much thanks. <3ZiRoX wrote:
[Cup][Salad]
- 00:06:024 (4) - This note is not totally needed, and could be removed.
- 00:13:890 (1) - I think you can take the repeat out and make it a simple 2/1 slider. That way it will follow the violin as 00:14:988 (2) - does.
- 00:21:573 (2,3) - You could replaced these two objects by a 2/1 slider, it will emphasize the vocals a bit more in that case.
- 00:30:354 (1,2) - Again, you could replace this with a 2/1 slider and a circle. I think it will also improve the pattern a bit because, while 00:31:085 (2) - covers a whole vocal, the downbeat at 00:31:451 - is currently mapped by a slidertail, which makes it lose a bit of emphasis when it should have more.
- 00:37:305 (2) - Sound is quite weak here, and this circle could be removed.
- 00:50:841 (3,1) - The distance between these objects can look a bit intimidating for newer players, and it's also the only similar pattern which uses such a distance. I'd suggest you move them a bit closer.
- 00:54:500 (2) - You could replaced this with a single circle, to decrease density a bit, to create a break between patterns and to make it consistent with other parts like 00:49:744 (2,3) - and 00:58:524 (3,1) -
- 01:03:646 (2) - This note could be removed to reduce the combo a bit.
- 01:06:573 (1,2,1,2,3) - Maybe you can try the following timeline? It will allow you to map the downbeat at 01:09:499 - with a circle/sliderhead rather than a slidertail. You can also repeat this pattern at 01:09:499 - .
- 01:12:426 - You could use the same 3/2 repeat slider as suggested previously, which will allow you to map as a circle/sliderhead.
- 01:15:170 (3) - This note could be removed, to decrease density a bit. Also, having a 1/1 spacing allows you to add more distance between objects, rather than being limited because of the stream.
- 01:16:268 (2) - Same on this one, if you take the repeat out you could increase the distance between 01:16:268 (2,1) - for more emphasis.
- 01:16:817 (1,2,3,1) - I think you can rearrange this. I think it follows both bass and drums quite nicely.
- 01:19:194 (1) - I think this sounds better (and is more consistent with the rest) as a 1/2 slider rathen than a 1/1
- 01:20:841 (1) - Try to split this into two objects, so you can emphasize the downbeat more.
- 01:21:938 (3) - Same idea on this, don't leave the downbeat underemphasized by being a slidertail.
- 01:29:255 (1,2,3,4,5) - Taking out the circles at the red ticks allows for more distance between objects, which I think would emphasize the ending a bit better.
[Platter]
- 00:08:037 (6,1) - This distance isn't easy to catch by walking, so I suggest you move (1) closer to the previous object.
- 00:09:134 (3,1) - Since (1) marks the beginning of a new section, I think this pattern deserves more distance (even a dash), so you could move (1)'s sliderhead a bit more to the right.
- 00:11:695 (3,1) - I think this distance can be a bit tricky to catch, so I'd move the whole 00:12:793 (1,2,3) - pattern to the left a bit. It will also increase the distance between 00:13:524 (3,4) - , which will emphasize the downbeat there better.
- 00:13:890 (4,5,1) - Having equal distances here is lame, considering 00:14:622 (5,1) - have sounds of different intensity. I'd make it so the distance between (4,5) is smaller than the distance between (5,1).
- 00:23:402 (3,4) - This distance is hard to catch walking, and it doesn't induce dashing, so I'd reduce it a bit.
- 00:25:963 (2,1,2) - This whole movement can be quite hard to catch, since the distance between (2,1) can be quite unexpected only to be topped by a dash back. Consider moving (1) to the right a bit.
- 00:28:890 (5,1) - Same for this distance, it felt a bit large to me so I'd move (1) to the left a bit.
- 00:29:988 (3,4,1) - The double dashing isn't really fitting, so I'd rework this pattern so that only the distance between (4,1) requires a dash.
- 00:45:719 (4,1) - This distance can be quite unexpected and easy to miss. I'd change the direction of (1) so it's easy to catch.
