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posted
This beatmap was submitted using in-game submission on maanantai 19. helmikuuta 2018 at 12.57.11

Artist: Dempagumi.inc
Title: Psi desu I LIKE YOU
Tags: Denpa, Dempagumi, Dear Stage, Akihabara, Akibapop, Idol, Mirin Furukawa, Risa Aizawa, Nemu Yumemi, Eimi Naruse, Ayane Fujisaki
BPM: 220
Filesize: 4854kb
Play Time: 03:42
Difficulties Available:
  1. Futsuu (2,33 stars, 524 notes)
  2. Inner Oni (4,96 stars, 1320 notes)
  3. Kantan (1,9 stars, 372 notes)
  4. Muzukashii (3,53 stars, 755 notes)
  5. Oni (4,37 stars, 1022 notes)


Download: Dempagumi.inc - Psi desu I LIKE YOU
Information: Scores/Beatmap Listing
---------------
404 AccNotFound
yuzu__rirnrin
Nifty
Protonori
Vulkin
ensan71714
ASPIRIN
Tyistiana
Marm
posted
so late xp
blame my laziness ;w;


[ Kantan ]

OD3 HP6

i can't mod kantan well, so pass xD


[ Futsuu ]

OD4 HP6

00:16:597 (39) - add finisher or delete finisher with 00:17:143 (40,41) - , consist with 00:25:325 (63,64,65) - .

00:38:415 (92) - add circle like 00:36:234 (87) - . based beat.

01:42:234 (107) - finisher?

01:44:961 (113) - add circle. same reason 00:38:415 (92)


[ Muzukashii ]

OD4 or 4.5 HP 5

00:03:415 (10,20,30) - delete to make 'muzukashii'

00:29:688 (118,125,132) - delete finisher. no strong sound in here.

also no problem with pattern imo.
But NO REST TIME...... muzukashii isn't nonstop racing ;w;



[ Oni ]

HP4

generally same with Dena! diff, so refer it.
i couldn't found big error.


[ Denpa! ]

OD 5.5 or 6 HP 4

00:04:218 (16,17,18,19,20,21,22,23) - very similar part with before, but so long stream. since this is the first part of song, you can remove some notes.

00:12:218 (77,78) - 00:14:399 (91,92) - 00:20:945 (139,140,141) - 00:23:127 (153,154,155) - different? i can't find consistency. recommend to fix like muzukashii.

00:28:490 (183) - add circle? like 00:30:672 (193) - .

00:29:309 (187) - ^

00:47:127 (297) - add circle or move 00:47:036 (296) - to here. here is base beat.

00:56:854 (13) - delete? no sound to me.

01:19:218 (15,16,17,18,19,1) - same 00:04:218 (16,17,18,19,20,21,22,23)

01:31:854 (82,84,85) - - finisher. turning point with calm part.

01:41:945 (50) - delete finisher. no strong sound in here.


I love this song.
GL~~
posted

404 AccNotFound wrote:

so late xp No, me.
Thanks a ton for the mod, i took everything into consideration as i remapped this for the 20th time :roll:
posted
ヤッホー
from my queue~

[General]
metadata
Artist: でんぱ組.inc
Romanised Artist: DEMPAGUMI.inc
http://dempagumi.dearstage.com/tagged/profile 

[Kantan]
  1. 01:01:854 (108) - delete
  2. 01:03:218 (110) - move to 01:02:945 - and change k
    Although it is kiai, I thought that break was small.
  3. 02:02:945 - del
  4. 02:04:309 - move to 02:04:036 - and change k
    same as ^
  5. 03:01:854 - del
  6. 03:03:218 (18) - move to 03:02:945 -
    same as ^

    look good :3


[Oni]
  1. 00:13:309 (70) - d
    When comparing the pitch with the next note, keep on d, the next note stands out.

  2. 00:39:672 - add k
    It is slightly simple so it has a change.
    I think that it will be good change as there is sound.

  3. 02:21:763 (226) - delete
    Since the guitar has no sound more than other places, how about trying a small break here?

  4. 02:46:581 (8,9,10) - d-kd?
    It seems possible to combine inverted color patterns.02:46:036 (5,6,7) -

[Denpa!]

  1. 00:09:672 (40,41) - ctrl+g
    Because the pitch of 00:09:763 - is high.
    And the pattern of dk-kd assembles a good flow and composition.
    ( 00:08:855 (34,35,36,37) - You can see it as inverted color arrangement.)

  2. 00:20:309 (100) - d
  3. 00:20:581 (101,102) - ctrl+g
    00:20:309 (100,101) - to pick up the vocal's long tone and try to take the accent of vocal picked up at 00:20:672 (102) - .

  4. 00:46:490 (66,67,68) - k--dk → dk-dk?
    It may be clearer if you take the form of dk - dk to match vocal 's pitch.

  5. 00:50:309 (92,1,2,3,4,5,6,7) - kddkdddk → dkddkkdk?

    With the sound of the synthesizer kddk, 00:50:399 (1,2,3,4) -
    With vocal's pitch kkd 00:50:672 (4,5,6) -

  6. 00:59:581 - add d?
  7. 01:00:399 - add k?
    It feels a little monotonous part , so what about adding it?

  8. 01:01:218 (57) - delete,
    I think that it is conspicuous if you hit it with a single note as the accent of vocal is strong.

