Oh baby OD 9 You can leave it at that or have it lenient with 8.5 or 8
Only 2 combo colors? I think having more can work or to process a different BG with higher resolution so you can add new combo colors
Whoa those hitsounds are loud
00:12:730 (2) - I don't think this is necessary just yet. Even though I do hear the distinct sound in the music it doesn't really stand out much as it's the only note in this entire section that's a triplet and based on what you've already done other areas could've had them as well, but only this specific area had it
00:14:455 (3) - Instead of a single note how about making this a slider? Just another idea, to have distinct connection in the vocal cuts like at this part 00:14:005 (1) -
00:33:730 (4) - I can't hear anything in the music but maybe that's just me so it could've be "overmapped" by some BNs
00:43:105 (2,3) - This spacing could be improper by some people. Since (2) is the stronger beat and (3) is just a low volume beat. So having (3) spaced further then (2) maybe an imbalance in spacing
00:54:205 (3,4,5) - This pattern is a bit rough to hit compared to 00:44:305 (2,3,4) - So I would say moving that pattern around to keep the playability of them both somewhat equivalent
01:01:105 (3) - Having this equal spacing to (2) 01:00:955 (2) - from where 1 is at would be best so the it blends with the music Should be 1.5 DS from where (1) is at
01:07:405 (1,2,3) - Same as ^ here
01:10:855 (4) - Couldn't you also map this out to the vocal? Just to add a new variation instead of consistently doing the same type of rhythm over and over again. Plus having that pause seems so strange because it makes 01:11:305 (2,3,4) - not stand out as much and is just there to fill gaps
01:21:205 (1,1,1,1) - Seems so simple for such an incredible pattern. Ctrl+G some of them would really make this part feel great. Especially these 2 01:21:505 (1) - and 01:22:105 (1) -
01:37:555 (2) - having this stacked on the sliderend of 01:36:805 (1) - has much more of a playing impact transitioning from these sliders so then (2) can have the beat and spacing match with the strong clap
Rest is the same. It's much of a big transition in between the kiais So what I'll leave you with is just some ideas above. Keep up the good work it's about there.