Treat it as M4M if you have spare time for modding: my map for mod:
https://osu.ppy.sh/s/557316[General]
EDIT: There are some conflicts in Romanized Title as well. In the official website of Nao, she names surname as 'Toyama', while her Jpn name is 'Touyama' if we convert Gojion directly.
> 'ed' can be added (short form of ''ending''). 'Heart's Cry' can also be added since he's the composer.
Source:
http://toyamanao.com/discography.html http://chronicle-anime.com/music/> 'the' in the tag column should be removed since the original Japanese title does not contain any 'the' / 'dei' <-- in Jpn lang.
Photoshot from the official website:
! Timing issue: I can understand why you put an extra red line before 00:45:697 - (for resnapping the NC beat), but 00:45:030 - is not a correct one. At 00:44:363 - , it is a clear new start with 4th beat falling on the vocal, which make sense with the structure of music. Therefore, please shift the red timing point from 00:45:030 - to 00:44:363 - , and uncheck 'omit bar line'. A bar line should be shown here.
> 00:34:363 - how about using <=50%? I feel that the dynamic is equivalent to or even smaller then 00:13:030 - .
[Kantan]
> 01:01:363 - a variation is not needed here, keeping it as kat is fine as the vocal pitch of 01:01:030 (80,81) - are still high.
> 01:03:030 - this gap sounds too porous, sth like n nnn is expected. 01:02:863 - having d k d mapped here is far better than only leaving a single don at 01:03:030 - even though the former is an offbeat pattern.
Not many things worthy for picking up, maybe 00:03:530 - / 01:13:530 - is another pair of concern of using off-beat pattern. I prefer shifting those kats to where they should be.
[Futsuu]
> 00:09:697 (25,26,27) - umm... I think the head and tail of these originally 1/3 triplet should be put with notes only.(dons at 00:09:697 - / 00:10:197 - ) It should match your current mapping style too because you ignored 1/3 triplets before alrady, it is expected this one is ignored as well.
> 00:55:530 - shifting it to 00:55:863 - and change to d can provide a better density flow for the players when you consider Finishers are very hard to play in such off-beat patterns. (oh and you use 1/2 triplets before a new start of session, so I think k ddk is more suitable then kkd k)
> 01:01:696 - you can add one more don here if you want to increase the density even more, not just at 01:00:530 - .
> 01:19:697 (214,215,216) - same case at 00:09:697 (25,26,27) -
Some controversial uses of 1/2 for matching those 1/3 triplets, other things are good.
[Muzukashii]
> 00:50:196 - / 01:01:030 - I expect some triplets here and there! These timings sound too porous right now, mono-d triplets fit the density flow nicely.
> 00:52:030 - another triplet (mono-d) is kinda needed for the consistency of mapping style at 00:53:196 - .
> 01:07:030 - I think D- pattern should go first in stead of the K- one. 01:07:030 - has a lower pitch of 01:08:363 - . For instance, 01:07:030 - D kD kD ; 01:08:363 - K dK dK
some small density issues at the Kiai session, pretty nice already
[Jerry's Oni]
* Hi, it's Jerry again! I can't make such beautiful titles as yours >_<
> 00:32:447 - shifting it to 00:32:280 - can make a better jumpy rhythmic feeling, rather than a very closely packed kkk kkkdk.
> 00:38:363 - k sounds better for its pitch, and show contrast with the upcoming drum hit roll at 00:39:030 -
> 00:40:030 - / 00:41:363 - These triplets are awkward. The BGM cannot support it until 00:42:363 - frankly speaking. But in case you wanna increase the density a bit, you can remain the triplet at 00:40:530 - and 00:41:863 - only, and remove 00:40:113 - and 00:41:447 - . Make sure the density is not suddenly risen up with sudden triplets
.
> 00:41:030 - remove this Finish, it is too noisy and the strong base drum snare fall on every 8 beats, i.e. 00:39:697 - / 00:42:363 - only.
> 00:50:780 - remove it for the sake of consistency with the pattern at 00:48:030 - . You can use 5-plet at the second part of Kiai probably..., not now....
> 00:51:613 - shifting it to 00:51:780 - and change it to kat, which feels like more consistent than the curret patterns. After this change, a very clear n nnnnn n nnnnn ... pattern is show.
> 00:52:196 (46,47) - how about swapping them if you consider their pitches? k fits the high-pitch vocal at 00:52:363 -
> 01:02:863 - it sounds strange for these loosely packed notes, sth similar to 00:49:863 - is expected. The density suddenly dropping down to match those vocals is not really a smart choice....
> 01:06:363 - using a ddddk pattern is already enough since the melody fall on the head and the ail only, the scond k at 01:06:446 - is anti-flowing.
> 01:08:196 - / 01:09:530 - I think kats should suit the following up D better, comparing to dons.
2015 mapping style in 2k17 kek ?
[Inner Oni]
> 00:32:197 (168,169) - dd suits better so a bunch of familiar ddk ddk ddk is formed at every 1st and 3rd beats.
> 00:50:780 - removing this note to break a apart the stream, a better density flow can be made.
That, is good.
[]
First individual MV of Nao? good song, good mapset!
my 120th KDS as well :dance:EDIT: There are some conflicts in Romanized Title as well. In the official website of Nao, she names surname as 'Toyama', while her Jpn name is 'Touyama' if we convert Gojion directly.