Eviternity

00:33:097 i believe you should start the 1/4 stream for drums here rather than 00:33:217 as the sound kicks in earlier than what youve mapped atm

00:34:297 - to 00:34:777 -

Somehow the gap LN usage between Transcendence and Infinity are kinda too far because mostly Infinity are using FLN. So, I suggest to giving some buff to this LN usage.

Like this:

00:35:617 (35617|0,35857|2) - i believe you could make these be in same column to portray that the sound is the same/repeating
same thing applied at similar parts such as 00:35:617 (35617|0,35857|2,39457|1,39697|3) -

00:36:577 (36577|2,36757|2) - I think you can avoid this 1/4 shield so the player can more comfortable to hit

00:37:297 (37297|1,37297|3,37357|2,37357|0,37417|3,37417|1) - dont see why this is straying from the concept of having jump-note-jump such 00:36:697 (36697|1,36697|0,36757|2,36817|0,36817|3,36937|2,36937|1,36997|0,37057|3,37057|1) -
its a weird deviation as this and 00:49:177 (49177|0,49177|1,49237|3,49237|2,49297|1,49297|0) - are the only places in this section where you use 3 jumps in a row, consider changing it for better consistency

00:40:417 (40417|2,40537|3,40537|0,40597|2,40657|3,40657|1,40777|2,40777|0,40837|3,40897|2,40897|1) - esto puede llegar a ser dificil de pegar
con este ejemplo se arregla

aplica esto aqui 02:12:577 (132577|1,132697|3,132697|0,132757|1,132817|2,132817|0,132937|3,132937|1,132997|0,133057|2,133057|1) - pero al reves

00:50:137 the ln's which im assuming are portraying vocals feel a bit off since some of them dont seem to portray anything aswell as the start/end of some seem to be off.
Some examples
00:50:257 (50257|3) - should be removed imo
00:50:137 (50137|2) - can be moved to column 4 and extended by 1/4
00:50:737 (50737|1) - should be removed imo
00:50:617 (50617|2) - extended by 2/4
Id say take a look over this section and see that the ln's match the vocals
OBS if the ln's DONT portray the vocals ignore this, however if thats the case i cant really tell what theyre following

00:50:137 - 00:53:857
I really don't understand the reason for doing it like 00:50:317 (50317|2,50677|1,51277|1) - there is no actual corresponding music. Even if you want to create a dump style, the music in this section is very even. Such sudden uneven snaps are meaningless in my opinion. It will only confuse the players. According to your idea, this part is better modified like this (at the same time, the position is modified a little to balance the pressure of each col):

Same part : 02:22:297

00:52:777 (52777|2,52837|1,52897|0,52957|3) -
and
00:53:677 (53677|1,53737|2,53797|3,53857|0,53917|1) -
you should either remove this and replace it with the current ln patterns you have going OR remove the ln parts starting from 00:52:777 and map the drums
It is imo jarring and doesnt make sense to swap layering and concept so rapidly and back/forth when there isnt really a need to nor does it fit imo.
My suggestion is making it all ln, since then it better grows in intensity and diff progression with 00:53:977 being chords and then streams kicking in at 00:55:897

00:53:977 - 00:55:897
same reason as above #4617942
Suggestion:

Same part : 02:26:137
Similar parts : 01:12:217 and some other places, I suggest unifying them.

00:55:897 - 00:56:857
For the sake of playability, I suggest slightly modifying this arrangement (mainly due to
00:55:777 (55777|3,55897|3,56017|3,56137|3), it is recommended to modify it in conjunction with my previous suggestion)

00:57:337 - subjective, can be like this to make it more comfortable

01:01:537 01:09:217 - missing drum imo

01:01:657 - 01:05:437
01:02:197 (62197|0,62677|3) -Similar to #4617952, same reason as above.
Same part: 01:09:337

01:07:897 (67897|1,67897|0) - esto no deberia de ser LN? teniendo en cuenta el sonido
01:05:977 - same
aplica esto en las demas ocasiones si estas de acuerdo

01:08:077 (68077|1,68137|0,68257|1,68317|0,68437|1,68497|0,68617|1,68677|0,68797|1,68857|0) - there is a big overpressure on the left hand, which can be approximately corrected like this.

