00:00:611 (611|2,689|1,768|0,768|3,846|2,925|1,1004|3) - I think it's too simple
00:00:611 (611|2,689|1) - low
00:00:768 (768|3,768|0) - high
00:00:846 (846|2) - high
00:00:925 (925|1,1004|3) - low
I'm sure you can build up just with a drum roll
i dont like the three note "anchor" it would make in the third column and i think it would flow weird
00:00:611 (611|2,689|1,768|0,768|3,846|1,925|2,1004|3) - not fit the song very well tbh especially for strength of instruments
why do I object to that pattern: It's basically a really flat representation of the guitar sound in the back, so you have to have a strong beginning to make the back part harmonious. so i've taken a slightly curved pattern as an example, unlike the simple steps in the past.
but I think it's a shame that you change it to just one reason that "it doesn't fit the song" bruh
I've seen the discussion about SR but it's a different issue than that.
Personally, I think the pattern that doesn't really match the song, and it's so repetitive that I have no choice but to use the same for irregular sounds.
It's also composed to fit very well with the drums, not to use a different snap from the drums.
So I prefer an honest, more diverse structure, not a pattern with these release elements added
i map their for how the guitar sounds with how it "connects" with each past guitar sound with such a flow like sound. the extended lns mimic this flow where it visually looks flowy. they arnt much harder to play then if they were 1/4 but the look and the feel makes it much more impactful when playing and watching.
the sr is not my problem because the sr system is poopoo, nerf the sr of this ppy plz
00:05:637 (5637|1,5637|0,5794|1,5794|0) - vs 00:05:716 (5716|3,5716|2,5873|3,5873|2) - difference in the intensity of sound and power is also important
i dont think i need to reduce the trill since it is a long snare roll and snares are all doubles through the map
00:08:621 - triple is essential for the next part. If you can't use a triple, you should highlight the cymbals using at least 1|4 structure, but 00:07:365 (7365|3,7365|2,7365|0) - it's a good idea to put it strongly considering those parts.
00:08:778 (8778|1,8935|2,9093|0,9250|3,9407|2,9564|1,9721|0) - Wouldn't these riffs be weird if the LN was connected?
00:08:883 - 00:09:040 - the break is usually constant, and they can also throw a question mark when playing
i think it it fine as it is because of the intensity of the section right before it is much intense compared to this chill guitar interlude.
00:20:558 (20558|0,20558|2,20558|1,20716|3,20794|0) - there is a possibility to rearrange this as this felt off while playing.
maybe try smt that will flow better with the song, like this
this will flow much better into the chorus.
i wont copy because i have it in such a way where the higher pitch is on the right and the lower pitch is on the left
What about these patterns?
Personally, in that part 00:21:030 (21030|2,21108|1,21187|2,21187|3,21187|0) - a stronger drum appears in front of this earlier part, but it seemed like a triple and a single lacked expression
i added triples for the first one but not the second, it think might a bit crowded with a ln in that section
00:22:129 (22129|1,22286|3) - It sounds like supposed to be an anchor
In addition to this part, there is an expressive efficacy that emerges from the emphasis on anchors, and this is an essential part of low-density streams.
00:23:307 (23307|3,23386|2,23543|3,23621|2,23778|3,23857|2,24014|3,24093|2) - this visual appearance and excessive overlapping stream structure break the song flow
there will be countless times in this part, and it needs to be fixed
00:42:391 (42391|0) - recommend column 3
00:41:291 (41291|2,41449|0,41606|1,41763|3) - Since it has gone up to the right, it is recommended that you follow the pitch concept 00:42:390 - 00:43:019 - down to column 1 here
00:45:061 - triple for big symbol
ex 00:42:548 (42548|2,42548|3,42548|0) - 00:46:318 (46318|1,46318|2,46318|3) -
00:52:206 Your LN usage prevents you from placing a note for the drum kick, i don't know if you want to consider adding one since it's gonna create a minijack no matter what but I'll leave it up to you. Also it may be me but 00:52:128 (52128|0) - might be too late
00:56:369 (56369|2,56369|3,56526|1,56526|0,56683|2,56683|3,56840|0,56840|1) - 00:58:253 (58253|3,58253|2,58411|0,58411|1,58568|2,58568|3,58725|0,58725|1) - It is recommended not to use this pattern.
In the end, the point you press is 1|2 ' 3|4 and it overlaps the same finger as the point where you take off the LN and the next LN point, so it's bound to feel weird when you play it. Also, LN becomes useless in a way
00:59:824 (59824|0) - I think this LN should have stopped at 00:59:981 instead and use another 1/2 LN as there both a hi hat sound and a piano press that could be complimented
01:01:395 (61395|0,61395|2) - This is synced to the same sound as this 01:01:552 (61552|3,61552|2,61552|1) - You cooould keep it a double but also make 01:01:552 a double to give more power to the cymbals at 01:01:709
01:02:102 (62102|3) - -> 01:02:023 -
It's inflexible to express vocals, and the melody is even weirder to express it offbeat.
