1. Futsuu (2.19 stars, 307 notes)
2. Inner Oni (4.78 stars, 747 notes)
3. Kantan (1.65 stars, 169 notes)
4. Muzukashii (3.27 stars, 481 notes)
5. Oni (4.25 stars, 616 notes)

JarHed wrote:

Hi I'm here for Mod

Kantan:

- Not many problems seen at all but i only have one suggestion. I think it lacks variety. Experiment with different patterns. The ones in your difficulty for this beatmap work none the less, however try filling in some of the holes in the map. This being a kantan not being hard at all was very well put out. I don't have any note changes for this difficulty. Great Work. Problem with this song is that it's so repetitive (as in it's literally the same thing repeated twice) that changing the pattern too much may result in confusion. Often times my noob friends come to me whining about "this note was a k here but the same one was a d here it doesn't make sense !!!11!!" so to avoid that, I often use the same patterns you find earlier in the map.

Futsuu:

- 00:09:487 (30) - I reccomend changing this to a kat Reason being it is the same sound as 00:09:162 (29) - I beleive it would fit perfect here. Descending "bass" line implies k d d, plus every other diff is mapped this way, so it's ok.

- 00:45:000 (128) - Delete this note. I don't think it is needed here since there is no sound clear enough for a note to be placed here. There's literally a note that is in the melody here though.

<-- Change these notes to Don kat Don It fits the sounds here better in my own personal opinion and contiunes the previous first change i made. Same reason as before.

- 01:27:486 (245) - Change to a Don It's the highest note of the melody in that phrase, as well as the point of emphasis leading from beat 1.

Great Job on your Futsuu, Just a few changes here and there but very well mapped.

Muzukashii:

Wow! Great job on the Muzukashii. Basically the same thing i said for Kantan difficulty. Experiment with some more patterns to give it variety. The ones you used are great and really fits a muzukashii difficulty!

Oni:

- 00:36:081 (200,201,202,203,204) - I would change this pattern to d d k k d To fit the sound here better. It seems like a grow sound if that makes sense i don't know (Personal Opinion) Changed from kdddd to kdkkd, I want to include that snare hit on the white tick still

- Add a few notes at the slow down section at the very end of the song. Reason for this is because most oni players have a good reading skill and it throws in a little extra difficulty! For example i changed the ending like this:

Aight.

Great job on the Oni Great use of patterns i had to be picky to find errors! Great Job!

Inner Oni:

- At 00:30:243 (224) - Change this pattern to what i put here:

There is just some unneeded notes placed here. I want to map the last three notes of the trill to put emphasis on that white tick d, as it's the end of the melody there.

- 01:43:798 (59) - VERY LAST NOTE!! - Change to a don It suits the sound here better and if you apply my change in the oni it is similar for the map set! Heh woops.

Well there are all my changes for this Inner Oni. Great job mapping this, but my overall feeling is there is just some parts of this difficulty that feel a tiny bit over mapped if you know where I'm coming from. However it was fun to play so its definitely not a bad thing. My recommendation is to just experiment really. Bottom line is i see this as a great mapset and its looking very good so far!

Best of Luck with ranking!!!

Backfire wrote:

[Kantan]
00:10:460 - Finisher here, I think, because it's like a pretty big tempo change as well as a drum crash in the background. Fits well
00:31:216 - ^ Kinda the same here.
01:12:729 - ^ applied to the beginning of the melody, others are eh
Hear me out, maybe you can make this kantan have a little intense part by adding notes here 01:23:594 - 01:26:188 - 01:28:783 - 01:29:756 - ? I think it gives it a nice rhythm and makes it stick out from the part where you didn't do this, since its the end of the song, it might challenge players. I think that bumps the SR up a little bit but that's not necessarily a bad thing. added for the first two, but adding the second two makes it too much like the futsuu

[Futsuu]
Mmk so the finisher thing I outlined in Kantan is also prevalent here, so keep that in mind.
01:12:080 - Imo should be a kat, the sounds before are pretty defined. all diffs follow the bass line descending here, even the inner has the k d d pattern.

[Muzu]
Ok so the finisher thing is in every diff i take it, at this point I guess it's a concious decision but it would be ok to apply my change
There is not many nitpicks with the overall mapping, like whatsoever, I just think it's a little difficult. Halving up long sequences by removing notes like 00:15:811 - 00:21:000 - 00:26:189 - is what I would do for the whole map. If it's 2 measures long, make them 1 measure long, essentially. There is not enough differentiating muzu and oni so you should probably do this. made some changes here

[Oni]
00:26:189 - Change this to kkd, this is literally one of the only kdd in the entire map and it sticks out badly.
01:07:702 - ^
01:17:594 - kdkkd is a better pattern, I just generally dislike ending anything in kdd. ok to all

[Inner Oni]
00:26:189 - kkd for the same reasons as oni I thought it worked well with the mirror kdd k ddk pattern but changed cause why the hell not
01:02:513 - ^

HP 6 on like every diff
OD 5.5 on Oni if that's cool decimals scare me

Just rank this it's good

Nifty wrote:

Tfw there was a mapping contest for this song and nobody told me about it.

