1. Energeh's Futsuu (2.03 stars, 88 notes)
2. hikki's Kantan (1.04 stars, 56 notes)
3. Muzukashii (2.17 stars, 114 notes)

Pending on January 11, 2017
Bubbled on January 11, 2017 by OzzyOzrock
Qualified on January 12, 2017 by Chromoxx
Disqualified on January 15, 2017 by IamKwaN
Qualified on January 15, 2017 by IamKwaN
Disqualified on January 22, 2017 by OnosakiHito
Qualified on January 23, 2017 by OnosakiHito

Kantan : By hikikochan
Futsuu : By Energeh
Muzukashii : By Ascendance

Storyboarder wrote:

00:29:799 (1,2,3) - hyper dash
00:33:109 (1,2) - ^
00:36:419 (1,2,3) - ^

Sinnoh wrote:

why even bother with rules these days

Chromoxx wrote:

hi, here to give this a quick check before touch this.

[Futsuu]
who is Energeh? He's a restricted player but he's my friend IRL. We were sitting next to each other when we mapped the set
00:57:615 (25,26,27,28) - you're mapping these here, when there's clearly more audible stuff like 00:19:556 - that you aren't mapping. Fixed
I'd suggest deleting 00:57:915 (26) - so that we can spread this up to the muzukashii which has all 4 notes and mapping notes like 00:15:315 - 00:19:515 - 00:34:515 - 00:38:715 - to get a bit of a better distance from the kantan Fixed this as well

[Muzukashii]
why is the diff by Ascendance the one where i have nothing to say? lmao. B)

If you don't want to accept the stuff i pointed out here i'd like to gather some more opinions before qualifying, since the spread is a bit questionable here with the futsuu being a bit too similar to kantan and the 4 notes at the end aren't really acceptable in the lower 2 diffs for me.

- Magic Bomb - wrote:

the fact you have a marisa bg for a meiling song is actually disgusting change it you numbskull SAVE ME
if you're not gonna do that then firstly fuck you and secondly add marisa to tags ok i did until i find a better bg or something

I have to agree with both Chromoxx and Sinnoh though, those notes at the end of the kantan and futsuu aren't just slightly hard for these difficulties, but also very nonsensical considering the fact that you're putting more emphasis because the song is getting quieter, which makes no sense from a rhythmic point of view.

Oh also in my opinion, whilst I understand the reasoning for high HP, current HP feels a little too high in my opinion, would recommend reducing each diff by 1 (Except maybe muzu). Originally, it was 10/9/8, but we reduced it by 1 before the bubble. The main reasoning behind it is the song is so damn slow. I think lowering it any more would make it a bit too easy, hopefully this is an acceptable answer!

There's also a few notes triggering me so here.

[Futsuu]

00:03:315 - The fact there's no note here sounds weird to me, would be best to add one. ye
00:16:065 - Considering strength of 3/4 here, same here. ye
00:22:515 - Same as the first point, considering the fact how every other "line" has this 1/2 mapped, not mapping it here sounds odd. ye
00:35:265 - And again, same as second point. ye
And the same with the last section in the same way xd
00:42:915 (3) - Seems weird to leave this as d considering pitches here, k would sound better. I've done it in the other two, I've changed it only for this one since it isn't a huuuge difference
00:51:615 (15) - d would be nice for pitch lowering here (kinda nazi but yeah it just seems weird to have kk here for a pitch that varies so much, to my ear). done

[Muzukashii]

00:33:315 (20) - d would sound nice on this considering sound really didn't change much if at all from previous note, and would nicely show how high the pitch change to next note is. you got it

Muzu is actually pretty nice but that one note triggers me.

Alright yeah that's it, these changes aren't really major at all so you won't need a rebubble I'm pretty sure.

Chromoxx wrote:

Futsuu

00:08:115 (9) - delete this note or something here, the part is identical to muzu otherwise
00:27:315 (9) - ^
00:46:515 (9) - ^

Monstrata wrote:

Seriously? A t-pazolite song without an Extra? What is this, 2017? You could have mapped the telephone rings and at least produced something somewhat challenging for players.

Congrats on mastering a new mode.

Ascendance wrote:

Monstrata wrote:

Seriously? A t-pazolite song without an Extra? What is this, 2017? You could have mapped the telephone rings and at least produced something somewhat challenging for players.

Congrats on mastering a new mode.

