff, that's not at all the point of the game, the combat is nice but you're not playing omori because of the gameplay, you're playing it because of the story, (or in the case of some, the memes...)

the actual plot is pretty emotional, it's about the main protagonist coping with the mental weight of having accidently killed her sister, developing some sort of amnesia and split personality as a result, and the steps the protagonist takes in order to forgive themselves. This is not a comedy game or a chill game by any metric, it's fucking brutal

There are multiple areas in this game, (however I can't get into it without going into severe spoilers) each one having some sort of meaning, the two most important ones are headspace and real life, headspace is the world that sunny has created in his head, and the real life is self explanatory

headspace is supposed to be beautiful and comfy and happy, however, the actual feeling of guilt ends up overcoming sunny, having aspects of reality leak into the dream. The way this is most common is via basil, however there are some other more references. Sunny tries to delete and forget about basil, however, he just cants.

There is also white space, this area is the link between the real world and dreams. Whenever it is sunny in white space they have the option to go deep in their dream or to wake up. To go in the dream is as easy to just go in the door, to wake up, you must kill yourself, you can see this as an analogy of how living in the dream is easier than to even try to change things in real life

further in the game, whenever you actually are about to forgive yourself and erase headspace, white space reacts, by turning into black and then red space. Red space is notorious for having a scene where you kill basil over, and over, and over.

headspace and the real life share multiple characters, however, in headspace they're innocent children, however, in the real life they're older teenagers, each one of them coping with the death of mari (sunny's sister) in different ways

kel just tries to ignore it
aubrey turned to violence
hero tried to ignore the real world by studying and working
and basil is just straight up fucked

in terms of game design. The actual game just understand really well how each scene will affect the player, so it can create a really well done and polished emotional rollercoaster, basically breaking you by the end


---- this is the part I want lostsilver and beanicraft to read ----

SO we've clarified that omori is a fairly complex, very psychological, extremely emotional and pretty dark game. However, if you've been in OT, you may have not realized that since the acutal perception a part of the fanbase seems to have of the game is just totally different, and that just has to do with fandoms and how they can change the game experience for someone

i've called out this exact phenomenon before at least like 4 times, straight up naming people in some of them, however, you guys either have seem to not read it or don't understand it

a cult has formed around omori, the reason why I do not know, but they seem to treat omori as a comedy game. Kel isn't this portrait of someone who tries to put on a facade while he is actually heavily traumatized. But the funny hamburger guy, basil isn't this guy who is about to fucking explode, but this cute little guy who wouldn't hurt anyone

(This has to be the single most out of touch interpretation of omori i've seen in my entire life)





It seems like the entire perception of omori by some is just the funny memes. They once saw a funny meme about a character, and now they go into the game with that mentality that this is a funny meme game.

Not only that but the actual community is an echo chamber. Making memes out of the already existing memes, always striding further from the original product and interpretation of the game. The actual perception in the game in that part of the community and the actual games are two completely different beasts. The actual game has been buried under so much crap that it doesn't feel like it matters anymore

fandoms can affect the way you see a piece of media. For example I think shrek is a good example. Would people care as much about shrek if there weren't 400000 memes about it?, probably not, but now it is perceived as this titan of modern culture and animation.

if you go into a game with the mentality that you're going to hate it, the chances that you actually hate it are higher, this applies with any mentality you have, as you're trying to see things that don't exist. This is not wrong by itself, this is just called bias, it's a part of being a human

However, I feel it's important to recognise what biases you have, because when you have a totally distorted view of something and you post about it online, you're just missrepresenting the game. Which will end up keeping people that may actually enjoy the game away from the game just because of that



This often connects to a bigger problem, and that is people not really trying to go outside their bubble, often than not, people just find a single piece of media that they enjoy and they would rather just keep watching that over and over making memes of it than actually venture outside it, I talked about that in this thread

We both may have played omori, but we have not had the same experience. I interpret it as a really dark rpg, and you interpet is as a fandom. Which I will say again, is not bad, but at least be self-aware. Don't misrepresent the game.