JarvisGaming YT wrote:

From queue
[Kantan]
Maybe change HP to 8 I only do this if there's no more than 100 notes
00:15:000 (24) - k because of slight pitch change I see it more fit as d
00:54:567 (84,85,86) - dkd to fit the pitch okk
00:56:513 (89) - k because of slight pitch change just too slight, not an issue
01:26:188 (139) - d because lower pitch cymbal
[Footshoe]
00:07:541 (23,24,25) - ddk to fit pitch the extra bloop are more prominent here, they go down
01:39:972 (268,269,270,271) - kdkd changed to kkdd
[Muzu]
00:17:919 (82,83,84,85,86) - ddkdk to fit pitch but that doesn't fit the pitch
01:42:725 (41,42,43) - dkd sounds better that's an inconsistency too, oke
[Oni]
good cool
[Inner Oni]
00:24:487 (180) - k to make it sound better d is more fun to play
01:05:999 (497) - ^

Gl :3

[R] wrote:

yo

[Kantan]
00:40:621 - move 00:39:648 - and 00:40:946 - move 00:40:784 - , having x xxx repetition kinda boring yes good
00:55:865 (87,88,89) - ddd change ddk or kkd, to emphasize 00:56:513 - as pitch drop changed kkd
01:22:134 - same like 00:40:621 -

[Futsuu]
00:01:703 - | 00:06:892 - | delete, seeing kantan have less note here I don't see what you mean
00:40:297 - change don ? for a consistent flow like 00:37:703 - | 00:39:000 - The noise is very similar to the next one, and I want these synths to be expressed with the same intensity
00:46:135 - | 00:46:459 - delete, the drum doesnt fit to hear, also u skip the drum in 00:41:108 - Those beats are mapped specifically to the drum, and that break is the same as the same spot before
00:50:675 - add don and 00:51:324 - move 00:51:162 - sound will more fit changed a bit
00:51:648 - delete, give a rest for next kiai These drums hits are too important imo to leave out, the intensity builds up and then drops off at the kiai as well
01:11:594 - add note ? sure

[Muzukashii]
00:15:406 - | 00:25:784 - delete, instead 00:20:595 - add note, hard to explain but seeing oni 00:20:514 - have 5plet, this will keep the sphread hmm, I changed some stuff around
00:47:432 - delete ? for a good flow This pattern is alright, I think the filler d's do well in emphasizing the k's more for the melody
01:28:945 - ^ ^

that's all from me
gl ranking

Karee Pan wrote:

G'day sir, here's M4M.

[Kantan]

00:11:433 - I think You should add some notes after the drop to separate from the quiet start. the 4 spots like this could work. The finisher is enough to signify the change.
00:52:946 - Then we could consider adding 4 of them here too. ^

[Futsuu]

00:15:162 00:25:541 - Could add d's here for some intensity. I want to keep the spacing, this is a calmer section, a "break" if you will.
00:45:486 (130) - This could just be a d cause of the pitch rise at (131) Changed for consistency.

[Muzukashii]

00:47:432 (216) - Deleting this would work better for building some intensity in this section Changed the pattern to make it EVEN BETTER.
00:51:324 (239) - It's probably a bit much for Muzu, but switching this to d and putting the k to 00:51:162 instead would keep the double k's going and work on the intensity build as well. Just a thought. The difficulty is appropriate, being the peak of the song.

[Oni]

00:36:162 (200) - Consider deleting this note, this 5plet feels out of place for this section considering how calm you map the rest of it. I would rather keep this, it keeps the map from dipping into the boring side and also I want to map the sounds there.
00:48:081 - You could consider a 1/3 kddk here instead, to me it flows alot better than 2 lone doubles. I'll just flip the first to be dk, since I think the transition from 1/4 to 1/3 in a longer pattern is too difficult (or too identical to the inner).


[Inner Oni]

00:25:703 (190) - d would separate the double snare nicely Oh yeah.
00:36:243 (264) - Pretty distinguishing bassdrum sound here so this could be a d. I'm mapping to those rising bloops, in gameplay you hear them over the bass.
00:48:081 - how about kddkddkdkkdkk, I feel it might represent the pitch rise a bit. I like the pattern I have more, and it represents the music well enough I feel.