  9. 02:46:581 (8,9,10) - d-kd
    It seems possible to combine inverted color patterns.02:46:036 (5,6,7) -


Drumhitsound on Taiko has no effect, but I thought that was amazing. ;)

頑張ってね! good luck~ ></
posted

yuzu__rinrin wrote:

ヤッホー
from my queue~

[General]
metadata
Artist: でんぱ組.inc
Romanised Artist: DEMPAGUMI.inc
http://dempagumi.dearstage.com/tagged/profile 

Stupid Akihabara CAPSLOCK groups :x

[Kantan]
  1. 01:01:854 (108) - delete
  2. 01:03:218 (110) - move to 01:02:945 - and change k
    Although it is kiai, I thought that break was small.
  3. 02:02:945 - del
  4. 02:04:309 - move to 02:04:036 - and change k
    same as ^
  5. 03:01:854 - del
  6. 03:03:218 (18) - move to 03:02:945 -
    same as ^
    Yepp all applied

    look good :3


[Oni]
  1. 00:13:309 (70) - d
    When comparing the pitch with the next note, keep on d, the next note stands out.
    Ya sure

  2. 00:39:672 - add k
    It is slightly simple so it has a change.
    I think that it will be good change as there is sound.
    I'll try kd, kk seems awkward to play.

  3. 02:21:763 (226) - delete
    Since the guitar has no sound more than other places, how about trying a small break here?
    Hep!

  4. 02:46:581 (8,9,10) - d-kd?
    It seems possible to combine inverted color patterns.02:46:036 (5,6,7) -
    Hmmm interesting, i'll give it a go :P



[Denpa!]

  1. 00:09:672 (40,41) - ctrl+g
    Because the pitch of 00:09:763 - is high.
    And the pattern of dk-kd assembles a good flow and composition.
    ( 00:08:855 (34,35,36,37) - You can see it as inverted color arrangement.)
    Perfect

  2. 00:20:309 (100) - d
  3. 00:20:581 (101,102) - ctrl+g
    00:20:309 (100,101) - to pick up the vocal's long tone and try to take the accent of vocal picked up at 00:20:672 (102) - .
    Yes

  4. 00:46:490 (66,67,68) - k--dk → dk-dk?
    It may be clearer if you take the form of dk - dk to match vocal 's pitch.
    Keep for now. I'd have to map the vocals in the next set too and then the one lone non-white tick note stands out very weirdly.


  5. 00:50:309 (92,1,2,3,4,5,6,7) - kddkdddk → dkddkkdk?


    With the sound of the synthesizer kddk, 00:50:399 (1,2,3,4) -
    With vocal's pitch kkd 00:50:672 (4,5,6) -
    Ahh yeah i see what you did there, it's better

  6. 00:59:581 - add d?
  7. 01:00:399 - add k?
    It feels a little monotonous part , so what about adding it?
  8. 01:01:218 (57) - delete,
    I think that it is conspicuous if you hit it with a single note as the accent of vocal is strong.
    Yeah these 2 are great

  9. 02:46:581 (8,9,10) - d-kd
    It seems possible to combine inverted color patterns.02:46:036 (5,6,7) -
    Yessir



Drumhitsound on Taiko has no effect, but I thought that was amazing. ;)

頑張ってね! good luck~ ></
ゆずさん本当にありがとう。
posted
From that nifty queue~ M4M for UP UP MT. CAKE

Muzukashii


◾ Move 01:03:672 (221) - this note to 01:04:218 - here since that's where it is in every other pattern.
◽ 01:06:763 - I don't see why here isn't that 3 finishers thing, since it's the same as the rest of the kiai that uses it.
◾ 00:59:127 - In the last 2 kiais this section has 1/3 doubles, so I recommend putting them in here just to stay consistent.
◽ In the patterns like at 00:13:218 - you could put a pattern like this, it's easier to play, and I personally don't like how the current pattern only follows the voice.
◾ You can put some variation in pattern in this beginning section instead of most 1/1 patterns, like 00:15:763 - here where you could totally go like this
◽ 02:30:763 - I would place a d here just so it feels better, starting on beat 1 instead of 2. {02:35:399 - here is fine, because this is obviously the beginning of a phrase)
◾ 02:26:672 - Put the greenline here on the first beat of the measure so it doesn't look weird zooming past the notes. Also, 0.6x seems a little extreme for muzu, maybe make it 0.8x since it's not really even that much of an energy decrease. (this applies to all diffs that have this slowdown, btw, you can't have sv changes on diffs below muzukashii so remove them)
◽ 03:31:309 - Put a k here to have the d resolve to something, it's awkward to play a pickup note with no downbeat.
◾ 03:25:309 - You can use some variation in here with your doublets, I recommend keeping them mono colored, though. Right now the k d k d k is boring and it's such an exciting section.
◽ 03:33:490 - Another pickup with no resolution, this repeats through this section.
◾ 03:34:036 - D here? cymbal crash and stuff.

Oni


◾ 01:15:490 (40) - Not advisable to make a slider end 1/3 before a note, either end 1/1 before the next note or change to a pattern.
◽ 01:35:945 (10) - This note on every pattern of this should be a d, the k'd before are actually claps, keeping this as k removed emphasis on those.
◾ 03:15:490 (83) - Nice slider but it has the same problem as before.
◽ 03:31:309 - Same issue here as in the muzu with the resolution of these doubles.
◾ 03:37:309 (193) - You know what to do.

