Kamah (Scythe)

Thank you. I'll fix it
Maybe it was because of 00:29:758
I'll leave it 00:29:758 - as a double and the rest as a single

nice

since 00:58:117 - have no double sounds so no double notes. about notes on 00:57:648 - n 00:58:586 - are placed as 1 n 4col so it takes less stopping feelings. rather following consistencies which number only considered can bring imprecisely emphasizes so I'll skip this suggestion
also if we refer overall the map you can see as the sound was composed, single drums were used a lot
in conclusion that's the intended one and this map may have many counts of simply expressed drums

if end with 2col on 01:03:625 should ruin the flow so it makes it harder to handle following fast minijack.

In addition, please explain why you put double in 01:06:672 - while 01:05:734 - has only single.

I mapped one handed for flow, and it is a way to emphasize strong sounds with more

also there's some links between 01:05:969 - n 01:06:203 - . 01:05:969 - has emphasized through jack and naturally flows to 01:06:203 - . It's natural that similar sounds are expressed in the same location, also the sound was even emphasized so I'll hold my pattern

and the additional one, 01:06:672 - have double since I need a natural switching to another hand. we should think the balance of density on 01:06:789 - . if we delete 01:06:672 (66672|3) - as you mentioned, then the right hand only have trill based feelings and at the same time, your left hand has to prepare a bunch of jacks. then while you switching, another hand just floats. and that hand can only feel the awkwardness remaining

I think that the grace during a short ms = 1.x (single to double) notes
so 01:19:211 - have about 1.7 note strength
also as you said to make grace feel better, yes

When it comes to only about sound, I have to keep a long note
But given the visual and tactile(playing) elements if you choose a single note, 01:20:734 - and 01:21:203 - will make sure that they are different groups, but will help smooth play based concept.

also about 01:21:789 (81789|2,81906|3,82140|3,82180|2) - It's to show a long note that swings visually.
unlike below it's the end point so I thought of it as the same group

The map is a mixture of complex elements and some concepts, so it is difficult to get a suggestion that consists of the only a variation of sounds.
complex elements are first, except in some cases, the repetition of similar sounds takes precedence over the representation of the variation of sounds.
second, In melodies such as 02:31:526 - 03:09:926 - 03:49:162 (229162|0,229344|0) - , Jack's priority is set quite low. a kind of concept
third, use a jack if the pitch goes up a lot and affects the ears a lot, or if it is possible to express additional pitch by giving a slight feeling of bending through ln releases, use the jack.
his part is hard to receive suggestions because three things were applied at the same time

nice I'll use your example one coz I couldn't find a much better way n that already looks nice

I think the sounds of 01:59:683 - and 02:00:083 - proly essentially the same, but the sounds of 02:00:083 - are more scattered compared to 01:59:683 - by other sounds
this applies equally to the whole second kiai, so I think there is no significant problem in the consistency dimension

However it is true that the overlapping use of short long notes causes confusion with the opposite column, so I will solve it by increasing the long note from 1/7 length to 2/7 length

also might be worth comparing 02:26:826 with 02:33:226

I feel the same problem about this part and gonna remap it as I noted
so as you said I will focus more on the consistency of the drum

There is no problem with emphasis because I almost gave up all the other sounds
However, I know it is true that some spikes exist because the techniques required to play the section below(02:24:826 - to 02:35:626) and the techniques used in 02:36:826 - are quite different in classification

The skill's requirement is not high, but the problem is that the demands of certain techniques suddenly pop up. There are already a variety of unannounced changes in play techniques throughout the map. so considering the benefits of breaking the repetition of 02:37:226 - , it is now thought to be more damaging than good

I thought I did noted all of snap but finally I lost one zzz
It's good enough to go with only 1/6 single stream but about considering my concept of emphasizing/expressing these kind of sounds, I think I rather have to make other snapping rule like 00:35:617(and more)

alright, I applied new rule on that patterns
also lengthen two LNs on 02:37:626 -

you can check the rules by looking at Notes snap - 2nd Kiai, it proly goes well
#2158903
edits: i added 'can' on this sentence zz

It's half right to feel that the drum in 02:34:426 - is strong but the biggest reason is the density near that part.
playing with double drum notes with a strong density you can momentarily give strength. and the point is the strength and feeling do not go completely into the drum notes. rather the focus is on the notes placed before and after the double.
02:37:626 - The quite short ln placed in does not have any major obstacles back and forth. In other words, it is not treated as normal notes, but leaves a short but very strong impression. Without distractions
of course both are double. but I think that the play feeling can change momentarily depending on which part the notes belong to and what the density is like in the front and back

I want you to try this kind of pattern to emphasize the chiptune sound less tricky : https://imgur.com/a/0GF70OD

Do the same from 04:25:980 - to 04:26:707 -

Rather than chiptune sounds, short notes and grace were used to express the strong sounds that coming after 02:37:626 so I'll skip this suggestion

It's kind of intentional playablility breaking, I used a lot of them but I well aware of 03:32:856's use is pretty intuitive n intense compare to other breaking points also
The point is that this use has been applied a lot to other parts, so you wouldn't have mentioned it as a huge problem yeah
In this case, I used such a stubborn method to surprise the player's flow. This is because I wanted to make a strong impression that the bridge's flow was suddenly "gasped" and open with new flow again
Therefore I won't change the current pattern

In conclusion:
(1). Column 1 and 2 from 03:37:253 - to 03:38:526 -
= Only the drum beat was followed.

