1. Futsuu (2,8 stars, 242 notes)
2. Muzukashii (3,57 stars, 373 notes)
3. Oni (4,29 stars, 576 notes)
4. Vulkin's Kantan (1,96 stars, 130 notes)

Yuii- wrote:

Thumbnails like this are so creative. Do you have the source?

Ayyri wrote:

Hello~

NM.

Keep in mind, these are my suggestions, don't change something I mentioned unless it seems good to you!

Kantan

00:38:516 - Sounds weird to not have a note on this beat. Consider adding a d. I held this as simple as possible by following the "main beat" from the vocals, no addition here.
01:04:565 (122,123) - These two k's sound weird. I think d k sounds better. Made own changes here by moving 01:04:857 (123) - 1/2 beat forward.

Futsuu

00:58:565 (193) - Change to d. Having k after the previous k's sounds weird. (It'd fit better if you put a k at 00:58:272 - but that might be one too many notes for the phrase.) Yup.

Muzukashii

Looks fine.

Oni

00:12:028 (79) - Change to d. Sounds better, and it feels more natural for the upcoming D. Gotta try this out and see what other users thinks bout it, changed.

Sorry I didn't have a whole lot to say. I also have a terrible headache right now, but I wanted to get this done. ;;

Skylish wrote:

Hi, from my modding queue. M4M (my map): https://osu.ppy.sh/s/432322

[General]

HP setting is not appropriate:

The easier the difficulties are, the higher their HP are. Changed that exactly like that.

HP:
Kantan = 7
Futsuu = 6
Muzukashii =5
Oni = 5/6 <-- 6 is for a more challenging HP setting.
[Oni]

> 00:07:272 (41) - shift it to 00:07:418 - for a better pattern. You used the similar in 00:06:174 (33,34,35) - and 00:08:516 (49,50,51) - . That is true but I wanted to emphasize the sound on 00:07:199 (40) - with a k triplet. No changes here.

> 00:09:321 (56,57) - ctrl+G, considering the pitches of the sfx. In case you want to emphasize the kkkkkk, you may still keep 00:09:394 (57) - as d. That's fine though. I keep it as ddkkd, also because I think that ddkdk is harder than ddkkd to play and might be too hard with the stream after.

> 00:47:004 (307) - it should be d because 00:46:711 (304,306,307) - sounds like k k d. If you adopt it, you will find that another mono-d-5-plets repeated. I suggest that change 00:47:223 (310) - to k. I hear a low drum hit at 00:47:296 (311) - which is d, so that 00:47:223 (310) - being k can emphasize 00:47:296 (311) - . If you do not like dddkd, then nvm. I really don't like dddkd here and uh.. I try k k d out, prefered k d k before but that idea sounds okay. Also changed 307 to d.

> 00:56:077 (373) - change to d. It sounds better according to the pitch. Sounds about right, changed.

> 00:56:809 (378) - change to K, same reason as above I used to have them as K but I find D is stronger in that case.

> The kiai session is relatively too plain comparing to the introduction or the other normal sessions. More complicated notes patterns and a higher notes density are expected in Kiai. ( Please check Muzukashii * for more detail) Having a higher note density is possible - I also did that - more complicated pattern rather not. The most complex parts are 00:09:101 (53,54,55,56,57,58,59,60,61,62,63,64) - (which got nerfed already for the sake of spread) and the kkdkk I use, and they're more than enough, I also think the empty 1/1 parts outside of the Kiai which works as small breaks are well used so I will keep them all.

> 01:00:321 (400,401,402) - / 01:09:687 (460,461,462) - You can use Finishes here. That sounds actually really good! Changed.

[Muzukashii]

> 00:09:101 (37) - this slider contains two different sfx and I feel really weird. Maybe you would like try these (00:09:101 (37) - ): I tried it out several times but it feels by far more weird after the change, mostly because of the short lenght because it doesn't really fits here. I keep it the same how it is now.



> 00:28:272 - 00:28:345 - d d should be put here. There are two reasons for this suggestion, firstly, the ends of each 8 bars fills up with at least 4 notes, for instance, 00:21:248 (103,104,105,106) - , 00:23:589 (113,114,115,116) - ); secondly, this suggestion is as same as the one in Oni at the same timing. Changed 00:28:272 (125) - to d, the reason why I do not add d on 00:28:418 - is the emphasis I want to hold on 00:28:565 (126) - due vocals.

