Currently in osu! standard RC there are terms regarding hitsound feedback:
To the best of my knowledge, having a hitnormal muted or blended with the song per se doesn't break anything mechanically in the game. Hence I propose a rewording of the current osu! standard RC regarding muted hitnormal:
Wording the term in that way ensures it focuses on the spirit of the RC, which is having proper feedback without creating weird loopholes. This also takes keysounding without proper support into consideration since it's a case of "hitsounds blend with the song".
These rules are inherited from the general RC which states:
- Do not use keysounds without hitnormal support. Players do not receive enough feedback otherwise.
- If a hitsound is used as hitnormal, ensure it does not blend with the song. Players do not receive enough feedback otherwise.
However, I don't think the current standard rule terms adapt to the osu! standard mode well -- a hitsound on any clickable object should be audible and provide enough feedback, which can be reached but not limited to using a hitnormal that's either inaudible or blend with the song, because proper hitsound on additions can also give the feedback the object needs. Related discussions in this map show that current osu! standard RC doesn't make sense because it prohibits the usage of a muted hitnormal + an audible hitsound used as an addition, which can still provide enough feedback.
- All clicked parts of objects must have at least one hitsound...
- Hitsounds must be audible... Specific game modes list exceptions to this rule on their respective ranking criteria.
To the best of my knowledge, having a hitnormal muted or blended with the song per se doesn't break anything mechanically in the game. Hence I propose a rewording of the current osu! standard RC regarding muted hitnormal:
(Edit: my wording is bad please check the replies)
- If hitsounds are used on clicked parts of objects, ensure they are audible, and do not blend with the song. Players do not receive enough feedback otherwise.
Wording the term in that way ensures it focuses on the spirit of the RC, which is having proper feedback without creating weird loopholes. This also takes keysounding without proper support into consideration since it's a case of "hitsounds blend with the song".