Fuyu no Hanashi (with Ritsuka Ver.)

00:07:803 00:11:358 - you could add notes for the drums here

feels a tad light atm especially compared to the section that starts on 00:21:692, which is an equally tense section to this

00:09:025 (10,11) - you can swap it to k d if you want a better guitare follow, tho, current pattern as d k flow pretty well with patterns around. Really up to your preference

00:20:358 - map kick drum?

i'd also suggest starting the sv increase from 00:19:692 since the buildup starts from there

00:35:303 - i feel the 1/8 note should be on 00:35:303 rather than on 00:35:414?

the guitar does a 1/8 triplet on 00:35:247, and i don't really hear a strong sound on 00:35:414

00:39:914 (19) - could nc here to split the section

00:57:025 (23) - flow wise & taking guitare into account, I like this pattern better with this one as d. But current one is good if your aim is to keep this pattern offhand

01:11:247 (24) - considering finisher here 01:11:469 (26) - ; you can give more emphasis onto the finisher by changing 01:11:247 (24) - as a d.

01:11:469 (27,18) - You can add finishers here if you want to ^-^ (they do sound in the song, but I would say it's up to personal preference to put them in the map or leave them out as is :p)

01:13:469 (14) - ncing here would make this kinda similar to what u do at 00:59:247 (1) - if u think that would be nice

01:21:136 01:21:247 - i'd swap these so that 01:21:136 is a k like 01:20:914 for the snare

01:22:469 01:23:136 01:23:803 - map these hi-hats so we have doublets?

sure they're not snares like 01:26:025, but right now 01:26:025 to 01:27:469 is far denser than 01:22:136 to 01:26:025 at the moment, even though the tensity is the same throughout this bit

it'd be better if the density was more level imo

01:28:358 - 01:29:247 - with the 1/8 ; if you want to make the reading easier, you can start the crescendo SV at 0.85 or 0.90.

01:29:247 to 01:41:692 - the guitar does this xxxx rhythm throughout, yet such rhythms aren't used here even though you use them in 00:21:692 to 00:34:803

for example, it would make sense if you added notes on 01:29:803 01:31:581, move 01:33:692 to 01:33:581, etc. to follow this guitar. the note density would still be much lower than the kiais

01:59:803 02:00:025 02:01:469 02:02:914 - map the guitar?

right now it plays like a verse section, and there's a massive contrast with the density at the beginning of the kiai compared with 02:04:803 to the end of the kiai, even though the entire kiai is equally tense throughout

02:05:025 - what u do here makes sense but in practice the way tag works ingame means both players could play perfect and still notelock :( i suggest removing the nc at 02:06:581 (1) - but keeping the one at 02:08:358 (1) - . basically, more than 1 nc in a single stream is always dangerous

02:08:692 (5,7) - you can ctrl+g this pattern if you want more accuracy onto the guitare and more emphasis onto this k 02:09:136 (9) - . flow wise also feels better.

02:58:136 (26) - missing finisher or intentionally skipped? it's surely not as strong as others one in this part, but similar to this one 01:11:469 (26) -