1. Rainbow Melody - 7Key (5.34 stars, 4127 notes)

OscarRickyH02 wrote:

Holyshit this is fun aaaaa thank

Requested NM from my queue.
This is good for me as player perspective, however, i should see from mapping perspective, which emphasizing consistency is quite a thing :thinking:
I try to focus a lot on patterning that's fun but trying to make it consistent is slightly difficult

1234567

Rainbow Melody

00:04:249 - intro, quite hard to interprete how its emphasized but i assumed:

1. kicks are single
2. if its with clear piano sound or open hat, its double
3. snares, pianos, or combination of both is also double
4. ^ + open hats is triple
5. anything w/ cymbals is quad
   *LN starts doesn't counts
   you can tell me if i assumed wrong tho, i'm not sure if snare+piano is double or triple

tbh i don't think i had hi hats in mind, snares are double by default for me, and yeah snare + piano = triple

That conditions results some suggestions:

1. 00:04:658 - double for piano ok
2. 00:05:749 - this should be single ^
3. 00:06:158 - this is double for piano sound made triple because kick also
4. 00:06:704 - single, as consistency with 00:04:522 - ok
5. 00:07:386 - double because no open hats ^
6. 00:07:931 - single, no piano sound ^
7. 00:08:477 - also single ^
8. 00:08:886 - single, i don't hear piano ^
9. 00:09:431 - single ^ actually i think i hear faint piano here
10. 00:09:568 - double, no open hats not focusing on hats
11. 00:09:704 - double, kicks + open hats ^
12. 00:10:522 - double, piano sound, since LN doesn't count so add one more note ok
13. 00:11:068 - single, weak piano sound piano + kick
14. 00:11:749 - double, no open hats snare + piano
15. 00:11:886 - double, kicks and open hats well, yes double but not for hat, but kick + faint piano
16. 00:12:022 - piano sound, since this is transition part you can add 1 or 2 note if you want emphasized differently with next snare ok
    00:12:977 - repeated will try to fix whatever else i find here or if anyone else does uwu

00:21:158 - add one note, as cymbal ok
00:23:878 (23878|5) - move to 3, same PR as 00:24:424 (24424|2) - ^
00:29:878 (29878|4,30151|5) - tbh i don't get what are these for actually these 00:29:878 (29878|4,30151|3) - represent the vocal because it looked so empty, and LN in there wouldn't be appropriate. i think it's the only part in that section which i follow vocals but changed anyway. the 00:30:151 (30151|5) - you pointed out is meant for kick
00:32:606 - this part is a little bit inconsistent btw, earlier part is good as you differentiate sounds between bass, kick (or tom i'm not sure), amd piano (even the piano follows the PR) but in this part those things is gone :thinking: i knew i forgot something
00:34:787 - this too, 00:35:333 - add note in col 6 for PR with 00:34:787 (34787|5) - and 00:35:606 (35606|5) - move to 7 00:35:333 -has no piano sound but the other ones pointed out are changed


00:39:151 - now look, this one is good

1. col 1 and 2 anchor follows guitar rythm
2. col 3 is snare
3. col 4 is kick (somehow 00:39:969 (39969|4) - is different) oops lol
4. rest of the col follows piano PR

but the next part everything changed

1. with col 4 and 5 as gutar rythm, col 2 somehow merged piano and kick sound, i suggest add one more note to differ them missed out oops
2. 00:42:151 - same as above but there's no piano here
3. 00:43:242 - add one more note for kick ok
4. 00:43:378 (43378|4) - delete, add note on 1 and 7 for snare (as your preference to put double on snare) did differently
5. 00:45:697 - add one more note to differ piano and kick sound ok
6. 00:45:969 - same as above ^
7. 00:46:515 - same as above ^
8. 00:46:651 - i prefer kick and snare did not make any minijack since they are different characteristic of sound, that being said, move 00:46:651 (46651|3) - to somewhere else that's the piano sound
9. 00:47:606 (47606|4) - not sure what is this for for snares, made to double
   00:47:878 - that part repeats same as before, will try to find more there on my own or if others point it out

00:54:697 - reduce this to triple? idk its only snare with open hat so it should not be quad like snare with cymbal ok
00:55:378 - snare so double? ok
00:58:231 - not triple like the other? there's only a kick there
00:59:322 - same as above honestly, i only hear kick, but i'm not entirely sure if i hear piano also. i'll leave it for now until someone tells me otherwise but i'm fairly confident about the other ones
01:00:413 - same as above sounds like kick only, like before
that section of the song was confusing, i'll suggest to put consistent emphasis for the sound like kick snare piano and stuff like that, the rest part changed alot from the first part.
lets skip to kiai

01:16:231 - kiai, i figured out something about this, long notes is for vocal, chord, or violin (idk) and regular note is for kick and snare (and bass maybe) occasionally, i would have a regular note be a vocal for flow also, hope that's acceptable

• LNs

1. 01:23:867 (83867|5,84140|4,84413|5,84685|4) - not sure what this follows follows vocals, but i understand what you mean. it's only audible on the first 2 (or maybe only the first) syllable but it's trying to follow the word a-fu-re-te found on 01:22:776 -
   regular notes
2. overall, confusing, for example 01:16:640 (76640|3,77322|0,77322|2,77731|4,78276|4) - its not follows kick nor snare, please let me know if you have own reasoning most of it are following the bass guitar but some is just for the purpose of flow and to not be so easy. i'll make some changes anyway

after kiai
01:51:140 (111140|6) - this LN should be ends on 01:55:504 - right? yes
02:08:049 (128049|2) - ends on 02:08:322 - i think yes

02:25:913 - snare is double right? delete the one on col 4? yes
also i skip 02:26:044 - this part, i cant understand it O.o i guess it's roughly the same as with 00:56:595 -

2nd kiai
add LN on 02:44:589 - and 02:44:725 - can't do that because it's not the same as with the first one
i would say just be consistent as the 1st kiai as well are you referring to the LNs like at 01:15:140 - or do you mean be consistent in all kiai sections, because if it was the LNs, they're all different
and so do to 3rd kiai too ^

rest of it seems the same about regular notes issues, what is it follows, but the LNs is good

sorry I can't help much
good luck

error_exe777 wrote:

hello

General

Difficulties: marathon
Spread: marathon
Hitsounds: i dont think theyre done wanna iron out the creases before getting to that
Metadata: good
AiMod: good
Other: okay these timing points are bloody weird. just delete them as 110 is half of 220 and it will still be correct with one timing point

Rainbow Melody

finally modding something other than 4k

00:03:704 (3704|6,3704|3,3704|1) - 00:03:840 (3840|2,3840|4,3840|0) - 00:03:977 (3977|6,3977|3,3977|5) - if these are triples then 00:03:568 (3568|2,3568|5) - should be as well those LNs are for violin

00:04:795 (4795|4,4795|0,4795|2,5204|0,5204|2,5204|4) - these aren't representing the same sound so i dont see why they are the same pattern changed one note

00:05:340 (5340|1,5477|4,5477|2,5613|1,5613|4,5749|2,5886|1,5886|4,5886|3) - unless its intentional you've left the end columns empty yeah it's intentional

00:06:295 (6295|1,6431|1) - seems out of place since you can avoid it quite easily ok

00:17:068 (17068|2,17068|5,17204|2,17204|5) - the kicks here are really not that strong so i would make them singles or avoid the jack so show its not as strong as 00:19:249 (19249|4,19249|2,19386|2,19386|4) - for instance alright singled them

00:19:795 - column 2 (1~7) has been ignored for a bit i don't really see that as a problem


00:34:651 - make this a double because there is a kick? that's my own fault, 00:34:242 - was supposed to be only a single note

00:55:515 (55515|1,55515|2,55651|4,55651|5,55787|2,55787|1,55924|5,55924|4) - for a snare sound i think having a more interesting pattern than this would work better honestly i personally think they're fine as it is, but if you could suggest a pattern to replace it, i'll probably change it if i think it's better

01:06:685 (66685|6,66685|4,66685|2,66685|0) - why is this a quad? 01:07:231 (67231|4,67231|6,67231|2,67776|3,67776|0,67776|5,68322|5,68322|3,68322|1) - these arent for instance whoops. changed

01:15:685 (75685|6,75822|5,75958|6,76095|5,76231|6) - i dont think a trill is suited here tbh as of now, i've made 01:15:685 (75685|4) - as a single LN, but may change if it feels weird since it's following 2 different sounds

01:24:004 (84004|1,84140|0,84276|1,84413|0,84549|1,84685|0) - ^^ changed

01:31:504 (91504|5,92595|6,92663|5,92731|4,92799|3,92867|2,92935|3,93004|4,93072|5,93140|6) - this pattern is pretty mediocre and it could be more interesting rip, and these are 1/3 as well, but pattern-wise, i don't actually wanna change it from stair, because it feels like it flows well into the chords

01:44:049 (104049|3,104458|3,104595|3) - not a fan of this shielding honestly no shields for u

01:50:322 (110322|2,110458|3,110595|2,110731|3) - this is avoidable with a better LN pattern tbh changed. not sure if better, but changed

01:51:140 (111140|3,111140|0,111140|6,111140|4,111140|2,111140|1) - woahhhhhhhhh i think this is wayyyyy too much. delete one from somewhere, since it doesn't suggest 6 notes. there is no real need for emphasis here either ok sure

01:53:867 (113867|3,114413|4,114958|3) - would prefer if this was mapped to PR as this trill is odd not really keen on changing it, but will give it a shot

01:55:504 - column 1 is pretty dead for the duration of this LN again, i don't see this as much of a problem

02:07:367 (127367|1,127504|2,127640|1,127776|0,127913|1,128049|2) - i think limiting yourself to 3 columns for this pattern is pretty silly lmao. maybe spread them out a bit for PR i guess remapped LNs for that whole section

02:16:504 (136504|4,136776|6,137049|4) - kinda like before, map for PR to avoid the weird trill ok i agree with this one

02:28:225 (148225|6,148362|6,148498|6,148634|6) - there is probably a good reason for this but i cant hear any sound that suggests these jacks. no repeating kicks, snares or whatever and 2 of them are very quiet, so quiet infact they could be labelled as ghosts. kinda just wanna see why you've done it lol they're for bass guitar

02:29:316 (149316|0,149453|0,149589|0,149725|0) - ^^ ^^

02:32:862 - column 1 is pretty dead again no love for col 1

02:36:134 (156134|6,156134|4,156134|2,156134|0) - like before i cant see any reason for this changed

02:40:089 (160089|1,160089|5) - why is this a double? there is no extra sound and they are normal jacks before and after whoops

02:44:862 (164862|3,164998|2,165134|1,165134|3,165271|2,165271|4,165407|3,165407|5,165544|4,165544|2) - a lot of these feel like ghosts. i can only hear the vocal and the violin thing is 1/4th so idk /shrug ok screw the violin, only vocals

03:02:044 (182044|3,182112|2,182180|1,182248|0,182316|1,182384|2,182453|3,182521|4,182589|5) - again like before, could be more interesting tbh like before with 1/3, but patterns are staying as stairs

03:10:771 (190771|5,191044|4,191316|5,191589|4) - i dont like these trilling tbh since the vocal, thing doesnt repeat pitch was hard, but changed

03:22:771 - woah this is a clusterfuck and i love it just like my life rn

03:35:862 (215862|2,215998|2,216271|4,216407|4) - are these for guitar? if so, please add them at 03:36:680 - tbh i thought it's just 1 long guitar, i guess i can kinda see it now

03:45:271 (225271|0,225339|1,225407|2,225475|6,225544|5,225612|4) - these are 1/3rd now that i look at it. i never spotted it before this point so there may be more throughout the map holy crap you're right

