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Zhan Xun Wei - Tanhou ~Blooming~ [Taiko]
posted
Total Posts
121
Topic Starter
Ok, some final minor things.
Julie's Kantan
01:58:213 (71,72) - These finishers are inconsistent with the hits at 01:16:353 (27,28) which sound pretty similar.
Ok that's it xD
Futsuu
01:14:958 (20,21,22,23,24) - This is inconsistent with both the Inner Oni and the hits at 01:56:819 (110,111,112,113,114). Please make them consistent within the difficulty and between the Inner Oni.
Inner Oni
00:57:341 (8) - In the previous check, I'd asked why there wasn't any finisher on two of the hits. The first one was reasonable, but I felt that 00:57:341 (8) isn't really explained with the explanation provided; I didn't really hear a big enough emphasis difference to justify an absence of a finisher on this hit. I'd just suggest adding a finisher on it.
Ok, THIS should be the last recheck.
Julie's Kantan
01:58:213 (71,72) - These finishers are inconsistent with the hits at 01:16:353 (27,28) which sound pretty similar.
Ok that's it xD
Futsuu
01:14:958 (20,21,22,23,24) - This is inconsistent with both the Inner Oni and the hits at 01:56:819 (110,111,112,113,114). Please make them consistent within the difficulty and between the Inner Oni.
Inner Oni
00:57:341 (8) - In the previous check, I'd asked why there wasn't any finisher on two of the hits. The first one was reasonable, but I felt that 00:57:341 (8) isn't really explained with the explanation provided; I didn't really hear a big enough emphasis difference to justify an absence of a finisher on this hit. I'd just suggest adding a finisher on it.
Ok, THIS should be the last recheck.
Topic Starter
I hope I don't screw up something again xddnewyams99 wrote:
Ok, some final minor things.
Futsuu
01:14:958 (20,21,22,23,24) - This is inconsistent with both the Inner Oni and the hits at 01:56:819 (110,111,112,113,114). Please make them consistent within the difficulty and between the Inner Oni. done
Inner Oni
00:57:341 (8) - In the previous check, I'd asked why there wasn't any finisher on two of the hits. The first one was reasonable, but I felt that 00:57:341 (8) isn't really explained with the explanation provided; I didn't really hear a big enough emphasis difference to justify an absence of a finisher on this hit. I'd just suggest adding a finisher on it. fiiiine..
Ok, THIS should be the last recheck.should
Wow nice spot! I asked dumpling to removed that finisher for me already x3
Thanks a lots newyams99
Thanks a lots newyams99
Ok, I think the diffs look fine now.
Bubbled~
Good luck~
Bubbled~
Good luck~
*tries to throw a heart*
Topic Starter
appreciate your efforts though
dem naxyimyam69
go go dumpleng :U
go go dumpleng :U
asdfasdf, comebahg kweff (`w`)~Nwolf wrote:
*tries to throw a heart*
love live is ded, well im crying too :') go bye nico tokui sora-[ Dumpling ]- wrote:
:(
appreciate your efforts though
Topic Starter
ok
Random bubble check
[Julie's Kantan]
00:24:027 (26,27) - Reverse those two, 27 is a potent downbeat and the start of the kiai which would fit better as D. Additionally, the don triplet is too biased and even if it's supposed to be simple it ignores way too many snare hits.
00:33:795 (35) - This note has a slightly more noticeable crash in the background. Finisher would be nice here.
01:01:004 (5) - Similar as above. Also, previous dons had also finisher so it makes it a bit inconsistent here.
01:06:585 (13) - ^
01:12:167 (21) - ^
01:22:981 (34) - Can be deleted, the part remains really calm.
01:48:446 (55) - Finisher, as suggested in second kiai.
01:54:027 (64) - ^
02:00:655 (74) - Suddenly changing from 4/1 to 1/1 with no reasonable change on song's pace seems a bit odd. I'd delete this note.
[Futsuu]
00:11:120 (16,17) - I guess you went for variety, but the instrument does certainly change pitch. ddk again or dkk for variety would fit better.
00:18:097 - Recommend adding some note here, as Kantan is too close in terms of density.
00:24:725 - Section starting here seems to follow music accurately but, unfortunately it hurts spread in my eyes. Kantan has way too many 4/1 breaks for this and it creates a somewhat big gap between the two.
I like the kiai, but it seems a bit too repetitive, I would suggest alternating kdd and kkd simultaneously.
01:50:190 (90) - Delete for a reasonable break? The patterning looks too long for now.
01:56:470 (109) - Same, but different reasoning: this way the end of the kiai has a start by itself, instead of being lead on by the previous notes.
