00:00:616 (616|3,616|2,699|0,699|1,783|1,783|0) - I don't think these should be doubles, and 00:00:699 (699|1,783|1,866|1) - this anchor is wayy too harsh
00:00:699 - The beginning pattern is really stressfull for the left hand. I recommend to mirror 00:01:033 (1033|1,1033|0,1116|2,1116|3,1116|1,1283|1,1283|0,1366|2,1366|1,1366|3) - to make it more balanced
https://osu.ppy.sh/ss/18598461/6b1f I'm guessing you meant it like this,if so I changed the pattern to the screenshot (I've also mirrored 00:01:033 (1033|1,1033|0,1116|2,1116|3,1116|1) for consistency sake)
00:00:866 (866|2) - Think it might be easier to hit this if the minijack is in 4 rather than 3.
Added the one hihat at 5 secs but the one at 3 secs is intentional,I tried to follow the main melody there so I left that empty to emphasize
From 00:06:533 - until 00:07:366 -
I did think those placements a bit harsh for them to play. A lot of amount stacking and plus with the single trill, everything at the left side which is I think it is a bit difficult to play or a bit challenging. I do not see this as a problem but may you can consider to change those placement to more easier to play. While they are easy to read but it can strain the player hands in my opinion. My suggestion is, you can start the 1/4 notes at here 00:07:033 - at the right side so it can reduce a bit the force at the left side hand. An example for you: https://imgur.com/nNUqGvs
00:11:866 (11866|0,11908|1,11949|2,11991|3,12033|2,12074|1,12116|0) - I think this moment should be redone for a comfortable game. For example, as in the screenshot
https://osu.ppy.sh/ss/14451206/4619
00:12:116 (12116|2,12199|2) - this is very difficult to hit, personally i wouldn't even chart 00:11:866 (11866|0,11908|1,11949|3,11991|2,12033|0,12074|1,12116|2,12158|3) - as 1/8 streams, i would just chart the kick noises and use lns to emphasize the 1/8 noises.
00:13:366 (13366|0) - should be moved to 00:13:283 - , and add something for 00:13:449 - too
I'm not sure,it seems to be as intense as the other triples. I'll keep it for now but I might change it if someone else also points this out
00:24:366 (24366|1) - i don't think this should be an ln if youre using the lns to represent the synths. 00:24:533 - there should be an ln here
00:25:324 (25324|1) - i believe this grace is not necessary. Maybe move it to 00:25:366 - instead?
00:26:199 (26199|1,26366|1,26533|1,26699|1) - This felt a little off-putting in gameplay. 4-note jacks aren't an issue itself, though here considering how your other patterns have played out, it feels a little odd to make a 4-note jack here now and have it end in a shield all on the left hand. I think just moving 00:26:533 (26533|1) to col 3 would play more better in this case.
00:27:033 (27033|0) - hmm, maybe delete it?
add a short note at 00:27:116 - and add a long note at 00:27:199 - instead
00:27:866 (27866|2,27866|1) - Why isn't the 1/4 synth being mapped here? It's the same rhythm as 00:25:199 (25199|2,25199|1,25283|3,25366|0), the only difference being it ends 1/2 earlier for the last synth
Isn't there a better way to do this? Your current representation is just one singular ln. And that mixes in with every other surrounding synths 00:27:533 (27533|1,27699|0,28033|3,28199|1,28366|0) - so it makes your emphasis more inconsistent. The pitch you attempted to highlight is close to negligible so it would create more of a confusion as to why you did this.
I'm gonna have to agree with Neon here. Just because it's a slightly different pitch does not justify that it's still being ignored and simplified, which becomes muddled with your other LNs already focusing on the other synths. If you really want to map it differently, why not do something like this?
00:27:866 (27866|1,28033|1,28199|1,28533|1,28866|1,29033|1,29199|1) - This feels pretty uncomfy to play from how this was structured. There's a big imbalanced focus on the 2nd col here which causes a little awkward strain on the left hand, which doesn't feel great.
How about moving 00:29:033 (29033|1) to 3rd col and 00:29:199 (29199|2) to 4th? I think this would make the execution more enjoyable and smoother with your intentions.
Doing so would break this pattern (00:28:199 (28199|1,28366|0,28533|1,28699|0,28866|1,28949|0,29033|1,29116|0)) for all sections like this and I think at this level,a one hand trill with no other notes should be playable
I wanted to but idk how to do it,I'll keep this up as a reminder
00:32:199 (32199|3,32199|1,32283|1,32283|3,32449|3,32449|1,32533|1,32533|3,32699|1,32699|3,32783|3,32783|1) - I think it'd be better to use [34] to make the jacks on one hand and just move the 3rd set of minijacks to the left hand as a [12] chord for playability since 180BPM jacks are quite difficult.