I have more to say about fandoms, and for that read my review on undertale yellow, which I also talked about in this thread.


omori is an S rank for me, however, I cant say that I respect the way you guys portray omori. And while it's true that you've played the games, it doesn't even really fucking matter as your perception on it is totally different

yeah, i can say that i agree with a lot of the stuff you said with the fandom in basically 99% of cases and that the fandom acts all funny and wholesome but it's not great for the whole context of the game. and i most definitely stand by the fact that it is a REALLY good but REALLY dark game.

do you realize i'm grouping you with "the fandom" right

yeah i know. ever sense i played it (about 2 months ago, ish.) i knew that the fandom was wrong in a lot of cases with the tone of the game and it's characters.

Patatitta wrote:

npc_BeaniCraft wrote:

Patatitta wrote:

npc_BeaniCraft wrote:

Patatitta wrote:

npc_BeaniCraft wrote:

OMORI.

It's a REALLY good game.

1- i'm saying that I may limit play time, so please read the thread

I actually have played omori, it's one of my favourite games, i've said it in the past, but I have some beef with how some people in the forum perceive omori, so I will also go into that, so please, read this post in full

omori is a psychological horror RPG, focusing more on the psychological aspect than the terror since the game isn't particularly scary. As always, I went blind into this game, even if during the first hour of gameplay or so since I hate horror and they had me to really convince me to play it

the game is made in rpg maker, and while it does have some combat and stuff, that's not at all the point of the game, the combat is nice but you're not playing omori because of the gameplay, you're playing it because of the story, (or in the case of some, the memes...)

the actual plot is pretty emotional, it's about the main protagonist coping with the mental weight of having accidently killed her sister, developing some sort of amnesia and split personality as a result, and the steps the protagonist takes in order to forgive themselves. This is not a comedy game or a chill game by any metric, it's fucking brutal

There are multiple areas in this game, (however I can't get into it without going into severe spoilers) each one having some sort of meaning, the two most important ones are headspace and real life, headspace is the world that sunny has created in his head, and the real life is self explanatory

headspace is supposed to be beautiful and comfy and happy, however, the actual feeling of guilt ends up overcoming sunny, having aspects of reality leak into the dream. The way this is most common is via basil, however there are some other more references. Sunny tries to delete and forget about basil, however, he just cants.

There is also white space, this area is the link between the real world and dreams. Whenever it is sunny in white space they have the option to go deep in their dream or to wake up. To go in the dream is as easy to just go in the door, to wake up, you must kill yourself, you can see this as an analogy of how living in the dream is easier than to even try to change things in real life

further in the game, whenever you actually are about to forgive yourself and erase headspace, white space reacts, by turning into black and then red space. Red space is notorious for having a scene where you kill basil over, and over, and over.

headspace and the real life share multiple characters, however, in headspace they're innocent children, however, in the real life they're older teenagers, each one of them coping with the death of mari (sunny's sister) in different ways

kel just tries to ignore it
aubrey turned to violence
hero tried to ignore the real world by studying and working
and basil is just straight up fucked

in terms of game design. The actual game just understand really well how each scene will affect the player, so it can create a really well done and polished emotional rollercoaster, basically breaking you by the end


---- this is the part I want lostsilver and beanicraft to read ----

SO we've clarified that omori is a fairly complex, very psychological, extremely emotional and pretty dark game. However, if you've been in OT, you may have not realized that since the acutal perception a part of the fanbase seems to have of the game is just totally different, and that just has to do with fandoms and how they can change the game experience for someone

i've called out this exact phenomenon before at least like 4 times, straight up naming people in some of them, however, you guys either have seem to not read it or don't understand it

a cult has formed around omori, the reason why I do not know, but they seem to treat omori as a comedy game. Kel isn't this portrait of someone who tries to put on a facade while he is actually heavily traumatized. But the funny hamburger guy, basil isn't this guy who is about to fucking explode, but this cute little guy who wouldn't hurt anyone

(This has to be the single most out of touch interpretation of omori i've seen in my entire life)





It seems like the entire perception of omori by some is just the funny memes. They once saw a funny meme about a character, and now they go into the game with that mentality that this is a funny meme game.

