Hitsu wrote:

Hi!
Your request from my queue t/551902

General

Not bad mapset at all, gj.
Although I guess bg resolution must be 1366x768. its rankable for 16:9 resolution

Kantan

00:20:777 (30) - higher pitch here, try k.

Futsuu

00:14:017 (29) - ^. this time i dont map the vocal so i think d is better

Muzukashii

00:00:496 (1) - ^.
00:00:918 (2) - ^. and for above ^, i will see more suggestions later, imo weak vocal fits with d
00:01:341 (3) - try d finisher here instead. i have been used K for all diffs at this time so consistency
00:04:510 (14,15,16) - pretty much ddd.
00:05:989 (20,22) - ctrl+g.
00:13:172 (48) - d finisher. same as prev, literally this fits better with K as well
00:14:862 (55) - ^. ^
00:25:425 (96) - k. literally 00:25:214 (95,96,100) - they have same kind of drum so imo better for consistency with d
00:28:277 (109) - better remove this and make the next finisher. but the drum at 1/4 is so clear so imo better for triplet for last notes too

Oni

00:04:721 (22) - d. pitch of vocal and downbeat, its k for multicolor in oni C:
00:05:143 (24) - k. just for variety and consistency for next part 00:18:453 (95,96,97,98) -
00:05:355 (25,26) - d. ^
00:07:996 (39,40) - ctrl+g. just personal taste if kdk sounds better
00:11:376 (57) - not the best place for quintuplet, remove this for better sound.
00:13:172 (65,66,67,68,69,70,71,72,73) - not consistent at all. Better do this putting finisher here 00:13:172 (65).
00:15:073 - add d here. consistent break 1/1 with 00:01:552 -
00:18:031 (91,93) - ctrl+g. same as prev, ddk sounds better
00:18:664 (95,96) - ^. reply on 5 sec part above
00:21:411 (109,110) - ^. ^
00:25:425 (127) - k. same as muzu
00:25:636 (128,129,130) - ddd better. kkd then
00:26:270 (132) - k, drum sound.

Gl with this one!

1. 00:20:777 (30) - for consistency, this note must be d, but if you don't want to change the after pattern, you can make - 00:20:355 (29) - d , like in > 00:14:017 (19,20,21) - .
2. 00:27:327 (38) - Maybe move this to > 00:27:538 .- and make it d for empathize the k notes in the end, follow the vocal in the red tick feels really weird when I play it, because usually the player follows the base rhythm instead of vocals by instinct

1. 00:03:665 (7) - Change it to d,> 00:07:045 (14) - same here, to make consistency for the next similar vocal-pattern in >. 00:16:974 (35,36,37,38) - & > 00:20:355 (42,43,44,45) -
2. 00:09:369 (19,20,21,23,24,25) - this 6 notes follows the same vocal tones, why they are different? I suggest change > 00:09:369 (19) - to d or > 00:11:059 (23) - to k
3. 00:27:749 - Add d here? feels weird if you skip the sound

1. 00:06:200 (21) - move to > 00:06:622 - to make consistency to the same sound-pattern in > 00:03:031 (8,9,10,11) -
2. 00:08:524 (30,31,32,33,34,35) - I suggest follow this rhythm or similar, to make more emphasys in the vocals-finish:
   

1. 00:09:686 - I feel here's a missing note, must be d, and remove the finish in > 00:09:791 (50) -

1. 00:06:411 (9,10) - ctrl+g because 00:06:411 - this is much more high in pitch and should be mapped with a k rather than a d
   it's nice w

1. 00:06:411 - k same reasoning as kantan

1. 00:03:665 (11) - switch to d because the pitch falls dramatically from the previous note here
2. 00:07:045 (24) - ^
3. 00:08:946 (32) - consider switching this to k because the pitch is rising here
4. 00:08:524 (30,31,32,33,34) - the placement here makes it seem like a vocal pattern, and it that's the case then not including 00:09:580 - this vocal beat seems slightly awkward. Consider moving 00:09:369 (34) - this 1/2 forward or adding something
5. 00:24:369 (93) - consider switching this to k or differentiating 00:24:158 (92,93) - these in some way because the vocal singer makes a whole octave jump there and the pitch really rises

1. 00:05:143 (24) - / 00:01:763 (7) - consider switching the second one to k so that these are consistent
2. 00:18:664 (96) - ^

Jonawaga wrote:

im here for your mod
[Kantan]

1. 00:06:411 (9,10) - ctrl+g because 00:06:411 - this is much more high in pitch and should be mapped with a k rather than a d
   it's nice w

[Futsuu]

1. 00:06:411 - k same reasoning as kantan

[Muzukashii]