[Charlotte's Muzukashii]
01:14:783 (251,252,253) - Seems unnecessary, out of a sudden and there not being a real beat. I would continue the long 1/2 patterning just like you've done until now, to avoid confusion for players. Read as: move 01:14:870 (252) - to 01:14:434 - and change it to a k possibly for snare hit, as well as 01:14:958 (253) - to a kat for high melody tone.
I really like the last kiai. Except for that triplet at the end, you could possibly move 01:56:731 (378) - to 01:56:208 - . Ending on 1/4 doesn't seem too convincing rhythm-whise.
02:04:666 (404) - Move to 02:05:016 - , the snare hit is there.
[Inner Oni]
00:06:411 - Forgot a don here?
00:52:981 (45) - This is supposed to have a finisher? I think it should rather be 00:52:981 (45) -
00:54:027 (52) - Same, it should be 00:53:679 (50) - who has a finisher.
00:54:202 (53) - This one, too should have a finisher following your logic.
02:05:190 - Reduce progressively the volume of the spinner?
If you're wondering, no I didn't forget about aabc diff it's just too neat.
Curse you for not mapping 2-diff TV size anime openings.
[Julie's Kantan]
00:24:027 (26,27) - Reverse those two, 27 is a potent downbeat and the start of the kiai which would fit better as D. Additionally, the don triplet is too biased and even if it's supposed to be simple it ignores way too many snare hits.
00:33:795 (35) - This note has a slightly more noticeable crash in the background. Finisher would be nice here.
01:01:004 (5) - Similar as above. Also, previous dons had also finisher so it makes it a bit inconsistent here.
01:06:585 (13) - ^
01:12:167 (21) - ^
01:22:981 (34) - Can be deleted, the part remains really calm.
01:48:446 (55) - Finisher, as suggested in second kiai.
01:54:027 (64) - ^
02:00:655 (74) - Suddenly changing from 4/1 to 1/1 with no reasonable change on song's pace seems a bit odd. I'd delete this note.
[Futsuu]
00:11:120 (16,17) - I guess you went for variety, but the instrument does certainly change pitch. ddk again or dkk for variety would fit better.
00:18:097 - Recommend adding some note here, as Kantan is too close in terms of density.
00:24:725 - Section starting here seems to follow music accurately but, unfortunately it hurts spread in my eyes. Kantan has way too many 4/1 breaks for this and it creates a somewhat big gap between the two.
I like the kiai, but it seems a bit too repetitive, I would suggest alternating kdd and kkd simultaneously.
01:50:190 (90) - Delete for a reasonable break? The patterning looks too long for now.
01:56:470 (109) - Same, but different reasoning: this way the end of the kiai has a start by itself, instead of being lead on by the previous notes.
[Charlotte's Muzukashii]
01:14:783 (251,252,253) - Seems unnecessary, out of a sudden and there not being a real beat. I would continue the long 1/2 patterning just like you've done until now, to avoid confusion for players. Read as: move 01:14:870 (252) - to 01:14:434 - and change it to a k possibly for snare hit, as well as 01:14:958 (253) - to a kat for high melody tone.
I really like the last kiai. Except for that triplet at the end, you could possibly move 01:56:731 (378) - to 01:56:208 - . Ending on 1/4 doesn't seem too convincing rhythm-whise.
02:04:666 (404) - Move to 02:05:016 - , the snare hit is there.
[Inner Oni]
00:06:411 - Forgot a don here?
00:52:981 (45) - This is supposed to have a finisher? I think it should rather be 00:52:981 (45) -
00:54:027 (52) - Same, it should be 00:53:679 (50) - who has a finisher.
00:54:202 (53) - This one, too should have a finisher following your logic.
02:05:190 - Reduce progressively the volume of the spinner?
If you're wondering, no I didn't forget about aabc diff it's just too neat.
Curse you for not mapping 2-diff TV size anime openings.
Thank you modRaiden wrote:
Random bubble check
[Charlotte's Muzukashii]
01:14:783 (251,252,253) - Seems unnecessary, out of a sudden and there not being a real beat. I would continue the long 1/2 patterning just like you've done until now, to avoid confusion for players. Read as: move 01:14:870 (252) - to 01:14:434 - and change it to a k possibly for snare hit, as well as 01:14:958 (253) - to a kat for high melody tone. removed & changed k.
I really like the last kiai. Except for that triplet at the end, you could possibly move 01:56:731 (378) - to 01:56:208 - . Ending on 1/4 doesn't seem too convincing rhythm-whise. removed only.for consistency (1/2 long pattern)01:49:842 (344,345,346,347,348,349,350,351,352) -
02:04:666 (404) - Move to 02:05:016 - , the snare hit is there. fixed.
If you're wondering, no I didn't forget about aabc diff it's just too neat.
Curse you for not mapping 2-diff TV size anime openings.
