The Spectre (Cut Ver.)

00:06:782 (12) - could change this to k because to emphasize the synth part,which is calm and the finisher at 00:07:720 (13) -

00:07:251 (13) - Why would you have to add a note here since this part doesn't have any sound? Removing this note could emphasize 00:07:720 (13) - just like what you did in Kantan, Futsuu and Muzu.

00:08:423 (14,15) - consider ctrl g this part because 00:08:423 (14) - has high vocal key than 00:08:657 (15) - 00:08:891 (16) - change this to k to emphasize the vocals

00:12:173 (21) - consider making this d since the vocal was low

00:13:579 (23) - imo, you could add a note here to emphasize the synth. Or you could map it like this:

00:13:704 - could just make this and k and remove 00:13:821 - just like what muzukashii did, nothing really prominent on 00:13:821 - and putting a note there just feel kinda too forced

00:15:923 (29,30,31,32) - consider making this as kdkk to emphasize consistency of a pattern as what i suggest also in 00:08:423 (14,15,16,17) -

00:17:798 (32) - change this to k since it has a high vocal key as what you did on 00:10:298 (18) -

00:20:610 - the vocal structure here actually 3/4, so move this note 00:21:313 -> 00:21:196 -

00:22:720 (42) - consider change this to k to emphasize the synth note which is high

00:23:891 (45,46) - ctrl + g this part and 00:24:126 (46) - change this to k to represent the vocals itself.

00:42:407 - How about change this to d? It would emphasis the vocal sound at 00:42:641 - .
Changing to d is also represents the d on 00:41:470 - as long vocal.

00:43:345 - considering you're heavily focused to the vocals and there's no strong sound here, i'd suggest to remove this, it would be consistent w/ 00:39:595 - as well.

00:50:376 - the we live we love we lie sounds more natural on 1/2 just like what you did on 00:35:376 - tbh
vocals might sound more accurate on the blue ticks but uhhhh idk that sounds pretty weird rn

01:10:639 - how about move this to 01:11:108 - instead to emphasize the distinct sounds?

01:25:053 - 01:28:803 - 01:32:553 - 01:36:303 - just personal idea but i kinda think these play too repetitive and not really interesting to play due to the spamming of 3 consecutive triplets. i would suggest making them as ooo ooooo instead to make the rhythm have more variety, as well as still increased the density comparing with the 1st kiai section.

Maybe add breaks at 01:26:928 and 01:34:428 for consistency with the other diffs. It also contrasts the break on 01:22:944 and 01:30:444 kind of nicely.

01:11:694 and 01:19:194 are identical soundwise to 01:15:444. even though they are different by pitch, I still prefer them with a note on 01:15:444. Maybe you could have the pattern be k k d d instead at 01:14:741 so that it's different from the other ones.