1. 00:03:665 (11) - switch to d because the pitch falls dramatically from the previous note here
2. 00:07:045 (24) - ^
3. 00:08:946 (32) - consider switching this to k because the pitch is rising here
4. 00:08:524 (30,31,32,33,34) - the placement here makes it seem like a vocal pattern, and it that's the case then not including 00:09:580 - this vocal beat seems slightly awkward. Consider moving 00:09:369 (34) - this 1/2 forward or adding something
5. 00:24:369 (93) - consider switching this to k or differentiating 00:24:158 (92,93) - these in some way because the vocal singer makes a whole octave jump there and the pitch really rises imo 93 and 94 are stronger there so i use k for them

[Oni]

1. 00:05:143 (24) - / 00:01:763 (7) - consider switching the second one to k so that these are consistent i would like to save this for making variety and the pattern is same, just i swapped the color ><
2. 00:18:664 (96) - ^ ^

good luck~

Nifty wrote:

here from that nifty queue~
(this may be my shortest mod to date)

- Kantan -

Consider making 00:11:481 (17) - a finisher, especially since you made 00:14:862 (21) - one

00:19:932 (28) - remove finisher, you didn't put one 00:16:552 (23) - here that is because no cymbal at 00:16:552 -

00:24:791 (35) - consider making D, since the vocals as well as the synth bg both pitch downward

- Futsuu -

00:14:017 (29) - consider adding a finisher here to mimick the previos 2 finishers, I find the note important enough

00:22:890 (48,49) - ctrl g, to make a subtle mirror of the first rhythm you used, as well as following the vocals

00:24:580 (53,54) - ctrl g, flows well with previous pattern, as well as making 54 the same note as 55 and 56 (which it is in the music) kk instead since i use k for cymbal that i dont give finish lol

- Muzu -

00:03:031 (8) - change to k, feels better with the k's before all beaing on the beat, as well as lining up with the music more

00:06:411 (21) - same as before, change to k

00:24:158 (91) - same as before, change to k, again. This feels like umbrellas but whatever it's cool drum 00:24:158 - is pretty low so i prefer d

It would be acceptable to delete 00:28:172 (108,109) - , put a 00:27:749 - d here, and add 00:28:383 (109) - a finisher here. Simply plays better, I don't think you need the 3let at the end, and you should be emphasizing that last note anyways

- Oni -

00:09:791 (50) - this finisher is uncomfortable, and I don't it's rankable. If you're going to keep it, though, put one 00:11:481 (58) - here and 00:08:101 (40) - because they are the same strong points hoyl how could it happen lmao

00:13:172 - would be better mapped as a 1/4 spaced 5 (ddkdk), a 1/2 spaced d, then a 1/4 spaced 3let (kkd). If you're confused refer to this with the corresponding notes i prefer how those triplets work for emphasis the vocal so i would like to keep this ><

00:18:665 (96,97) - ctrl g, feels betters on the hands and the ears

That's all I got ~ good luck on rank ^^

Diva Days wrote:

[Muzukashii]

Fine to me.

[Oni]

00:05:883 (28) - better delete this note for song, Those streams not match at song.
00:08:841 (44) - ^ : like Muzukashii
00:14:017 (71),(72),(73) - dkd not match at song, change to ddk as u did it at (65),(66),(67) i will hear more opinion from bn about this, imo it fits for variety
00:19:404 (100) - same as 00:08:841 (44)

That's all. the only some part at Oni diff is just odd to me.

i'll add star here.

1. 00:10:003 - since you're mapping a lot of vocal, maybe you should map this note ?
2. 00:13:172 (63,64,65) - it's maybe just me, but the ddk feels weird to play (at least for me). Maybe it'll be better to change it into D k
3. 00:21:834 - this break isn't consistent with other break on your diff.

1. 00:14:862 (55) - maybe change this one into D ? It will flow better and make the pattern easier with the kkk
2. 00:19:932 (74) - 00:26:481 (101) - maybe it should be a K with the cymbal crush ?
3. 00:24:158 (91,92,93,94) - I feel like d k d K sounds better with the vocal

1. 00:08:101 (17) - I think this one flow better as D with this pattern 00:06:834 (13,14,15,16) -
2. 00:28:383 (64) - change it into D ? It sounds & flow better with this k 00:27:960 (63) -

1. 00:28:383 (40) - same thing as Futsuu. change it into D ?

Kin wrote:

Hi there!
it's been a really long time (modding)

[Oni]

1. 00:10:003 - since you're mapping a lot of vocal, maybe you should map this note ? moved 00:10:425 (50) - for cover that vocal w
2. 00:13:172 (63,64,65) - it's maybe just me, but the ddk feels weird to play (at least for me). Maybe it'll be better to change it into D k i really want to keep this because i use triplet for emphasis the stress vocal thats why im making 3 triplets 00:13:172 (63,64,65,66,67,68,69,70,71) -
3. 00:21:834 - this break isn't consistent with other break on your diff. eee hmm at least its same with muzu?

