7K
-- Ichigaki
00:19:689 (19689|4,19846|4) - Would recommend to shift to 7 and 6 respectively just to match the pitch (you'd still have a column 3 hammer here so you kinda kill 2 birds with 1 stone with this pattern)
00:27:150 (27150|1,27464|5) - These are ghost notes, the synths technically starts from 00:27:072 (27072|0,27386|6) - but the starting synth sound is obscured by other instrumentals, so shift the current 1/2 LNs to those points (00:26:757 (26757|2,27072|4) - you have 1/4 synths here if you wanna map some 1/4s)
00:29:899 (29899|6,30056|3) - Recommending to add on 6 and 5 with 1/2 LNs here since the synths here are slightly louder and more prominent, so you might want to represent that
00:31:470 (31470|0) - Might want to convert 1 to an LN or just add a new 1/2 LN here for the synth
00:37:752 (37752|4,37909|3,37909|0,38066|5) - Felt kinda weird that you started the 1/4 at that point, there are 1/4s in between these notes too, so you might want to add them (if you really want to omit 1/4s for the intro just to create the "build-up" feeling, I'd suggest to start the 1/4s on the 3rd beat here instead of the 2nd)
00:39:637 (39637|0,39794|2,39951|3,40108|5,40265|1,40265|6,40265|0,40265|2) - If this followed PR it'd be great
-- DE-CADE
00:59:428 (59428|3) - Suggesting the following specifically for PR:
01:09:794 (69794|0,69951|2,70108|4,70108|6) - Stairing from the right to the left would be better for PR
01:10:108 (70108|6,70265|5) - Also, there's a 1/4 snare in between these 2 notes if you decide to map it
01:43:093 (103093|5) - For this section, notice how the song repeats a certain sound every 1/1 and it changes pitch every 2 measures or bars, so I'm suggesting to make 01:43:093 (103093|5,103721|6,104349|4,104977|3) - notes like these hammer on 1 finger, same goes to 01:45:606 (105606|6,106234|4,106862|6,107490|4) - but on a different finger, and so on. Personally felt that this section was a bit confusing to follow since
01:54:559 (114559|1) - I'm not too sure what is the significance of the 1/2 rhythm here since it doesn't seem to be emphasizing anything too unique, same comment goes to 01:57:072 (117072|1) - and so on
-- Ichigaki
02:20:789 (140789|6,140789|3,140789|0,140867|4,140946|5,140946|2,141025|1,141103|0,141103|6,141103|3,141182|4,141260|2,141260|5,141339|1,141417|0,141417|6,141417|3,141496|5,141574|2,141574|4,141653|1) - While I do think these patterns here flow really well and are rather smooth to play, I think you can up the physical demands here by doing some sort of trill since the music kind of builds up here towards the 1/8s
-- DE-CADE
02:58:799 (178799|5,178956|1,179428|4,179585|2) - Quite confused on what these go to
03:04:611 (184611|4,184650|2,184689|0) - The 1/8 added into the 1/4 stream here gets quite confusing for me (though I kinda do it somehow), would recommend to shift these to 2 4 6 respectively and probably shift 03:04:768 (184768|4) - to 1 so as to separate the bursts into the 2 4 6 column (if you'd like)
-- Ichigaki
03:14:820 (194820|2,195134|4,195449|5,195763|2) - Would suggest to stair to the left here for PR
-- DE-CADE
03:31:627 (211627|4,211784|6,211784|3) - Shouldn't these hammer due to what you've done @ 03:32:883 (212883|3,213040|3) - and 03:34:140 (214140|6,214297|6) -
03:39:794 (219794|0,219794|5,219951|5,219951|0,219951|2) - Would suggest to not hammer these as I think that if you'd save these hammers for the more prominent sounds like 03:41:051 (221051|6,221051|1,221208|0,221208|6,221208|5,221208|3,221208|2) - or 03:38:538 (218538|4,218538|1,218695|6,218695|1,218695|2,218695|5) - , it'd be more effective
03:46:234 (226234|3) - What I dislike about the kiai is the difficulty management in general here:
so for these LNs 03:47:490 (227490|4,227805|3,228119|2,228433|4) - , they are very much more difficult than that of 03:50:004 (230004|0,230318|0,230632|1,230946|1) - though they somewhat sound similar, I believe that if you'd made the 2nd part similar in difficulty and patterning as the first, it'd feel more consistent in difficulty
03:47:176 (227176|6,227333|5) - I'm not too sure why you omitted these as being LNs even though they are included in the synths? Same goes to 03:57:229 (237229|0,237386|1) -
04:06:025 (246025|3,246025|2,246182|1,246182|0,246260|4,246260|5,246339|0,246339|2,246339|1) - This has 5 1/4s for snares, not too sure why the 2nd 1/4 here is omitted
-- Ichigaki
04:06:339 (246339|2) - Talking about difficulty here in general, I do believe your section is slightly easier that DE-CADE's here which felt slightly abnormal. Specifically, the LN complexity here is lower than DE-CADE's section here, I do believe that you can add something a bit more complex into the section here just to beef up the difficulty, after all, the music here sounds a bit more intense than that of DE-CADE's section.
