1. Futsuu (2.74 stars, 473 notes)
2. Inner Oni (5.01 stars, 1338 notes)
3. Kantan (1.83 stars, 293 notes)
4. Muzukashii (3.42 stars, 852 notes)
5. Oni (4.14 stars, 1139 notes)

1. 00:47:712 (4) - delete?
   声をfollowしている感じが伝わってきました。
   しかし、00:57:559 - を見る限りdeleteして休憩を作る&パターン化ができる気がします。
   
   
2. 01:44:328 (4) - ^same?
3. 02:42:174 (16) - ^?

1. 01:19:097 - add don
2. 01:21:559 - add kat
   
   二番からDrumrollに合わせてみてもいいんじゃないかなって思った。
   (00:27:405 (64,65) - こんな感じの表現法です)
   
   
3. 02:05:559 (75) - don, 02:05:866 - add kat?
   02:03:712 (73,74,75) - この部分をdkdのパターンにしてしまい、02:05:866 - のDrumrollをkで取ってみる...　みたいな配置ができると思いました。
   
   
4. 02:10:482 - 02:10:789 - ^ same as?

1. 00:14:328 (69,70) - ctrl+g, 00:15:097 (73) - kat
   00:14:328 (69,70) - の部分は、メロディの音程が70の方が高いため。
   73はDrumの音も拾うとこうなるかな～って感じです。
   
   総合的にはd-kdkkって配色になると思います。
   
   
2. 01:10:943 (142,143,144,145,146) - same as^
   
3. 03:06:636 (168,169,170,171,172) - same as^

1. 01:25:251 (273,274) - ctrl+g, 01:25:712 (275) - don?
   ここはDrumの特徴的な音が鳴っているのでDiff全部dで取ってほしいなぁ。
   別のdiffと比べるのあまりよくないと思うけど...

404 AccNotFound wrote:

little late, sorry =v=;;


[ Kantan ]

01:29:251 (79,80,81,82,83,84,85,86,87) - jotto nagakunai? deleted a note


[ Futsuu ]

02:38:482 (11) - move to 02:38:636 - ? for consistency with 02:36:174 (6) - moved, idk how it got there in the first place lol


[ Muzukashii ]

00:00:636 (1,2) - KK mo iikamo? 00:03:097 (12,13) - koko no DD to chigai wo motomeru tameni. keeping it DD for consistency here

02:18:020 (186,187) - delete? for some rest in this stream sure


[ Oni ]

00:03:866 (16,17,18,19,20,21,22) - little lack of consistency with 00:01:405 (4,5,6,7,8,9,10) - ? how about like https://osu.ppy.sh/ss/9198369 ? further introducing the mirror concept i used throughout most diffs here, since i used KK for the first and DD for the second this basically keeps consistency by flowing the exact same way

00:26:482 (171) - move to 00:26:636 - ? kick sound here to me. would make for a weird rhythm and the vocal here is stronger
01:23:405 (261) - ^

02:03:712 (148,149,150,151,152,153,154,155,156,157) - all finisher? ma taste ww =v= the Ks have the most impact


[ Inner Oni ]

00:07:943 (51) - k? more feeling of ongoing to me. doesn't really fit here imo

02:41:097 (46,47) - ctrl g? 02:41:251 (47) - kochikara melody no delay ga arukara motto niwaru to omoimasu. d on 02:41:251 - for emphasis on the vocal

03:01:251 (86) - delete? melody and instrument's end part is different and can emphasize 03:01:559 (87) - this stream more. works fine for me, the note inbetween kinda adds some suspense too

03:12:174 (179) - finisher? mochiron oto mo arundesuga, saisho wa niawanai to omou kedo angai tanoshii node kaita desu. sound isn't strong enough and it would take away emphasis from the last finisher imo



always stable and funny map xD
GL~

Midnaait wrote:

Hey, NM. late
// = Suggestion
Bold = Must change/strong suggestion

[ General]

Yo man you forgot to uncheck widescreen support lol lol

[ Kantan]

00:38:789 - Move 1/1 to the right? There's not really much sound on the place you have the note currently so it'd be better to put the note where there are vocals lol nice
01:35:405 - ^, but also change to kat since the vocals are the same pitch as the next note
00:51:097 - Change to k? Snare there lol color change for vocal emphasis
01:47:712 - ^
02:45:559 - ^
02:13:405 - // Add finisher there? idk seems weird to not have one lol for kantan i usually only use finishers on the strongest of sounds and this one is still lacking a bit imo

[ Futsuu]

02:16:020 (101,102,103,104) - // Ctrl+G? Guitar goes higher there. Optional since 02:20:943 (113,114,115,116) - has the same pattern and it can be boring lol pattern on the second one is reversed, so i don't see a problem here
02:20:020 - // Change to k? Snare there and the guitar is high as well feels a bit out of place looking at the other patterns i used
02:38:482 - Move 1/2 to the right? Voice lands there and a 5/2 break is still enough imo changed on 404's mod

[ Muzukashii]

00:20:174 - Move 1/2 to the left? Voice lands on 00:20:020 and emphasizes well the next section of the song lol mapping the drums here
03:11:712 - // I know you're following drums here, but it really feels weird that you're not following guitar as well, so I suggest changing it to dkkkd or ddkkd? having a note on 03:12:328 - feels kinda weird to me since it's a lot less intense than the other ones

Not much to say here ;ok_hand:

[ Oni]

00:56:943 - Delete this note to emphasize break in vocals, if you did so change 00:56:789 to kat lol flows weirdly imo
01:53:559 - Same, and change 01:53:405 - to don
02:51:405 - Same, change 02:51:251 - to kat
01:15:712 - DANGER DOUBLE NOTE SPOTTED its my style

[ Inner Oni]

It's perfect sorry couldn't find much lol lol thanks <3

Good luck!

yuzu__rinrin wrote:

間に合った
M4M...ではないはず。。。
今後の参考程度にでも。

[Kantan]

1. 00:47:712 (4) - delete?
   声をfollowしている感じが伝わってきました。
   しかし、00:57:559 - を見る限りdeleteして休憩を作る&パターン化ができる気がします。
   
   
2. 01:44:328 (4) - ^same?
3. 02:42:174 (16) - ^? 後のパートの方はドラムが違うのでそのパートは最初より密度下げました。

[Futsuu]

1. 01:19:097 - add don
2. 01:21:559 - add kat
   
   二番からDrumrollに合わせてみてもいいんじゃないかなって思った。
   (00:27:405 (64,65) - こんな感じの表現法です) okです。
   
   
3. 02:05:559 (75) - don, 02:05:866 - add kat?
   02:03:712 (73,74,75) - この部分をdkdのパターンにしてしまい、02:05:866 - のDrumrollをkで取ってみる...　みたいな配置ができると思いました。
   
   
4. 02:10:482 - 02:10:789 - ^ same as? 02:06:174 - を強調したいのでkeepです。

[Muzukashii]

1. 00:14:328 (69,70) - ctrl+g, 00:15:097 (73) - kat
   00:14:328 (69,70) - の部分は、メロディの音程が70の方が高いため。
   73はDrumの音も拾うとこうなるかな～って感じです。
   
   総合的にはd-kdkkって配色になると思います。
   
   
2. 01:10:943 (142,143,144,145,146) - same as^
   
3. 03:06:636 (168,169,170,171,172) - same as^ d kkddにしました。

[Oni]

1. 01:25:251 (273,274) - ctrl+g, 01:25:712 (275) - don? 周りの流れを考えるとここでkを使うのは一番自然だと思います。
   ここはDrumの特徴的な音が鳴っているのでDiff全部dで取ってほしいなぁ。
   別のdiffと比べるのあまりよくないと思うけど...

日本語で書いちゃったけど、分からないところがあれば英語で頑張ります。。。

Good luck~!

TKS wrote:

so-ri- fo- za reito
間違えてInner Oniからmodしてしまった

[ Inner Oni]

1. 00:20:636 (156) - should be moved to 00:20:482 - ? it was a bit hard to know if you are following vocal or drum. 00:23:097 (171) - is also following the vocal but 00:25:712 (188) - and 00:27:866 (203) - are following the bass/drum sound there. focusing more on vocals in this part, the other notes you mentioned that are following the drums don't involve skipping a vocal in order to place it there and make for normal, well flowing break times
2. 00:28:789 (208,209) - swap them if you are focusing on vocal pitches. would flow awkwardly with 00:29:097 (210,211,212) - imo
3. 00:30:174 (218) - highly recommend to change this one to finisher. the flow of the song has been changed clearly. i only use finishers on sounds with strong crashes, and there isn't really one here.. the overall flow of the rhythm i choose changes with the next patterns though so it's noticable enough imo
4. 00:50:482 (325,326,327,328) - try ddd k instead. the current pattern works just as well imo and fits better into the overall mirror structure i used for this map (when comparing to 00:47:712 (300,301,302,303,304,305) - )
5. 02:03:251 (858) - k for a bit strong snaredrum. changed
6. 02:24:943 - ここのbreak、drumに合わせて k 置きませんか？1番も2番も d しかなくて寂しかったけど、ここは不自然に退屈・・・ここのパートは前のに比べてちょっと静かな感じなのでbreakにしました
   
   
   全体として音取りよりも配色を重視した、太鼓の達人本家の譜面っぽかったので特に気になる場所はなかったです。

[ Oni]

1. 00:30:174 (194) - consider changing this one to finisher the same reason as Inner Oni.same
2. 00:40:174 - mapしてほしい・・・ というか、Oniはbass drumだけmapして、Inner Oniはbassとsnareを両方をmapしたら？ここのbreakの感じが好きです。
3. 02:14:943 - ここだけパターンが短いので、d を置きましょう。okdesu

[ Muzukashii]

1. 00:19:405 (95) - sounds/plays a bit weird. you could change this to k feels normal to me
2. 00:28:174 (139) - move to 00:27:866 - ? kinda werid when compared to 00:20:482 - 00:22:943 - 00:25:405 - there's also a drum at 00:28:174 - and i kinda wanna leave a slight break here
3. 00:29:251 (144) - also move to 00:29:097 - ? fits better for the vocal and bass drum. would kinda make the dispersement of 1/2 patterns a bit unbalanced imo
4. 00:30:174 (148) - 01:26:789 (221) - finisher. same as for other diffs
5. 02:02:328 (114) - 強調するべき音は 02:03:251 - にあるので移動させよう okです。
6. 02:20:020 (195,196) - swap them. kdkの方が合うと思う。 それに、kkdが少し多いし・・・これｄｋｄなんだけど
7. 02:41:405 - k置いても良いかも？置きすぎると難しいけど、ここだけならvocalにも合います。キアイが始まる前にちょっと休憩入れたいと思います。
8. 03:11:712 (195) - k　これと同じ→ 0:19:405 (95) - same

[ Futsuu]

1. 00:04:943 (13) - remove. quite hard even though 00:03:559 (8,9,10,11) - have complex rhythms.when comparing to the rest of the diff it isn't really hard imo
2. 特にないです。

[ Kantan]

1. 00:09:251 (7) - 03:01:559 (55) - i dont recommend to use a slider for Kantan. its hard to hit completely for beginners. they don't really cause any punishment for hitting it wrongly and it's a good opportunity to get used to all gameplay objects imo
2. 00:14:020 (15) - move to 00:14:174 - . 突然リズムを変えないでください。the guitar hit lands here and i don't really see it as being too difficult imo, since it matches up with the music.. it's also a good opportunity to introduce some of the harder rhythms that will appear in the futsuu
3. 03:06:328 (63) - same as above.
4. 特にないです。

the difficulty of each individual diff is on the higher side(especially lower diffs) but the set is well mapped.
でも、Muzukashiiはちょっとノーツ減らしても良いかな？
Oniは簡単なリズムが多いからノーツ量気にならないけど、Muzukashiiはちょっと難しい気がする…… kantanとfutsuuも割と難しい方なので大丈夫だと思います。

頑張れ

Surono wrote:

would be 2pages if many shitposting wkwk

Monstrata wrote:

Inner Oni

00:23:097 - kkdkdk k? would fit the mirror concept you used throughout the rest of the map and be more consistent with 00:20:636 - nice
02:24:636 - Uh.. maybe map this part to be consistent with 00:40:020 - and 01:36:636 - ? this part is kinda different from the last 2 and i want to leave it free for some extra suspense before the last kiai

Oni

00:56:636 - Change this to d to group it with 00:56:789 - for better vocal emphasis?
01:53:251 - change to k ^
02:51:097 - change to d ^ nicenice

Prophecy wrote:

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