> 01:09:247 (308,309,310,311,312,313) - this pattern should be similar to the previous one (00:59:589 (263,264,265,266,267,268,269,270) - ), and vice versa. ????? I think something got messed up with copying the hitobjects.

*I prefer using a simplier pattern because you did keep Kiai relatively clean and clear in Oni (in case you keep it clean). Hence, for a better notes spread, Muzu should also share a similar atmosphere, right? Also, please check the consistencies of the uses of colour of the notes with Oni. Replied above.

[Futsuu]

> It seems fine, but the SR rating is broken despite a huge difference form Muzukashii. Perhaps some off-beat patterns are used so that the SR sys. responded like it poorly. I can't tell you how much I suffer by the SR in this map.

[Kantan]

** SR MUST <2 (the lowest difficulty among a mapset must be SR<2 ** please end me

> Note density is slightly too high in Kantan. That's why the SR is beyond 2*.

> 00:09:101 (16) - It can be removed because that 1/2 ready stage at 00:09:833 - is not enough for Kantan level player. Replaced it with a d note, feels like I need something here.

> 00:18:614 (32) - remove this note, the density around this note is too high. You're the boss.

> 00:21:248 (37) - / 00:23:589 (41) - / 00:25:931 (45) - / 00:28:272 (50) - can be removed, same reason as above. Sounds really really weird but I guess that works well here.

> 00:28:711 (51) - from this note onwards, the notes patterns are not well set. You can see that in Futsuu, you have k between the D(s). Meanwhile, you do not put a single k in Kantan. That's not a wise way to map imo.

00:30:028 (52) - the positions like this should have a k on it. A single k put can be a huge difference already. I am not going to make a long list here. Please refer to your own Futsuu. Yeah, added them.

** 1/2 are prohibited in Kantan ** Check the Kiai session

> 00:57:833 (100,101) - / 01:00:174 (106,107) - / .... no 1/2 plz... You should delete the off-beat patterns because they are just over-killing for Kantan level players. Removed them all.

I hope my mod is helpful.

Invective wrote:

M4M, sorry for delay university work is keeping me busy. No need to feel sorry, I am by my own late af.
d = don, red note
k = kat, blue note
D = don finisher, big red note
K = kat finisher, big blue note

mod

General
3/2 breaks op for SR rofl
Increase HP settings? Did that in the last mod.

Futsuu
00:09:101 (26) - Still unsure about the necessity of a slider here. Maybe just have a note at 00:09:540 where the sound changes. It replaces the stream pattern from the Oni pretty well.
01:14:662 (230) - Another slider. ^
01:19:638 (247) - Delete? For consistency with the beginning, as well as keeping the 1/2 patterns short because this is a decently high bpm for players of this level. Okidoki.
On its own its a fun diff but idk spread is trippy ¯\_(ツ)_/¯ you probably have a better idea of how to fix it than I do I blame the song, that's my solution.

Muzukashii
00:11:150 (45) - Change to D? I'd say make all of these notes which end each of these small segments as a D EXCEPT for the ones which land on this sound at 00:13:492 (59) which would be K, so it differentiates between the lower and higher pitched sounds. Chnaged.
00:13:931 (61) - Change to k? Matches the pitch of the sounds and is consistent with Oni. Yup.
00:27:979 (124,125) - I get the point of changing it from k d to d k (when comparing to the previous one at 00:27:979 (124,125) - ) given the additional drumroll but I still think it fits better as k d due to the sound you're actually following (aka not the drumroll). Plus, consistency with Oni. Okay.
00:33:979 - Missing d here? I'm going off how you did it at 00:31:638 (136). That's fine, I rather want to hold a short break here.
00:59:443 - Missing d again? Had one at 00:57:101 (239). Everything's fine here.

Oni
00:10:711 (68,69,70,71,72) - Idk about kkdkk here, with k on higher pitch and lower pitch kkkdk would probably be correct since the first and third notes have the same pitch but that's ugly so maybe kkddk? And this can be applied to all occurrences. I think kkddk can work here too, changed it.
01:02:223 (410) - Change to d? Nothing to suggest a k here, the pitch of vocal is the same as 01:01:492 (406) - which is a d too. (406) works different that (410) since (406) emphasize the background music much more with D than with K, no change here.

Hope it helps

Ayyri wrote:

"hardest kantan" -stefan

Skylish wrote:

lol stefan you opt to let another mapper to make a Kantan for you

Wise choice!

juankristal wrote:

Can I make a 4K Mania set for this? :O

1. Metadata seems fine.
2. Widescreen support can be disabled.

1. 00:08:516 - and 00:08:809 - You could show the differences in pitches between these two notes by making one of them d. (Preferably 00:08:516 - )
2. 00:11:150 - / 00:12:321 - / 00:13:492 - / 00:15:833 - / 00:17:004 - / 00:18:174 - I'd recommend making all of these finishers. Because there is quite a big impact on these notes. As well as the fact that they're basically the same as the D's that you have at 00:09:979 - and 00:14:662 -
3. 00:20:077 - Would be better moved to 00:19:784 - to follow the beginning of this rhythm change, rather than the second beat of it.
4. 00:22:418 - I would propose the same idea here, except moving it to 00:22:126 - .
5. 00:24:028 - Why not have this a finisher just like the previous two D's at 00:21:687 - and 00:19:345 - ?
6. 00:24:760 - Same thing as 00:22:418 - and 00:20:077 - .
7. 00:27:101 - Same as the last point.
8. 00:28:272 - Could be changed to d to emphasize the K at 00:28:711 - rather than further cluttering the section with k's.
9. 00:33:687 - Change to k. Aside from the fact that most of the notes within this section are just d's, there is a clear kick in the background here.
10. 00:42:760 - and 00:41:735 - I would suggest Ctrl+G'ing these two note, due to the pitch differences here in relation to the previous combination that was used at 00:39:394 -
11. 00:47:443 - Would recommend changing this to D to emphasize the louder sound in the background here. Just like you did at 00:46:272 - .
12. 00:48:760 - Move to 00:48:613 - to better follow the drums as well as vocals.
13. 00:49:345 - Move to 00:49:199 - for the same reason as above. Since both of these are falling a beat later than they should be.
14. 00:51:101 - I would also suggest moving this forward to 00:50:955 - for the same reason as the last two points.
15. 00:53:296 - Change to D, it's relatively the same sound as the previous D at 00:52:126 - . As well as the fact that this would make the K at 00:54:467 - even more impacted.
16. 00:59:882 - Change to d so it's not the same as the monotone k's at 01:00:321 - .
17. 01:01:492 - Change to D, it's basically the same as the D at the start of the kiai here.
18. 01:02:662 - Change to k. There's a clear difference in pitch between this note and 01:02:223 - .
19. 01:03:394 - Move to 01:03:248 - to better follow the drums as well as vocals.
20. 01:04:565 - Change to d. Relatively the same pitch as 01:03:833 -
21. 01:08:077 - Would better fit at 01:07:931 - with what 01:06:906 - and 01:07:345 - are following.
22. 01:09:248 - Change to d for the same reason as 00:59:882 -
23. 01:10:857 - Change to D for the same reason as 01:01:492 -.
24. 01:12:760 - Change to d. Relatively the same pitch as 01:12:028 - .
25. 01:13:199 - Change to K, has the same pitch as the D at the start of the kiai, despite the fact that this one is following the kick instead.
26. 01:13:931 - Change to d. Would better emphasize the kick at 01:14:370 -
27. 01:16:711 - / 01:17:882 - / 01:19:053 - / 01:21:394 - / 01:22:565 - / 01:23:735 - Like in the beginning, I would suggest making all of these finishers too.
28. 01:24:467 - Add a k here to keep the consistency of the d k and k d that you've had within this section. Also because the drums are rather prominent here.

1. 00:06:174 - This note would sound better moved back to 00:06:028 - to follow the same type of sound that 00:05:296 - is following.
2. Going along with the above suggestion, 00:07:345 - would sound better if moved back to 00:07:199 - .
3. Also, with the top two suggestions, I think that adding a note at 00:08:370 - would be beneficial to preserve the consistency of the doubles beforehand. (Preferably d.)
4. 00:23:882 - Could be changed to k to better follows the kicks, but it depends if you want to keep the d dD type of pattern here to be different from the k kD that was at 00:21:540 - (But you followed something similar to what I suggested at 00:28:565 - so that's why this point is questionable.)
5. 00:37:345 - Like the above, changing this to k would show a change in pitch between the patterns that occured before this one, and this one.
6. 00:42:760 - Using a finisher here is a bit debatable since it's during a rather calm section, and all it is emphasizing is the kick in the background. But tbh I'd keep it for consistency reasons. (Just thought I'd mention this.)
7. 00:49:492 - I'd suggest changing this to d so it's not a monotone k k k k K pattern here, also the differences in pitch.
8. 01:13:492 - You could add a k, just so the pattern matches the vocal a bit better based on the note you have at 01:13:931 - but if you don't want a 4 note pattern, don't do it.
9. 01:14:662 - I would suggest either removing this slider or shortening it. Since the sound it should be following starts at 01:15:101 - . If removed, add a k at 01:15:101 - and 01:15:248 - (But it depends on how you want to follow the sound here. ;w; )

