Fuyu no Hanashi (with Ritsuka Ver.)

Mapping 00:16:358 without 00:16:136 feels a bit off to me as in this section start you mapped mostly drums + vocals and here this is just drum.
I suggest deleting 00:16:3 58 to keep it simple as mapping 00:16:136 is not really an option as snapping would be Under 1/1.

Same issue as for 00:16:358, you are mapping the second hit of 2 drums while 01:23:247 as guitar + drum support while 01:23:469 as only drums support.
Condsider either not mapping 01:23:247 or mapping 01:23:469 instead could help make the rythm easier to understand for players.

00:18:136 - this nc is very long (yes it's only 22 notes but it's almost 20 seconds), and there are very sensible spots to split it up. i suggest ncs at 00:23:469 (7) - and 00:30:581 (15) -

00:48:136 (7) - it's the only diff without a finisher here. forgot it or intentional?

01:03:025 (9) - move to 01:03:247 and finisher
01:03:469 (10) - move to 01:03:914

01:05:692 (1) - move to 01:05:247 don't worry about the guideline on this one because, it's counterintuitive if this is not mapped on the vocal for consistency

01:12:358 (1) - move to 01:12:803
01:13:692 (3) - move to 01:13:914 and finisher
01:14:136 (4) - remove

01:18:136 - could optionally nc this note to split up the (kinda hard) x x x rhythm, it also repeats twice so i think giving one repeat to each player in tag2 is cute
also kind of works for the pattern at 00:08:803 - , it's not quite the same since it repeats 3 times instead but might still be nice

01:21:026 - I would either move this to -> 01:21:248 or delete it entirely since the drum and guitar both have an impactful hit there. There's also no cymbal crash at 01:21:026 compared to 01:17:471 and 01:19:248 making it feel a bit off.

• 01:26:581 (6) - Move to 01:26:358
• 01:28:358 (8) - Move to 01:28:136
• 01:28:803 (9) - Move to 01:28:581

Reasoning: Your current placement is OK since there is musical support for that. But there are stronger sounds nearby so I suggest snapping to those here. I personally believe it would make it much more intuitive and straightforward for the players. Just a suggestion, though... do what you will :3

01:31:804 - blue tick rhythm is a bit out of nowhere considering the rest of the map thus far has been 1/2 and 1/1 gaps. I would simplify this by moving it to 01:31:915

01:56:358 (8,9,10,11) - if your aim is to make a proper crescendo with the guitare, perhaps change it into ddkK ? current dkkK is fine but lack of emphasis on the K

02:08:804 - seems a bit strange to have this note here considering your previous 3-plets and 5-plets all have a rest moment after a downbeat in this section like for 02:01:248 - 02:03:026 - 02:06:582 -. You could make it stand out less by simply deleting 02:07:915 - if you want to keep 02:08:804 - for the drum and guitar representation

You have an inconsistent kiai end. Other diffs kiai end at 02:11:803 but on kantan it ends on 02:10:803. Consider moving the kiai end from 02:11:803 to 02:11:803

02:43:471 - changing this to k would represent the musical shift more. Keeping it as a don indicates you want some correlation between 02:43:471 - and 02:43:915, yet these two sounds are very different

02:43:914 (1) - could remove this nc and let 02:43:469 (1) - be the only one here, having 2 player changes only 1/1 apart might confuse kantan players

02:47:469 (1) - could move this nc to the note after it, same for 03:05:247 (1) - ; player changes at the end of a pattern instead of after it are usually weird to play

I suggest moving 03:13:912 to 03:13:690 and 03:15:690 to 03:15:467 because of how loud the drums are.