Charlotte's Muzukashii
osu file format v14
[General]
AudioFilename: Chai Found Music Workshop - Blooming.mp3
AudioLeadIn: 0
PreviewTime: 58213
Countdown: 0
SampleSet: Normal
StackLeniency: 0.7
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 0
[Editor]
DistanceSpacing: 0.5
BeatDivisor: 4
GridSize: 4
TimelineZoom: 1
[Metadata]
Title:Zhan Fang ~Blooming~
TitleUnicode:綻放 ~Blooming~
Artist:Chai Found Music Workshop
ArtistUnicode:采風樂坊
Creator:-[ Dumpling ]-
Version:Charlotte's Muzukashii
Source:太鼓の達人
Tags:classical taiko no tatsujin cfmw arcade 15 Julie Charlotte aabc271
BeatmapID:835124
BeatmapSetID:380233
[Difficulty]
HPDrainRate:6
CircleSize:5
OverallDifficulty:5
ApproachRate:7
SliderMultiplier:1.4
SliderTickRate:1
[Events]
//Background and Video events
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Topic Starter
hi
accepted all except these:
[Futsuu]
00:24:725 - I changed this part a bit, though alternating between two patterns is boring, have a look at it yourself.
[Inner Oni]
00:06:411 - I chose to put triple there before but not here, and my choice is consistent with the same part a few seconds later.
00:52:981 (45) - you highlighted the same note here twice, I'm not sure what you meant. Anyway I'm quite sure I placed the finishers correctly to the louder sounds (or at least, it is mapped where I think they are).
00:54:027 (52) - same as above. if you still disagree then maybe I should find another BN to check this as well.
pop goes the bubble..
accepted all except these:
[Futsuu]
00:24:725 - I changed this part a bit, though alternating between two patterns is boring, have a look at it yourself.
[Inner Oni]
00:06:411 - I chose to put triple there before but not here, and my choice is consistent with the same part a few seconds later.
00:52:981 (45) - you highlighted the same note here twice, I'm not sure what you meant. Anyway I'm quite sure I placed the finishers correctly to the louder sounds (or at least, it is mapped where I think they are).
00:54:027 (52) - same as above. if you still disagree then maybe I should find another BN to check this as well.
pop goes the bubble..
Thanks for the mod corgiiiiiii~ owoRaiden wrote:
Random bubble check
[Julie's Kantan]
00:24:027 (26,27) - Reverse those two, 27 is a potent downbeat and the start of the kiai which would fit better as D. Additionally, the don triplet is too biased and even if it's supposed to be simple it ignores way too many snare hits. Fixed~
00:33:795 (35) - This note has a slightly more noticeable crash in the background. Finisher would be nice here. Yes the crash is actually more loud then these 2 00:33:097 (34,36) - , but I want to make it gradually harder and harder here 00:33:097 (34,35,36,37,38,39) - , and just in case beginner don't chock on a non finisher - finisher - non finisher xD.
01:01:004 (5) - Similar as above. Also, previous dons had also finisher so it makes it a bit inconsistent here. Oups added finish
01:06:585 (13) - ^ Added
01:12:167 (21) - ^ Added
01:22:981 (34) - Can be deleted, the part remains really calm. Truue, deleted~
01:48:446 (55) - Finisher, as suggested in second kiai. Added
01:54:027 (64) - ^ Added
02:00:655 (74) - Suddenly changing from 4/1 to 1/1 with no reasonable change on song's pace seems a bit odd. I'd delete this note. Deleted
Update
osu file format v14
[General]
AudioFilename: Chai Found Music Workshop - Blooming.mp3
AudioLeadIn: 0
PreviewTime: 58213
Countdown: 0
SampleSet: Normal
StackLeniency: 0.7
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 0
[Editor]
Bookmarks: 44609
DistanceSpacing: 0.5
BeatDivisor: 4
GridSize: 32
TimelineZoom: 1
[Metadata]
Title:Zhan Fang ~Blooming~
TitleUnicode:綻放 ~Blooming~
Artist:Chai Found Music Workshop
ArtistUnicode:采風樂坊
Creator:-[ Dumpling ]-
Version:Julie's Kantan
Source:太鼓の達人
Tags:classical taiko no tatsujin cfmw arcade 15 Julie Charlotte aabc271
BeatmapID:834968
BeatmapSetID:380233
[Difficulty]
HPDrainRate:7
CircleSize:5
OverallDifficulty:3
ApproachRate:7
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224,192,116120,1,8,0:0:0:0:
224,192,116469,1,8,0:0:0:0:
160,192,116818,1,4,0:0:0:0:
352,192,118213,1,0,0:0:0:0:
288,192,119609,1,0,0:0:0:0:
288,192,120307,1,0,0:0:0:0:
224,192,121004,1,8,0:0:0:0:
224,192,121702,1,8,0:0:0:0:
352,192,122400,1,4,0:0:0:0:
288,192,123795,1,0,0:0:0:0:
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352,192,125190,1,4,0:0:0:0:
Topic Starter
.__.