Not only that but the actual community is an echo chamber. Making memes out of the already existing memes, always striding further from the original product and interpretation of the game. The actual perception in the game in that part of the community and the actual games are two completely different beasts. The actual game has been buried under so much crap that it doesn't feel like it matters anymore

fandoms can affect the way you see a piece of media. For example I think shrek is a good example. Would people care as much about shrek if there weren't 400000 memes about it?, probably not, but now it is perceived as this titan of modern culture and animation.

if you go into a game with the mentality that you're going to hate it, the chances that you actually hate it are higher, this applies with any mentality you have, as you're trying to see things that don't exist. This is not wrong by itself, this is just called bias, it's a part of being a human

However, I feel it's important to recognise what biases you have, because when you have a totally distorted view of something and you post about it online, you're just missrepresenting the game. Which will end up keeping people that may actually enjoy the game away from the game just because of that



This often connects to a bigger problem, and that is people not really trying to go outside their bubble, often than not, people just find a single piece of media that they enjoy and they would rather just keep watching that over and over making memes of it than actually venture outside it, I talked about that in this thread

We both may have played omori, but we have not had the same experience. I interpret it as a really dark rpg, and you interpet is as a fandom. Which I will say again, is not bad, but at least be self-aware. Don't misrepresent the game.

I have more to say about fandoms, and for that read my review on undertale yellow, which I also talked about in this thread.


omori is an S rank for me, however, I cant say that I respect the way you guys portray omori. And while it's true that you've played the games, it doesn't even really fucking matter as your perception on it is totally different

yeah, i can say that i agree with a lot of the stuff you said with the fandom in basically 99% of cases and that the fandom acts all funny and wholesome but it's not great for the whole context of the game. and i most definitely stand by the fact that it is a REALLY good but REALLY dark game.

do you realize i'm grouping you with "the fandom" right

yeah i know. ever sense i played it (about 2 months ago, ish.) i knew that the fandom was wrong in a lot of cases with the tone of the game and it's characters.

so you've been posting about the game for a year, missrepresenting what the game actually was without even having played it?

Reyalp51 wrote:

Patatitta wrote:

npc_BeaniCraft wrote:

Patatitta wrote:

npc_BeaniCraft wrote:

Patatitta wrote:

npc_BeaniCraft wrote:

OMORI.

It's a REALLY good game.

1- i'm saying that I may limit play time, so please read the thread

I actually have played omori, it's one of my favourite games, i've said it in the past, but I have some beef with how some people in the forum perceive omori, so I will also go into that, so please, read this post in full

omori is a psychological horror RPG, focusing more on the psychological aspect than the terror since the game isn't particularly scary. As always, I went blind into this game, even if during the first hour of gameplay or so since I hate horror and they had me to really convince me to play it

the game is made in rpg maker, and while it does have some combat and stuff, that's not at all the point of the game, the combat is nice but you're not playing omori because of the gameplay, you're playing it because of the story, (or in the case of some, the memes...)

the actual plot is pretty emotional, it's about the main protagonist coping with the mental weight of having accidently killed her sister, developing some sort of amnesia and split personality as a result, and the steps the protagonist takes in order to forgive themselves. This is not a comedy game or a chill game by any metric, it's fucking brutal

There are multiple areas in this game, (however I can't get into it without going into severe spoilers) each one having some sort of meaning, the two most important ones are headspace and real life, headspace is the world that sunny has created in his head, and the real life is self explanatory

headspace is supposed to be beautiful and comfy and happy, however, the actual feeling of guilt ends up overcoming sunny, having aspects of reality leak into the dream. The way this is most common is via basil, however there are some other more references. Sunny tries to delete and forget about basil, however, he just cants.

There is also white space, this area is the link between the real world and dreams. Whenever it is sunny in white space they have the option to go deep in their dream or to wake up. To go in the dream is as easy to just go in the door, to wake up, you must kill yourself, you can see this as an analogy of how living in the dream is easier than to even try to change things in real life

further in the game, whenever you actually are about to forgive yourself and erase headspace, white space reacts, by turning into black and then red space. Red space is notorious for having a scene where you kill basil over, and over, and over.

headspace and the real life share multiple characters, however, in headspace they're innocent children, however, in the real life they're older teenagers, each one of them coping with the death of mari (sunny's sister) in different ways

kel just tries to ignore it
aubrey turned to violence
hero tried to ignore the real world by studying and working
and basil is just straight up fucked

in terms of game design. The actual game just understand really well how each scene will affect the player, so it can create a really well done and polished emotional rollercoaster, basically breaking you by the end