1. 00:23:735 - I'd suggest adding a note here, or making 00:23:589 - a triple to make this pattern stand out more against the k k k k k k kD from before.
2. 00:28:418 - Same as above.
3. 00:37:199 - and 00:37:492 - Same kind of reasoning as above. I'd suggest adding d's on the mentioned points to follow the drums a bit better and make the pattern itself stand out a bit more. (Since it looks basically like the previous patterns.)
4. 01:14:662 - Same problem that happened in Futsuu.

1. 00:06:174 - kdd is a sin. Consider trying kkd instead, imo it flows a bit better and follows the rhythm a bit more accurately.
2. 00:08:516 - Same as above.
3. 00:21:248 - I can accept this. Good job. ♥
4. 00:23:589 - Would follow the kick at 00:23:735 - more accurately as ddk.
5. 00:25:931 - Good job #2. 00:25:931 -
6. 00:28:272 - Same concern as 00:23:589 -
7. 00:37:931 - I'd suggest making this a k, it'd follow the drums / vocals a bit better.
8. 00:40:857 - kkd. Follows the vocals a bit more nicely.
9. 00:42:321 - kdk. Same reason as above.
10. 00:44:809 - Considering the vocals are a bit more intense here than the last kd dk, I'd suggest adding a note here to emphasize that a bit more.
11. 00:47:223 - and 00:47:296 - Preferably, both could be k's to follow the drums. But if not both, then just 00:47:296 - since ddddd seems rather plain when there are clearly different things happening here.
12. 00:49:492 - kkd or kdk. Same type of reasoning as 00:42:321 -
13. 01:09:248 - kkd. Same as above.
14. 01:09:687 - / 01:09:979 - / 01:10:272 - Seems a bit odd to not have these as finishers but have 01:00:321 - / 01:00:613 - / 01:00:906 - . Consider making the mentioned points finishers or removing them. (Especially since this is the only difficulty that has finishers at these parts.)

Ayyri wrote:

[General]

1. Metadata seems fine.
2. Widescreen support can be disabled.

aight.

[Futsuu]

1. 00:06:174 - This note would sound better moved back to 00:06:028 - to follow the same type of sound that 00:05:296 - is following. Okay.
2. Going along with the above suggestion, 00:07:345 - would sound better if moved back to 00:07:199 - . Done and removed note on 00:07:492 -
3. Also, with the top two suggestions, I think that adding a note at 00:08:370 - would be beneficial to preserve the consistency of the doubles beforehand. (Preferably d.) Done, added as k tho.
4. 00:23:882 - Could be changed to k to better follows the kicks, but it depends if you want to keep the d dD type of pattern here to be different from the k kD that was at 00:21:540 - (But you followed something similar to what I suggested at 00:28:565 - so that's why this point is questionable.) I guess kD might be easier to follow since dD could be too fast to actually catch the D note. changed.
5. 00:37:345 - Like the above, changing this to k would show a change in pitch between the patterns that occured before this one, and this one. ~(´・ω ・｀)~
6. 00:42:760 - Using a finisher here is a bit debatable since it's during a rather calm section, and all it is emphasizing is the kick in the background. But tbh I'd keep it for consistency reasons. (Just thought I'd mention this.) Thinking more about it makes me actually want to remove it but uh, idk. If you say I should keep it then I don't mind.
7. 00:49:492 - I'd suggest changing this to d so it's not a monotone k k k k K pattern here, also the differences in pitch. It somewhat makes the section a bit harder than needed but I trust you in this case.
8. 01:13:492 - You could add a k, just so the pattern matches the vocal a bit better based on the note you have at 01:13:931 - but if you don't want a 4 note pattern, don't do it. a~d~d~e~d
9. 01:14:662 - I would suggest either removing this slider or shortening it. Since the sound it should be following starts at 01:15:101 - . If removed, add a k at 01:15:101 - and 01:15:248 - (But it depends on how you want to follow the sound here. ;w; ) Starting the slider on 01:15:101 - would mean it'd become a 1/1 slider which feels very weird after. I started the slider from now on at 01:14:809 - (due vocals). I hope this is fine.

