Re-checklish
[General]
! The most ridiculous thing is that I made a correct metadata check already, but I did not check the mapset's thoroughly. Time to slap myself.
! Concept of rest should not be taken too serious considering different mapping channels being followed. It is just a reference guideline to judge the overall spread across all difficulties.
> Vol. in Kantan and Futsuu is too loud, consider the settings in your own Oni.
> 00:36:527 - Finishers for all difficulties? There's a weak cymbal crash.
[Kantan]
> 00:07:815 - yes I know that this is mapped for the melody, but please be noticed that 00:04:502 - / 00:07:447 - are similar things, they should be similar (being mapped). At the same time, you form a melody phrase with 3 1/1 notes only at 00:01:190 - , same should be expected from 00:05:607 - . In short,
shift 00:07:815 - to 00:07:447 - and change it to k> 00:36:527 - missed Finisher?
> 00:47:570 - shift it 1/4 to match the BG melody and follow the consistency of those 3 notes at 00:45:177 -
> 00:55:668 - this kdd sounds weird enough since the later part at 01:07:447 - shows that you followed the vocal channel. Considering consistency, 00:55:668 - should be k d (d matches the vocal at 00:56:220 - ) instead of kdd .
> 00:59:165 - unnatural miss here, add a k back please.
> 01:21:987 - Finisher missing too? same as 00:04:502 -
> 01:24:012 - starting notes at the mid-gate of a music melody is weird, a 'head-tail' pattern would be clearer to display the music imo. Shift 01:24:012 - to 01:23:828 - hence.
[Futsuu]
> 00:04:502 - / 01:21:987 - consistent Finisher across your own difficulties is required at least
> 00:09:656 - gap is required here, similar to the mod at 00:33:950 - later
> 00:15:729 - you can add a d here to balance the pattern at 00:27:509 -
> 00:26:588 - kdk can be put, similar to 00:14:809 -
! 00:30:637 - I have a different point of view from Volta. I would not call this part as a calm section since the crossing over of vocal and instrumental layers are so significant that a distinctively high or low (not suitable) density spread should be performed. Although I admit that my previous suggestion was a bit overmapped for a clean Futsuu.
The current patterns seem too random, they are neither following two channels mentioned above.
Let's try a nerf section like this: 00:30:637 (2) -
It follows a instrumental layer, 00:30:085 - is a good point for channel change.
00:33:950 - is removed for emptying a space for rest. 7 1/1 is too boring imo.
> 00:36:527 - Finisher missing?
> 00:37:999 - / 00:40:944 - imo nnn n is smoother than n nnn
> 00:45:177 - change it to k, similar at 00:45:913 - (the lyrics)
> 00:56:036 (16,17) - ctrl+G (k d) for a correct pitch flow
> 01:02:662 - remove it for a rest and break
> 01:05:975 - change it to k to imply the up-rising flow and intensity
> 01:06:343 - remove it for a common break, same as 00:54:564 -
> 01:15:913 - shift it to 01:15:729 - , to match the vocal part and reduce a sudden nN pattern that's really hard for Futsuu level players.
> 01:19:226 - d has a better flow
> 01:20:331 - shift it 1/4 backward to fit the vocal starting at 01:20:147 - , based on the theory of 'head-tail' again.
[Oni]
> 00:03:030 (17,18) - ctrl+G sounds smoother
> 00:06:803 - remove this note to avoid any stream in the introduction part since it is a bit overwhelmed.
> 00:27:324 - change to kat for the consistent drum kick
> 00:41:680 - k d k k d ? The current version is completely reversed against the pitch flow
[xfrac's Muzukashii]
> 00:21:987 (88,89) - imo they can be simply removed since they are awkward there, and removal of notes can show a proper common break across the lower difficulties.
> 00:35:055 (138) - let's try:
Simplify the whole section screen-shot above, 00:35:055 - d for a better flow; 00:35:239 - unnecessary linkage of notes blur the vocal layer; 00:36:159 - unnatural monochrome triplet; and 00:36:527 - K for the weak cymbal crash.
> 00:49:963 - if you follow the melody, it is where you should also put a note (kat preferred)
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That should be it combining with Volta's suggestion. Call me back.