[Inner Oni]
it seems i didn't highlight the correct notes lol
What I meant, was that the STRONG BEATS are at 1/2 distance so
00:52:632 (43,44) -
00:53:155 (46,48) -
00:53:679 (50,51) -
00:54:201 (53,54) -
00:54:725 (56,58) -
those are the ones with the strong hits, while the finishers are in 00:52:981 (45) - 00:54:027 (52) -
In short: 00:52:981 (45) - remove finisher, add it to 00:52:806 (44) -
00:54:027 (52) - remove finisher
00:53:679 (50,51) - add finisher to these two
that's all
it seems i didn't highlight the correct notes lol
What I meant, was that the STRONG BEATS are at 1/2 distance so
00:52:632 (43,44) -
00:53:155 (46,48) -
00:53:679 (50,51) -
00:54:201 (53,54) -
00:54:725 (56,58) -
those are the ones with the strong hits, while the finishers are in 00:52:981 (45) - 00:54:027 (52) -
In short: 00:52:981 (45) - remove finisher, add it to 00:52:806 (44) -
00:54:027 (52) - remove finisher
00:53:679 (50,51) - add finisher to these two
that's all
Topic Starter
Raiden wrote:
[Inner Oni]
it seems i didn't highlight the correct notes lol
What I meant, was that the STRONG BEATS are at 1/2 distance so
00:52:632 (43,44) -
00:53:155 (46,48) -
00:53:679 (50,51) -
00:54:201 (53,54) -
00:54:725 (56,58) -
those are the ones with the strong hits, while the finishers are in 00:52:981 (45) - 00:54:027 (52) -
In short: 00:52:981 (45) - remove finisher, add it to 00:52:806 (44) -
00:54:027 (52) - remove finisher
00:53:679 (50,51) - add finisher to these two ok, maybe I wasn't clear about what I mean the first time you brought this up, but the finishers are arranged like that because I want to capture the change in the pitch melody. Thus, if we look at 43,44, I prefer to leave 44 as a non-finisher in order to emphasise the sound that is on (45). here, I'm also using finishers especially for major pitch change only, so for case example like 00:53:155 (46,47,48) - I'm going to leave that as it is.
that's all
nvm, I removed 00:54:202 (53) - , retained the one on (51) like before.
Nominated.
Topic Starter
"Zhan Fang" isn't romanised title of 綻放. Should be "Tanhou ~Blooming~"
Also, Artist: "詹勳偉", Romanised Artist: "Zhan Xun Wei"? I heard that this song was made by him. (sorry, I'm not sure about romanised of chinese.)
And, bpm is questionable whether musically correct. it's official, but in Taiko no Tatsujin, 1/8 notes could not be used, so some songs use 2x bpm to solve it instead. e.g.: FLOWER, Hataraku 2000, Honey Heartbeat. This song also might be doubled bpm as well.
Also, Artist: "詹勳偉", Romanised Artist: "Zhan Xun Wei"? I heard that this song was made by him. (sorry, I'm not sure about romanised of chinese.)
And, bpm is questionable whether musically correct. it's official, but in Taiko no Tatsujin, 1/8 notes could not be used, so some songs use 2x bpm to solve it instead. e.g.: FLOWER, Hataraku 2000, Honey Heartbeat. This song also might be doubled bpm as well.
Have to disqualify the set first because of metadata issue confirmed.
PS. You have to replace the Unicode title by 綻放 ～Blooming～ as listed here. I won't disqualify your set if this is the sole issue. But since it's disqualified now, I do not see a reason why this should not be fixed.
Good luck!
Any source for this? As the composer seems to be a Chinese.tasuke912 wrote:
"Zhan Fang" isn't romanised title of 綻放. Should be "Tanhou ~Blooming~"
I agree with this, as the official has this song in 太鼓の達人 オリジナルサウンドトラック「フルコンボ!」 (COCX-37270-1) as shown here.tasuke912 wrote:
Also, Artist: "詹勳偉", Romanised Artist: "Zhan Xun Wei"? I heard that this song was made by him. (sorry, I'm not sure about romanised of chinese.)
Have to further investigate about this. Any other opinions? Constructive discussion is welcome.tasuke912 wrote:
And, bpm is questionable whether musically correct. it's official, but in Taiko no Tatsujin, 1/8 notes could not be used, so some songs use 2x bpm to solve it instead. e.g.: FLOWER, Hataraku 2000, Honey Heartbeat. This song also might be doubled bpm as well.