I think the doubles in this difficulty are a nice and simplified why to follow a good amount of the rhythms in this song. Good job!

[Muzukashii]

1. 00:23:735 - I'd suggest adding a note here, or making 00:23:589 - a triple to make this pattern stand out more against the k k k k k k kD from before. Added the note on 00:23:735 - .
2. 00:28:418 - Same as above. ~
3. 00:37:199 - and 00:37:492 - Same kind of reasoning as above. I'd suggest adding d's on the mentioned points to follow the drums a bit better and make the pattern itself stand out a bit more. (Since it looks basically like the previous patterns.) I see. I actually held it "thinner" not to overmap too much.
4. 01:14:662 - Same problem that happened in Futsuu. ~

Relatively easy difficulty, matches well with the Futsuu imo.

[Oni]

1. 00:06:174 - kdd is a sin. Consider trying kkd instead, imo it flows a bit better and follows the rhythm a bit more accurately. I honestly have no problems with kdd by myself but kkd sounds good as well, changed.
2. 00:08:516 - Same as above. L(´・ω ・｀)J
3. 00:21:248 - I can accept this. Good job. ♥ wwwwww
4. 00:23:589 - Would follow the kick at 00:23:735 - more accurately as ddk. ddd sounds - even if it's rather plain - better in my opinion.
5. 00:25:931 - Good job #2. 00:25:931 - wwwwww²
6. 00:28:272 - Same concern as 00:23:589 - ~
7. 00:37:931 - I'd suggest making this a k, it'd follow the drums / vocals a bit better. Nah, I find ddddd works well the way it is.
8. 00:40:857 - kkd. Follows the vocals a bit more nicely. You truly hate kdd, right?
9. 00:42:321 - kdk. Same reason as above. Done.
10. 00:44:809 - Considering the vocals are a bit more intense here than the last kd dk, I'd suggest adding a note here to emphasize that a bit more. ~
11. 00:47:223 - and 00:47:296 - Preferably, both could be k's to follow the drums. But if not both, then just 00:47:296 - since ddddd seems rather plain when there are clearly different things happening here. idk.. dddkk sounds not really natural with the song, denied.
12. 00:49:492 - kkd or kdk. Same type of reasoning as 00:42:321 - kkd here.
13. 01:09:248 - kkd. Same as above. Done.
14. 01:09:687 - / 01:09:979 - / 01:10:272 - Seems a bit odd to not have these as finishers but have 01:00:321 - / 01:00:613 - / 01:00:906 - . Consider making the mentioned points finishers or removing them. (Especially since this is the only difficulty that has finishers at these parts.) oi~

Overall, a pretty nice difficulty. It's fun to play. Good job Fan. ♥

Sorry if my mod was a bit long. ;; But, good luck. ;w;7

1. 00:01:784
2. 00:02:955
3. 00:05:296
4. 00:06:467
5. 00:07:638

1. You might as well make 00:11:882 (77,78,79,80,81) ddkkd, feels more intuitive in this section imo. Similar with 00:16:565 (112,113,114,115,116) etc.
2. I think you should make 00:06:174 (33,34,35,36) ddk d, I feel like this should be a less intense version of 00:09:979 (64,65,66,67,68,69,70,71,72,73). This could work even better if you remove notes like 00:01:199 and 00:02:370 from the previous part and just have 1/2 patterns from 00:05:296 instead. This is because there is no sound within the pattern starting at 00:05:589 that would justify the use of a 1/4 pattern. If you choose to keep the 1/4, I'd suggest you make 00:07:345 (42,43,44) dkd and 00:08:516 (49,50,51) ddk.
3. It would sound much better if you move 00:21:321 to 00:21:467 and change to d, if you listen carefully there is more audible 1/4 there that would support a triple.
4. Similarly, I'd suggest you move 00:23:662 to 00:23:809 or make this pattern a 5-note and change 00:23:589 to k, I think it would be better for consistency if you follow the drum like in the previous parts.
5. The triple of 00:28:272 (194,195,196) doesn't make much sense imo, you have far louder 1/4 in the music right before this point. How about moving 00:28:345 to 00:27:906 and changing 00:28:126 to k? Would sound better imo.
6. Better make both 00:37:638 (237,238) k, you have drums until this point and the lower instrument only starts on 00:37:784, so I think kkddd wouuld fit better.
7. Similar to the previous point, I think 00:37:784 and 00:37:784 would work well as k.

snowball112 wrote:

Heya, random mod, only looking at Oni for now

I think it would be good for structure if you use d on the following: Gotta say that I disagree here, the k notes follows the lighter sounds - therefore I also changed 00:00:614 (1) - as k. And 00:04:418 (23) - became as d.