You're absolutely right! My apologies! I'll whip up something in my spare time for my more dedicated taiko players.

Standard here I come!

Haruto wrote:

Ascendance mapping taiko :0
Congratulations! ranking a standard set when :^)

IamKwaN wrote:

Can you provide me metadata reference other than these stating the exact artist as your map?

http://www.c-h-s.me/honey_i_scream/#tracklist
http://media.vgm.io/albums/97/20379/203 ... 121676.jpg

Gamu wrote:

[Metadata]

1. Artist: t+pazolite feat. リズナ
2. Romanised Artist: t+pazolite feat. Rizna
   
   ・About "リズナ", the song is included in this album: http://www.c-h-s.me/chs-0008/
   Vocal name is written in Japanese, so "リズナ" is better.
   
   
   ・About "Rizna" (romanization), Please look at this album: http://www.c-h-s.me/chs-0017/
   It says vocal name is "Rizna", so "Rizna" is correct romanization.
   
   
   ・About "feat.", Please look at this album: http://www.c-h-s.me/chs-0019/
   t+pazolite is using "feat.". Vocal is different, but "feat." is better than "ft.". Also "ft." is not used.
   
   
   
   
   
   From the above, "t+pazolite feat. リズナ" is the most proper artist name.

IamKwaN wrote:

What song is he referring to?

IamKwaN wrote:

Why did Gamu use another song as an example to apply on this song? This makes little sense. You could not use such alias unless they specify "t+pazolite feat. Rizna" for this song, same for all the Vocaloid songs. Please fix it as follows:

Artist: C.H.S
or
Artist: リズナ / Rizna

Don't forget to move t+pazolite to the Tags.

1. Artist Changed to C.H.S (It reminds me of things like Lite Show Magic, like combination of two artists, so I decided to use it)
2. Source has been changed to 東方紅魔郷　～ the Embodiment of Scarlet Devil.
3. リズナ Rizna t+pazolite 東方project have been added to tags.

Nwolf wrote:

on a side note: Why is the bg wrong character

Ascendance wrote:

Artist Changed to C.H.S (It reminds me of things like Lite Show Magic, like combination of two artists, so I decided to use it)

Ranking Criteria wrote:

Tracks created by composers belonging to doujin circles should list the circle's name as the main composer. The sole exception to this is when a composer of a given circle is well-known enough by their own name. In this case, their own composer name may be used instead.

Kisses wrote:

>When more effort goes into checking the metadata than actually mapping

xEchoAlertx wrote:

Using this background is analogous to mixing up "your" and "you're" -- makes no difference to anyone who doesn't know any better, but really cringeworthy/embarrassing to anyone who, in this case, knows anything about Touhou. And it's easily corrected: please get a pic of Meiling.

Fii wrote:

xEchoAlertx wrote:

Using this background is analogous to mixing up "your" and "you're" -- makes no difference to anyone who doesn't know any better, but really cringeworthy/embarrassing to anyone who, in this case, knows anything about Touhou. And it's easily corrected: please get a pic of Meiling.

dude who cares all tohos are the same

xEchoAlertx wrote:

Nitori is a kappa, so all of her bullet patterns resemble curving and flowing waterways;

xEchoAlertx wrote:

Think of it in terms of leitmotifs: whenever Darth Vader strolls onscreen, his theme song plays. Not the Leia/Han love theme song. If that happened, you would probably laugh: those movies so thoroughly accomplish their characterizations via the use of leitmotifs that it would be very obvious if something were musically out of place. The Touhou games have some fairly sophisticated characterization techniques, given that they're bullet hell games. The most obvious is the one that makes use of the genre itself: e.g. Nitori is a kappa, so all of her bullet patterns resemble curving and flowing waterways; Kaguya's five impossible tasks for her suitors get reimagined as "impossible" danmaku patterns. Another is the construction of a theme song for each character, kinda like in Star Wars or Wagnerian opera. It's a great credit to ZUN as a game designer that I can understand what these characters are like, even before playing English patches (i.e. the dialogue is so supported by other means of characterization). Play the games: they're fun, challenging, rewarding, and there's a great deal more attention to character than you would think that the genre would allow for.

Ascendance wrote:

I greatly admire your dedication to touhou. If the map is DQ'd for whatever reasons, I will change the background. Otherwise, the most I can promse you is more research on my own part for next time.

Kisses wrote:

>When more effort goes into checking the metadata than actually mapping