PS. You have to replace the Unicode title by 綻放 ～Blooming～ as listed here. I won't disqualify your set if this is the sole issue. But since it's disqualified now, I do not see a reason why this should not be fixed.
Good luck!
Topic Starter
I will look into these later when I use a pc again
also @tasuke912, to be honest I did ask you for a mod four weeks ago when it was already bubbled and I think you definitely could have told me these things sooner.
also @tasuke912, to be honest I did ask you for a mod four weeks ago when it was already bubbled and I think you definitely could have told me these things sooner.
Source is here. > Official TwitterIamKwaN wrote:
Have to disqualify the set first because of metadata issue confirmed.Any source for this? As the composer seems to be a Chinese.tasuke912 wrote:
"Zhan Fang" isn't romanised title of 綻放. Should be "Tanhou ~Blooming~"
ちなみに「綻放」の読み方は「たんほう」でしたドン！
Incidentally, reading of 綻放 is たんほう(Tanhou).
I guess this song was made for japanese game, so it's read in japanese. Add "Zhan Fang" into tags instead?
I'm sorry about that. I was going to say it and pop bubble when i can take enough times for modding.-[ Dumpling ]- wrote:
also @tasuke912, to be honest I did ask you for a mod four weeks ago when it was already bubbled and I think you definitely could have told me these things sooner.
Great, the Romanised Title should be Tanhou ~Blooming~. Thank you for clarification!tasuke912 wrote:
ちなみに「綻放」の読み方は「たんほう」でしたドン！
Incidentally, reading of 綻放 is たんほう(Tanhou).
I guess this song was made for japanese game, so it's read in japanese. Add "Zhan Fang" into tags instead?
Topic Starter
no one likes you anywayPatZar wrote:
sup fucker, dont mutual with me lol
IamKwaN wrote:
Have to disqualify the set first because of metadata issue confirmed.Any source for this? As the composer seems to be a Chinese.tasuke912 wrote:
"Zhan Fang" isn't romanised title of 綻放. Should be "Tanhou ~Blooming~"I agree with this, as the official has this song in 太鼓の達人 オリジナルサウンドトラック「フルコンボ!」 (COCX-37270-1) as shown here. fine, changed.tasuke912 wrote:
Also, Artist: "詹勳偉", Romanised Artist: "Zhan Xun Wei"? I heard that this song was made by him. (sorry, I'm not sure about romanised of chinese.)Have to further investigate about this. Any other opinions? Constructive discussion is welcome.tasuke912 wrote:
And, bpm is questionable whether musically correct. it's official, but in Taiko no Tatsujin, 1/8 notes could not be used, so some songs use 2x bpm to solve it instead. e.g.: FLOWER, Hataraku 2000, Honey Heartbeat. This song also might be doubled bpm as well.
If you mean it should be 86bpm, sure I can see where you are getting at but I don't think 86bpm is suitable. Sure, you may consider the background beat to be slow (somehow), but if you listen to the foreground melody, I really do think 172bpm is the appropriate choice here.
PS. You have to replace the Unicode title by 綻放 ～Blooming～ as listed here. I won't disqualify your set if this is the sole issue. But since it's disqualified now, I do not see a reason why this should not be fixed.
Good luck!
I mean 86 bpm.
Bass drums sound like basically 1/2 and melody sounds like 1/4 in my opinion. Following maps are similar example.
https://osu.ppy.sh/b/657911
https://osu.ppy.sh/b/614641
https://osu.ppy.sh/b/873832
Bass drums sound like basically 1/2 and melody sounds like 1/4 in my opinion. Following maps are similar example.
https://osu.ppy.sh/b/657911
https://osu.ppy.sh/b/614641
https://osu.ppy.sh/b/873832
Given the structure and pace of the song, I'd go with 172BPM. Drums just feels slower than the other instruments, it's something called half time iirc. Using 86BPM would lead to use a 2/4 timing signature and I don't think that is correct.
I'll edit this post later with some comments about the mapping.
I'll try not to touch too much the map, as I am really used to the TnT's version /w\
[
Kantan]
Futsuu]
Muzukashii]
Oni]
Inner Oni]
I'll try not to touch too much the map, as I am really used to the TnT's version /w\
[
- 00:38:330 - You are missing a note here, feels really empty compared with the previous and next pattern, being the same music intensity.
- 00:43:388 (49) - How about moving this note to 00:43:911 - and make the pattern k d? It would complement better 00:42:516 (47,48) - as they would be the same, as in the music.
- 00:52:283 - You're missing a note again here, feels weird considering the previous pattern.
- 00:52:632 - Keeping a 3/1 rhythm (i.e. notes in 00:52:632 - 00:53:679 - 00:54:725 - , and probably in 00:55:074 - too) would help to follow better the most characteristic rhythm in the song.