[Muzukashii]

1. 00:14:862 (55) - maybe change this one into D ? It will flow better and make the pattern easier with the kkk
2. 00:19:932 (74) - 00:26:481 (101) - maybe it should be a K with the cymbal crush ?
3. 00:24:158 (91,92,93,94) - I feel like d k d K sounds better with the vocal

[Futsuu]

1. 00:08:101 (17) - I think this one flow better as D with this pattern 00:06:834 (13,14,15,16) -
2. 00:28:383 (64) - change it into D ? It sounds & flow better with this k 00:27:960 (63) -

[Kantan]

1. 00:28:383 (40) - same thing as Futsuu. change it into D ?

I might be outdated, I didn't knew you're now mapping taiko ôwô im new QAQ
anyway, good luck \o

• [General]

1. Romanised Artist: Hanasaka Yui(CV: M.A.O)
2. Tags: add "TV Size One_Room カントク Kantoku" ?

• [Kantan]

1. 00:11:059 (16,17) - consider swapping these notes to k D ? This would follow the vocal pitch in a way better.
2. 00:13:172 (18) - similar to ^ , you may try K here.

• [Futsuu]

1. 00:02:608 - you may add d here to reduce the difficulty gap with Muzukashii.
2. 00:05:989 - same as ^
3. 00:16:129 - similar to ^ , adding k here would be nice.
4. 00:19:510 - same as 00:02:608 -
5. 00:24:580 (53) - k would fit the relatively high-pitched vocal well.
6. 00:26:904 (59,60,61) - changing these notes to d k d could accompany both the vocal and drums nicely.

• [Muzukashii]
  
  Consider HP+1 for a better transition from Futsuu to Oni ?

1. 00:16:129 (59,60,61,62,63,64) - maybe try d k k d k d for a smoother flow with the pitch changes ?

• [Oni]

1. 00:00:707 (3,4) - swapping these notes to k d would match the pitch decrease accordingly.
2. 00:05:460 - consider adding d here and changing 00:05:566 (26) - to d for pattern variety ?
3. 00:08:735 (43,44,45) - similar to ^ , maybe try ddd k instead of d k d ?
4. 00:18:981 - same suggestion as 00:05:460 -
5. 00:20:672 - add k and 00:20:777 - add d ? Different from 00:07:151 - , you can make this part harder as there are extra drums.

Raiden wrote:

Oni is lacking some structure, if you want to use the red tick vocal rhythm, use it across all the map :p I understand the point but there are unexpected drums that are ruining consistency

00:11:376 (57,58) - should be deleted well, there are noticeable drums here that she is following constant throughout the whole song imo
00:20:672 (106,107) - ^ same here, also we can keep a relation between 00:20:566 (107,108,109) - 00:22:256 (115,116,117) - 00:23:946 (123,124,125) - 00:25:636 (131,132,133) -, drums are the same so it could counts as consistency too imo
00:21:834 - filled here I can hear the same cymbal as 00:23:101 - 00:24:791 - 00:26:481 - so it's consistency too.
00:10:425 - should be filled after the previous reasons, this part could be acceptable.

don't think it's veto worthy but just so you note it for future maps Thanks Raiden senpai <3

good luck!

Xexxar wrote:

As is the spinner is clearly extended over no audio. The spinner should end on 00:29:545 - , which even you should know considering that's where you made the 5% volume line. For this reason I have decided to bubble pop this map as it is too short and does not meet length requirements for ranking.

See to either extending the mp3 (not recommended) or mapping a different song that does meet the length requirement.

(note: I am aware that there is arguably a tiny amount of audio after the point I mentioned. I am also aware that there are two other ranked mapsets with this same issue. I still believe this to be abuse of what the rule intends to stop and as such have decided to pop this map.)

My Angel Azusa wrote:

As xexxar stated in another pending mapset, this shouldnt exceed 30s at all

KuranteMelodii wrote:

@pishi can i take the mp3 for my set, then?

Xinely wrote:

changed the mp3 and extended the spinner as well

Monstrata wrote:

Do not qualify mapsets that use the same song or a different version of the same song as an already Qualified mapset, unless no game modes of both sets overlap. For example an osu!taiko and osu! mapset of the same song can exist in Qualified, while a taiko and osu!/taiko hybrid set cannot. This ensures variety among Ranked beatmaps within their respective game modes.

Under new BN rule, this map can be qualified even if there is a standard set. Just in case anyone forgot. The changes made after the dq are very minor after all xD.