[Easy]
- 00:49:110 (3) - blanket like this? If you're worried about 00:52:353 (3) - , then just update that one as well? (It doesn't look bad)
- 01:17:083 (3) - Could make this more level with the head and tail. It just makes it a bit less lazy looking if that makes sense. same with 02:23:570 (3) -
- 02:08:570 (1) - copy paste? Surely you aren't that lazy... I'll be honest here. with the lack of unique sliders (You only have 3 types. Curved, Straight, and the Sharp curved ones ) and the copy paste, it could use a little bit more variety imo. Either by remapping the 2nd kiai, or changing a few sliders so you have more shapes. (Hard is a really good example of 1/1 slider variety)
- 03:26:407 (1,2,3,4) - There is more than enough time between these and the previous note that you can ignore DS without any issues. Try moving this from the corner a little.
- 03:14:043 (2,3) - and 03:17:286 (2,3) - These offbeats can get a bit confusing to play and then adding in the non stop 1/2 gapped notes here is a bit much to play for a normal. A simple rhythm like 02:21:543 (1,2,3,4,5,6) - would fit this better. Stuff like 03:14:245 - on its tail doesn't even need to be mapped, so you can skip right over it! If you must have this current rhythm, then you at least need to delete 03:16:475 (8) - for some breathing room. This plays like a hard otherwise. This also applies to the upcoming section as it's the exact same rhythm! An example below is something that can keep the feeling of intensity and still be simple enough to play! It's literally the same as your earlier Kiai, but with some reverses to keep the claps going.
- 03:25:597 (6) - The tail end is actually lead-in for the upcoming note so having it connect to the head of (6) doesn't actually make much sense. It'd be better if you either ignored where the tail is, or made (6) two circles instead! An example is 01:26:813 (6) - where you don't even map 01:27:624 - and it's stronger than what you mapped at 03:26:002 -
- 00:08:570 (1,2,3,4) - compared to 00:11:813 (1,2,3,4,5) - should not have any DS changes. They sound the exact same! Either use 1.15 or 1.3 for both (1.15 worked wonderfully btw, but 1.3 seems to be the one you want) This pretty much applies to the rest of your kiais (all of them in the song) and imo doesn't work great. You should be using a consistent DS as the music doesn't change throughout it. If there was buildup during each part, then sure it would make sense... but there isn't.... I suggest using a consistent 1.3 DS throughout the whole kiai instead.
- 00:20:529 (3,4) - Doesn't really matter, but shouldn't these two be swapped? Just looking at 01:26:813 (2,3,4) - and 02:33:299 (2,3,4) - as examples.
- 02:27:522 - Missed note? Look at your other kiai | 01:21:036 (5) - for example.
- 00:38:367 (3) - Maybe try placing this on the (5)?
- 00:56:205 (1,2) - swap NCs on these? the (1) is just lead-in so when someone plays this, they'll naturally think it's part of the next combo and wait a full 1/1 to click this instead of 1/2. Mind games. This is why we don't NC other lead-ins like 01:01:678 (1,1) -| 02:02:488 (5,1) - same |
- 01:20:529 (4) - a little curve would be nice.
- 01:30:664 (4,5) - Control+G?
- 02:16:881 (2) - Even spacing between prev and next would work nice here.
- 02:22:151 (3) - This is really awkward to play having the slider break flow with its curve. A downward curve would make much more sense:
- 02:28:434 (2) - somewhere around x324 y348?
- 02:53:874 - missing note? you can really feel the triple here.