01:09:337 (69337|0,69337|2,69337|3,69577|1) - aqui usa un patron differente a los ya usados para el mismo sonido como 01:01:657 (61657|0,61657|2,61657|3) - - 01:03:577 (63577|2,63577|1,63577|0) - etc sugiero que por consistencia tengan la misma idea de patron

01:13:177 - 01:14:137 - a bit heavy on the left imo, can do something similar like this

on later pattern too

01:13:357 (73357|3) - think this should also be a ln, so there is 4 ln notes following eachother as the sound seems to be similair/same in lenght as 01:13:537 (73537|1,73597|2,73657|3,73717|1) -

01:16:957 i dont see why this is empty aswell as why you dont have ln's here.
Id say add a note, re-arange slightly and turn some notes into ln to fit the current concept of this section.

Perhaps something like this or without a trill if you prefer that.
This applies at similar sections such as 01:20:617

01:28:537 (88537|1,88537|3,88537|2,92437|1,92557|2,92677|3) - The reasons have been explained #4617949. My suggestion:

01:36:217 - 01:51:577 En toda la sección los gaps de 1/4 que generan las LNs son muy inconsistentes en general, pareciera que no siguen ningún sonido en especifico

01:36:217 (96217|0,96217|2) - I suggest making this a triple for the cymbal sound

01:39:337 (99337|0,99457|1,99577|0) - can move these notes so it's not heavy on left hand. Example

01:49:057 (109057|1,109057|2) - ctrl+h

should also check other section

01:42:937 (102937|0) - it is one ln in this batch with 1/4 maybe then it should be reduced to 1/2 so that it does not get out of the batch ?

01:47:257 (107257|3,107257|1,107257|0) - delete a note since its only a kick (you made the kicks in this section doubles so its only logical that you make this one a double as well)

from 02:08:857 to 02:10:777 it's a little confusing when you map the doubles and where you end the trills and streams, For example 02:09:817 (129817|3,129817|2,129877|1,129877|0) - are doubles but not 02:09:937 (129937|3) - even though they are practically the same sound

02:22:297 - CREO que esta seccion es mas dificil que la anterior que es completamente igual (00:50:137 - ) si es eso cierto, por favor deberias de arreglarlo

02:27:997 (147997|1) - ghost notes? no instrument played there, happens on other diff too

02:28:297 (148297|3,148417|3,148537|3), 02:28:537 (148537|0,148657|0,148777|0) - these are the only 2 anchors in the moment, they are too much out of place, maybe it would be better to do it this way ?

02:29:017 (149017|2,149497|0) - can swap these notes col. and add note 02:29:017 -

In addition, Transcendence vs Infinity

Isn't it Transcendence pattern is harder than Infinity here? Transcendence using LNs releases while Infinity using simple LNs. Also the sound burn stop 02:29:257 - not at 02:29:317 -

02:29:737 (149737|2) - It would be better to extend this LN to 02:29:977 and delete 02:29:737 (149737|3). It would be more beautiful, and there should be no sound worth using double at 02:29:737.

02:29:977 - 02:44:377 - similar to my previous mods on another diff on this section, you can do some re-arrangement to avoid unnecessary shield. You can swap these notes col 02:30:877 (150877|2,150937|3) - , 02:30:997 (150997|0) - are fine because it can't be helped unless you want to move it to col 1 (if you applied the swap col), etc..

02:31:717 creo que te saltaste una 1/4 Ln aqui, ya que en patrones similares si la agregaste 02:39:397 (159397|2) -

from 02:31:897 to 02:33:097 the jumpstream pattern feels very biased towards the left hand which makes it really uncomfortable for the player to hit

02:49:057 (169057|2) -, 02:56:737 (176737|2) - no melody imo, so reduce to 1/4 LN
02:52:657 (172657|1) - missing 1/2 LN for melody

03:00:697 (180697|2,180697|3) - I suggest making these notes either a triple or quad to represent the very distinct cymbal sound

03:16:057 (196057|3) - feel like this ln should be extended to 03:18:937 as the sound lingers way longer than the ln currently portrays