1. 00:01:784
2. 00:02:955
3. 00:05:296
4. 00:06:467
5. 00:07:638

Starting from 00:09:979 until 00:13:492 you have D D D K on the large white ticks, so why not use a similar structure in the intro when the sounds also support this? eg. 00:01:345 (5,6,7,8) - ddkd and 00:03:833 (20,21) ctrl+g. I don't really get the point you try to explain, to be honest. But generally I don't really agree with the idea to change them like this.

Above point applies to other diffs as well, eg. I don't see why both 00:01:492 (3,4) are k in Futsuu, wouldn't it sound better to make 00:01:053 (2,3,4) k dd? The sound on 00:01:053 feels stronger and this way you could keep a simple structure as well by having the 1/1 spaced notes both as d. Would work far better for consistency if you make this structure similar across your diffs. I honestly don't feel like that, sorry. No changes here.

1. You might as well make 00:11:882 (77,78,79,80,81) ddkkd, feels more intuitive in this section imo. Similar with 00:16:565 (112,113,114,115,116) etc. I find the d - k switch sounds cool and plays interesting, no changes here.
2. I think you should make 00:06:174 (33,34,35,36) ddk d, I feel like this should be a less intense version of 00:09:979 (64,65,66,67,68,69,70,71,72,73). This could work even better if you remove notes like 00:01:199 and 00:02:370 from the previous part and just have 1/2 patterns from 00:05:296 instead. This is because there is no sound within the pattern starting at 00:05:589 that would justify the use of a 1/4 pattern. If you choose to keep the 1/4, I'd suggest you make 00:07:345 (42,43,44) dkd and 00:08:516 (49,50,51) ddk. Dense-wise I find that I shouldn't really touch this section much. ddk could work but I find kdd would be more consistent since it's basically the same as the first kdkdkkdk but with a triplet instead.
3. It would sound much better if you move 00:21:321 to 00:21:467 and change to d, if you listen carefully there is more audible 1/4 there that would support a triple. To be honest, I do not hear any 1/4 out, the current triplet sounds really good so change here.
4. Similarly, I'd suggest you move 00:23:662 to 00:23:809 or make this pattern a 5-note and change 00:23:589 to k, I think it would be better for consistency if you follow the drum like in the previous parts. Same reason as above.
5. The triple of 00:28:272 (194,195,196) doesn't make much sense imo, you have far louder 1/4 in the music right before this point. How about moving 00:28:345 to 00:27:906 and changing 00:28:126 to k? Would sound better imo. This doesn't really sounds right to me..
6. Better make both 00:37:638 (237,238) k, you have drums until this point and the lower instrument only starts on 00:37:784, so I think kkddd wouuld fit better. I believe I explained Ayyri before that a single-colored 5-let works easier than including k at the begin (or end, like previously suggested).
7. Similar to the previous point, I think 00:37:784 and 00:37:784 would work well as k. ^

Good luck

frukoyurdakul wrote:

Hi, m4m promise from vulkin's queue. Sorry for the late mod. Late answer here too ;_;

Vulkin's Kantan

00:37:491 - You can maybe add a kat here. There is already a gap of 2/1. 00:37:638 - added a kat here instead, feels better here

00:48:174 - ^ ok

00:50:369 - ^ 00:50:516 - sounds better here, but a d instead for variabilty and consistency with previous point

00:55:199 - Kat will sound good at this place, since there is a drum attack. ok

01:05:589 - Since this part is the kiai part, i think you can make it denser. So, i recommend adding a don here.Sounds kinda weird to me, plus too many dons in that specific part imo,but ill add a k at 01:05:735 -

01:11:589 - A kat here maybe? no, theyre breaks for the outro, and increases SR over 2 ;_;

01:12:759 - A don here? same as above

01:24:467 - Maybe adding a kat will be a good for the outro of the song. no, has consistency with the intro 00:14:223 -

Solid mapset, good luck~ thanks so much for the mod lol

osu file format v14

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AudioLeadIn: 0
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Countdown: 0
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TitleUnicode:絶望性：ヒーロー治療薬 The Animation
Artist:suzumu feat.soraru
ArtistUnicode:スズム feat.そらる
Creator:Stefan
Version:Vulkin's Kantan
Source:ダンガンロンパ 希望の学園と絶望の高校生 The Animation
Tags:danganronpa kibou no gakuen to zetsubou no koukousei ending thenutritiousguy tng vulkin
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xfraczynho wrote:

hi~ m4m for Vulkin

[Vulkin's Kantan]

Desactiva el Widescreen Support! OK
deberías dejar un par más de 4/1, si bien está re fácil, ayudan mucho al player de kantan a acostumbrarse borre algunas pocas
00:00:614 (1,2,3,4) - me gusta cómo suena un kddk en esas 4, pero up to you :3 no me gusto a mi, queria hacerla una diferencia
00:08:516 (8) - sé que esta nota es para darle énfasis a la siguiente, pero me suena muy raro (no pillo ningún sonido ahí D:) sep es para el enfasis, por tanto que quiera borrarla, quiero dar como una advertencia que se viene lo intenso
00:09:979 (10,17) - K maybe? nah
00:31:052 (42,43) - k k también ok
00:33:394 (46,47) - ^ ok
00:35:735 (49,50) - ^ bueno ;_;
en el kiai un comentario general: me enredé acá, si sigues los vocals podrías hacer un par de 4/1 más (01:01:491 (88) - borrar, por ejemplo), sólo como comentario :3 ahi borre una nota, pero no esa
igual en general está bien, lo que sí, puta que me enredo con los círculos en tick rojo y cambiando, sé que es por el timing, pero bueno. eso fue un problema de cuando empece a mappearlo xd

Good luck with this!:D arigatouu <3

osu file format v14

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TitleUnicode:絶望性：ヒーロー治療薬 The Animation
Artist:suzumu feat.soraru
ArtistUnicode:スズム feat.そらる
Creator:Stefan
Version:Vulkin's Kantan
Source:ダンガンロンパ 希望の学園と絶望の高校生 The Animation
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frukoyurdakul wrote:

Muzukashii

00:06:759 - You can add a don here to support the keyboard(ish) sound. And it also supports the density of the notes too. Moved 00:07:931 - to 00:06:760 - , sounds better to me.

00:19:052 (92,93) - Maybe kkk will fit well here. Nah.. I am fairly certain the previous triplets and combo lenght of the pattern are "hard"
enough and emphasize the most we need.

00:19:638 (95) - While the music is the same of the rest of it, you need to delete this note because you skipped the same note in 00:21:979 - here, 00:24:320 - here and so on. That is a legit argument, removed.

00:47:003 (197,198,199,200) - You can reverse the colors of these notes, since 00:47:150 (198,199,200) - these are on snare sounds and the other is on a kick sound. Done.

Oni

00:05:150 - You can snap this SV change onto 00:05:296 (28) - this note. And it should be 0.9x due to smooth SV change, because you increased 0.02x on 1/2 space and increased 0.02 at 1/1 space. Making it 0.9x will solve the problem. If you accept, 00:05:442 - this will be unneccesary. ya

00:09:467 - The volume change on this pattern looks weird. 00:09:613 (59) - This note is on 40% volume and the next one is 80%. I recommend changing 00:09:540 (58,59,60,61,62,63,64) - these volumes to all 80%. Done.

00:10:052 - Since there is not a note on it, the SV change is unneccesary. I will just keep it for volume purposes.

00:19:052 (132,133) - How about changing these to a 1/4 kkk? It will fit considering the snare sounds on drums. I prefer the d - k switch more over triplet usage.

00:23:589 (162) - Changing this to kat will support the snare sound, and the music on that note is higher than 00:23:662 (163,164) - those two. I don't think the snare sound is really present here. keeping it as ddd.

00:29:735 (201,202,203,204,205,206,207,208,209,210,211,212,213,214,215,216,217,218,219,220,221,222,223,224,225,226,227,228,229,230) - I think you can reverse the colors of these notes since the kats are holding the kick sound and the finishers hold the hi-hat sounds. I don't really agree here. For this case I find kat more appropriate to play, don sounds too deep.

00:37:345 (235,236) - d-d and 00:37:638 (237,238,239,240,241) - kkkkk will fit better i think due to the snare sounds. If you accept this, 00:38:077 (242) - you can turn this finisher to DON to make some variety. Sound-wise

00:56:077 - How about changing the volume to 80% here? The music is going louder at this section. I actually find it's a bit calmer, didn't change.