---- this is the part I want lostsilver and beanicraft to read ----

SO we've clarified that omori is a fairly complex, very psychological, extremely emotional and pretty dark game. However, if you've been in OT, you may have not realized that since the acutal perception a part of the fanbase seems to have of the game is just totally different, and that just has to do with fandoms and how they can change the game experience for someone

i've called out this exact phenomenon before at least like 4 times, straight up naming people in some of them, however, you guys either have seem to not read it or don't understand it

a cult has formed around omori, the reason why I do not know, but they seem to treat omori as a comedy game. Kel isn't this portrait of someone who tries to put on a facade while he is actually heavily traumatized. But the funny hamburger guy, basil isn't this guy who is about to fucking explode, but this cute little guy who wouldn't hurt anyone

(This has to be the single most out of touch interpretation of omori i've seen in my entire life)





It seems like the entire perception of omori by some is just the funny memes. They once saw a funny meme about a character, and now they go into the game with that mentality that this is a funny meme game.

Not only that but the actual community is an echo chamber. Making memes out of the already existing memes, always striding further from the original product and interpretation of the game. The actual perception in the game in that part of the community and the actual games are two completely different beasts. The actual game has been buried under so much crap that it doesn't feel like it matters anymore

fandoms can affect the way you see a piece of media. For example I think shrek is a good example. Would people care as much about shrek if there weren't 400000 memes about it?, probably not, but now it is perceived as this titan of modern culture and animation.

if you go into a game with the mentality that you're going to hate it, the chances that you actually hate it are higher, this applies with any mentality you have, as you're trying to see things that don't exist. This is not wrong by itself, this is just called bias, it's a part of being a human

However, I feel it's important to recognise what biases you have, because when you have a totally distorted view of something and you post about it online, you're just missrepresenting the game. Which will end up keeping people that may actually enjoy the game away from the game just because of that



This often connects to a bigger problem, and that is people not really trying to go outside their bubble, often than not, people just find a single piece of media that they enjoy and they would rather just keep watching that over and over making memes of it than actually venture outside it, I talked about that in this thread

We both may have played omori, but we have not had the same experience. I interpret it as a really dark rpg, and you interpet is as a fandom. Which I will say again, is not bad, but at least be self-aware. Don't misrepresent the game.

I have more to say about fandoms, and for that read my review on undertale yellow, which I also talked about in this thread.


omori is an S rank for me, however, I cant say that I respect the way you guys portray omori. And while it's true that you've played the games, it doesn't even really fucking matter as your perception on it is totally different

yeah, i can say that i agree with a lot of the stuff you said with the fandom in basically 99% of cases and that the fandom acts all funny and wholesome but it's not great for the whole context of the game. and i most definitely stand by the fact that it is a REALLY good but REALLY dark game.

do you realize i'm grouping you with "the fandom" right

yeah i know. ever sense i played it (about 2 months ago, ish.) i knew that the fandom was wrong in a lot of cases with the tone of the game and it's characters.

so you've been posting about the game for a year, missrepresenting what the game actually was without even having played it?

Patatitta wrote:

Reyalp51 wrote:

Patatitta wrote:

npc_BeaniCraft wrote:

Patatitta wrote:

npc_BeaniCraft wrote:

Patatitta wrote:

npc_BeaniCraft wrote:

OMORI.

It's a REALLY good game.

1- i'm saying that I may limit play time, so please read the thread

I actually have played omori, it's one of my favourite games, i've said it in the past, but I have some beef with how some people in the forum perceive omori, so I will also go into that, so please, read this post in full

omori is a psychological horror RPG, focusing more on the psychological aspect than the terror since the game isn't particularly scary. As always, I went blind into this game, even if during the first hour of gameplay or so since I hate horror and they had me to really convince me to play it

the game is made in rpg maker, and while it does have some combat and stuff, that's not at all the point of the game, the combat is nice but you're not playing omori because of the gameplay, you're playing it because of the story, (or in the case of some, the memes...)

the actual plot is pretty emotional, it's about the main protagonist coping with the mental weight of having accidently killed her sister, developing some sort of amnesia and split personality as a result, and the steps the protagonist takes in order to forgive themselves. This is not a comedy game or a chill game by any metric, it's fucking brutal

There are multiple areas in this game, (however I can't get into it without going into severe spoilers) each one having some sort of meaning, the two most important ones are headspace and real life, headspace is the world that sunny has created in his head, and the real life is self explanatory

headspace is supposed to be beautiful and comfy and happy, however, the actual feeling of guilt ends up overcoming sunny, having aspects of reality leak into the dream. The way this is most common is via basil, however there are some other more references. Sunny tries to delete and forget about basil, however, he just cants.

