A SUPER DELAYED M4M here:
[General]
> Metadata check: http://rask-soft.com/product/first/event/C91/
18+ content in the official page ffs, my mom was not standing next to me at that moment wew or I am so fking done
> 00:21:351 - remove this ineffective green timing point.
> 00:22:140 - Unify the uses of Finishers for the strong sound effect?
[Kantan]
> 00:16:140 - remove this kat to simplify the density spread. This sudden 1/2 dkk is a bit awkward.
> 00:43:456 - you really want to follow that little piano sound instead of the main melody at 00:43:298 - lol?
> 00:47:087 - same as above, same rationale
> 01:08:877 - / 01:12:666 - just saying, they missed the Finisher intentionally. That's okay for Kantan.
> 01:18:982 - / 01:21:508 - add notes to fill in the large gaps which feel unnatural
[Futsuu]
> 00:14:561 - a plausible Finisher is missing. imo that's fine in Futsuu
> 00:18:982 - shift it 1/2 backwards to fit the music directly. The nnn nn in 1/2 pattern should be tolerated. The current pattern is weird.
> 00:31:298 - adding a kat here to imitate the pattern at 00:30:035 - , to form an expected strucutre.
> 00:42:982 - same as 00:18:982 -
> 00:45:351 - same rationale and application as well, this time you can directly add a note on the timing, if you accept 3 consecutive 1/2 doublets.
^ 00:48:351 - / 00:50:877 - if you adopt the above changes, you may figure that the mapping channel after 00:47:403 - is quite confusing. The two mentioned timing points here can be followed by a note with the vocal layer easily, not sure why'd you like to put some notes on the on-beats. i.e. shift 00:48:666 - / 00:51:193 - 1/1 backwards to fit the vocal part .
> 01:01:930 - move it to 01:02:245 - for a better vocal flow.
> 01:08:877 - / 01:12:666 - same as Kantan's mod
[Muzukashii]
> 00:15:666 - Muzukashii onwards, this note could be d for a better flow. The piano melody ends on this point temporately and a distinct change/ cut should therefore be displayed before 00:15:982 -
> 00:17:719 - shift it to 00:17:877 - for a better flow
> 00:38:877 - d sounds better here
> 00:40:456 - change it to k to clarify the don usage at 00:39:824 - / 00:40:772 - (for vocal) ** you may check the same phrase at Futsuu as well, in Futsuu this is 00:39:824 - d d kk <-- it is acceptable due to a simple colour flow. If you want to change the same phrase in Futsuu, feel free to do so.
> 00:42:666 - / 00:45:193 - sincerely think that empty space fit the overall note flow much more.
> 00:47:245 - you can put a d to finish the whole melody, that won't hurt much
^ 00:49:456 - same as above, this one is kat
> 00:54:035 - k sounds smoother
> 01:06:982 - united K should be shown
> 01:11:877 - this extra ornamental note is too much of it. The progression is further presented later.
> 01:15:982 - d k instead of k d
> 01:29:719 - k k d? consistent with Inner Oni
[Inner Oni]
! Shouldn't the name be 'Inner:OnI' ( ==> 'Re:TrymenT')? match the upper and lower cases
> 00:06:824 - unnecessary don confuses the simple melody, remove it
> 00:46:930 - d for a better flow
^ 00:52:140 - kat for the high-pitch vocal
> 01:12:035 - imo the density could be a bit higher comparing with 01:09:824 - , how about ddkkd?
> 01:15:193 (138) - let's try this:
01:15:666 - special instrument is worthy for an isolation highlight.
01:16:298 - should be a new start instead of a linked phrase due to the little cymbal crash
> 01:17:719 - even though k is inconsistent, it is beneficial to the stream. kkddd ending is out of a sudden
> 01:22:772 - k d d k sounds too heavy for the freestyle mapping, k _ d k would be better for a down-stepping density spread.
[Chaica's Oni]
EDIT:(yuzu you will be responsible for answering the mods on his diff. since he is banned )
EDIT: When did he come back? Did he get released from peppy's prison????
> 00:08:561 - remove this soft piano note because it does not fall on the dominant melody
> 00:15:193 - shift it 1/2 forward to match the melody, the current one sounds too off. (00:15:508 - could be considered be deleted if you apply the change for simplifying the mapping channel further)
> 00:17:403 - d k for pitch flow, same as 00:18:666 -
! 00:24:666 - the following 3 phrases are way too heavy comparing the first one from 00:22:140 - to 00:24:351 - . Do some nerfs there please.
> 00:31:140 - remove it for a clearer cut
> 00:40:298 - contradictively, a don could be add to make the 1/1 spam less dough.
> 00:41:087 - either remove it or shift it to 00:41:245 - , too off for enforcefully putting it on the on-beat
> 00:47:245 - d K sounds much smoother
> 00:56:166 - adding a kat to form a mirror pattern with 00:56:403 - seems perfect
> 01:14:087 - remove it, same as 01:12:824 -
> 01:16:930 - how about kkdkd k k D? for a better flow and fit Chaica's main theme 'kat domminant'
> 01:22:930 - same as Inner Oni
> 01:25:456 - same rationale as above, remove it
[]
Sorry for being SUPER LATE, dont tear me apart ;w;
Call me back when things are ready.
