did u know that grapes explode when u put them in a microwave
Horizon~
00:38:834 (1) - you're consistent with doing this throughout the map but imo breaking the linear flow from 00:37:834 (1,2,3) - would make the higher pitched synth stand out better - imo it would fit better like that in all parts of the map where you did this
01:04:167 (1,2,3) - maybe buff this just slightly compared to 01:03:834 (1,2,3) - in order to emphasize the effect? the only reason i think you should do this is cus you did a kick ass job at emphasizing the weird ass effects when the music was getting less intense (01:56:500 (1,2,3,4,5,1,2) - ) but i felt like parts that were getting more intense didnt meet the same fidelity (im also just a fucking faggot). it doesn't have to be much, just even slightly visually noticeable would be lit
01:12:500 (1,2) - you could buff this if you wanted a little lol, 01:12:334 - being empty already slows down the velocity of the map hella
01:44:500 - 01:46:000 - is legit waaay harder than all of the other ones, the triples moving away from the sliders makes it holy balls hard. like compared to the other variations of this, they're definitely thematically consistent as far as visuals are concerned but wow holy fuck this was definitely the hardest part of the map. especially leading into the stream from the reverse direction of the slider (01:46:000 (1,2) - ) was extra NUTTY. 01:46:167 (2,3,4,5,1,2,3,4,1) - and all versions of it felt really good to play tho so the stream isn't the issue at all
02:17:834 (1,2,3,4,5,6) - this was cvte i gigled
02:50:500 (3,4) - this is actually hella cramped considering the spacing of the section, it would be both easier to land and more comfortable to play if you actually buffed the spacing here a little (even if its small like .30 it would be dope)
03:34:167 (1) - imo starting here, the SV should be low as fuck, and gradually scale upwards on 03:36:834 (1) - and 03:39:500 (1) - and 03:42:167 (1) - ... alternatively you could just condense 03:34:167 (1,2,3,4) - and then with each repetition getting more intense, spread them out. it would capture the rising intensity and prevalence of the synth going from the background to the foreground in the song
03:52:500 (1,2,3,4,5,6,7,8,9,10,11,12,1,2,3) - for what its worth, this is weak as shit compared to 03:51:167 (1,2,3,4,5,6,7,8) - lmfaoooooooo