- 00:02:400 - 00:12:167 - The mapping here feels a bit bland, you're missing the chance to get this more lively by following a bit the string instrument, something like this would work.
- 00:39:027 (82) - I'd suggest to move this note to 00:38:330 - , the beat is stronger here and leads to a better feeling for the big note. And the resulting pattern would be consistent with 00:40:423 (85,86,87,88) -
- 00:54:027 (119) - I believe this note is misplaced. The main rhythm goes in 3/2 but this note isn't bound to it, notes in 00:53:679 - and 00:54:376 - would be the optimal choice here. After you do this, remove 00:55:074 (121) - to give a little breather.
- 01:37:283 - There's this sudden instrument mix change here that doesn't feel really good. Some notes follow the flute, and others the percussions, you can unify them by placing notes that follows both instruments, like this:
- 00:54:027 (169) - I'd suggest to remove this note, main rhythm is still in doubles.
- 00:05:190 (2) - 00:10:771 (2) - Removing these notes would create some cool pauses.
- 00:27:341 (1) - Shouldn't this note be a don? it feels really weird as a kat, as there's no high tone there @_@
- 00:32:923 (1) - I think this note could be removed, to add a bit of emphasis to the next pattern.
- 01:24:725 (3) - There's no noticeable sound here @_@
- 02:05:365 - A less drastic volume change would sound better here, imo.
- 00:05:190 (10) - 00:10:772 (27) - Removing these notes would create some nice pauses for the song.
- 00:23:679 (87,88,89) - This triple feels a bit weird, try moving 00:23:766 (88) - to 00:23:591 - , it'd follow a bit better the song.
- 00:35:888 - 00:40:074 - I'd suggest to keep a bit of focus on the percusions too, the sudden instrument change doesn't feel nice. I'd suggest something like this, the colours can change, just take the image as a reference for note placing.
- 00:49:318 (17,18,19,20,21,22,23) - This should be a bit more like 00:52:109 (39,40,41,42) - , for consistency purposes.
- 00:59:609 (20) - 01:05:190 (59) - Why are these kats and not dons? @_@ They'd play and feel better as dons, imo.
- 02:05:365 - A less drastic volume change would sound better here, imo.
Thx for your modDakeDekaane wrote:
[
- 00:05:190 (2) - 00:10:771 (2) - Removing these notes would create some cool pauses. Would keep them because that's part of the background pitch.
- 00:27:341 (1) - Shouldn't this note be a don? it feels really weird as a kat, as there's no high tone there @_@ Considering rising pitch at 00:27:167 (1,1,2), while I can use ddk, this loses the contrast with 00:26:469 (1,2,1) which sounds lower-pitched. Also dkk is more similar to 00:27:865 (1,1,2), and dk is consistent with 00:32:748 (1,2).
- 00:32:923 (1) - I think this note could be removed, to add a bit of emphasis to the next pattern. ^ As said before this connects with 00:27:167 (1,1), and 00:32:748~00:34:493 contains significant 1/2 beats that I would prefer not to omit.
- 01:24:725 (3) - There's no noticeable sound here @_@ I believe there is. If you delete this note and comparing the long extended erhu at 01:23:330 with this spot (01:24:725), you can hear the fade-out of former sound and the start of next musical section.
- 02:05:365 - A less drastic volume change would sound better here, imo. Seems reasonable to me. Now spinner head has 47% volume.
Update: aabc's Oni
osu file format v14
[General]
AudioFilename: Chai Found Music Workshop - Blooming.mp3
AudioLeadIn: 0
PreviewTime: 58213
Countdown: 0
SampleSet: Normal
StackLeniency: 0.7
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 0
[Editor]
DistanceSpacing: 0.5
BeatDivisor: 4
GridSize: 32
TimelineZoom: 2.6
[Metadata]
Title:Tanhou ~Blooming~
TitleUnicode:綻放 ～Blooming～
Artist:Zhan Xun Wei
ArtistUnicode:詹勳偉
Creator:-[ Dumpling ]-
Version:aabc's Oni
Source:太鼓の達人
Tags:classical taiko no tatsujin chai found music workshop cfmw arcade 15 Julie Charlotte aabc271
BeatmapID:835262
BeatmapSetID:380233
[Difficulty]
HPDrainRate:6
CircleSize:5
OverallDifficulty:6
ApproachRate:7
SliderMultiplier:1.4
SliderTickRate:1
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pat, rip ur Genocide era.. ur username changes everythinkg :C rip nub patjar-[ Dumpling ]- wrote:
no one likes you anywayPatZar wrote:
sup fucker, dont mutual with me lol
Thank you modDakeDekaane wrote:
[
- 00:54:027 (169) - I'd suggest to remove this note, main rhythm is still in doubles. fixed.
Topic Starter
also @Surono and @PatZar, if you guys don't actually have anything to say about the map itself can you guys leaveDakeDekaane wrote:
Given the structure and pace of the song, I'd go with 172BPM. Drums just feels slower than the other instruments, it's something called half time iirc. Using 86BPM would lead to use a 2/4 timing signature and I don't think that is correct. I think I would keep 172bpm, see my post after this one
[[
- 00:02:400 - 00:12:167 - The mapping here feels a bit bland, you're missing the chance to get this more lively by following a bit the string instrument, something like this would work. pretty good suggestion, I don't really make easy diffs so I couldn't think of a way to make this part more creative.
- 00:39:027 (82) - I'd suggest to move this note to 00:38:330 - , the beat is stronger here and leads to a better feeling for the big note. And the resulting pattern would be consistent with 00:40:423 (85,86,87,88) - changed
- 00:54:027 (119) - I believe this note is misplaced. The main rhythm goes in 3/2 but this note isn't bound to it, notes in 00:53:679 - and 00:54:376 - would be the optimal choice here. After you do this, remove 00:55:074 (121) - to give a little breather. accepted first timing suggestion, but I moved the note to 00:54:551 (121) - instead (red tick after white line you suggested).
- 01:37:283 - There's this sudden instrument mix change here that doesn't feel really good. Some notes follow the flute, and others the percussions, you can unify them by placing notes that follows both instruments, like this: ok changed
Solid mapping. Thanks! I'm glad to hear that.
- 00:05:190 (10) - 00:10:772 (27) - Removing these notes would create some nice pauses for the song. I'll keep it. I think the break at 00:06:934 is good enough for a pause in intro.
- 00:23:679 (87,88,89) - This triple feels a bit weird, try moving 00:23:766 (88) - to 00:23:591 - , it'd follow a bit better the song. done~
- 00:35:888 - 00:40:074 - I'd suggest to keep a bit of focus on the percusions too, the sudden instrument change doesn't feel nice. I'd suggest something like this, the colours can change, just take the image as a reference for note placing. changed this part a bit.
- 00:49:318 (17,18,19,20,21,22,23) - This should be a bit more like 00:52:109 (39,40,41,42) - , for consistency purposes. I disagree, the music actually varies a bit and I don't want the player to hit as many notes there as the music from 00:52:632 (43) - changes to a less intense beat. (I actually don't know how to describe it, yes the melody becomes more varied, but the background beat.. you know what I mean
- 00:59:609 (20) - 01:05:190 (59) - Why are these kats and not dons? @_@ They'd play and feel better as dons, imo. I wanted to keep like this for variation but if you're really fussed about it then I will change it back. Doesn't really seem like other modders had issue with it, though (or maybe I said variation again)
- 02:05:365 - A less drastic volume change would sound better here, imo. updated from aabc's diff since I am using his volume changes
Topic Starter
also regarding bpm, tasuke and I talked about it in game and we will keep 172bpm, for 3 real reasons:
1) the pace of the song, as Dake has pointed out really calls for 172bpm. 86 is too slow. Maybe a song which might be more controversial to put double bpm could be something like Flower Dance, but I asked a few other players and mappers as well and they have said 172.
2) 86bpm requires metronome to be 2/4, which is not natively supported by osu!.
3) I don't wanna remap D:
1) the pace of the song, as Dake has pointed out really calls for 172bpm. 86 is too slow. Maybe a song which might be more controversial to put double bpm could be something like Flower Dance, but I asked a few other players and mappers as well and they have said 172.
2) 86bpm requires metronome to be 2/4, which is not natively supported by osu!.
3) I don't wanna remap D:
Thanks for the mod DakeDake~ x3DakeDekaane wrote:
[
- 00:38:330 - You are missing a note here, feels really empty compared with the previous and next pattern, being the same music intensity. It was actually because I been matching all the cymbal at that part (00:41:469 (47,48) - ), but this could be really tricky to play for beginner so changed to your suggestion.
- 00:43:388 (49) - How about moving this note to 00:43:911 - and make the pattern k d? It would complement better 00:42:516 (47,48) - as they would be the same, as in the music. Yeah, and this 00:41:993 - isn't map so yeah fixed x3
- 00:52:283 - You're missing a note again here, feels weird considering the previous pattern. Actually no, I'm not missing anything, it was ask to remove due to 5 notes being too much here 00:51:934 (62,63,64,65) - , and is like 2 different section, but yeah I get your point, I changed a bit, kept a triplet 00:51:934 (62,63,64) - and changed to a consistent beat after
- 00:52:632 - Keeping a 3/1 rhythm (i.e. notes in 00:52:632 - 00:53:679 - 00:54:725 - , and probably in 00:55:074 - too) would help to follow better the most characteristic rhythm in the song. Nah, part of the reason is from above since, rather have it consistent and on 2/1 beat, since the gap between 00:52:632 - to 00:53:330 - and 00:54:027 - 00:54:725 - should be consistent.