So it looks better to move it over there
01:24:641 (84641|0) - 01:25:583 (85583|3) - Why do you have to express it so regularly?
I think it's better to go 1/2 straight
01:42:547 (102547|0) - 01:43:804 (103804|2,103804|1,103804|0) - 01:47:573 (107573|3,107573|0) -
I can't let this gap between a symbol and a mere speculative difference. I think it's better to unify them all in double in this part
while i understand jump trills are here for drums expression etc.
a subjective idea but I personally think they last a bit too long and it makes the section feel uncomfortable and waste any idea of other patterns.
So, how about trying to switch it up after the single note?
like this maybe (unless you wanna give better pattern on smt)
pattern explanation;
It will start with stream to feel more sentimental then the mini jacks followed up gives necessary strain for the next part of the kiai.
subjective mod!!!!!
i feel like the 1/4 mini jacks would come out of no where and surprise the player and make them miss since there is nothing like it in the full chart
02:15:139 (135139|3,135139|2) - Is the double supposed to be intentional? It feels a little too strong and for other instances like 02:14:746 (134746|3,134825|1,134903|3,134903|2) - 02:15:375 (135375|1,135453|2,135532|3,135532|1) - You used these kind of bursts. My biggest problem with the double is that it forces the jack, which is quite annoying to have and unreasonable since the map has 0 jacks
02:54:170 (174170|3) - how about move to column 2?
Personally, there are so many arrangements that are focused on one hand, so I think it's better to give a different feeling
03:00:139 (180139|0,180453|1,180767|2,181081|1,181395|0) - for these notes that seem to represent the drum, they seem too passive and dont represent the buildup quite well in my opinion.
how about instead of LN's a more climatic buildup being with double tap notes instead?
this can allow the 1st col on 03:01:395 - to be more open which can allow emphasis on the drums at final stages like
03:01:867 - 03:02:024 - 03:02:181 - 03:02:338 - 03:02:495 - 03:02:652 --> this can allow more expression in your buildup.
03:44:353 (224353|1) - It is predicted to be ghost note.
03:44:274 (224274|0) - this is the guitar sounds only place can hear
03:54:955 (234955|2,235034|0) - I feel like these long notes should not be long notes, but rather rice notes, as they lessen the impact of the jumptrill and strong drums here, and unintentionally give it a flowy feel from holding the long notes.
04:33:908 (273908|3,273908|2,273987|1,274065|0,274144|3,274222|2,274222|1,274301|0,274379|3,274458|2,274537|1,274537|0,274615|3,274694|2,274772|1,274851|3,274851|0,274929|2,275008|1,275086|3,275165|1,275165|0) - Nitpick but rolling my fingers for over a second on a certain direction and especially on the main drop makes it a little anticlimatic, you could switch up the patterns and make the switch directions for more variety
04:57:940 (297940|0,298018|1,298097|2,298175|0) - Also nitpicky with this but it'd be really nice for emphasis purposes to make these 4 lns as 1/4 and keep the other LNs longer for the pipe piano that slowly obtains a stronger pitch (?)
05:06:107 (306107|3,306107|2,306107|1,306186|0,306264|2,306343|1,306421|3,306421|0,306500|2,306578|1,306657|3,306735|2,306735|0,306814|1,306893|3,306971|2,307050|1,307050|0,307128|3,307207|2,307285|1,307364|3,307364|2,307364|0,307442|1,307521|0,307599|3,307678|2,307756|1,307835|0,307913|3,307992|2,307992|1,308071|0,308149|3,308228|1) - I know it seems like a nitpick but this is a little too long going on and doing for 2 seconds just rolls from right to left, Maybe change up the patterns a little to make up in star rating and keep it more engaging?
05:17:573 (317573|1,317730|1,317887|1,318044|1,318201|1,318358|1,318516|1,318673|1) - Really big anchor, try breaking it a little. A small suggestion would be to move 05:17:887 (317887|1) - to the 3rd column
05:19:772 (319772|0,319851|1) and 05:21:029 (321029|3,321107|2) - Rather similarly to #4254702, I think these long notes should be reduced to 1/4 snappings to create a better contrast to the hand ahead, which would give it a more impactful feel. It would also make the release timing on the one hand trills a bit kinder to the player
05:29:510 (329510|0,329667|2,329824|1) - Is there a reason why it's expressed as LN?
Personally, it doesn't look good on me