[General]
> Metadata check: http://rask-soft.com/product/first/event/C91/
18+ content in the official page ffs, my mom was not standing next to me at that moment wew or I am so fking done
> 00:21:351 - remove this ineffective green timing point.
> 00:22:140 - Unify the uses of Finishers for the strong sound effect?
[Kantan]
> 00:16:140 - remove this kat to simplify the density spread. This sudden 1/2 dkk is a bit awkward.
> 00:43:456 - you really want to follow that little piano sound instead of the main melody at 00:43:298 - lol?
> 00:47:087 - same as above, same rationale
> 01:08:877 - / 01:12:666 - just saying, they missed the Finisher intentionally. That's okay for Kantan.
> 01:18:982 - / 01:21:508 - add notes to fill in the large gaps which feel unnatural
[Futsuu]
> 00:14:561 - a plausible Finisher is missing. imo that's fine in Futsuu
> 00:18:982 - shift it 1/2 backwards to fit the music directly. The nnn nn in 1/2 pattern should be tolerated. The current pattern is weird.
> 00:31:298 - adding a kat here to imitate the pattern at 00:30:035 - , to form an expected strucutre.
> 00:42:982 - same as 00:18:982 -
> 00:45:351 - same rationale and application as well, this time you can directly add a note on the timing, if you accept 3 consecutive 1/2 doublets.
^ 00:48:351 - / 00:50:877 - if you adopt the above changes, you may figure that the mapping channel after 00:47:403 - is quite confusing. The two mentioned timing points here can be followed by a note with the vocal layer easily, not sure why'd you like to put some notes on the on-beats. i.e. shift 00:48:666 - / 00:51:193 - 1/1 backwards to fit the vocal part .
> 01:01:930 - move it to 01:02:245 - for a better vocal flow.
> 01:08:877 - / 01:12:666 - same as Kantan's mod
[Muzukashii]
> 00:15:666 - Muzukashii onwards, this note could be d for a better flow. The piano melody ends on this point temporately and a distinct change/ cut should therefore be displayed before 00:15:982 -
> 00:17:719 - shift it to 00:17:877 - for a better flow
> 00:38:877 - d sounds better here
> 00:40:456 - change it to k to clarify the don usage at 00:39:824 - / 00:40:772 - (for vocal) ** you may check the same phrase at Futsuu as well, in Futsuu this is 00:39:824 - d d kk <-- it is acceptable due to a simple colour flow. If you want to change the same phrase in Futsuu, feel free to do so.
> 00:42:666 - / 00:45:193 - sincerely think that empty space fit the overall note flow much more.
> 00:47:245 - you can put a d to finish the whole melody, that won't hurt much
^ 00:49:456 - same as above, this one is kat
> 00:54:035 - k sounds smoother
> 01:06:982 - united K should be shown
> 01:11:877 - this extra ornamental note is too much of it. The progression is further presented later.
> 01:15:982 - d k instead of k d
> 01:29:719 - k k d? consistent with Inner Oni
[Inner Oni]
! Shouldn't the name be 'Inner:OnI' ( ==> 'Re:TrymenT')? match the upper and lower cases
> 00:06:824 - unnecessary don confuses the simple melody, remove it
> 00:46:930 - d for a better flow
^ 00:52:140 - kat for the high-pitch vocal
> 01:12:035 - imo the density could be a bit higher comparing with 01:09:824 - , how about ddkkd?
> 01:15:193 (138) - let's try this:
01:15:666 - special instrument is worthy for an isolation highlight.
01:16:298 - should be a new start instead of a linked phrase due to the little cymbal crash
> 01:17:719 - even though k is inconsistent, it is beneficial to the stream. kkddd ending is out of a sudden
> 01:22:772 - k d d k sounds too heavy for the freestyle mapping, k _ d k would be better for a down-stepping density spread.
[Chaica's Oni]
EDIT:
EDIT: When did he come back? Did he get released from peppy's prison????
> 00:08:561 - remove this soft piano note because it does not fall on the dominant melody
> 00:15:193 - shift it 1/2 forward to match the melody, the current one sounds too off. (00:15:508 - could be considered be deleted if you apply the change for simplifying the mapping channel further)
> 00:17:403 - d k for pitch flow, same as 00:18:666 -
! 00:24:666 - the following 3 phrases are way too heavy comparing the first one from 00:22:140 - to 00:24:351 - . Do some nerfs there please.
> 00:31:140 - remove it for a clearer cut
> 00:40:298 - contradictively, a don could be add to make the 1/1 spam less dough.
> 00:41:087 - either remove it or shift it to 00:41:245 - , too off for enforcefully putting it on the on-beat
> 00:47:245 - d K sounds much smoother
> 00:56:166 - adding a kat to form a mirror pattern with 00:56:403 - seems perfect
> 01:14:087 - remove it, same as 01:12:824 -
> 01:16:930 - how about kkdkd k k D? for a better flow and fit Chaica's main theme 'kat domminant'
> 01:22:930 - same as Inner Oni
> 01:25:456 - same rationale as above, remove it
[]
Sorry for being SUPER LATE, dont tear me apart ;w;
Call me back when things are ready.