- 00:50:841 (1,2) - It's weird that you decided to omit the downbeat like that. I'd prefer you use a snapping like 00:46:451 (1,2) -
- 00:56:695 (4,1) - Again, this distance can be quite tricky and I'd reduce it a bit.
- 00:58:890 (3,1) - This is almost a side to side movement, which can be quite unexpected. I'd make (1) more horizontal so its head starts closer to the previous object.
- 01:11:512 (5,1) - Same with this distance, reduce it a bit.
- 01:12:244 (3,4) - Reduce thsi distance, the 1/3 dash itself can be quite tricky.
- 01:12:427 (4,5) - Considering what you've been following, I think the most adequate timeline should be like this:
- 01:19:012 (3) - Same on this, considering what you've been following, it makes more sense to place this on 01:19:194 -
- 01:20:659 (1,2,3,4,1,2,3,1,2,3,4,5,6,7,8,1,2,3,4,5,6,1,2) - This section is a mess. It's like you're trying to follow as much instruments as possible, and it doesn't turn out well. I'd suggest you pick 1 or 2 different stuff to follow, and transition between them properly, not trying to mix them.
[Grapes' Rain]
- To me it's weird that you emphasized 00:22:305 (1,2) - with a hdash while leaving 00:24:500 (6,1) - with such an underwhelming dash. The vocal at 00:24:866 - is really strong, and the previous part builds up a bit to that vocal, so I'd expect a bit more distance here.
- 00:09:134 (3) - I'd map this as a single circle, because forcing the 1/3 distance after this limits your dash/hdash usage. For example, this creates a nice dash emphasizing the change of section:
- 00:27:061 (2,3) - I'd reduce the distance a bit to make the movement back between these objects a bit more lenient after the hdash. You could even replace 00:27:061 (2,3) - with a slider like 00:22:671 (2) - for even more leniency.
- 00:32:183 (2) - Again, you're leaving a downbeat underemphasized by mapping it as a slidertail, where it could have a nice dash to it.
- 00:47:549 (1) - You could replaced it with a circle, it will create more spacing to the next object allowing for a stronger dash.
- 00:51:207 (2) - I think you could make this slider go right so it follows the same direction as the previous hdash.
- 00:53:219 (6) - Similar stuff again, deleting this note will let you increase the distance for a better emphasis.
- 00:57:793 (5,6) - I think the vocals that follow the 1/1 white ticks are stronger, so I'd follow that.
- Again, on the part starting on 01:06:573 - you're trying to mix too many instruments. For example, 01:07:305 (3) - sounds better (to me) if you start it on the red tick at 01:07:487 - , which makes it follow the bass line, which is what you follow the most.
- 01:12:427 (1,2,3,4,5,6,7,8,9,10,11,12) - This sounds and looks like overmapping to me.
- 01:21:207 (1,2,3,4,5,6) - You're following both the piano and the bass here and it doesn't blend well. If I had to pick, I'd choose the piano.
Good luck with the mapset!
- 00:00:720 (1,2) - Do not overmap hyperdashes please, there's no sound at 00:00:902 - . ok
- 00:02:366 - There isn't a sound on this red tick, so why is there an hdash to this. ok
- 00:04:012 (1,2) - Same as the first thing mentioned. ok
- 00:13:890 (1,2,3) - It's really weird that (1,2) has a larger distance than (2,3) considering (3) is a downbeat where the violin and drums are stronger. made slider 3 a hyper.
- 00:31:085 (1,2) - This distance is really inconsistent with your previous patterns. I'd Ctrl+H 00:31:451 (2,3) - and start rearranging what's next. done but nerfed slider distance.
- 00:37:671 (1,2) - The downbeat at (2) is a strong vocal, it deserves more emphasis so I'd increase the distance. remapped
- 00:44:256 (3,4,5,6,7) - The vocals are really strong here, and it also builds up to the Kiai, so I'd increase the distance between these objects. remapped
- 00:53:402 (1,2,3,4) - Again, the vocals here are strong, so it's weird that 00:53:768 (2,3) - is so underemphasized by such a small distance. I think you can Ctrl+H 00:54:134 (3,4,5) - to fix this. moved sliders around.
