Mod o/
[General]
[Place of Rejoice]
Liked how you executed stuff, map felt nice to look at and play ^^
GL!
[General]
- Looks good!
[Place of Rejoice]
- 00:12:342 (1) - Could also be 1/4 imo, the sounds here 00:09:881 (1,2) - 00:12:342 (1,2) - are virtually the same and should be mapped the same rhythm imo. Also to be noted, this pattern 00:12:342 (1,2,3,4) - is the only pattern with 1/2 sliders in this part 00:09:881 - which kinda makes it stand out and I don't think this emphasis is really fitting here
- 00:10:188 (2,3) - Minor but I feel like these need a more unique hitsound, the current hitsound feels a bit lacking compared to this sound, which is the only instance in this part where you hear this sound :/
- 00:18:496 (1,2,3,4,5,6,7,8,9) - This stream feels like it should have smaller spacing imo, even if it's the only 1/4 in this part, it doesn't really have that loud sounds on them, which is why I think it should have a bit smaller spacing
- 00:29:573 - The claps on these notes in this part feel weird, they land on notes with virtually no sound even imo, they should be removed imo. If you like hitsounds on those notes, whistles feel more appropriate here imo
- Also concerning the same part as above, it seems to be a recurring thing that you place notes with quieter synth in the same pattern as the louder synth. What I'm saying is that for example 00:29:573 - sounds way more quiet than 00:29:727 - yet you place both in the same slider. It feels a bit offputting, so I tried something like this worked here better imo. Just a suggestion though, would apply to 00:32:035 (1,2,3,1,2,3,1,2,3) - too but your call
- 00:55:727 (4,1) - It seems like you're mapping the melody I'll say and emphasizing them appropriately, but it feels like you didn't emphasize 00:55:727 (4) - and instead emphasized the 'ey' 00:55:881 (1) - . Then you left some 'ey's to be unclickable like 00:54:496 (2) - 00:56:958 (2) - . I feel like 00:55:111 (1,2,3,4,1,2,3,1,2) - should be mapped more 'to the melody' too since it's the only instance where the 'ey' gets mapped although it keeps the same intensity throughout this whole part
- 00:58:804 (2) - I don't like how it's completely parallel to 00:58:496 (1) - although 00:58:804 (2) - has a higher pitch and doesn't stad out that much. Maybe something like flipping the slider could work?
- 01:16:650 (2,4,3) - Ok, this stack just looks a bit off, please fix the stack xD
- 01:19:881 (2,3,4,5,6,7) - I can see that you repeat the flower pattern thing in this part but this is the only pattern in this part that doesn't break the flower pattern on the strong note: 01:20:650 (7) - is not in the previous flower pattern, emphasized; 01:21:881 (5) - in the flower pattern, breaks out of it, emphasized; 01:23:111 (5) - in the flower pattern, breaks out of it, emphasized (I hope it's clear what I want to say xD). My point is that it could be emphasized like the other two patterns imo with placement similar to this.
- 01:30:035 (2) - 01:39:881 (2) - 01:44:804 (2) - Unlike the other 1/4 sliders in this part, there actually are a sound on the blue ticks for each rhythm respectively. Like this it feels like the 1/4 sound is ignored and you have mapped triplets in these parts as evidenced by 01:32:804 (1,2) - , so why not map it as a triplet?
- I like the first kiai though, looks thought through and emphasis seems so be well executed (on a noticable level at least imo) \w/
- 02:25:265 (1,2) - This is the first time in this part that slider leniency is used. I thought you used it to highlight the decrease in volume with smaller spacing but then you used rather big spacing here again 02:25:573 (2,3) - . The 'new-ish' and small movement feels rather weird and unfitting here, maybe you could decrease spacing on 02:25:727 (3) - to represent the decrease in volume more clearly?
- 02:26:496 (1) - Since the next part goes down directly from 60% to 10% maybe you could add green lines to gradually decrease volume on the slider till it reaches like 30% or 20% volume, it would fit here imo
- 03:12:630 (1,2) - Although it seems intentional, I feel like these sliders ruin the momentum you gain on for the build-up, could be replaced with hitcircles and lower spacing if you wanted it to be easier in a way
- 03:40:888 (3,4,1,2,3,4,1,2,3,4) - The sharp angles of the stream especially feel a bit uncomfortable to play here imo, the angle of 03:41:081 (4,1,2,3,4) - seemed to already be hard to catch but the angle of 03:41:565 (4,1) - seemed a bit sharp for a stream jump and didn't feel too natural. This should be a bit of a larger angle imo since the 'wub' stops here for a bit and the melody kicks in which feels rather light.
- 03:51:339 (1) - I don't like how you decide to skip over the 'wub' in this slider although those sounds are the main focus of what you're mapping in this part. A rhythm like this could fit with what you're following here imo
- 03:57:726 (2,1) - Why aren't these 1/4 sliders as well? The same sounds are mapped through out nearly the whole kiai with a 1/4 slider so this rhythm should be a 1/4 slider too imo, it felt a bit random to me why these 1/2 hitcircles were not mapped as 1/4 sliders and that stood out in a way (and this emphasis if I can call it that didn't feel deserved)
- 04:06:049 (1,2,3,4,1,2,3,4) - Again probably just me but the angle of the stream jump could be adjusted imo to be easier to catch (which fits more here imo for reasons stated above)
- 04:50:565 (1,2,3,4,5,6) - Spacing here could be reduced minorly imo, unlike the part before (which was the same pattern with same spacing 04:44:372 (1,2,3,4,5,6,7) - ) the synth is the only thing you can hear here and there should be a (minor at least) difference between both barts imo
Liked how you executed stuff, map felt nice to look at and play ^^
GL!