love the word painting with some of these patterns, cool stuff

great map, super clean. absolutely in love with the mapping 01:32:490 - 01:45:716 over the spoken bit oh my goodnes

love yorushika gl ranked

i think finishes need to be much much more sparing throughout the map! their placement is great in isolation, and listening back to snippets before writing this I thought maybe i was dumb because actually they sounded totally fine, but the problem happens when you hear a longer section: it is too many cymbal hits! they lose their impact when they're too commonplace

especially in the "quiet" sections, where we practically only have the bass and vocals, the cymbals are much more powerful than what the song is giving: 00:50:805 - 01:01:506 needs no cymbals in my humble opinion, apart from possibly at the notes at the start and or end, and the intro section can only really take about one or two well placed ones before it starts being too much emphasis (i would personally only keep 00:11:060 (1) and possibly 00:06:474 (1))

similarly on the line of thought of "finishes provide a lot of emphasis", that large amount of emphasis helps establish your beats (and in particular your downbeats), which is why i think 00:15:455 (6,1) ends up sounding a bit lopsided, despite being a great idea. the emphasis on 6 is good and helps avoid making the hitsounding sound too straight and march-like, but the emphasis given by the cymbal is so strong that it ends up feeling like 6 is the downbeat, and without any prominent hitsounds on the downbeat, it falls a bit to the wayside and messes with the feeling of the groove of the song, which has a strong point on the downbeats

there are other similar moments where cymbals land before important beats, which similarly i think are good ideas apart from the cymbal being too powerful compared to the hitsounds on the strong beat after, so i would keep the idea but tweak it a bit

alternatively, or on top of reducing the amount of finishes, replacing them with a less intense finish hitsound might help with this stuff (sorry for the wall of text)

really minor thing but i don't particularly love the 1/4 filler here? there's a lot of 1/4 that really accurately reflects some interesting vocals in the song (in particular, I love 00:11:060 (1,2,3,4,5) as a pattern), or drum action, or even just like the undrlying beat, but there's also a couple moments where I think including all the sounds makes for a bit of a weird pattern:

for example, at 00:31:888 (4,5,6) there is technically a sound on 5, but it's a drum sound and it kinda fades into the background because it's part of the backing beat of the whole song, and the map has been mainly following vocals for the past however long. so mapping 5 gives it much more emphasis (for breaking out of that "mapping vocals" pattern that was generally happening) than i think the drum deserves and i'm not sure it worked well for me, but like i say there is technically something there so this is really just a minor personal nitpick

banger song, banger maps, thank you for this meal

personally i think it's much more apt as a low extra than as an insane with the longer bursts and bigger jumps (most of the points i brought up would be non-issues for an extra, and indeed the map it reminded me of is also an extra), but maybe the 160bpm offsets that enough for it to be a tricky insane, i'm no spread sage

idk if you already have had it playtested, but that would be good, see if players at an insane level are ready for this one

sick, i love it, the flow is so delicious, reminds me of one of my favourite maps ever and its going straight into my favourites