00:37:033 (37033|0,37116|0) - I suggest to move this to col4, because playing jack with one hand is difficult than two hands
That note's for the drum, the LN at 00:38:199 (38199|0) is for the synth. I'll change the note to a clap just in case though
00:38:533 (38533|3) - I think for this difficulty it's not really needed to represent the drumroll with a single LN so I would place single notes for the drums instead
Yeah,might've nerfed the map a little too much at some points,made a trill for the drumroll and hitsounded them
you should move 00:39:949 (39949|1,39949|2,40033|1,40033|2) - these to 34 to make it a one handed jack like you did 00:41:199 (41199|1,41199|0,41283|0,41283|1,41366|0,41366|1) - here.
00:42:199 - I think these notes should group like this (may not be the best pattern) https://osu.ppy.sh/ss/14447174/fef7
00:42:866 - this is a pretty big difficulty spike in the file. RC states you shouldn't have more than a 9 note split jump trill because its too physically demanding. minijacks like this are even more demanding and this is 8 not long (or 9 if you look at the left hand). I'd recommend changing this to a [12][34] minijack trill, or a normal [13][24] trill.
I think the current pattern's fine but it could be a little easier,though idk what to do. Also that's not a rule,it's a guideline. It's just recommended I don't do it
the guidelines are a bit more than "just recommended"
To quote the RC:
"Guidelines: Guidelines may be ignored under exceptional circumstances. These exceptional circumstances must be justified by an exhaustive explanation as of why the guideline has been ignored and why not ignoring it will interfere with the overall quality of the creation"
And my main issue is not that this is against rc, but that i feel its a major difficulty spike. The rc i quoted there was just what the RC feels should be the hardest you should make the pattern, however this pattern is another level above that. I dont think its a bad pattern or wrong for the section, but that its too hard for an insane, and would fit better in an EX diff or similar.
Silence/no notes can be used to give emphasis and attention to the song, it's a valid choice and makes very little difference here.
Re Prot: That is not answering the question at all. Crisper is asking WHAT newband is trying to emphasize. HOW sacrificing notes which are extremely prominent will improve the overall emphasis of the pattern.
Your statement is barely scraping the definition of emphasis, and not a reason. Crisper's concerns are valid and should not be simply brushed off as "for emphasis", a proper elaboration/justification here is required.
From my personal pov I do not see a reason as to ignore the initial two notes. They hold the same intensity as the later ones, and should be represented with the same density of notes instead of outright just ignoring them. I see no loss of "emphasis", both as a player and mapper.
I was going for emphasizing these two LN's: 00:43:866 (43866|3,43949|2) and like I said, the emptiness of that section is intentional. A short pause draws more attention to these two LN's, hence why I call this an emphasis
there definitely is a distinct sound here and you should remove 00:45:449 (45449|2) - this note because its a ghost note
00:49:283 (49283|2) - actually not a ghost note. But if you delete it, it'll impact the instrument better
There were a few triples there but it made playing it way harder than it should be so I had to simplify the pattern. I've changed some of the notes to triple,though
00:53:699 (53699|2,53699|3,54033|3,54033|2) - why don't you move these to [12]? i think this is too large of a difficulty spike
00:54:533 (54533|3) - is for the "vocal" and 00:54:533 (54533|0) - is for all other sounds. I decided to go with LN's cause I think it'd be awkward to play if I had to put jacks while you hold a LN
00:54:533 (54533|0,54533|3) - It's really underwhelming that the strong rhythm playing right before the buildup is just focusing on the vocals. It also makes the buildup patterns right after feel a little abrupt in difficulty. As for #1385184/3898866, I understand the intention but it doesn't work here when the sound you're representing with that LN is noticeably a very intense and rapid rhythm that doesn't justify just one note. It's the main focus here.
How about doing something like this?
01:03:033 (63033|2,63116|2,63199|1,63283|1,63366|2,63449|2,63533|1) - For a similar reason to #3775385, I would move the minijacks to be on the opposite hand.
Could remove the LN at 01:04:033 (64033|3) - and add a note at 01:04:116 - but it doesn't really make a difference in gameplay since it's just a single note.
I think removing the LN here would make the patterning feel weird,as I end up stop mapping synths abruptly and get back into mapping them
01:03:866 (63866|1,63949|2) - Correct me if I'm wrong, but I don't hear the synths at all so shouldn't these be regular notes?
Again,that's a guideline,not a rule. Besides I think I should be fine because the map has multiple BPM's
01:10:845, 01:11:367, 01:11:889 - What reason is there to even ignore the snares here now? I know that the music slows down but the snares themselves have not changed at all with how intense they are. At the very least, if you're trying to have the patterns get calmer over time, the snares could be mapped as singles. Just ignoring them doesn't make any sense and doesn't feel right.