- 00:56:146 (3) - What is this snapped to? I hear something on the 1/3 tick at 00:56:207 - , not on its current position. whoops for got to snap that when i remapped to 1/3, thank you
- 00:56:329 (4) - Having the downbeat at 00:56:695 - as a slidertail really underemphasizes that downbeat. I'd split both objects and add a dash/hdash between them to increase the emphasis. idk so
- 00:58:524 (4) - ^Same for this. i dont get it
- 01:01:085 (4,5) - Given the previous patterns, this direction change is really unexpected. Also, 01:02:183 (6,7) - is quite a short distance. I think you can Ctrl+H 01:01:817 (5,6) - . fixed
- 01:04:012 (1) - A single object combo isn't needed. whoops idk where that came from
- 01:05:841 (7,1,2,3,4) - The hdash to (1) is really random, and so is the increase in the distance between notes. If I had to put an hdash somewhere, it'd be on 01:05:293 (4,5) - , which you emphasized through a finish, so the distance to it is currently underwhelming. remapped
- 01:06:573 (4,1) - (1) is a weak sound, so the hyperdash to it isn't really fitting. A more fitting hdash would be between 01:06:390 (3,4) -.added a hyper at 3,4 but i wanted to keep the one in the beginning for emphasis of leaving kiai
- 01:07:122 (2,3) - I don't understand why this has an hyperdash. It makes way more sense if you had an hyperdash between 01:07:671 (4,5) - instead. ok
- 01:11:695 (1,2,3) - Again, this is weird. You leave the downbeat underemphasized as a slidertail, and the hyperdash between those objects doesn't make sense. I'd use the following timeline and make an hyperdash between (2,3)
ok- 01:13:707 (1) - Again, the hyperdash is wrongly placed because you placed the rhythms wrongly. You should split the slider into two circles and the hyperdash should be between those 2 circles okk
- 01:13:707 (1,2,3,4,5) - You're mixing different instruments here, and it doesn't sound too good. I'd move 01:14:622 (4) - to 01:14:438 - in the timeline, and add another circle at 01:14:804 - to follow the bass more closely. ok
- 01:15:354 (6,7) - The hyperdash between these objects doesn't follow anything. I'd add a circle on 01:15:170 - and make an hyperdash between that new circle and 01:15:354 (6) - . i relly dont think thats nessesary
- 01:16:085 (2) - This note sounds out of place considering the rhythms you're mostly following, so I'd delete this circle. yea ur right
- 01:22:305 (2,3) - The same thing as mentioned for 01:11:695 (1,2,3) - applies here ok
- 01:23:860 (3) - This sounds really off. I think it sounds better if you place it on 01:23:768 - yea that was wrongly placed.