Update
osu file format v14
[General]
AudioFilename: Chai Found Music Workshop - Blooming.mp3
AudioLeadIn: 0
PreviewTime: 58213
Countdown: 0
SampleSet: Normal
StackLeniency: 0.7
Mode: 1
LetterboxInBreaks: 0
WidescreenStoryboard: 0
[Editor]
Bookmarks: 44609
DistanceSpacing: 0.5
BeatDivisor: 4
GridSize: 32
TimelineZoom: 1
[Metadata]
Title:Tanhou ~Blooming~
TitleUnicode:綻放 ～Blooming～
Artist:Zhan Xun Wei
ArtistUnicode:詹勳偉
Creator:-[ Dumpling ]-
Version:Julie's Kantan
Source:太鼓の達人
Tags:classical taiko no tatsujin chai found music workshop cfmw arcade 15 Julie Charlotte aabc271
BeatmapID:834968
BeatmapSetID:380233
[Difficulty]
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OverallDifficulty:3
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//Break Periods
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//Storyboard Sound Samples
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Topic Starter
all updated
edit: i probably would have put this as artist, since Xun Wei is/was a member of Chai Found Music Workshop (my Chinese reading skill is not good so I can't be for sure). however, since it is hard to find a solid source I will leave it as it is.
edit: i probably would have put this as artist, since Xun Wei is/was a member of Chai Found Music Workshop (my Chinese reading skill is not good so I can't be for sure). however, since it is hard to find a solid source I will leave it as it is.
http://columbia.jp/prod-info/COCX-37270-1/
http://media.vgm.io/albums/14/31341/313 ... 115586.jpg
http://puu.sh/ozRjD/06729a43a8.jpg
https://twitter.com/taiko_team/status/1 ... 7935166465
p/5079955
p/5080230
Since there was some kind of confusen, I just reposted what tasuke and kwan said previously. There is no "feat." given, hence, what both said above is correct as we have authentic sources given which prove that. That's actually all I can say about this case.
http://media.vgm.io/albums/14/31341/313 ... 115586.jpg
http://puu.sh/ozRjD/06729a43a8.jpg
https://twitter.com/taiko_team/status/1 ... 7935166465
p/5079955
p/5080230
Since there was some kind of confusen, I just reposted what tasuke and kwan said previously. There is no "feat." given, hence, what both said above is correct as we have authentic sources given which prove that. That's actually all I can say about this case.
Topic Starter
kept then.
Can I get confirmation for metadata?
Topic Starter
Ok, I checked the metadata using a different source and it looks fine. As this was the reason for disqualification, I'll go ahead and rebubble it.
Source
Translation:
・The way to read the song title is Tanhou ~Blooming~
- Tanhou means "A flower blooms (in full bloom or profusely blooming)". Blooming is basically synonymous to this. This line contains irrelevant information.
・The artist is Zhan Xun Wei.
Also found a source confirming the name of the artist here.
Rebubbled!
Source
Translation:
・The way to read the song title is Tanhou ~Blooming~
- Tanhou means "A flower blooms (in full bloom or profusely blooming)". Blooming is basically synonymous to this. This line contains irrelevant information.
・The artist is Zhan Xun Wei.
Also found a source confirming the name of the artist here.
Rebubbled!
ah.. please do not consider wiki as a valid source if there are official references. Hopefully, it does not confuse people.
Yeah true that. Just some more things to support it tho.IamKwaN wrote:
ah.. please do not consider wiki as a valid source if there are official references. Hopefully, it does not confuse people.
Topic Starter
thanks for rebubble :3
and yes, looking at newyam's second source the other members of Chai Found contribute to the song with the classical instruments. hence, I put Chai Found Music Workshop in the tags.
and yes, looking at newyam's second source the other members of Chai Found contribute to the song with the classical instruments. hence, I put Chai Found Music Workshop in the tags.
Nominated.
trollynated
Gratz~٩(๑>◡<๑)۶
Topic Starter
ayyy
ayy ranked for now
It IS ranked. No one shall disturb this map's status again. No one. *glares*Niko-nyan wrote:
ayy ranked for now
/slap self/
おめでとう、あほ！ ♥(○ﾟε＾○)v♪
yNiko-nyan wrote:
ayy ranked for now
Topic Starter
ありがとう、バカ♥Senritsu wrote:
It IS ranked. No one shall disturb this map's status again. No one. *glares*Niko-nyan wrote:
ayy ranked for now
/slap self/
おめでとう、あほ！ ♥(○ﾟε＾○)v♪
/slap self too/