Again, I wanted to undermap this section for the emphasis. Sure, I could map them as a single and it wouldn't be an issue in terms of difficulty but I think this fits better
Slightly disagree.
I know that you're undermapping for the emphasis, but again, the snare is still a significant part of the slowjam here. I'd understand if it was fading out, but the intensity is constant. To go from mapping it as doubles to suddenly nothing is a pretty jarring transition and it just feels like something is missing rather than emphasis.
01:12:150 (72150|0,72150|1,72215|2,72215|3,72280|1,72280|0,72345|2,72345|3,72411|2,72411|3,72476|0,72476|1,72541|3,72541|2,72606|1,72606|0) - i either represent them as roll (or other similar thing) or one hand double jack because it suits better (but maybe it'll make a diff spike)
Not so sure about this pattern,feel like it does represent the music well but it can be rather hard to play on slowjam too. I'll leave this open in case anyone else has something to say
01:20:237 (80237|2,80367|2,80498|2,80628|2) - This anchor hurts lol. I'd probably smoothen out the pattern a bit so it's less rigid with all the direction changes. Possible suggestion:
Probably cause there's no where to put the note without making a 1/8 jack while still keeping the LN pattern intact.
Why is 01:24:476 (84476|2) a thing then? That doesn't make sense. The other columns are right there
01:27:932 (87932|0) - [!] The LN should be at 01:27:802? That's where the vocal sample is clearly starting at.
I am pretty sure I hear a consistent 1/4 vocal flow here, the blue lines being the peak (?) of the vocals at 01:27:802 - 01:28:063 -
Speaking of which, why is 01:28:128 (88128|1) - a 1/8 grace. That is so random and unwarranted
Made the changes. Also to address neon, that LN was for the vocal and the double was for the kick. However, the vocal starts at the red line anyway so your issue's fixed anyway
01:29:758 (89758|1,89889|1,90019|1,90150|1) - Would try to move this to the other hand or something to prevent the 4 note stack here. Alternatively, you can make the transition into it more linear and have a longer 2-3 trill like so:
01:35:628 (95628|2) - 01:36:150 (96150|1) - I don't think you need to represent the tripple drums with a single LN for this difficulty. Place additional notes here 01:35:628 - 01:35:693 - 01:35:758 - 01:36:150 - 01:36:215 - 01:36:280 -
01:35:758 - There is another vocal effect playing here, it's odd to only have a 1/1 LN at 01:35:628 (95628|3) for this. There should be another LN.
I didn't want to add more LN's as it'd probably lead to this section being too difficult to play
How is this more difficult to hit? This is such an easy section compared to other parts of the map?????
I only changed one note to an LN, it plays the exact same? How does this make it harder to hit?
In fact it's easier to hit than the original pattern right now when you have a 4-note jack at 01:35:628 (95628|2,95758|2,95889|2,96019|2) which transitions into more jacks at 01:36:019 (96019|0,96150|0,96150|1) which in itself was weird to hit, and is more difficult than my suggestion. So I'm not sure how difficulty is a concern here.
If I made that change, I'd have to do the same to 01:36:150 (96150|0) as there's a slight pitch change there as well. Also changing that to a LN would've created more jacks somewhere else and limit the pattern a lot more, so I'm not applying this
01:39:522 (99522|3) - this ln should start 01:39:522 (99522|3) - here (and i would make it a double)
Fixed the LN,not making this a double though,don't think the sound can be heard easily/can be confused for percussions
01:41:755 (101755|3) - This LN should be at 01:41:670
01:59:133 (119133|3) - This should be at 01:59:052
Your first suggestion is wrong, the synth starts after the downbeat but before the 1/4 tick - it's better for representation to just keep the LN on the 1/4 and avoid any awkward graces where there otherwise haven't been any.
Can vouch for 01:59:133 (119133|3) - being on 01:59:052 - though.
It isnt a wrong suggestion, mono is correct here. Except 01:41:755 - is the peak of the vocal, I personally rather follow mono's suggestion as the 1/4 is a little awkward to play, but I have nothing against the current pattern
01:42:093 - you could place an small LN for the sound here, similar to 01:41:755 (101755|3) -
01:42:911 (102911|3,102911|2,102993|2,102993|3,103237|3,103237|2) - i think these sounds are all too weak to be charted at all, you should delete them and place a double on 01:43:156 - this sound because it is much more prominent.