Inner Oni (the custom name did not pass inspection)


◾ 00:27:354 (142,143,144) - Nah, these are mapped to something that is unexpected and very quiet, remove.
◽ 01:25:309 - You can totally make this a slowdown to 0.8x sv or something if you're going to map this so sparse.
◾ Fun map.

ye
posted

Nifty wrote:

From that nifty queue~ M4M for UP UP MT. CAKE

Muzukashii


◾ Move 01:03:672 (221) - this note to 01:04:218 - here since that's where it is in every other pattern. Yep
◽ 01:06:763 - I don't see why here isn't that 3 finishers thing, since it's the same as the rest of the kiai that uses it. Yeah this makes more sense for the lower 3 diffs
◾ 00:59:127 - In the last 2 kiais this section has 1/3 doubles, so I recommend putting them in here just to stay consistent. I'm pretty much mapping the syllabels of the vocals as much as Muzukashii allows me to, so for now i don't think i want to add notes here but stay consistent in that way instead.
◽ In the patterns like at 00:13:218 - you could put a pattern like this, it's easier to play, and I personally don't like how the current pattern only follows the voice.
◾ You can put some variation in pattern in this beginning section instead of most 1/1 patterns, like 00:15:763 - here where you could totally go like this Yeah i moved some notes around :)
◽ 02:30:763 - I would place a d here just so it feels better, starting on beat 1 instead of 2. {02:35:399 - here is fine, because this is obviously the beginning of a phrase) Cool
◾ 02:26:672 - Put the greenline here on the first beat of the measure so it doesn't look weird zooming past the notes. Also, 0.6x seems a little extreme for muzu, maybe make it 0.8x since it's not really even that much of an energy decrease. (this applies to all diffs that have this slowdown, btw, you can't have sv changes on diffs below muzukashii so remove them) Yeah i'll trust you with the SV stuff
◽ 03:31:309 - Put a k here to have the d resolve to something, it's awkward to play a pickup note with no downbeat. Yeah i probably overdid them in Muzu
◾ 03:25:309 - You can use some variation in here with your doublets, I recommend keeping them mono colored, though. Right now the k d k d k is boring and it's such an exciting section. Hep!
◽ 03:33:490 - Another pickup with no resolution, this repeats through this section. Yess
◾ 03:34:036 - D here? cymbal crash and stuff. Yeah definitely

Oni


◾ 01:15:490 (40) - Not advisable to make a slider end 1/3 before a note, either end 1/1 before the next note or change to a pattern. Okie Dokie
◽ 01:35:945 (10) - This note on every pattern of this should be a d, the k'd before are actually claps, keeping this as k removed emphasis on those. Yeah agreed
◾ 03:15:490 (83) - Nice slider but it has the same problem as before.
◽ 03:31:309 - Same issue here as in the muzu with the resolution of these doubles. Ye
◾ 03:37:309 (193) - You know what to do.

Inner Oni (the custom name did not pass inspection)

aww

◾ 00:27:354 (142,143,144) - Nah, these are mapped to something that is unexpected and very quiet, remove. Okay
◽ 01:25:309 - You can totally make this a slowdown to 0.8x sv or something if you're going to map this so sparse. Mmmh
◾ Fun map.

ye
Thanks a ton for your mod, it was very helpful !
posted
From my modding queue~
These are mostly suggestions, so feel free to ignore them.

[Muzukashii]
Just a minor suggestion here.
03:13:763 - Add a d here for consistency. There are vocals at 03:13:490 and here. You probably didn't want to overmap here, but you mapped the vocals at 03:11:581.

[Oni]
00:08:673 (46) - Change to k? Listening at 50% playback speed, the notes are different than those played at 00:06:672
00:09:763 (53) - Same as above.
00:28:581 (59,60) - Change to k d? This is just personal preference though.
00:32:945 (76,77) - Same as above.
00:40:036 (104) - Change to k? It reverses the pattern at 00:39:490 (101,102,103). It flows better imo.
00:59:036 (199) - Change to k to emphasize the next note + vocals?
00:59:834 - Add a d here to match the pattern at 01:00:945?
01:23:945 (88) - Consider changing to k. Same reasoning as 00:08:673.
01:25:036 (95) - Same as above.
02:02:127 - There's a sound here, so consider adding a k. (This is more relevant at 03:07:587
03:07:587 - There's a sound here, so consider adding a k (like you did at 03:01:036 . I understand if you want to keep the break, though.


[Inner Oni]
Sorry, but your map is too good for me. :lol:
I can't find any issues.

Good luck with ranking your set! It's really fun to play :)
posted

Protonori wrote:

From my modding queue~
These are mostly suggestions, so feel free to ignore them.

[Muzukashii]
Just a minor suggestion here.
03:13:763 - Add a d here for consistency. There are vocals at 03:13:490 and here. You probably didn't want to overmap here, but you mapped the vocals at 03:11:581. This is good, i made it k though

[Oni]
00:08:673 (46) - Change to k? Listening at 50% playback speed, the notes are different than those played at 00:06:672
00:09:763 (53) - Same as above. Yeah this more interesting, all 4 spots applied
00:28:581 (59,60) - Change to k d? This is just personal preference though.
00:32:945 (76,77) - Same as above. ^ Keep for now, since i map the snares k k in every difficulty
00:40:036 (104) - Change to k? It reverses the pattern at 00:39:490 (101,102,103). It flows better imo. Ohh yes
00:59:036 (199) - Change to k to emphasize the next note + vocals? Yeah kd makes sense
00:59:834 - Add a d here to match the pattern at 01:00:945? I'll keep this part cleaner for the vocals, next pattern is different because of the very distinguishing bass
01:23:945 (88) - Consider changing to k. Same reasoning as 00:08:673.
01:25:036 (95) - Same as above. Ye
02:02:127 - There's a sound here, so consider adding a k. (This is more relevant at 03:07:587
03:07:587 - There's a sound here, so consider adding a k (like you did at 03:01:036 . I understand if you want to keep the break, though. Mmh I do like the break exiting the Kiai, but I'll consider adding a note, let's wait and see what others say

[Inner Oni]
Sorry, but your map is too good for me. :lol:
I can't find any issues.
Good luck with ranking your set! It's really fun to play :)
Thanks alot for your mod! Much appreciated :)
posted
uwu

00:05:399 (8) - i know k is consistent with the rest, but why not a d so it has a bit more variability
00:10:036 (16) - Maybe Finisher? i hear cymbal sound
00:18:763 (31) - ^
00:25:309 (43) - maybe k? around the same pitch as the next k
00:36:218 (63) - finisher? cymbal sound there, also might help with rhythm change
00:44:945 (77) - ^
00:54:763 - On the kiai, i dont think 1/1 Finisher triplets are a good idea, i mean sure, the finishers are optional, but i dont think that means to go full rampage with it xD
01:01:309 (107,108) - Might want to make these finisher? they feel nice going along with the cymbals
01:14:399 (129,131,133) - ^
01:25:309 (148) - ^
01:33:603 - Unsnapped w, move to 01:33:581 -
01:42:764 (177) - finisher?
01:55:854 - Same thing as first kiai with finishers
02:02:400 (210,211,212) - finisher?
02:15:490 - D d K d K could work better to give a bit of more priority to the voice, and the d 02:17:127 - could give some more protagonism to the previous & next K
02:50:127 - I think it would be best to do like d K, k D, instead of both notes being finisher, easier to hit for beginners i think
02:53:672 (1,2,1) - maybe K D K? finisher so it shows the change of intensity, and the D at the middle could work so theres not too many k's there
02:54:763 - same with first kiai with finishers xD
03:14:399 - D d K d K feels it could work better with the voice
03:38:399 (77) - why not finisher?
I havent seen any 1/2 tbh, where are they? D:
also some reasons arent specified because they were mentioned before, and i doubt you would like to see something that looks like "Ctrl-C & Ctrl-V" all over the place
00:14:127 (34) - Delete? 5 note or longer pattern not really recommended
00:36:218 (87) - Finisher?
00:36:218 - you could have gone with the rhythm of dk kdkk dk kdkk rather than kdk to make it a bit more dynamic
00:57:218 (142) - delete? 5 note or longer pattern not really recommended
00:59:399 (148) - ^
01:05:945 (165) - ^
01:42:764 (34) - finisher?
01:42:763 - could have gone with the rhythm of dk kdkk dk kdkk rather than kdk to make it a bit more dynamic
01:47:127 (46) - and finisher? for the small change of rhythm
01:58:309 (71) - delete?
02:00:490 (77) - ^
02:07:036 (94) - ^
02:23:945 (18) - ^
02:55:036 (87) - maybe d? so its easier to hit the K at the Kdk
02:57:218 (93) - delete?
02:59:399 (99) - ^
03:05:945 (116) - ^
03:16:581 (1) - Finisher?
03:21:218 (13) - Delete?
03:34:036 (42) - Finisher?


ah shiet i have to finish some history homework, So far so good to be honest, good luck with the set
After im done ill try to finish this, i like the song so expect a mod in the other diffs too :P
posted

Vulkin wrote:

00:05:399 (8) - i know k is consistent with the rest, but why not a d so it has a bit more variability I'll keep it consistent for now
00:10:036 (16) - Maybe Finisher? i hear cymbal sound I considered all of the possible finishers like this again, but it feels like there are a too many spots where we have these cymbals and crashes to start mapping them with any kind of consistency. They feel too insignificant to start spamming
00:18:763 (31) - ^
00:25:309 (43) - maybe k? around the same pitch as the next k Ya fixed
00:36:218 (63) - finisher? cymbal sound there, also might help with rhythm change Yeah this i can live with
00:44:945 (77) - ^
00:54:763 - On the kiai, i dont think 1/1 Finisher triplets are a good idea, i mean sure, the finishers are optional, but i dont think that means to go full rampage with it xD This is another reason why i choose to not map very many finishers in the map, a big part of it are these 'triplet' finishers that i have across all 5 difficulties. So I'll keep them as they are for now
01:01:309 (107,108) - Might want to make these finisher? they feel nice going along with the cymbals
01:14:399 (129,131,133) - ^
01:25:309 (148) - ^
01:33:603 - Unsnapped w, move to 01:33:581 - Okie, oops
01:42:764 (177) - finisher? Yapp
01:55:854 - Same thing as first kiai with finishers
02:02:400 (210,211,212) - finisher?
02:15:490 - D d K d K could work better to give a bit of more priority to the voice, and the d 02:17:127 - could give some more protagonism to the previous & next K Yeah i like this
02:50:127 - I think it would be best to do like d K, k D, instead of both notes being finisher, easier to hit for beginners i think Okie fixed
02:53:672 (1,2,1) - maybe K D K? finisher so it shows the change of intensity, and the D at the middle could work so theres not too many k's there Ya okej
02:54:763 - same with first kiai with finishers xD
03:14:399 - D d K d K feels it could work better with the voice Yes Sir
03:38:399 (77) - why not finisher? Hai!
I havent seen any 1/2 tbh, where are they? D: Hehe tbh I think we can live without 1/2s when we're dealing with Futsuu at 220 bpm
also some reasons arent specified because they were mentioned before, and i doubt you would like to see something that looks like "Ctrl-C & Ctrl-V" all over the place
00:14:127 (34) - Delete? 5 note or longer pattern not really recommended Yeah agreed
00:36:218 (87) - Finisher? Sure
00:36:218 - you could have gone with the rhythm of dk kdkk dk kdkk rather than kdk to make it a bit more dynamic Yeah this is fun
00:57:218 (142) - delete? 5 note or longer pattern not really recommended Yes for this and all the other 7 note patterns like this
00:59:399 (148) - ^
01:05:945 (165) - ^
01:42:764 (34) - finisher? Jepulis
01:42:763 - could have gone with the rhythm of dk kdkk dk kdkk rather than kdk to make it a bit more dynamic +1
01:47:127 (46) - and finisher? for the small change of rhythm Nop, doesnt feel significant enough
01:58:309 (71) - delete?
02:00:490 (77) - ^
02:07:036 (94) - ^
02:23:945 (18) - ^
02:55:036 (87) - maybe d? so its easier to hit the K at the Kdk Sure Fixed
02:57:218 (93) - delete?
02:59:399 (99) - ^
03:05:945 (116) - ^
03:16:581 (1) - Finisher? Oke
03:21:218 (13) - Delete?
03:34:036 (42) - Finisher? Yeppers


ah shiet i have to finish some history homework, So far so good to be honest, good luck with the set
After im done ill try to finish this, i like the song so expect a mod in the other diffs too :P
Thanks alot for your mod Vulkin Senpai! This was very helpful.
posted
From my modding queue (●w●)

add these tags: "Mirin Furukawa" "Risa Aizawa" "Nemu Yumemi" "Eimi Naruse" "Ayane Fujisaki" (the vocal members of Dempagumi.inc)
This song is also the ed of the anime "Saiki Kusuo no Psi-nan" so maybe also add that information
01:16:581 - 01:25:309 This map has nearly 4 minutes of drain time without long breaks, too demanding for Kantan. I suggest adding a break here and changing the note at 01:16:581 to slider
02:17:672 - 02:26:672 add another break here, change the note at 02:17:672 to slider
03:25:309 - 03:29:127(54,55,56,57,58,60,61,62) Big notes?
00:03:218(6) Move 1/3 beat forward to 00:03:127. Same for 00:05:399(12), 00:07:581(18), 01:18:490(6), 01:20:672(12) and 01:22:854(18)
00:18:763 - 00:26:399 This part is very similar to the intro. In general similar patterns should not be put too close to each other, not to mention it is also a quite difficult rhythm for Futsuu. Perhaps it's better to completely map to the vocal here, that way the map loses some "jazzy" feeling but easier to read, which is the general rule of lower difficulties
02:17:672 - 02:26:672 I suggest adding a break here for same reason as Kantan
03:42:127 add a k?
00:23:399(85) change to k?
01:00:672 add d?
01:41:036 (24,25) ctrl+g? makes dk->kd->dk->kd
03:25:309 - 03:29:127(45,50,55,60) Big notes?
03:30:127 add d? Both vocal and drum kick
03:32:309 add k? Both vocal and drum kick
03:34:490 add k?
HP = 5 or above, as by the criteria
00:23:672(121) change to k?
00:53:945 - 00:54:218(21,22) k d sounds more natural
- 01:55:036 - 01:55:309(24,25) same as above
01:13:945 add d? The drum is continuous, but if you not like long streams its ok
- 02:15:036 d? same as above
- 03:13:945 d? same as above
01:15:581 - 01:16:399 (49,52,55,58) This sounds more like a kkdkkdkkdkkd
01:43:309(46) Move 1/3 beat forward to 01:43:218
03:26:490 add d, makes more sense if this part are all 4 notes stream
- 03:27:036 add k
- 03:29:218 add d


Oni is skipped
Good luck(>∀<)
posted

ensan71714 wrote:

From my modding queue (●w●)
add these tags: "Mirin Furukawa" "Risa Aizawa" "Nemu Yumemi" "Eimi Naruse" "Ayane Fujisaki" (the vocal members of Dempagumi.inc)
This song is also the ed of the anime "Saiki Kusuo no Psi-nan" so maybe also add that information Yepp
01:16:581 - 01:25:309 This map has nearly 4 minutes of drain time without long breaks, too demanding for Kantan. I suggest adding a break here and changing the note at 01:16:581 to slider Yeah i like this,
02:17:672 - 02:26:672 add another break here, change the note at 02:17:672 to slider but unfortunately i don't like this for a pretty exciting part in the song, I do somewhat agree about the breaks though, so I remapped the part after this to mostly 4/1 to compensate the lack of complete breaks
03:25:309 - 03:29:127(54,55,56,57,58,60,61,62) Big notes? Nah, so many already in the last minute or so.If I emphasize everything, nothing is emphasized. Or something like that
00:03:218(6) Move 1/3 beat forward to 00:03:127. Same for 00:05:399(12), 00:07:581(18), 01:18:490(6), 01:20:672(12) and 01:22:854(18) - Sorry, I'm not sure what you're saying here. Did you mean to type 1/3 earlier ?
00:18:763 - 00:26:399 This part is very similar to the intro. In general similar patterns should not be put too close to each other, not to mention it is also a quite difficult rhythm for Futsuu. Perhaps it's better to completely map to the vocal here, that way the map loses some "jazzy" feeling but easier to read, which is the general rule of lower difficulties Ya maybe you're right, i remapped the 1/3 away
02:17:672 - 02:26:672 I suggest adding a break here for same reason as Kantan I think it breaks the spread too much when we map them so clearly in muzu+ I think the few 4/1 breaks in the end will have to do for now
03:42:127 add a k? Ya, but d
00:23:399(85) change to k? Fixed
01:00:672 add d? Yeah people seem to want more notes here. Added some.
01:41:036 (24,25) ctrl+g? makes dk->kd->dk->kd Sure
03:25:309 - 03:29:127(45,50,55,60) Big notes? Nah too messy to read and not that significant imo
03:30:127 add d? Both vocal and drum kick
03:32:309 add k? Both vocal and drum kick
03:34:490 add k? Yeah these 3 were good
HP = 5 or above, as by the criteria Okidoki
00:23:672(121) change to k? It is k, maybe you meant d.
00:53:945 - 00:54:218(21,22) k d sounds more natural
- 01:55:036 - 01:55:309(24,25) same as above Nope, melody too strong
01:13:945 add d? The drum is continuous, but if you not like long streams its ok
- 02:15:036 d? same as above
- 03:13:945 d? same as above I'd like to keep the more intense drums more separated by keeping this gap here it also serves the vocals better, so keep for now
01:15:581 - 01:16:399 (49,52,55,58) This sounds more like a kkdkkdkkdkkd Sure
01:43:309(46) Move 1/3 beat forward to 01:43:218 I see what you mean here, but I feel I'd have to change the structure of the coming sets for consistency as well which brings along some problems
03:26:490 add d, makes more sense if this part are all 4 notes stream
- 03:27:036 add k
- 03:29:218 add d Yeah agreed


Oni is skipped
Good luck(>∀<)
Thanks for your mod! Muzu especially feels more balanced now. :)
posted

hello there



[Kantan]
  1. 00:36:552 - I think that there is no need for a finisher, because there is nothing to emphasize
  2. 01:42:764 (30) - ^
  3. 01:41:672 (28,29) - These claps you emphasize by finishers, maybe the previous should be too?
  4. 01:10:581 (124) - Change for d for emphasize next voise pitch
  5. 01:50:400 (190,191) - Ctrl+G, cuz second note is higher then first
  6. 01:55:309 (48,49) - ^
  7. 02:40:581 (15,16,17) - i thins is d d k for emphasize vocal
  8. 02:47:672 (24,25) - Ctrl+G, cuz second note is higher then first


[Futsuu]
  1. 00:32:399 (78,79) - wrong notes timing. I should be on blue ticks, but it anyway sounds strange...


[Muzukashii]
  1. 02:25:309 (34) - i think it should be d cuz this note is lower than previous stream
  2. 02:58:036 (35,36,37) - If follow sound pitch this moment should be k d k
  3. 03:06:763 (68,69,70) - ^


Cute song! Well mapped! Good luck in ranking!
posted

ASPIRIN wrote:

hello there





[Kantan]
  1. 00:36:552 - I think that there is no need for a finisher, because there is nothing to emphasize
  2. 01:42:764 (30) - ^ Yeah you might be right, they are there to emphasize the start of a completely different section and structure, but they might not go that well in Kantan, i'll think about it.
  3. 01:41:672 (28,29) - These claps you emphasize by finishers, maybe the previous should be too? I think these are the only ones distinguishing enough.
  4. 01:10:581 (124) - Change for d for emphasize next voise pitch Yess x 3
  5. 01:50:400 (190,191) - Ctrl+G, cuz second note is higher then first Yepp
  6. 01:55:309 (48,49) - ^ No the drop is better as a kd, and I'd prefere to match it through out all diffs
  7. 02:40:581 (15,16,17) - i thins is d d k for emphasize vocal Ya
  8. 02:47:672 (24,25) - Ctrl+G, cuz second note is higher then first oke but DDKD


[Futsuu]
  1. 00:32:399 (78,79) - wrong notes timing. I should be on blue ticks, but it anyway sounds strange... Umm..no?


[Muzukashii]
[list]
[*]02:25:309 (34) - i think it should be d cuz this note is lower than previous stream I think the 34/35 drop in pitch is more important to map with different notes
[*]02:58:036 (35,36,37) - If follow sound pitch this moment should be k d k
[*]03:06:763 (68,69,70) - ^ Yeah it's close in every Kiai and depends alot on whos listening :P I just think it's better to diffrentiate more form the first set of triplet finishers. This also flows much better to me in all the diffs

Cute song! Well mapped! Good luck in ranking!
Thank you Sir, for your mod :)
posted
The music is too cute!
Why did I skipped this one... And sorry for being late ;;w;;

[ Overall]
  1. You might change HP on setting in Muzukashii to 5.5 to not let it too duplicated. Since currently HP5 is used in '3' difficulties. Muzukashii , Oni and Inner Oni

  2. On Kantan, 01:19:036 break time part. Maybe you should map this part at least with 4/1 pattern to make the note dense not too far away from Futsuu at this part. And even on the calmer part like 02:26:672 still have a note. So this part shouldn't be ignore hence.