- 01:24:317 (3,1,2) - Again, hyperdash usage is weird here. The strongest sound is (2), so the hyperdash should be between 01:24:409 (1,2) - instead of 01:24:317 (3,1) - . idk i think i made it better
- 01:24:591 (3,1) - Same thing again, this hyperdash follows nothing. If any, there should be an hyperdash between 01:24:774 (2,3) - .yea ur right
- 01:25:780 - 01:26:146 - I think you could add circles here to follow the bass sounds. ok
idk slightly better and underweighted rain
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240,256,68402,1,0,0:0:0:0:
64,240,68768,6,0,L|160:128,1,120
320,144,69134,2,0,L|400:144,1,80
240,144,69500,1,0,0:0:0:0:
400,144,69866,1,0,0:0:0:0:
144,144,70049,1,0,0:0:0:0:
448,192,70415,5,0,0:0:0:0:
96,191,70598,1,0,0:0:0:0:
336,208,70963,1,0,0:0:0:0:
144,208,71329,1,0,0:0:0:0:
448,240,71695,6,0,L|368:240,1,80
224,176,72060,2,0,L|304:176,1,80
32,176,72426,1,0,0:0:0:0:
304,176,72793,1,0,0:0:0:0:
384,176,72976,1,0,0:0:0:0:
128,96,73159,5,0,0:0:0:0:
80,128,73251,1,0,0:0:0:0:
128,176,73342,1,0,0:0:0:0:
176,224,73434,1,0,0:0:0:0:
128,256,73525,1,0,0:0:0:0:
80,288,73616,1,0,0:0:0:0:
368,240,73707,5,0,0:0:0:0:
448,240,73890,1,0,0:0:0:0:
368,240,74073,1,0,0:0:0:0:
288,240,74256,1,0,0:0:0:0:
368,240,74438,1,0,0:0:0:0:
176,240,74804,6,0,L|256:240,1,80
64,160,75353,6,0,L|160:160,1,80
400,240,75719,2,0,L|288:240,1,80
160,256,76268,1,0,0:0:0:0:
256,256,76451,2,0,L|336:256,1,80
496,256,76817,6,0,L|384:256,1,80
64,160,77183,2,0,L|144:160,1,80,8|0,0:0|0:0,0:0:0:0:
448,160,77549,1,0,0:0:0:0:
176,160,77915,1,0,0:0:0:0:
464,160,78280,1,0,0:0:0:0:
256,304,78646,1,0,0:0:0:0:
80,304,78829,5,0,0:0:0:0:
224,208,79195,1,0,0:0:0:0:
432,208,79378,2,0,L|336:208,1,80
96,208,79744,1,0,0:0:0:0:
352,208,80110,2,0,L|272:208,1,80
336,288,80476,5,0,0:0:0:0:
384,256,80567,1,0,0:0:0:0:
432,224,80659,1,0,0:0:0:0:
384,256,80750,1,0,0:0:0:0:
336,288,80841,1,0,0:0:0:0:
160,48,80933,1,0,0:0:0:0:
112,80,81024,1,0,0:0:0:0:
64,112,81116,1,0,0:0:0:0:
112,80,81207,1,0,0:0:0:0:
336,144,81573,5,0,0:0:0:0:
160,144,81756,1,0,0:0:0:0:
288,304,81939,6,0,L|384:304,1,80
480,240,82304,2,0,L|384:240,1,80
112,224,82670,1,0,0:0:0:0:
400,208,83037,5,0,0:0:0:0:
80,160,83402,2,0,L|192:160,1,80
320,160,83768,1,0,0:0:0:0:
464,320,84134,5,0,0:0:0:0:
416,272,84226,1,0,0:0:0:0:
368,224,84317,1,0,0:0:0:0:
144,176,84409,5,0,0:0:0:0:
96,128,84500,1,0,0:0:0:0:
144,96,84591,1,0,0:0:0:0:
368,224,84683,5,0,0:0:0:0:
416,192,84774,1,0,0:0:0:0:
208,192,84866,2,0,L|96:192,1,80
208,192,85231,2,0,L|320:192,1,80
416,192,85598,5,0,0:0:0:0:
192,176,85963,1,0,0:0:0:0:
432,304,86329,2,0,L|336:304,1,80
48,320,86694,2,0,L|128:320,1,80
384,304,87061,6,0,L|464:304,1,80
128,320,87426,2,0,L|48:320,1,80
384,208,87793,1,0,0:0:0:0:
432,192,87975,1,0,0:0:0:0:
144,208,88159,1,0,0:0:0:0:
96,176,88341,1,0,0:0:0:0:
432,160,88524,6,0,L|336:160,1,80
96,160,88890,1,8,0:0:0:0:
48,208,88982,1,0,0:0:0:0:
96,256,89073,1,0,0:0:0:0:
416,288,89256,2,0,L|304:288,1,80
64,224,89622,2,0,L|176:224,1,80,8|0,0:0|0:0,0:0:0:0:
432,224,89988,1,4,0:0:0:0:
256,192,90354,12,0,95841,0:0:0:0: