00:36:827 (7) - you dont really use this kind of kickslider anywhere else feels out of place, just use a circle
00:49:621 (4,5,6) - 00:50:503 (3,4,5) - overmapping these triplets really undermines the part where they are actually in the song, and just doesnt really fit in my opinion
solution would be to just map 1/2. they undermine this down beat the drums emphesise with the 1/4 00:51:091 (3,4,5) -
00:57:121 (5) - removing this circle can help contrast the vocals from the drums since youre leaving the vocals out in anticipation for the chorous
01:05:650 (2,3) - no matter what youre follwing here rhythmically making this 2 circles doesnt make sense since theres nothing on 3
I mean it's pretty easy to imagine any drum there so I just used it as filler for the vocals on 01:05:944 (3,5) - but fair I guess
I think people call this anti jumps. yeah I don't have any special reason for how I emphasize anything there but it basically goes like that: 4 snare = big spacing then to emphasize vocal use anti jump and 01:09:474 (6) feels a bit more special so big spacing again. I just realized that 01:08:591 (1) - on kick drum so I will just reduce that spacing.
01:10:356 (5) - you have the piano sound on the sliderend, might want to change this so its an own object, plays weirdly not emphasizing that sound at all
01:16:238 (2,3,4,5) - 5 circles and emphesis on 3 would make sense imo because theyre part of the same guitar rhythm. but this isnt as nescessary imo so feel free
01:18:885 (1,2,3) - same emphasis as the problem pattern ( 01:10:356 (5) )i mentioned earlier, so maybe change it to this
02:08:738 (1,8) - really well mapped, nice flow and placing through the entirity of the patterns
02:15:944 (1) - is a really strong sound and you have such a small emphasis distance wise for it. to make the pattern work better, you could place 02:15:650 (7) - under 02:15:356 (5) - and 02:15:797 (8) - under 02:15:209 (4) -
02:19:474 (1,6) - emphasized differently. should be the same. 02:20:356 (6,7) - would swap these 2 in timeline and place, so the pianosound is the slider
but 02:19:474 (1) - has much more and 02:20:356 (6,7) - is following that 02:19:768 (2,3,4,5) - pattern and also mapped on guitar
03:31:679 (2,1) - maybe make this a break to make it different to the breaks before and after the kiais since they have a stronger emphasis of the break compared to the mapping around it