Another opinion is here I guess.
From what Ono said, I think, following the drum shouldn't be an option in this case. The diff is following the piano so much, that'll just be more inconsistent.
also, even tho, the note density from ono's example are still higher than the Hell Oni, the SR is quite a problem here.
Aside from this, here is my opinion about it : all 1/8 such as 00:32:060 (286,287,288,289,290,291,292,293,294,295,296,297,298,299,300,301) - are clearly following the piano which are 1/12 or 1/16. I personally find it okay, since, I don't think playing 1/16 or 1/12 this way is "this fun". (it's even skipping the glissando here 00:32:902 - ).
According to how he mapped those weird 1/16~1/12 piano as 1/8. I'd say, it's already a "midway solution". A midway of a midway would be quite weird. I'd say, the current one is ok.
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Aside from this, on Virtuoso, how about this 01:01:628 (558,559,560,561,562) - . I think, it goes better with the piano acceleration.
From what Ono said, I think, following the drum shouldn't be an option in this case. The diff is following the piano so much, that'll just be more inconsistent.
also, even tho, the note density from ono's example are still higher than the Hell Oni, the SR is quite a problem here.
Aside from this, here is my opinion about it : all 1/8 such as 00:32:060 (286,287,288,289,290,291,292,293,294,295,296,297,298,299,300,301) - are clearly following the piano which are 1/12 or 1/16. I personally find it okay, since, I don't think playing 1/16 or 1/12 this way is "this fun". (it's even skipping the glissando here 00:32:902 - ).
According to how he mapped those weird 1/16~1/12 piano as 1/8. I'd say, it's already a "midway solution". A midway of a midway would be quite weird. I'd say, the current one is ok.
[]
Aside from this, on Virtuoso, how about this 01:01:628 (558,559,560,561,562) - . I think, it goes better with the piano acceleration.