In addition to Noz's post:
[Take Control!]
- 00:40:047 (6,7,8,9,1,2,3,4,5,6) - Why is this so different from 00:45:865 (6,7,8,9,1,2,3,4,1,2,3,4,1,2) - ? The first one has way fewer circles but the second is just jump-spam. The music hasn't even changed to justify this imo.
- 01:29:865 (1,2,3,4,5,1,2,3,4,1) - The triple here is on the white tick but in 01:41:501 (1,2,3,4,5,1,2,3,4,1,2) - it's before the white tick? The music is still the same so I don't really understand why the triple suddenly shifted a beat. Then at 02:45:501 (1,2,3,4,1,2,3,4,1) - you don't even USE a triple. 02:51:138 (6,1,2,1,2,1,2,1,2,1) - here I can understand because the vocals are different, though. Then suddenly 02:57:138 (1,2,3,4,5,1,2,3,4,1,2) - we have a triple again. Overall the usage of triples in the jumps are very inconsistent and I suggest looking over and making them more consistent.
- 00:58:592 - Missing a whistle.
- 02:17:865 - From here you start mapping to the background synths and 1/1 drums which is fine, the vocals here are pretty boring I'll admit, but then why at 02:23:683 - do you switch to following vocals? There's still the synth in the back and it's still at the same intensity. This switch in rhythm focus doesn't feel right imo.
- 02:28:956 (1,2,3) - This doesn't feel very transition-y either, it's the same movement, the same pattern, just more spacing and an NC. Something to give it more differentiation would be cool.
- 03:10:228 (1,2,3,4,5) - The song hasn't really changed, there's only more emphasis on 03:10:228 - which can easily be covered with a spacing increase. Suddenly mapping triples after this point and not before when the song again, hasn't really changed, also feels quite inconsistent. 03:29:138 - Same deal here, the song hasn't changed other than a pitch/key increase, but the triples you start mapping already existed before, so they should have been already mapped imo.
- 03:36:774 (2,3,4,5,6,7) - I don't feel like this jump section is really justified because it's practically the same as parts like 03:31:319 (3,4,5,1,2,3,4,1,2) - where you don't map purely jumps like this. Using the excuse "it's transitioning into the next part" doesn't really fit here imo because this part 03:37:865 (1,2,3,4,1,2) - is the transition part, not 03:36:410 (1,2,3,4,5,6,7).
- 03:53:047 - Doesn't really need to exist because there's no note here in the synth you're following. The song leaves a break here, so maybe make 03:52:956 (6) - a kickslider instead to take off the click but still keep the constant 1/4.
- 03:55:683 (3) - You skip a synth at 03:55:774 - you normally would have mapped, no?
- 03:56:774 (1,2,3,4,5,6) - Same thing about transitioning parts, this isn't the place to use a transition imo, it should be at 03:57:138 (5,6,7,1,2,3) - because the rhythm at 03:55:319 (1,2,3,4,5,6,7) - repeats itself at 03:56:774 (1,2,3,4) - but you instead mapped a stream.
- 04:27:319 (1,2,3,4,1,2,3,4) - Pretty sure these should be 1>2 jumps considering 04:33:138 (1,2,1,2,1,2,1,2) - are. Depends on your intention because the last ones are "transitional" ones I suppose. Up to you.
- 04:32:592 (5) - This 5 seems to be in the wrong place consistency-wise considering 01:46:592 (4) - is mapped to the vocals before the snare so it stays --clickable, whereas in 04:32:592 (5) - the snare is not clickable and feels like it should be.
- 04:57:138 (1,2,1,2) - And these shouldn't be 1>2 jumps because you use them for emphasis purposes when the vocal goes up, right?