00:35:808 (7) - the cadence in her voice could allow you to slow this slider down
While
00:41:325 (7) - the cadence in her voice could allow you to speed this slider up
nothing is wrong with it now, just some opinions
00:49:601 (8) - This is blanketed with 00:49:084 (3) in mind, try blanketing it 00:49:946 (1) for a cleaner look. It looks haphazardly thrown in.
00:52:359 (8,1) - I see that you've dropped the previous rhythm you had before of 3/4 slider into 1/2 slider during this vocal part, any reason for that?
01:09:256 (1) - Very, and I mean very slight overlap issue. Try ctrl+right and ctrl+down to make the overlap perfect, I dont think I near-perfect overlap works here.
01:09:256 (1) - Curve the end of the slider very slightly more to give a more "blanketed" feel to the 01:10:463 (1) slider that proceeds it.
01:18:566 (1,1,1,1) - The beats at the end of these sliders are stronger. (The bass hit is louder, and its the beginning of a hyper measure). Maybe a 3/4 slider into a circle for all of them? Or a stronger hit sound at the end of them because it is structured so well.
01:18:222 (3,3,3,3,3) - The beats at the end of these sliders are stronger, as well. 1/4 slider into circle?
01:33:911 (4,2,1) - Not sure if this was intentional or not, but if you slightly move these, you get a perfect Venn diagram of overlaps!
01:43:739 (1,2,3,4,5) - Preference, but the combo here can follow the vocals. Its arbitrary, but the vocals are more prevalent imo.
02:00:808 (4,5,6,7,8,9,10,11) - ??? Rhythm here is confusing, there are clear 1/2 notes here, but youre mapping streams.
02:02:704 (1) - I have little experience mapping wub-wub parts, but having a slider go through a bass hit isn't good.
02:04:084 (1) - Having a slider go through a bass hit isn't good.
02:05:463 (1) - Having a slider go through a bass hit isn't good.
02:05:808 (1) - Having a slider end on a bass hit isn't good, but it contradicts the wub of the music, perhaps 1/4 slider into a circle?
02:06:842 (1) - Having a slider go through a bass hit isn't good.
02:09:601 (3) - Having a slider end on a bass hit isn't good, hmm not too sure what to do with this one tho. Maybe another 1/4 slider into a circle?
02:10:980 (1) - Having a slider go through a bass hit isn't good.
02:14:256 (2) - Really low spacing, kinda mapped yourself into a corner (literally). Consider replacing.
02:15:118 (5,6,1) - same issue as 00:52:359 (8,1), I would treat the rhythm here the same as you did before the kiai section. (3/4 slider into half slider, or two circles)
02:19:256 (4,1) - Vocals here are doing something different that makes me dislike this rhythm choice here personally. Maybe a slider with a sharp cut at the end of it so you can treat it as an antijump, then continue. Something like this -
02:20:808 (6) - Ctrl+g so you get spacing emphasis on both bass hits
02:22:704 (3) - Not sure if intentional or not, but another near-perfect overlap.
02:41:497 (1) - I fucking love this rhythm choice, but it only happens once during this section, you gotta do it more, change it like the rest 02:47:015 (1) - whats stopping this being like that one.
02:52:791 (2) - Slider ending on a bass hit.
03:43:739 (1,2,3,4,5) - Could make these follow the vocals too
03:53:049 (1,2,3) - You only use 1/6 snaps here, with CRAZY ds snap too
03:58:911 (1) - make a circle
03:59:256 (3) - make a slider
04:35:808 (1) - missing a gem here, such an odd noise and you have a normal slider shape
04:44:256 (9) - make a circle, we want a bit more emphasis on the 04:44:428 (1) (hypermeasure) slider
While
00:41:325 (7) - the cadence in her voice could allow you to speed this slider up
nothing is wrong with it now, just some opinions
00:49:601 (8) - This is blanketed with 00:49:084 (3) in mind, try blanketing it 00:49:946 (1) for a cleaner look. It looks haphazardly thrown in.
00:52:359 (8,1) - I see that you've dropped the previous rhythm you had before of 3/4 slider into 1/2 slider during this vocal part, any reason for that?
01:09:256 (1) - Very, and I mean very slight overlap issue. Try ctrl+right and ctrl+down to make the overlap perfect, I dont think I near-perfect overlap works here.
01:09:256 (1) - Curve the end of the slider very slightly more to give a more "blanketed" feel to the 01:10:463 (1) slider that proceeds it.
01:18:566 (1,1,1,1) - The beats at the end of these sliders are stronger. (The bass hit is louder, and its the beginning of a hyper measure). Maybe a 3/4 slider into a circle for all of them? Or a stronger hit sound at the end of them because it is structured so well.
01:18:222 (3,3,3,3,3) - The beats at the end of these sliders are stronger, as well. 1/4 slider into circle?
01:33:911 (4,2,1) - Not sure if this was intentional or not, but if you slightly move these, you get a perfect Venn diagram of overlaps!
01:43:739 (1,2,3,4,5) - Preference, but the combo here can follow the vocals. Its arbitrary, but the vocals are more prevalent imo.
02:00:808 (4,5,6,7,8,9,10,11) - ??? Rhythm here is confusing, there are clear 1/2 notes here, but youre mapping streams.
02:02:704 (1) - I have little experience mapping wub-wub parts, but having a slider go through a bass hit isn't good.
02:04:084 (1) - Having a slider go through a bass hit isn't good.
02:05:463 (1) - Having a slider go through a bass hit isn't good.
02:05:808 (1) - Having a slider end on a bass hit isn't good, but it contradicts the wub of the music, perhaps 1/4 slider into a circle?
02:06:842 (1) - Having a slider go through a bass hit isn't good.
02:09:601 (3) - Having a slider end on a bass hit isn't good, hmm not too sure what to do with this one tho. Maybe another 1/4 slider into a circle?
02:10:980 (1) - Having a slider go through a bass hit isn't good.
02:14:256 (2) - Really low spacing, kinda mapped yourself into a corner (literally). Consider replacing.
02:15:118 (5,6,1) - same issue as 00:52:359 (8,1), I would treat the rhythm here the same as you did before the kiai section. (3/4 slider into half slider, or two circles)
02:19:256 (4,1) - Vocals here are doing something different that makes me dislike this rhythm choice here personally. Maybe a slider with a sharp cut at the end of it so you can treat it as an antijump, then continue. Something like this -
02:20:808 (6) - Ctrl+g so you get spacing emphasis on both bass hits
02:22:704 (3) - Not sure if intentional or not, but another near-perfect overlap.
02:41:497 (1) - I fucking love this rhythm choice, but it only happens once during this section, you gotta do it more, change it like the rest 02:47:015 (1) - whats stopping this being like that one.
02:52:791 (2) - Slider ending on a bass hit.
03:43:739 (1,2,3,4,5) - Could make these follow the vocals too
03:53:049 (1,2,3) - You only use 1/6 snaps here, with CRAZY ds snap too
03:58:911 (1) - make a circle
03:59:256 (3) - make a slider
04:35:808 (1) - missing a gem here, such an odd noise and you have a normal slider shape
04:44:256 (9) - make a circle, we want a bit more emphasis on the 04:44:428 (1) (hypermeasure) slider