Hello there.
[General]
01:30:631 - Decrease the volume after the note, like on that spot. Check everywhere on this, I don't want to point out on every diff.
[Ura Oni]
[Oni]
[Futsuu]
[General]
01:30:631 - Decrease the volume after the note, like on that spot. Check everywhere on this, I don't want to point out on every diff.
[Ura Oni]
- 00:04:850 (16,17) - I found out that these two should be 1/8 shifted back. On 25% speed it fits really well, so consider it changing.
- 00:15:430 - To keep the notes equal stanza by stanza (except the first one due to the keyboard), add a note here (suggestion, kat), 00:17:305 - here (kat)
, 00:17:037 (84) - change this to don in order to represent the keyboard shift change. - 00:19:916 (110,111,112,113) - I liked K d d K much more, rather than this. The KAT finishers represent the drum hit way better.
- 00:48:979 (299,303) - Those two are overmapped unneccessarily, and I don't see a reason to put those notes there. The section goes 1/2 notes only, and that's not a good spot for variation.
- 01:10:139 (480,481,482,483,484,485,486,487,488,489,490,491,492) - About this, how about 01:10:139 (480) - turning this to a don, 01:10:273 (481,482,483,484,485) - kdkkd, 01:10:675 (486,487,488,489) - ddk d, 01:11:077 (490,491,492) - kkk ? Will follow everything better in my opinion.
- 01:29:626 - Add a don here in order to emphasize the drum sound. (Trill sound, I mean.)
- 01:32:773 (667) - Kat, due to keyboard pitch.
- 01:37:327 (686,687) - Ctrl + g on those, same reason as above.
- 01:38:131 (689) - Kat, same reason.
- 01:40:006 - 01:40:809 - 01:41:613 - Also, turn these to kats in order to represent the keyboard better.
- 00:26:345 (131) - While Ura Oni doesn't have finishers after streams, I think the Inner should not have them as well.
- 00:01:032 (3,4) - Same pitch, same pattern? Would flow better.
- 00:19:715 - Add a don here to keep intensity with the previous pattern.
- 00:29:827 - Hmm, I don't know if it matches the structure. Even if the keyboard supports this kind of pattern, I think simplifying it would be better, since on Ura Oni it's simpler.
- 00:38:465 (203) - Delete this note and 00:38:532 (204) - change this to don to make it more simple, because the usage of 1/6 kkkd on Inner Oni is a bit hard in my opinion. Also, it will match with Oni, which is better than this.
- 01:01:300 - I think you should delete this note in order to provide some difficulty spread with Ura Oni.
- 01:04:648 (360,361) - What those finishers represent? Simple kats would work better on them.
- 01:07:863 (375,376,377,378) - This can be changed to kkd 1/4, the trill sound is not that prominent compared to others.
- 01:14:291 - ^
- 01:17:238 - ^
- 01:30:095 - ^
- 01:34:827 (545) - This should be snapped on 1/3, like Ura Oni.
[Oni]
- 00:13:488 - Some of the patterns are easier on Inner Oni. Always try to keep the spread between them.
- 00:14:559 (57,58,59,60,61) - Keep the structure you're following, no need to a 5-plet there.
- 00:21:925 (105,106) - Reverse those to match with Ura Oni. This applies on 00:34:782 (182,183) - those two as well.
- 00:30:028 (158) - Delete this one to keep the structure.
- 00:45:095 - Delete this one to emphasize the next triplet.
- 00:57:818 (298,299) - Swap those to provide a simpler rhythm.
- 00:58:488 - From here, I think ddd kkd k suit better. It will also match the next structure.
- 01:01:099 (323) - Deleting this will provide the same break that declared on Ayyri's Inner Oni and Ura Oni.
- 01:11:881 (378,379) - Suggestion: Turn them into kats to define the pitch change on keyboard.
- 01:15:229 (395,396,397) - Instead of kkd, how about dk starting from the blue tick? Will emphasize better to keyboard.
- 01:20:318 (432) - Delete this note to provide the structure you've created.
- 01:27:416 (476,477) - This break is too much, add a note on to the middle. Suggestion: don.
- 01:28:756 (484) - Kat to emphasize the keyboard. It will also fit with Ura Oni.
- 01:46:613 (568) - I think this should be changed to don, to create a simpler pattern.
- 01:54:470 (615,616,617,618) - k ddk to unify them with Ura Oni.
- 00:49:113 (187,190) - Delete those to make a difference between Oni and this.
- 01:21:657 - Keep the rhythm you're following. A triplet is too much there, since there are 2 keyboard notes. Just map it as 1/2 and since it's kiai, you cna add a note on 01:21:256 - this spot. Or, you can map them as a 1/4 doublet, like kk.
- 01:24:939 - ^
- 01:54:738 (472) - Kat to unify them with Oni, Inner Oni and Ura Oni. This may apply to all lower diffs.
[Futsuu]
- 00:00:764 (1) - That was a weird start. For the sake of structure, move that to white tick.
- 00:45:631 (108,110) - Same pitches, they should be same. I recommend keeping them as kats.
- 00:48:041 (114) - ^
- 00:49:381 (117,118) - Ctrl + g for the sake of keyboard.
- 01:16:166 (189,190) - Considering how intense this part on Muzukashii, add some notes (mainly 1/1) to keep the difficulty spread.
- 01:50:452 - Starting from here, vary this part. 2-plets are going too much, especially d k and k d would be boring after a while.
- 00:13:488 - Make this part harder, to create a variation with intro, and to create a better build up to 00:19:916 - this part.
- 00:21:925 (16) - Even though it's obvious enough, I think you should remove this. 3/2 rhythm on Kantan would be confusing on this tempo.
- 00:38:666 (37) - On this tempo, I think you're not supposed to use a complex 1/1 pattern like k k d K, instead, delete this note and it will also provide a better kiai-ending.