Seems like I tried to follow both the vocals and the synth and somehow landed in between lol,changed the pattern to that
01:48:673 (108673|1) - This should be a single long LN, and you need to delete 01:48:754 (108754|3) - because the synth has the same pitch here and doesn't change I think
01:48:754 (108754|3) - move this to column 1 and change 01:48:835 (108835|2,108835|0,108916|0,108916|2,108998|1,108998|3,109079|1,109079|3) - this into a [34][12][34][12] jumptrill because this is far too difficult to hit.
01:48:835 (108835|0,108835|2,108916|2,108916|0,108998|3,108998|1,109079|1,109079|3) - Would do [12][34] for the minijacks since chord jacks at this BPM are probably too difficult for the intended playing level of this audience.
01:49:727 (109727|1) - This LN needs to be here 01:49:646 - and you should make it longer and shorten the LN next to it accordingly
01:51:430 (111430|3) - 01:51:592 (111592|0) - These two notes should probably swap collumns for pitch revelancy
01:54:349 - double check the rhythm of this entire section. a lot of it feels off, generally by 1/4. 01:54:592 (114592|2,114673|1,114916|1) - for example feels like it should be 1/4 earlier.
The first secton feels fine,the second section seems like it has to be partially in 1/6 rather than 1/4 so fixed that.
01:54:998 (114998|1,115079|1) - why is this the only one that has a shield like this. the sound isnt anything special here compared to the rest of the section. yet every other one is not using a shield
No matter how I arrange this,it doesn't get rid of the shield as all other sections also have either a LN or a note right before another
I feel like y'all pick at consistency too much, if it plays fine it's alright. Majority of players won't pick up on the fact that this is the only 1/4 minijack during gameplay - this is something you really only notice after careful consideration in the editor. If you really need to change it, just control H 01:55:079 (115079|1,115322|2,115484|1,115646|2) - though.
if you need to look at this carefully in the editor to notice it, then that is a problem. i am shocked i just read that. i didnt do any careful consideration in the editor. i played the map one time and then linked the parts that i thought didnt make sense. we are BN's it is litterally our job to check for consistency issues.
however your pattern suggestion is fine, although it is the exact same pattern that mono suggested. and mono also went more in detail by altering the next LN pattern to prevent an unnecessary repetition of the same LN pattern.
there's a lot of similar issue here. You can check ahhhhhhhhhhhhhhh's diff again for references
02:09:916 - i thought you were layering these crash sounds as triples? please make this a triple (and make sure 02:09:673 (129673|1,129673|2,129754|3,129754|0,129835|0,129835|3) - this doesnt create any difficult anchors)
That's the reason why there's a double and not a triple. It'd make a difficult anchor if I made it a triple
The silence here really ruins the flow of this section and doesn't quite capture the growing intensity of this transition. I would keep mapping the snares at the very least here.
just hopping in after RRM discussion- although how well it fits the music is (always) disputable the concept itself is so well preceded in the past in various rgs, so I think just its execution esp. the 'comeback' can be tweaked a little bit, to not throw off people as much as it does now
given you'll skip 02:13:808 ~ 02:14:457 - one problem I can figure out during 02:14:457 ~ 02:15:106 - is plainly its lack in density, or power, and your current pattern seems to be only a syncopation of the synth(?) and the kicks where both are assigned a single note... for some this may not feel just enough.
im confused it seems like the nominating bn asked you to map something here, and you agreed, yet there is still nothing mapped here. its super empty and there hasnt been any theme or concept of mapping nothing for two full bars anywhere else in the song. so it really should have something here.
02:19:889 (139889|2,139970|2,139970|3,140052|3) - Bit straining, would probably avoid the minijack in 3 by shifting 02:19:889 (139889|2,139930|1) - over one column to the left.
Actually 02:19:727 (139727|0,139930|0) - this 1/8 reverse shield is kinda uncomfortable now and doesn't really fit the rest of the map, i think you have better way to avoid this just by ctrl+h some patterns. For example
02:25:970 (145970|0,145970|1) - move to 02:25:808 - and add note at 02:26:052 - ,02:26:457 -
YuEast is right, 02:25:808 - this sound is a kick and there is no sound 02:25:970 (145970|0,145970|1) - here at all. 02:26:052 - this is also a kick.
02:26:295 (146295|3) is also mapped as a single because both that and the timestamp are a bit quieter compared to other kicks like 02:26:133 (146133|3,146133|2)
02:26:295 (146295|3) - Pretty sure this should be moved to 1st or 2hd col, it's pretty off-putting how the emphasis here is seriously focused on the right for some reason with this.
02:30:025 (150025|0,150065|1,150106|0,150268|3,150308|2,150349|3) - ouch. Back to back 1/8 minitrills do hurt lol. Would suggest either eliminating them or making them 2 handed at most: