Couldn't resist taking a look at this beauty. Won't be addressing any gameplay mechanics, because I can't play it.
First off, WOW! What an utterly marvelous and gorgeous deathstream map. Not only does it look absolutely stunning, but the fact you mapped the melody and even (apparently) added some of your own renditions of it throughout the song is a pleasure. Really, really incredibly well done, Kroytz. But let's get down to business:
[General]
[Hitsounds]
Good luck ranking this beauty!
First off, WOW! What an utterly marvelous and gorgeous deathstream map. Not only does it look absolutely stunning, but the fact you mapped the melody and even (apparently) added some of your own renditions of it throughout the song is a pleasure. Really, really incredibly well done, Kroytz. But let's get down to business:
[General]
[Hitsounds]
Now, you normalized the piano melody (Every note is exactly as loud as ever other note). However, in the original mixdown/mastering of Ascension to Heaven, the lowest-pitched notes are actually much less audible than higher-pitched ones, making them sound out of place and somewhat unpleasant to a trained ear in your version. This is extremely nazi, but you might want to adjust your hitsound volume accordingly. These are the notes in question:
Aside from that, I fixed some other pitch-issues:
EDIT: Some of them don't fit your trend of mapping the lower notes of chords because those notes weren't included in the soft-hitnormals.
Since hearing is quite a subjective thing, I can't guarantee all of these are objectively necessary or correct, but I did my best anyway.
Some remaining suggestions:
Mixdown Adjustments
- 00:24:742 (6,7,8)
- 02:52:642 (1,2,3)
- 02:57:367
- 02:59:192 (11,12,13,14)
- 03:08:317 (2,3)
- 03:11:917 (2,3)
- 04:09:442 (1,2)
- 04:14:167
- 04:14:767 (8,11,12,13,14)
- 04:28:642 (1,2)
- 04:33:367
- 04:34:192 (10,11)
Aside from that, I fixed some other pitch-issues:
Pitch Fixes
- 00:23:842 (1) - SC:24
- 02:13:042 (1) - SC:16 and/or SC:18 (Add them to SC:25?)
- 02:22:642 (1) - SC:15 (Add SC:15 to SC:3?)
- 02:32:242 (1) - SC:16 and/or SC:18 (Add them to SC:52?)
- 03:29:842 (2) - SC:15
- 03:31:942 (4) - SC:51 to avoid the ugly pitch-clashing of (4) with (5)
- 03:32:242 (5) - SC:18 (Probably not your intention but whatever)
- 03:34:642 (1) - SC:17 ^
- 03:37:042 (1) - SC:15
- 03:38:242 (1) - Add new section SC:14, let it carry over to 3:38:992 (2)
- 03:39:292 (4) - SC:50 to avoid the ugly pitch-clashing of (4) with (5)
- 03:39:442 (5) - S:C17 (Probably not your intention but whatever)
- 03:49:042 (1) - SC:34
- 04:45:442 (1) - SC:37 or (hypothetically) A#11
- 04:46:642 (2) - SC:8 or (hypothetically) C#14
- 04:47:842 (1) - SC:8 or (hypothetically) C#14
- 04:48:742 (4) - SC:81 to avoid the ugly pitch-clashing of (4) with (5)
- 04:49:042 (5) - SC:19
EDIT: Some of them don't fit your trend of mapping the lower notes of chords because those notes weren't included in the soft-hitnormals.
Since hearing is quite a subjective thing, I can't guarantee all of these are objectively necessary or correct, but I did my best anyway.
Some remaining suggestions:
Other
- 03:22:642 (1) - Increase volume
- 03:51:442 (1) - I can't hear the piano play a note in the original here, but I guess it's your intention to map that.
- 04:39:442 (1) - Increase volume
Good luck ranking this beauty!