In 00:15:710 - 00:24:180 I feel like there's a lot of missed opportunities to focus on the e-piano a bit more to make the rhythm more interesting for example by mapping the blue tick between 00:16:416 (3,4), 00:17:828 (5,6), 00:19:239 (4,5) etc.
btw, I think it is fine to ignore it in places like 00:17:475 (3,4) in favour of focusing on the clearly thought out patterns follwing the vocals.
Your spacing seems kinda inted in some places, most notably 00:15:710 - 00:25:239 and the first kiai.
for example 00:16:239 (2,3) or 00:20:828 (4,1) have an unreasonably large gap while patterns like 00:19:945 (1,2,3) could be highlighted so much more with how the vocals go up there.
For the kiai examples of emphasis that seems just wrong would be 00:19:945 (1,2,3) (why is the emphasis on the 3, when both 1&2 should arguably be more intense), 00:44:298 (2,3) (could go much crazier on the 3 here, vocals are peaking).
By no means a comprehensive list of the issues but just the most glaring examples that you can find at a glimpse. I'd recommend going over both sections again to check for these odd spacing choices where they don't properly represent what the song is doing
In general it's good but I do think the chorus along with other parts of the song is a little similar to the ranked version by squaretude so maybe try to put your own spin on it y'know
Valid, but I'll leave as it is for now beacuse what inspired me to map this song was the squaretude cause I find it super fun to play.
If someone reopens this I'll consider changing it more, but we have to keep in mind that inspirations is not equal to plagiarism, and in that sense I think I'm safe, cause It's not not from his map that I took inspiration.
Taeyang, Faftan Kolek, Monstrata, squaretude, and several others served for me to learn from their mapping style.