わてょいあchぢおshcどtじゃいおsjdf;おfbsぢおfd
i speak japan
X
00:06:475 (1) - clap on the head of this would be nice. music is doing um
one of these but your hitsounding is following the volume increase yet not the first impact:(
00:11:248 (2) - 01:19:430 (3) - 03:47:384 (3) - using different sv from when there's percussion = good. not very special when it's the same as everything else while song indicates opposite z
00:43:805 (1,3) - putting the nc on the spacing change/when the music+hitsounding changes rather than on the emphasistriplething seems more fitting. sorta like how you handle 03:11:759 (4,1) - even tho slider vs circles. then u repeat it 50 other times kill me 01:15:850 (1) - 01:51:986 (1) - 02:24:032 (1) - 03:43:804 (1) -
00:24:032 (5) - 00:32:214 (4) - dont really see why you're doing the 2 measure comboing thing on only these. ncs pls
00:54:884 (1,2,1,2) - 02:03:066 (1,2,1,2) - i really dont want to say it because it breaks the pattern but comboing and placement are kinda not doing what the song's doing. 03:01:020 (6,1,2,3) - what you did with this one makes the most sense since the repeated sounds = grouped rather than the current what.
overlapping 00:55:055 (2) - for the first one and adjusting ncs on the sceond one so things are more related to the third one make more sense x
02:28:464 (1) - increasing volume is cool just sayingggg
03:33:406 (3) - Nathan said to himself, "I'm gonna use symmetry to emphasize this because it'll stand out!" Nathan then proceeded to screw up the symmetry of the slider when its only purpose was to be symmetrical. This was a sad time in Nathan's life.
03:58:293 (1) - that snare lol
gira
your combo colors are so much better (aka they dont use that gross blue which blends into any dimmed bg) ((<-- nathan read this it's a hint))
00:08:180 (2,3,4,5,1,2,3,4) - dont understand what you're trying to emphasize with offbeat groupings like this. if anything 00:09:202 (3) - should have emphasis of some kind cuz omgdownbeat
00:39:032 (6) - is kinda the same thing as ^ u can figure out what i would say
00:10:566 (1,2,3,4) - oh
01:10:992 (3) - 02:19:174 (3) - 03:17:128 (3) - ok i really dont know what youre doing with these. clicking on the nonexistent 1/4 then ignoring the 1/2 after it is wha if there were something emphasized on the blue tick that would be okay but there just istn 02:36:901 (4) - is slightly better cuz there is actual 1/4 but not really standing out more than the red tick thing so still wha
01:19:430 (1) - 03:47:384 (1) - same sv as 00:11:248 (1) - pls
Possible polarity error after object
00:43:805 (3,4) - different length reverse sliders how about no just doing a triple into the first one is way simpler to understand. oh hey u do it at 01:51:986 (3,4,5) - ok
01:41:077 (3) - ok tbh i may just hate this length of reverse sliders. 02:08:691 (4,5,6) - is gud
normal
so crowded feeling a need for smaller circlesssss
01:55:396 (1) - 01:58:123 (1) - kinda not worth mapping on this diff. on hard+ as triples they're okay cuz stack+actually emphasizing the downbeat but here it's like treated as the start of the instrumental thing which is counter-whatthesong'sdoing k
easy
your comboing is so weird i wont even try to point out inconsistencies. just if anything you gotta have ncs on 00:52:839 (4) - 03:47:895 (2) - cuz really what the
00:41:418 (6) - sounds better 1/2 earlier tbh the song with the thing the emphasis vocal instrumn teya yaeyea okay u got it
02:22:839 (1,3) - 03:41:929 (4,2) - baby overlaps how about no
!