Hi, I would like to raise my concerns regarding the taiko difficulties of this set.
- [Chromozzy's Oni]
- 01:22:691 (51,52,53,54,55,56,57,58,59,60) - these finishes sound rather out of context in my opinion as the music there is rather calm and the pace is just similar to the previous kiai. Mapping all of them as big notes would be overwhelming and result in over-emphasis. If you want to emphasize the exceptionally strong vocal, 01:24:545 (60) - is the most reasonable one to be mapped with a big note. Here is an example: (cursor at 01:23:702 - while 63 being K)
- From 02:08:197 to 02:18:983 - as this section is relatively calmer compared to the rest of the song, you may shorten the length of 1/4 (actually 1/2) patterns. This would also fit the note density of the same section in Muzukashii well by doing so. 02:10:051 (140) - 02:12:747 (152) - 02:14:433 (160) - 02:15:444 (165) and 02:17:129 (173) - could be deleted to achieve such a purpose.
- 02:51:680 (147,148,149) - similar to 01:22:691 (51,52,53,54,55,56,57,58,59,60) - , finish could be removed.
- 03:11:736 (152,153,154,155,156,157,158,159,160,161,162,163,164,165,166) - this one is optional. You may consider slightly simplifying this 1/8 (actually 1/4) pattern as the background instruments are far less intense than that.
- From 03:25:050 to 03:29:432 - the finish spam here is quite awkward and does not merge well with the upcoming session due to over-emphasis. What you did in Muzukashii is about right, so I would suggest a pattern reform like this to reduce the use of big notes: (cursor at 03:27:073 - while captured odds are big notes except 40-46 being DkD KdK d)