Sorry, mod is somewhat stub. Map is really well done, feels like nitpicking finding much of anything to change. Good job! thankyawwwww

Backfire wrote:

pop bubble this map sucks

Backfire wrote:

pop bubble this map sucks

Taikocracy wrote:

some spread problems, all from oni -> inner oni

every time there's a stream plotted in the inner there's no such difficulty buildup from the oni, where in all the difficulties have d k d k d 1/1, the inner oni has a full measure stream. while the spread from an oni and higher isn't too big a deal, i don't think it's a good idea to have such different density gaps from one oni to another. this occurs at 00:23:432 - and 01:04:945 - . a similar difficulty gap is present at 00:37:703 - where there's 1 basic 1/4 triplet, while the inner has a 7 plet and 9 plet 1/4 pattern with a 1/2 break in between them.

on top of that i think some of the plots in the inner oni are not consistent as they follow the highest pitched chip melody but then proceed to ignore what it does very abruptly, i.e. 00:30:000 - and then plot it when it comes back around at 00:43:054 (311) - . (and i don't like how you skipped over the melody in the intro as well, there isn't much of any reason to ignore it)

also why is 00:01:379 - in the futsuu filled but there's absolutely nothing in the kantan here, and again at 00:06:568 - ?

call me or gabe back to rebubble when considered/fixed

p.s. i just read that the "defining factor" is how the streams set the inner apart from the regular oni, which isn't a solid ideal to map with. difficulty increase is best measured by increases in note density as well as pattern complexity, and if the only factor that sets the two difficulties apart is the streams, there shouldn't be an inner oni imo.

Okorin wrote:

lolz the last time i popped a taiko bubble the mapper literally quit the game
bold stuff = reason for blocking my response

[inner oni]
there's a bunch of instances throughout the map where you just switch layers from what you were following primarily. Most of your patterns are really strictly mapped towards the main melody layer of this song, but then you either randomly just switch to something completely different or just dont map anything.

This becomes kind of obvious in the following places:
00:00:325 - 00:00:811 - etc where you throw in a simplified rhythm just to then accurately follow the melody in the next measure - playing this feels like listening to the music selectively, "oh the densest patterns are in the least dense part" - i think either going and simplifying everything | So you think I should map every sound here 1:1 as it's mapped in the kiai even though it's like, 1/4th of the intensity? Alright, changed, unless you change your mind.

00:09:162 (55,56,57,58,59) - up until here you've been following the main melody, now the main melody turned out to be doing something more complicated so you switch to the layer that no one paid any attention to | This is not mappable, it's an unquantized trill that follows a loose 1/6th on the first measure, but the 7th note of the pattern falls about 10ms past the white tick, and since it slows down, there's only 4 notes left in the trill. Please, tell me how to fit 11 notes inside of 2 bars. Otherwise, I changed these areas to sliders.

00:15:000 (95,96,97,98,99,100,101,102,103) - 00:19:541 (133,134,135,136,137,138) - same thing as before, you're throwing people off balance by suddenly switching away from the most obvious thing you've been following all day | I understand this, simplified

00:23:432 (167,168,169,170,171,172,173,174,175,176,177,178,179,180,181,182,183) - I mean yeah, that stuff is there but it also is the least obvious thing you could have followed, a stream like that would fit better on 00:38:270 - where it is the main thing going on instead of this place where the very existence of these sounds is like the most minute background thing that exists | Ok, so what do I put there, just some random 2/1 breaks in the middle of the kiai? As I see it, I'm following both of these noises in the kiai since the main melody gets so simple like there. You can see that I'm following this side bloop when I map 00:56:027 - this. As far as I'm concerned, if the player does not expect a long stream when that noise gets more complicated, it's their own fault for not realizing that it's being mapped. Also, the main melody of higher pitched bloops pretty obviously steps back to allow that pattern to be heard, giving it even more reason to be mapped. What I'm saying is, the layer switching is a consequence of the melody being passed between these two sounds.

Basically the biggest issue i see with this map is that the pacing of the map doesn't match the pacing of the song and breaks the system of what you've been following a lot

I think this thing could be better if you followed what you have been following more consequently. That'll end up making stuff not only more straightforward to play but also less awkward. Because as it stands right now i kind of had to memorize the system you slapped on this song instead of listening to the music in order to play this map and i dont think that's what this should be about

Nifty wrote:

I don't agree that sv is appropriate for this map. Although there are some areas where it could possibly be utilized, those areas would stand out way too much in comparison to the rest of the map to consider them appropriate to add in. The song is easygoing, and since some players think literally any sv changes at all are a burden, I also considered that as a factor in not applying sv to this map.

also I kind of want to rank something regular

1. https://oishiichan.bandcamp.com/ https://puu.sh/ylg4b/d9bb8930fc.png
2. https://soundcloud.com/oishiichan/up-up-mt-cake-free-download https://puu.sh/ylg5Y/f8e0049deb.png
3. https://www.youtube.com/watch?v=opUkRtUe8UE https://puu.sh/ylg9o/9a6decbab3.png
4.