00:04:804 (4804|3,4934|2,5064|0) - 感觉更应该和00:05:325 (5325|2,5456|0,5586|2) - 后面对应,第一个音00:04:673 (4673|1) - 太轻了,至少00:04:804 (4804|3) - 得给1/2,前面那个缩短
00:09:356 (9356|0,9486|1,9617|2,9747|3,9878|0,10008|1,10138|2,10269|3) - 这儿可以按音高排列一下,这八个音分别是re la(低) xi(低) mi la(低) xi(低) re so(低)
00:11:325 (11325|1,11325|2) - 00:12:369 (12369|1,12369|2) - 这一段这种小节结束前的最后一个double我个人感觉没啥必要,音很轻,最多和前面那个重音叠一下就够了,一直到00:21:891 - 结束
00:39:760 (39760|2,39793|3,40021|2,40054|3,40282|2,40314|3,40543|2,40575|3) - 连续用四个感觉重复太多了,有些是不太一样的,比如00:39:760 (39760|2,39793|3)明显比别的短而且弱,可以换写法
00:41:456 (41456|2,41488|3) - 00:41:978 (41978|1,42010|0) - 类似
00:44:704 - till 00:45:095 - ,
Not really represented the synth quite well for me.
I think you can rearrange this into something like https://osu.ppy.sh/ss/19269465/7b7c
00:52:138 - till 01:03:094 - ,
So much double triple usage that is not correctly represented here.
You can use your master diff as example for which triple should be changed into double. (the one where it's single in master but you map as triple at top diff)
2.00:52:138 - can be triple to emphasize the beginning of the new section.
00:53:964 - 00:55:790 - 00:57:616 - 00:59:442 - 01:01:268 - can also be mapped as triple.
I don't mean changing 233 to 323, I mean you need to change every triple like 00:52:268 - , 00:52:659 - , 00:53:051 - , etc (literally everything that is mapped as single in master diff) into double.
I only ask you to emphasize the long crash sound as triple (the one that I only mentioned at point 2), not every crash sound as triple. Every triple like 00:52:529 - , 00:52:920 - , 00:53:311 - , etc (Everything that is mapped as double in master diff) is just too much.
01:23:116 (83116|1,83116|0,83246|1,83246|0,83507|1,83507|0,83638|1,83638|0) - 这里这种两个叠一起的我感觉没有体现这段的节奏啊,最明显的后面那个更重现在这样打不出这种手感
次难度的处理感觉就比较好,如果spread上不想完全一样的话我建议是删低难度不必要的double
Suggestions from Sakuragi Kaware ,tks
seems that u need to polish more the patterns, sometimes imo dont fit with the song
01:29:625 (89625|3,89625|2,89690|1,89755|0,89886|1,90016|3,90146|1,90212|0,90277|2,90407|3,90472|2,90538|0,90603|1) - Why inverse?
02:07:190 - 02:11:364 - U can do smth like 00:13:530 -
01:29:625 (89625|3,89625|2,89690|1,89755|0,89886|1,90016|3,90146|1,90212|0,90277|2,90407|3,90472|2,90538|0,90603|1) - The sound here is quite unique, I think this treatment is reasonable
02:07:190 - 02:11:364 The sound here is not completely consistent with 00:13:530, I prefer to express some other things, keep
As for the issue of patterns, I will rethink it. Thank you for your suggestion
02:08:233 - 02:08:755 - ,这一块有点怪,前面1/2,后面1/4加1/2,感觉不是很适合。然后背景有很酷炫的楼梯音,这里不采的话,就按正常人声采应该是比较好的解法,不然咋看咋怪,打的话也会感觉多东西,如果是我写我估计会采背景的楼梯加人声两条1/2ln,https://osu.ppy.sh/ss/19186794/2f0c 比如这样
Thank you for your feedback! unsnap will fix latter
As for the difficulty of this section we may need to wait for more opinions. On one hand, it originally came from BN’s idea, and I merely expanded on it. On the other hand, I personally also believe that for this song, this section deserves an increase in difficulty to this extent.
Thank you for playing! However, I believe that as a difficult section, losing points here is understandable. From a relatively objective perspective, I think this part fits the music well enough, so the reasons for modifying it maybe not sufficiently convincing.
I have decided to temporarily close this. I will keep the current design until a better revision proposal emerges. More feedback is always welcome!
i dropped acc here, although it's like constantly going lower in the whole second half and i didn't feel it's that out of place when playing through
Also, if you do believe it's something that needs to be fixed could you give your solutions? i personally don't think remove all the minijack should be the way to go as that would obviously make the section too easy instead, unless being patterned pretty awkwardly (e.g. long split/one hand trills)