(2). Column 3 and 4 from 03:37:253 to 03:38:526 -
= Since col 3 is closer to the body than col 4, it is determined that it is relatively suitable for expressing the kick sample, and remind that drum beats are started at [1/1].
Afterwards, a short long note is used in col 4, and the focus is on drum+vocal samples rather than drums only, along with the feeling of being pulled to the right overall. Similarly, it is a reminder that the vocal sample starts every [1/2].
It is assumed that this was a grouping of 1/1 ~ 1/2 section(drums) and 1/2 ~ 1/1 section(drums+vocal samples).

(3). Column 1, 2 and 3 from 03:38:707 to 03:38:798 -
= Only the drum is emphasized by (2) from [1/1] to [1/2]. It was decided to express drum with triple.

(4). Column 2 and 4 from 03:38:889 to 03:38:980 -
= To emphasize the right-leaning(mainly because the mapper intended) vocals, and to take into account the density, remove the stack of col 1 and repeat the remaining col 2 and col 4.

(5). Repeat of (3) and (4) during 03:39:071 - to 03:39:344 -

Please check #2218599.
To be brief, only 2 and 4 cols were repeated at 03:38:889 - to emphasize the vocals and control the density. also the drum structure was constantly built, so notes were stacked inevitably at 2col

To be honest, I agree with you because I also think that the density and difficulty of this beatmap can be allowed to rise to a certain extent because the intensity and BPM of the song increased in the second half, especially after the BPM change like 01:52:826 - and 03:22:426 - .

But I think some jacks that focused on the left hand at

03:54:344 (234344|1,234344|0,234526|0,234526|1,234616|1,234616|0,234707|0,234707|1) - 03:55:960 (235960|1,235980|0,236071|0,236081|1,236162|0,236162|1) -
03:38:707 (218707|1,218798|1,218889|1,218980|1,219071|1,219162|1,219253|1,219344|1) - should be reconsidered even though those section's increase of the note density seems legal due to its intensity of the sounds.

From 04:03:435 - to 04:13:344 - , In addition, since you've used double to express the emphasis of the synth sounds like 04:03:889 (243889|0,243889|2,243980|3,243980|1) - , I think some unnecessary doubles, triples should be nerfed due to their low intensity like these examples: https://osu.ppy.sh/ss/16328640/32b0 https://osu.ppy.sh/ss/16328644/dc8a

about 03:54:344 - and 03:55:960 - , Its intensity is not high compare to the start point of the section such as 03:41:374 - . further left hand has rather easier diff then right hand I think, because 03:54:526 - is just a jack. and even if I mention 03:55:960 - also, I can say these are not a big diff bump.
one more reason, 03:54:162 (234162|2,234240|3,234253|2,234384|3,234424|2,234505|3,234546|2,234627|2,234707|3,234811|2,234863|3,234915|2) - considering the density of the right column stack also, I think It's not acceptable that the balance is quite focused to the left

and for the second discussion

double n triple has been used differently depending on the situation(mainly, sounds) and how the notes are stacked
In addition, most of the double notes used in the synth have an additional effect, away from the simple expression of intensity.
For example, 04:03:707 (243707|0,243889|0) - makes the repetition of the synth by repeating it over the same col, 04:03:889 (243889|2,243980|1,243980|3) - helps with the flow of the left > right hand, and 04:04:071 (244071|3) - allows the expression of higher pitch by the stack of 04:03:889 (243889|2,243980|3) -
There will be a better layering of course, but I don't think the current layering is wrong enough to require major modifications

In addition, considering the density between kiai, it would desirable to keep the overall density and difficulty of kiai intact from the current state. including the mentioned 3rd kiai of course

I attach importance to the flow rather than considering the average difficulty, so I focused on whether the difficulty of each section represents the upsurging flow well
therefore the density of the last kiai was the highest, as the upsurge in this song was progressed in ascending order

As I wrote it down I think it could be a bit controversial, so I'll attach a note soon

• any reason why the vocals must be 2 & 4? u coulve adjusted the prior chords 03:37:435 (217435|3,217435|1,217435|0,217798|1,217798|0,217798|3) - to smth else and avoided the stack altogether
• there comes a point where adhering to some strict layering rule becomes a bit ridiculous and while the current jack isn't that bad (there's other stuff I've seen that do worse) i think adjusting the rules would make for a more balanced overall gameplay. i don't think its compromising anything if u flout the structure here a bit + I think it's the drum/vocal structure is pretty obvious to the player already given that u used triples for the drum (big impact = more salient) and lns for vocal (visual difference = more salient)

i hate modding v2 but delete its from "re a bit + I think it's the dru"

• ultimately I don't think this is a big problem so up to u to decide

The 2 n 4 vocals are also made by just momentary concept, which cannot be explained other than this
Therefore, there is no strong basis like 'must be' but as written in the note, I thought that the meaning of this pattern should be explained rather than the reason or rules why it should be adhered to
so I think I just did it but not well lol

and back to the point, since it's definitely a diff spike as I wrote so I'll have to adjust it if I prioritize the balance of the map over the others
but considering the priorities that I have already been put on this map, also I didn't think sticking to a little concept is a big problem so I decided to stick to the current pattern
ty for your opinion uwu

03:48:344 (228344|3) - same

nice

this part have been remapped
If other problem found, please reopen the discussion here

I will prioritize the natural connection between each drum rather keeping previous rule
so I'll keep my pattern rn