There is also white space, this area is the link between the real world and dreams. Whenever it is sunny in white space they have the option to go deep in their dream or to wake up. To go in the dream is as easy to just go in the door, to wake up, you must kill yourself, you can see this as an analogy of how living in the dream is easier than to even try to change things in real life

further in the game, whenever you actually are about to forgive yourself and erase headspace, white space reacts, by turning into black and then red space. Red space is notorious for having a scene where you kill basil over, and over, and over.

headspace and the real life share multiple characters, however, in headspace they're innocent children, however, in the real life they're older teenagers, each one of them coping with the death of mari (sunny's sister) in different ways

kel just tries to ignore it
aubrey turned to violence
hero tried to ignore the real world by studying and working
and basil is just straight up fucked

in terms of game design. The actual game just understand really well how each scene will affect the player, so it can create a really well done and polished emotional rollercoaster, basically breaking you by the end


---- this is the part I want lostsilver and beanicraft to read ----

SO we've clarified that omori is a fairly complex, very psychological, extremely emotional and pretty dark game. However, if you've been in OT, you may have not realized that since the acutal perception a part of the fanbase seems to have of the game is just totally different, and that just has to do with fandoms and how they can change the game experience for someone

i've called out this exact phenomenon before at least like 4 times, straight up naming people in some of them, however, you guys either have seem to not read it or don't understand it

a cult has formed around omori, the reason why I do not know, but they seem to treat omori as a comedy game. Kel isn't this portrait of someone who tries to put on a facade while he is actually heavily traumatized. But the funny hamburger guy, basil isn't this guy who is about to fucking explode, but this cute little guy who wouldn't hurt anyone

(This has to be the single most out of touch interpretation of omori i've seen in my entire life)





It seems like the entire perception of omori by some is just the funny memes. They once saw a funny meme about a character, and now they go into the game with that mentality that this is a funny meme game.

Not only that but the actual community is an echo chamber. Making memes out of the already existing memes, always striding further from the original product and interpretation of the game. The actual perception in the game in that part of the community and the actual games are two completely different beasts. The actual game has been buried under so much crap that it doesn't feel like it matters anymore

fandoms can affect the way you see a piece of media. For example I think shrek is a good example. Would people care as much about shrek if there weren't 400000 memes about it?, probably not, but now it is perceived as this titan of modern culture and animation.

if you go into a game with the mentality that you're going to hate it, the chances that you actually hate it are higher, this applies with any mentality you have, as you're trying to see things that don't exist. This is not wrong by itself, this is just called bias, it's a part of being a human

However, I feel it's important to recognise what biases you have, because when you have a totally distorted view of something and you post about it online, you're just missrepresenting the game. Which will end up keeping people that may actually enjoy the game away from the game just because of that



This often connects to a bigger problem, and that is people not really trying to go outside their bubble, often than not, people just find a single piece of media that they enjoy and they would rather just keep watching that over and over making memes of it than actually venture outside it, I talked about that in this thread

We both may have played omori, but we have not had the same experience. I interpret it as a really dark rpg, and you interpet is as a fandom. Which I will say again, is not bad, but at least be self-aware. Don't misrepresent the game.

I have more to say about fandoms, and for that read my review on undertale yellow, which I also talked about in this thread.


omori is an S rank for me, however, I cant say that I respect the way you guys portray omori. And while it's true that you've played the games, it doesn't even really fucking matter as your perception on it is totally different

yeah, i can say that i agree with a lot of the stuff you said with the fandom in basically 99% of cases and that the fandom acts all funny and wholesome but it's not great for the whole context of the game. and i most definitely stand by the fact that it is a REALLY good but REALLY dark game.

do you realize i'm grouping you with "the fandom" right

yeah i know. ever sense i played it (about 2 months ago, ish.) i knew that the fandom was wrong in a lot of cases with the tone of the game and it's characters.

so you've been posting about the game for a year, missrepresenting what the game actually was without even having played it?

burgernfat wrote:

i know you are really not in the mood for long games, but hell, might as well suggest something. If you are willing to, try Cyberpunk 2077