04:26:443 (266443|5) - There's potential here to go ham in terms of difficulty of the LNs but it's fine if you don't really want to
05:51:888 (351888|3) - (there's a sample 2/1 after this note) 5:52:517 bell.wav@10% uhh you should remove this from the sample since I don't think it's necessary to have another bell there lmao
4K
-- Fullerene- (oh wait isn't he like out or something, someone fix this for him, neoneoneoneo)
00:01:469 (1469|3) - Not too sure why is the soft-hitnormal this loud, you might want to make this a hihat.wav @ 70% (this applies to everything here that sounds way too loud)
oh my god everything here has a soft-hitnormal that sounds really loud what do i do neoneoneoneoneo
-- Sakaya-
01:00:605 (60605|1,61234|2) - I don't think ghost notes here are justified enough to be rankable, unless you have a really good reason to keep these in this section? (this applies to the whole section here)
02:23:537 (143537|1,144165|1) - These too
-- _Gezo_
02:43:642 (163642|2,164270|0) - "I don't think ghost notes here are justified enough to be rankable, unless you have a really good reason to keep these in this section? (this applies to the whole section here)"
-- Kuo Kyoka
Since you're the nearest collaber, remove this 5:52:517 bell.wav@10% thingy on the sample :d
-- Ichigaki
00:19:689 (19689|4,19846|4) - Would recommend to shift to 7 and 6 respectively just to match the pitch (you'd still have a column 3 hammer here so you kinda kill 2 birds with 1 stone with this pattern)
00:27:150 (27150|1,27464|5) - These are ghost notes, the synths technically starts from 00:27:072 (27072|0,27386|6) - but the starting synth sound is obscured by other instrumentals, so shift the current 1/2 LNs to those points (00:26:757 (26757|2,27072|4) - you have 1/4 synths here if you wanna map some 1/4s)
00:29:899 (29899|6,30056|3) - Recommending to add on 6 and 5 with 1/2 LNs here since the synths here are slightly louder and more prominent, so you might want to represent that
00:31:470 (31470|0) - Might want to convert 1 to an LN or just add a new 1/2 LN here for the synth
00:37:752 (37752|4,37909|3,37909|0,38066|5) - Felt kinda weird that you started the 1/4 at that point, there are 1/4s in between these notes too, so you might want to add them (if you really want to omit 1/4s for the intro just to create the "build-up" feeling, I'd suggest to start the 1/4s on the 3rd beat here instead of the 2nd)
00:39:637 (39637|0,39794|2,39951|3,40108|5,40265|1,40265|6,40265|0,40265|2) - If this followed PR it'd be great
-- DE-CADE
00:59:428 (59428|3) - Suggesting the following specifically for PR:
01:09:794 (69794|0,69951|2,70108|4,70108|6) - Stairing from the right to the left would be better for PR
01:10:108 (70108|6,70265|5) - Also, there's a 1/4 snare in between these 2 notes if you decide to map it
01:43:093 (103093|5) - For this section, notice how the song repeats a certain sound every 1/1 and it changes pitch every 2 measures or bars, so I'm suggesting to make 01:43:093 (103093|5,103721|6,104349|4,104977|3) - notes like these hammer on 1 finger, same goes to 01:45:606 (105606|6,106234|4,106862|6,107490|4) - but on a different finger, and so on. Personally felt that this section was a bit confusing to follow since
01:54:559 (114559|1) - I'm not too sure what is the significance of the 1/2 rhythm here since it doesn't seem to be emphasizing anything too unique, same comment goes to 01:57:072 (117072|1) - and so on
-- Ichigaki
02:20:789 (140789|6,140789|3,140789|0,140867|4,140946|5,140946|2,141025|1,141103|0,141103|6,141103|3,141182|4,141260|2,141260|5,141339|1,141417|0,141417|6,141417|3,141496|5,141574|2,141574|4,141653|1) - While I do think these patterns here flow really well and are rather smooth to play, I think you can up the physical demands here by doing some sort of trill since the music kind of builds up here towards the 1/8s
-- DE-CADE
02:58:799 (178799|5,178956|1,179428|4,179585|2) - Quite confused on what these go to
03:04:611 (184611|4,184650|2,184689|0) - The 1/8 added into the 1/4 stream here gets quite confusing for me (though I kinda do it somehow), would recommend to shift these to 2 4 6 respectively and probably shift 03:04:768 (184768|4) - to 1 so as to separate the bursts into the 2 4 6 column (if you'd like)
-- Ichigaki
03:14:820 (194820|2,195134|4,195449|5,195763|2) - Would suggest to stair to the left here for PR
-- DE-CADE
03:31:627 (211627|4,211784|6,211784|3) - Shouldn't these hammer due to what you've done @ 03:32:883 (212883|3,213040|3) - and 03:34:140 (214140|6,214297|6) -
03:39:794 (219794|0,219794|5,219951|5,219951|0,219951|2) - Would suggest to not hammer these as I think that if you'd save these hammers for the more prominent sounds like 03:41:051 (221051|6,221051|1,221208|0,221208|6,221208|5,221208|3,221208|2) - or 03:38:538 (218538|4,218538|1,218695|6,218695|1,218695|2,218695|5) - , it'd be more effective
03:46:234 (226234|3) - What I dislike about the kiai is the difficulty management in general here:
so for these LNs 03:47:490 (227490|4,227805|3,228119|2,228433|4) - , they are very much more difficult than that of 03:50:004 (230004|0,230318|0,230632|1,230946|1) - though they somewhat sound similar, I believe that if you'd made the 2nd part similar in difficulty and patterning as the first, it'd feel more consistent in difficulty
03:47:176 (227176|6,227333|5) - I'm not too sure why you omitted these as being LNs even though they are included in the synths? Same goes to 03:57:229 (237229|0,237386|1) -
04:06:025 (246025|3,246025|2,246182|1,246182|0,246260|4,246260|5,246339|0,246339|2,246339|1) - This has 5 1/4s for snares, not too sure why the 2nd 1/4 here is omitted
-- Ichigaki
04:06:339 (246339|2) - Talking about difficulty here in general, I do believe your section is slightly easier that DE-CADE's here which felt slightly abnormal. Specifically, the LN complexity here is lower than DE-CADE's section here, I do believe that you can add something a bit more complex into the section here just to beef up the difficulty, after all, the music here sounds a bit more intense than that of DE-CADE's section.
04:26:443 (266443|5) - There's potential here to go ham in terms of difficulty of the LNs but it's fine if you don't really want to
05:51:888 (351888|3) - (there's a sample 2/1 after this note) 5:52:517 bell.wav@10% uhh you should remove this from the sample since I don't think it's necessary to have another bell there lmao
4K
-- Fullerene- (oh wait isn't he like out or something, someone fix this for him, neoneoneoneo)
00:01:469 (1469|3) - Not too sure why is the soft-hitnormal this loud, you might want to make this a hihat.wav @ 70% (this applies to everything here that sounds way too loud)
oh my god everything here has a soft-hitnormal that sounds really loud what do i do neoneoneoneoneo
-- Sakaya-
01:00:605 (60605|1,61234|2) - I don't think ghost notes here are justified enough to be rankable, unless you have a really good reason to keep these in this section? (this applies to the whole section here)
02:23:537 (143537|1,144165|1) - These too
-- _Gezo_
02:43:642 (163642|2,164270|0) - "I don't think ghost notes here are justified enough to be rankable, unless you have a really good reason to keep these in this section? (this applies to the whole section here)"
-- Kuo Kyoka
Since you're the nearest collaber, remove this 5:52:517 bell.wav@10% thingy on the sample :d
k_hand: