[7 Goddesses]
Oh baby OD 9 You can leave it at that or have it lenient with 8.5 or 8
Only 2 combo colors? I think having more can work or to process a different BG with higher resolution so you can add new combo colors
Whoa those hitsounds are loud
00:12:730 (2) - I don't think this is necessary just yet. Even though I do hear the distinct sound in the music it doesn't really stand out much as it's the only note in this entire section that's a triplet and based on what you've already done other areas could've had them as well, but only this specific area had it
00:14:455 (3) - Instead of a single note how about making this a slider? Just another idea, to have distinct connection in the vocal cuts like at this part 00:14:005 (1) -
00:33:730 (4) - I can't hear anything in the music but maybe that's just me so it could've be "overmapped" by some BNs
00:43:105 (2,3) - This spacing could be improper by some people. Since (2) is the stronger beat and (3) is just a low volume beat. So having (3) spaced further then (2) maybe an imbalance in spacing
00:54:205 (3,4,5) - This pattern is a bit rough to hit compared to 00:44:305 (2,3,4) - So I would say moving that pattern around to keep the playability of them both somewhat equivalent
01:01:105 (3) - Having this equal spacing to (2) 01:00:955 (2) - from where 1 is at would be best so the it blends with the music Should be 1.5 DS from where (1) is at
01:07:405 (1,2,3) - Same as ^ here
01:10:855 (4) - Couldn't you also map this out to the vocal? Just to add a new variation instead of consistently doing the same type of rhythm over and over again. Plus having that pause seems so strange because it makes 01:11:305 (2,3,4) - not stand out as much and is just there to fill gaps
01:21:205 (1,1,1,1) - Seems so simple for such an incredible pattern. Ctrl+G some of them would really make this part feel great. Especially these 2 01:21:505 (1) - and 01:22:105 (1) -
01:37:555 (2) - having this stacked on the sliderend of 01:36:805 (1) - has much more of a playing impact transitioning from these sliders so then (2) can have the beat and spacing match with the strong clap
Rest is the same. It's much of a big transition in between the kiais So what I'll leave you with is just some ideas above. Keep up the good work it's about there.
Only 2 combo colors? I think having more can work or to process a different BG with higher resolution so you can add new combo colors
Whoa those hitsounds are loud
00:12:730 (2) - I don't think this is necessary just yet. Even though I do hear the distinct sound in the music it doesn't really stand out much as it's the only note in this entire section that's a triplet and based on what you've already done other areas could've had them as well, but only this specific area had it
00:14:455 (3) - Instead of a single note how about making this a slider? Just another idea, to have distinct connection in the vocal cuts like at this part 00:14:005 (1) -
00:33:730 (4) - I can't hear anything in the music but maybe that's just me so it could've be "overmapped" by some BNs
00:43:105 (2,3) - This spacing could be improper by some people. Since (2) is the stronger beat and (3) is just a low volume beat. So having (3) spaced further then (2) maybe an imbalance in spacing
00:54:205 (3,4,5) - This pattern is a bit rough to hit compared to 00:44:305 (2,3,4) - So I would say moving that pattern around to keep the playability of them both somewhat equivalent
01:01:105 (3) - Having this equal spacing to (2) 01:00:955 (2) - from where 1 is at would be best so the it blends with the music Should be 1.5 DS from where (1) is at
01:07:405 (1,2,3) - Same as ^ here
01:10:855 (4) - Couldn't you also map this out to the vocal? Just to add a new variation instead of consistently doing the same type of rhythm over and over again. Plus having that pause seems so strange because it makes 01:11:305 (2,3,4) - not stand out as much and is just there to fill gaps
01:21:205 (1,1,1,1) - Seems so simple for such an incredible pattern. Ctrl+G some of them would really make this part feel great. Especially these 2 01:21:505 (1) - and 01:22:105 (1) -
01:37:555 (2) - having this stacked on the sliderend of 01:36:805 (1) - has much more of a playing impact transitioning from these sliders so then (2) can have the beat and spacing match with the strong clap
Rest is the same. It's much of a big transition in between the kiais So what I'll leave you with is just some ideas above. Keep up the good work it's about there.
Sometimes motivational words no matter how small can push a person's spirit to new heights