01:01:199 (408,409,410) - I recommend kkk here, since the cymbals are strong. While your suggestion is valid I rather go with the ddk rhythm.

01:03:613 (427) - You can change this to kat to support higher vocals and make some variety. Meh, the D has more impact if it goes about me.

01:24:247 - This inherited point is unneccesary. Removed.

01:24:833 - ^ And removed.

01:25:052 - ^. And you can add a slider here but that's optional. Ah well, 01:24:906 - is good as end.

Solid mapset, good luck~

Arrival wrote:

Hey Stefan

[Kantan]

Seems good !

[Futsuu]

00:09:101 (26) - Let a 1/1 break before the next note, most of all since there is a SV speed up. Same for the last slider (01:14:809 (230) - ) yap

[Muzukashii]

00:37:638 - What about a triplet k here ? I find that the single kat note sounds stronger than "forcing" a triplet here.

00:45:979 - ^ ~

00:56:662 (239) - k here seems necessary for the emphasis on 00:56:809 (240) - Done.

[Oni]

00:55:199 (366,367,368,369,370,371,372) - kdkdkdk is really unfitting. kkddddk would seems way more appropriate. I did kkkdddk instead.

01:09:687 (470,471,472) - These should be finisher to at least ensure consistency with 01:00:321 (403,404,405) - . They can stay as don though. Aye Aye

Call me back !

Arrival wrote:

Hey Stefan

[Kantan]

Seems good !

frukoyurdakul wrote:

from p/5808000

Hi, m4m promise from vulkin's queue. Sorry for the late mod.

Vulkin's Kantan

00:37:491 - You can maybe add a kat here. There is already a gap of 2/1. Next note is on 1/2, so no

00:48:174 - ^ Theres note already LOL

00:50:369 - ^next note 1/2

00:55:199 - Kat will sound good at this place, since there is a drum attack. already k

01:05:589 - Since this part is the kiai part, i think you can make it denser. So, i recommend adding a don here. Trying to make a break there, even if its kiai, i dont want to risk the novice player from getting confused

01:11:589 - A kat here maybe? Pitch from this note is different than the next one, no

01:12:759 - A don here? 01:12:028 (111,112) - are same pitch, no change

01:24:467 - Maybe adding a kat will be a good for the outro of the song. I think its fine just as it is

Solid mapset, good luck~

osu file format v14

[General]
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[Metadata]
Title:Zetsubousei: Hero Chiryouyaku The Animation
TitleUnicode:絶望性：ヒーロー治療薬 The Animation
Artist:suzumu feat.soraru
ArtistUnicode:スズム feat.そらる
Creator:Stefan
Version:Vulkin's Kantan
Source:ダンガンロンパ The Animation
Tags:希望の学園と絶望の高校生 danganronpa kibou no gakuen to zetsubou no koukousei ending thenutritiousguy tng vulkin
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• [Muzukashii]

1. From 00:32:955 to 01:24:906 - there is no 2/1 break within this 52-second pattern chain, which would be a bit demanding for intermediate players.
2. 00:33:979 - consider adding d here to follow the vocal as you did at 00:29:296 - for pattern consistency ?
3. 00:57:979 (244) - maybe k to reflect the pitch decrease across 00:57:979 (244,245,246) - ?
4. 01:06:467 - similar to 00:33:979 - , you may add d here to keep it the same as 00:57:101 (239) - . In this way the kiai would be more intuitive to play.
5. 01:14:809 (316) - you may start this slider at 01:14:955 - to leave a 2/1 break as the kiai ends. This could help players to recover from the relatively dense kiai and prepare for the next patterns. You may do the same for Futsuu if you agree with this.

Arrival wrote:

Well that was surprising. You can also ask me when you finished it.

Hitsu wrote:

oh shit
please do not make us wait for too long again with this ;www;
i just love the set so much, please kill me

Surono wrote:

check, no kd.

>kantan
* 00:09:101 - spinner yes dad

• [Vulkin's Kantan]

1. 00:00:614 - I think you should not omit the first bar line here since this line is rather essential for the start of metronome.
2. You may remove the green lines at 00:00:614 and 00:00:760 - as they are unused.

Nardoxyribonucleic wrote:

Alright, rechecked and confirmed that the overall spread and rest moment issues have been fixed.

Rebubbled~

Arrival wrote:

alright i'll requalify tomorrow