ReviXy

00:00:200 - aww too hurts for them imo. just only start then they already need to tap 1/8 notes.. also 1/8 should not be used for this difficult. the normal one also only have 1/1 long note :((

suggest you to reduce it with 1/4 notes. like this would be nice! https://imgur.com/ATPHf2P

00:01:783 - missed a note

00:03:699 (3699|0) - move to 00:03:783 - or add a note at 00:03:783 -
00:06:366 (6366|0) - 00:09:033 (9033|2) - ^

00:07:949 (7949|3) - why not move it to col 1 or 2 to create jack like the other?

you should place singles on these noises: 00:11:033 - 00:11:283 - 00:11:699 -

00:14:949 (14949|2) - how about to remove this note for better rhythm? the sound here 00:14:866 - is interesting to make players having some 1/2 pause imo like in the top difficult

00:22:699 - i think this kick noise is more prominent than the synths that you charted instead so i would place a note here

00:34:949 - missed a note, as you have it at 00:26:949 -

00:29:616 - ^

00:36:199 (36199|0,36283|0) - this shouldn't be a minijack

00:49:366 (49366|3,49366|2) - i dont think it is good idea to simplify the sound here with ln. such an amusing sound here should be map with double or at least, u map it in 1/4 would be nice! maybe arrangement like this? https://imgur.com/xznm5mm

00:54:616 (54616|2,54699|0,54783|1) - I think a trill pattern is better for the drums here

00:58:033 (58033|2,58283|0) - ummm, move them to col 1 and 4? for easier readibility

00:59:699 (59699|2,59866|2) - stacking notes like these can be improve to the better layering like this https://imgur.com/qBw04Wc for more enjoyable play and having good flow imo

01:03:449 (63449|1,63533|2) - You'll end up with a 1/4 shield, but I'd control H these two so the 1/4 note mid 1/2 LN is on the opposite hand for better playability.

01:11:106 (71106|1,71106|2) - i think double is not really needed here. It's not emphasizing anything, and in fact those instrument section is not finished yet. Single should be enough

01:11:106 - For this section here, I think you'll be fine varying some of the jumptrills to be something besides [12][34] chords. The BPM is only 115, so you can def get away with using [14][23] and [13][24] chords for variety. As it is now, it's a little repetitive and boring to play as a result.

01:24:998 - 01:25:063 - If it's not too hard, you could place notes here and continue the streams a bit, since there is also a short noise sound here

01:27:019 - I think there should be a double here

01:31:454, 01:33:541, 01:38:715 - You are missing double LNs here? It's represented at 01:25:193 (85193|1,85193|3) and other occasions as well.

01:33:019 (93019|1,93019|0,93085|3,93150|2,93215|1,93280|3,93280|0,93345|2,93411|1,93541|0,93541|1) - Why is this all on the left hand? From how this segment plays, the doubles usually alternate or at least transition to other columns, but this one is all on the first two columns which makes gameplay awkward and off-putting. 01:33:541 (93541|1,93541|0) should be at the 3rd and 4th column.

01:43:156 (103156|3,103156|2,103237|0,103237|1,103319|3,103319|2,103400|0,103400|1,103482|2,103482|3) - Mid speed up, I'd probably nerf this to only doubles every 1/2 at most since it's hard for the player to get on the correct tempo as the music gets progressively faster and faster.

01:43:319 - There is probably supposed to be a double here for the Tom

01:44:700 - I think there should rather be a note here instead of 01:44:862 (104862|2) - because the vocal is way louder here and it's almost silent or non existent at the other one

01:53:457 - there should probably be a note for the drum here

01:54:349 - is quite boring that only do col 12 34, if you dont want col 13 24 that inconsistent (anti human) i think col 14 23 is a good choice to make it more fun and it is not hard

01:58:727 - I recommend to get at least a bit variation between the 12 34 LNs, for example you could make a pattern like shown in the picture in the sections where the Synth is high pitched. You could apply this in 02:09:268 - aswell

02:33:106 - This should be a double