Believer

00:00:967 (1,2,3,1,2,3,1,2,3) - spacing should progress downwards here insttead of being constant or upwards since that would follow guitar pitch more accurately

00:05:009 (5,1,2) - Feels pretty awkward to stop movement and rhythm in this section just this once without the song asking for such.

Could turn (5) into a 1/2 slider and do something like 00:10:605 (3,4,1) - to not completely stop the movement on this very intense section.

00:11:848 (1,2,3) - smaller spacing compared to 00:11:382 (1,2,3) - for pitch change

00:14:800 (1) - remove nc for consistency

00:17:595 (6) - スライダーの目盛りがずれているよ

00:36:251 (2) - Remove Normal Sampleset, add Soft Clap.

00:42:935 (3) - should be active circles for drums and vocals

00:57:857 - missing whistle

00:59:412 (1,2,3,4,5,6,1,2,3,4,5,6) - spacing logic should be reversed so that first set of 6 is biggest

01:00:966 (1,2,3,4) - start small spacing and build them up starting on 01:01:277 (5) - to represent the vocal pitch rising

01:02:832 (5) - Drum Finish.

01:04:386 (1,2) - would replace with 1/2 or 3/4 slider to emphasize held vocal and then 01:04:697 (3,4,5,6,7,8) - have these jumps be repetitive movement with gradually decreasing spacing to represent vocal pitches

01:08:117 (1) - ここだけシンバルのヒットサウンドがカスタム3の音じゃないけど3にしない？

01:19:308 (1,2,1,2) - would change flow direction for these by making them horizontal or something to represent the vocal change before changing flow again on 01:19:930 (1) - like u did

01:20:552 (1,2,3,4,1,2,3,4) - 02:32:676 (1,2,3,4,1,2,3,4) - 03:49:775 (1,2,3,4,1,2,3,4) - 最初のジャンプが遠すぎて後ろのジャンプが弱く感じちゃうから、曲の流れに連れてジャンプと合わせてだんだん大きくしたほうがふさわしいと思う

01:36:562 (6,7) - 1/2 slider for vocal like u do right after on 01:39:049 (6) -

01:40:759 (3) - スタックずれてるよ～、ミスだったら直しておこう
02:55:526 (2) - も

01:42:935 (1,2) - broken stack

02:03:142 (1) - これを、02:12:780 (1,2) - や 00:44:800 (3,1) - などの音取りや配置と同じようにスライダーの尻尾とスタックさせる？

02:19:775 (7) - ここは急に遅くなるスライダーの為にNCをつけない？
03:37:339 (4) - も

02:32:676 (1,2,3,4) - vs 02:33:609 (1,2,3,4) - Would make more sense that both of these jumps had similar movement instead of going for something completely different for each of them, since they are both pretty similar in both drum and vocal patterning.

02:34:541 - kiaiの終わりは音が静かになる02:34:075 - の方が適切なのでは？
01:22:961 - も01:23:039 - か01:21:951 - で終わらせてもいいとは思う

02:47:909 (1,2,3,4,5,6,7) - ここは曲に対して少しオーバーな気がする、02:47:909 (1) - から02:48:842 (7) - にかけて今と同じくらいの距離感にフェードインしていくのはどうだろう

02:47:909 (1,2,3,4,5,6,7) - guitar sounds like its going up in pitch so reversing spacing progression would make more sense here

02:52:728 (2) - バスドラのヒットサウンドが抜けているよ
02:55:837 -

03:01:588 (2) - ここはドラムを聞く限り1/4なので1/4リバースにして03:01:743 - と03:01:821 - にスネアのヒットサウンドを入れよう

03:01:898 (1,2,3,1,2,3) - Doesn't sound like 1/3 to me.

Would change rhythm to something similar to what the other difficulties did, with 1/4 and 1/2 rhythms.

03:02:314 (2,3) - タムはここにもなっているからヒットサウンドを

03:02:520 (1,1,2,3,4,5) - Would either remove NC on 03:02:831 (1) - or NC everything.

03:19:852 - 三連

03:37:883 - ミュートになってない

03:46:743 (4) - 音がないけど連打に入ってるから消したほうがいいと思う

03:47:909 (1,2) - Would move this downwards in the playfield to buildup the spacing and strain a little bit better as it currently feels very jumpy already from the start.

03:52:262 (1) - こんな形なスライダー譜面で一切使ってないくせに何でここに使うの？

03:53:194 (1) - offscreen

04:01:899 (1,2,3,1) - I'd say this is a little bit unfitting to use such high spacing for these low intensity 1/3 drums.

It is also that you only did once in the entire map, which makes it even more sudden.

04:02:106 (3) - ここの三角形をずらしているのは意図的でなければ中途半端な距離感だし見栄えのためにずらしてきれいに三角にしてもいいのかもしれない

04:04:697 (1,2,3,4,5,1,2,1,2,3,1,2,3,1,2,3,4) - I don't think these make much sense as full circles.
There are not that many sounds in the 1/2 ticks to support that much density and also intensity is not even that high for the spacing you are using.

Could turn some of these into 1/2 sliders so it is a bit more fitting to the guitars and drums like 04:04:852 (2,3) - 04:05:784 (2,3) - 04:06:096 (1,2) - 04:06:562 (1,2) -