  3. On Kantan again, the dominate vocal like 02:55:854 (3,4,5) - and many similar point - might consider to remove the finisher. 1/1 triplets finisher might be too hard for beginner.

  4. On Futsuu , Muzukashii , Oni and Inner Oni, 02:26:672 part is almost duplicated and not have any variance, I suggest to add more note on Oni and Inner Oni like follow more bg pitch to make a difference as it is Oni and Inner Oni. Such as 02:38:036 - 02:38:309 - 02:38:854 - 02:39:127 - 02:39:218

  5. 01:53:127 - Too blank for every difficulty except Inner Oni. Maybe a spinner could help you to emphasize the flow of vocal. Or add some note here.


[Kantan]
00:10:309 - 00:21:218 - Might add a note here to follow the vocal 'zai zai zai' better. And it might create enjoyment while playing.
01:16:581 - Spinner should end on 01:18:763 to fit to the trumpet sound precisely.
01:54:763 - Dominate pitch, add d here would be nice
02:25:309 - 8/1 is too boring here. Add k here to emphasize the pitch would be nice.
02:53:127 - Might delete this note, in other difficulty don't have a note here. (But it would be nice if you add a note here in Oni and Inner Oni)
03:16:581 - Might consider to make this one as spinner (and let it end on 03:18:490 -)since it's similar to 01:16:581
03:22:581 - Add a note here for the consistency of 03:21:490. And this will make 03:23:127 (53,54,55) become more dominate.

[Muzukashii]
00:12:490 - Change to k since it have a special pitch here.
00:20:309 - I believe that this note isn't follow anything. Try to move to 00:20:399 to follow the vocal precisely.
01:48:490 (51,52,53,54) - Change to k k k d since it's resemble to 01:47:127 (46,47,48,49)

[Oni]
01:07:581 - Add k here would be nice, it resemble to 01:05:399
01:12:672 - Might add a note here since even Muzukashii have a note here.

[Inner Oni]
00:35:036 - 00:39:399 - Add a note here would be nice to follow the vocal better.
00:36:036 - 00:36:127 - Add a note here to follow the drum sound.
02:49:854 - and similar point like 02:50:945 - 02:52:036 - Should add a note here to follow the vocal and for the consistency of 02:49:490 (24,25) too.
According to above suggestion, you might want to remove a finisher on 02:49:763
02:53:127 - Too blank for Inner Oni, please consider to add a note here.
02:54:763 - Might change to d to make this vocal become dominate and for the ease while playing.
03:05:851 - Delete this note to emphasize the vocal 03:05:672. And for the consistent on 03:06:673
03:26:945 - Only my preference here, it might fit to d better imo.

Your Inner Oni can going harder than this since the music is 220 BPM. :3
Overall, a decent map! Good luck for ranking! :D
posted

Tyistiana wrote:

The music is too cute!
Why did I skipped this one... And sorry for being late ;;w;;

[ Overall]
  1. You might change HP on setting in Muzukashii to 5.5 to not let it too duplicated. Since currently HP5 is used in '3' difficulties. Muzukashii , Oni and Inner Oni

  2. On Kantan, 01:19:036 break time part. Maybe you should map this part at least with 4/1 pattern to make the note dense not too far away from Futsuu at this part. And even on the calmer part like 02:26:672 still have a note. So this part shouldn't be ignore hence. Yeah maybe youre right about the break, I did keep it very scarse though

  3. On Kantan again, the dominate vocal like 02:55:854 (3,4,5) - and many similar point - might consider to remove the finisher. 1/1 triplets finisher might be too hard for beginner. Welp, you're not the first one to say that, I'll ask around a bit more before I chance

  4. On Futsuu , Muzukashii , Oni and Inner Oni, 02:26:672 part is almost duplicated and not have any variance, I suggest to add more note on Oni and Inner Oni like follow more bg pitch to make a difference as it is Oni and Inner Oni. Such as 02:38:036 - 02:38:309 - 02:38:854 - 02:39:127 - 02:39:218 Oki yea I tried to improve the spread a bit here

  5. 01:53:127 - Too blank for every difficulty except Inner Oni. Maybe a spinner could help you to emphasize the flow of vocal. Or add some note here. No, I really like the quiet part before every chorus drop. To make the player spam spinners/sliders before them just unnecessarily steals focus in a much less significant spot


[Kantan]
00:10:309 - 00:21:218 - Might add a note here to follow the vocal 'zai zai zai' better. And it might create enjoyment while playing. The resulting 4plets are too intense for Kantan imo
01:16:581 - Spinner should end on 01:18:763 to fit to the trumpet sound precisely.
01:54:763 - Dominate pitch, add d here would be nice
02:25:309 - 8/1 is too boring here. Add k here to emphasize the pitch would be nice.
02:53:127 - Might delete this note, in other difficulty don't have a note here. (But it would be nice if you add a note here in Oni and Inner Oni)
03:16:581 - Might consider to make this one as spinner (and let it end on 03:18:490 -)since it's similar to 01:16:581
03:22:581 - Add a note here for the consistency of 03:21:490. And this will make 03:23:127 (53,54,55) become more dominate. Rest good and applied

[Muzukashii]
00:12:490 - Change to k since it have a special pitch here. Nope, doesn't sound special enough to me
00:20:309 - I believe that this note isn't follow anything. Try to move to 00:20:399 to follow the vocal precisely. The kats here are for the trumpet which keep the single upbeat rhythm going
01:48:490 (51,52,53,54) - Change to k k k d since it's resemble to 01:47:127 (46,47,48,49) Oki

[Oni]
01:07:581 - Add k here would be nice, it resemble to 01:05:399 I'll think about it, I like my 2/1 breaks in 220 bpm Oni though.
01:12:672 - Might add a note here since even Muzukashii have a note here. Alrighty

[Inner Oni]
00:35:036 - 00:39:399 - Add a note here would be nice to follow the vocal better. It's pretty awkward flow wise and not that significant next to the finisher sounds.
00:36:036 - 00:36:127 - Add a note here to follow the drum sound. Nah because they are 1/6 4plets if applied 'correctly'. It actually used to be so, but was dismissed fairly fast
02:49:854 - and similar point like 02:50:945 - 02:52:036 - Should add a note here to follow the vocal and for the consistency of 02:49:490 (24,25) too.
According to above suggestion, you might want to remove a finisher on 02:49:763 I think the upbeat Finishers represent the vocals enough,
I'd like to keep the section as unique as the song is at this part and not do the same old doublet spam

02:53:127 - Too blank for Inner Oni, please consider to add a note here. Sure
02:54:763 - Might change to d to make this vocal become dominate and for the ease while playing. Oki
03:05:851 - Delete this note to emphasize the vocal 03:05:672. And for the consistent on 03:06:673 Yeah thats good
03:26:945 - Only my preference here, it might fit to d better imo. Yeppa

Your Inner Oni can going harder than this since the music is 220 BPM. :3
Overall, a decent map! Good luck for ranking! :D
Thanks a lot for taking the time to do such a comprehensive mod, much appreciated!
posted
heya, m4m requested on queue o/.
sorry for being a bit late.

  1. Mm I see you're following the piano-ish sound at places like 00:10:763 (46) - and 00:13:218 (58) - but it plays more smoothly in the swing rhythm if you move them 1/3 forward to the white lines. Same goes for similar notes.
  2. 00:17:854 (82) - Here if you're following the piano sound it's actually a 1/4 section from 00:17:809 - to 00:17:945 - . Could result in something a bit hard though.
  3. 00:27:354 - a note here is interesting to cover the 1/6 drums. With that you could change 00:27:490 (148) - to kat for the vocals.
  4. If you add a note at 00:29:036 - then the note at 00:29:309 (157) - would be more natural to play. Same for 00:29:581 - and sections with a 2/3 gap iirc (xy y patterns). (Don't consider for sections like 00:36:218 - where the beat is heavily focused on those beats).


fun to play o/
  1. 00:48:218 (171,172,173,174) - Mm, maybe you could delete 172 and 174 or just 172 to give emphasis on difference from this part to the previous one at 00:46:036 (162,163,164,165) - .
  2. 00:50:399 (179,180,181,182,183) - would be interesting to invert the don to the 4-note kat part as the kats would end in a similar part to 00:46:036 - . With that you can also add a note at 00:50:127 - to keep the rhythm going. There's two breaks near this section too so it wouldn't be a problem.


oni looks pretty good. I didn't find any mistake.
futsuu and kantan also look solid good for me (or I'm just bad at making the easier diffs orz).

I think this set is very good to go o/
Good luck on ranking!
posted

Marm wrote:

heya, m4m requested on queue o/.
sorry for being a bit late.

  1. Mm I see you're following the piano-ish sound at places like 00:10:763 (46) - and 00:13:218 (58) - but it plays more smoothly in the swing rhythm if you move them 1/3 forward to the white lines. Same goes for similar notes. Nah sorry (I did make one of them a doublet though). I like the lone off white line notes too much here. TBH I'd like to have even more of them but people just seem to hate them.
  2. 00:17:854 (82) - Here if you're following the piano sound it's actually a 1/4 section from 00:17:809 - to 00:17:945 - . Could result in something a bit hard though. Yeah i think it would become a bit messy. Instead, I added a note to distinguish as the drums better
  3. 00:27:354 - a note here is interesting to cover the 1/6 drums. With that you could change 00:27:490 (148) - to kat for the vocals. I think I'm fine with slowing it down here and not mapping the 1/6s, with the 1.8x SV Finisher its just confusing.
  4. If you add a note at 00:29:036 - then the note at 00:29:309 (157) - would be more natural to play. Same for 00:29:581 - and sections with a 2/3 gap iirc (xy y patterns). (Don't consider for sections like 00:36:218 - where the beat is heavily focused on those beats).Yeah this is good, applied.


fun to play o/
  1. 00:48:218 (171,172,173,174) - Mm, maybe you could delete 172 and 174 or just 172 to give emphasis on difference from this part to the previous one at 00:46:036 (162,163,164,165) - .
  2. 00:50:399 (179,180,181,182,183) - would be interesting to invert the don to the 4-note kat part as the kats would end in a similar part to 00:46:036 - . With that you can also add a note at 00:50:127 - to keep the rhythm going. There's two breaks near this section too so it wouldn't be a problem. Yeah, these were great, applied


oni looks pretty good. I didn't find any mistake.
futsuu and kantan also look solid good for me (or I'm just bad at making the easier diffs orz).

I think this set is very good to go o/
Good luck on ranking!
Thanks for your mod Sir!
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