03:51:134 (231134|5,231134|2,231134|1,231134|4,231134|6,231134|3) - kinda like before but there is less emphasis here lol ok

03:51:953 - rip column 1 again. he keeps getting left out love him more gave him less love now. it's only been less than 2 seconds, i'm sure he'll live

03:53:316 (233316|4,233316|1,233316|2,233316|5,233316|6,233316|0) - again, kinda? this one is more subjective than the others to me,
having it as 5 notes will look unsymmetrical and 4 will seem like it's not enough while the notes after that are about 4-5 note chords

04:13:328 (253328|1) - eeeeeek i think this very out of place compared to the rest of the section and i would just snap to 1/2 to make everything easier, even if its not exactly correct whooops i was meaning to get to that but forgot, thanks

04:15:134 - all of these are 1/3rd rip same as with 01:32:595 - and 03:02:044 - and their mediocre patterns

04:19:498 (259498|5,260316|6) - tbh this small pitch change is barely noticeable at full speed so i would just make it one LN instead of two i map vocals a lot. sorry

04:28:771 (268771|4) - i can kinda hear this but i just feels like a continuation of the previous LN so maybe change some around to me they sound separate though. no change, sorry

04:30:407 (270407|5,270680|4,270816|3,271225|4,271498|5,271771|4,271907|3) - again i feel limiting yourself to 3 columns is a bit of a waste alright, done

04:33:850 (273850|3,273850|5,274038|4,274038|6) - these are snapped to the tick above bc they feel too delayed on 1/8th, like very yeah they do. changed

04:34:771 (274771|4,274771|0,274771|3,274771|1,274771|6,274771|2) - okay now that ive seen it alot its probably fine but idk up to you could still change it

04:37:498 (277498|3,278044|4,278589|3) - again maybe map to PR to avoid the trill? not keen, but will give it a shot

04:41:862 (281862|5,281862|3,281998|3,281998|5) - these jacks are sudden and aren't anywhere else in the section when you mapped the same sound. i would move them for consistency ok i'll move these

04:45:680 (285680|6,285816|6,285953|6,286089|6) - again would like some explanation on these. but with this there are little ones like 04:44:589 (284589|4,284725|4) - so idk those jacks were mapped to bass guitar, i started following them more in certain parts in and after the last kiai, up to the outro where i feel i could place them. regardless, made a tiny adjustment of moving 1 note

04:51:680 - the music feels like it slows down so you may need so extra red lines. it will also explain the weird snap with the red line present as as i explained earlier they are not needed ok i'm gonna need help with this because i don't know how to do that properly. same with the one at the beginning

04:51:498 (291498|5,291498|3) - red tick above like before feels better as 1/8

04:51:475 (291475|5,291475|3,292021|6,292021|0) - ^^ what?

05:04:243 (304243|6,304243|2,304243|1,304243|0) - any reason why this is a quad when the others are triples? the sound at 05:03:152 (303152|1,303152|3) - appear less prominent than those at 05:04:243 (304243|1,304243|2,304243|0) - . the notes at 05:03:152 (303152|6,304243|6) - are for the melody

i can tell alot of your placements are intended so if i say anything that is intended forgive me hey man, anything helps

that mod was slightly bigger than i expected

nice map, it has potential for ranked and i think you should push it. just might want to explain your intentions in some places because they are hard to interpret in some places

good luck! o/ Much appreciated o/

Mage wrote:

Yo

[Rainbow Melody]
00:04:113 - i can hear two sounds here, add one more note http://puu.sh/ynZWL/07bc2011f9.png - will be fine the sound is so miniscule but sure
00:12:977 - add one more note, same sounds as 00:04:249 - 00:08:613 i did want to avoid having minijacks here, but you have a point
00:17:340 - same here alright
00:25:931 - 00:30:295 - 00:34:658 - why not double? only kicks are single; 1 note for kick, 1 note for piano, 1 note for bass, so if there's like kick+bass, then it's a double, if kick+bass+piano are all there, then it's triple and if it's on it's own, it's only 1, you get the picture
00:34:249 - well, there is 100% double wtf i'm dumb and you made me realize something else at 00:34:522 - which was supposed to be triple
00:35:068 - 00:35:613 - why not triple like you did before for piano? refer to explanation above
00:52:249 - add one more note eh sure
00:54:431 - same here eh sure
00:56:613 - welp, there should be at least quad eh sure
01:00:431 - double only a kick sound here
01:02:613 - same same
01:07:658 (67658|6) - i don't hear here anything, remove? bass guitar here
01:15:704 - if i get everything right, there should be one more 1/2 LN I guess having only 1 LN to represent 2 sounds is pretty meh. even though that 1 LN is perfectly placed to represent both sounds. changed
02:06:840 - remove one of notes and 02:07:249 - add here one sure
02:16:658 - why you ignoring this piano sound never noticed that, oops
02:16:931 (136931|2) - i don't hear anything, remove good catch
03:29:477 - start here new LN and end 03:29:340 (209340|6) - this that LN is for violin, it does start there
03:46:795 - woah, remove one of notes, 6x note chord is unreasonable here sure
03:59:886 - same here i have to disagree here, the last kiai is supposed to be more difficult compared to the rest of the map

i'm sorry, your mapping style is very strange for me, youre using different chords for same sounds, it's so confused me. Also some parts looks like Ctrl+C Ctrl+V like 01:24:431 - 02:53:886 - 04:08:068 - 04:25:522 - same positions of LNs and yellow notes, just some notes get moved
yes, you're right. i have problems in consistency. also i get that those parts appear as copy pasta'd i'll probably do something about them

But it is really fun to play. Good luck! Thanks! I appreciate it o/

Mage wrote:

i'm sorry, your mapping style is very strange for me
the style is widely known as just me being bad at mapping ayyyy

ExNeko wrote:

Hi

00:03:295 (3295|3,3568|2) - add a note for clap(drum?) here i had 1 note for the drum and 1 note for piano,
same with 00:03:568 (3568|2,3568|5,3704|6,3704|3,3840|0,3840|4,3977|5,3977|6) -
00:09:704 (9704|4) - add a note ok
00:11:886 (11886|2) - add a note, I think, when you decide used 3notes to mapped the drum , you should follow this rule in the later part. my mistake, you're right
00:25:931 (25931|4) - double note, same as 00:25:795 (25795|3,25795|0) - 00:25:795 (25795|3,25795|0) - there is a very faint piano sound here, kick is 1 note only
01:00:295 (60295|1,60295|0) - ??? 01:00:431 (60431|2) - ???,The number of notes should be swapped snares here are 3 notes and piano only is 2
ummm I dont want to read it anymore, I think this map is good for playing, But it doesnt seem structured(?), As mentioned above, I think use a particular number of note to mapped the particular sound is needed, You can use 2 or 3 notes to mapped the drum, But in some places, this number has not been complied, Probably the reason this is a personal mapstyle, because that's not a mistake sorry my mapping style isn't like normal, i'm newbie in mapping and i'm trying to learn also haha :p


else is fine

sorry for short mod it's fine, anything helps

good luck! Thanks for the mod o/

2. 00:03:295 - Moving 4 to 6 emphasizes the repeating sound without breaking the building up pitch flow.
3. 00:09:431 (9431|0,9568|0) - There shouldn't be 1/2 repeats if it sounds the same as 00:09:022
4. 00:14:204 (14204|4,14204|2,14340|1,14340|3) - This should be mapped the same way as this 00:05:477 (5477|4,5477|2,5613|4,5613|1)
5. 00:19:795 to 00:20:613 - 2 has no real reason to be empty in this pattern. There are repeating sounds at 00:20:204 and 00:19:931 which are mapped the same but 00:19:795 is the same as well so the structure isn't too clear. Fill 2 or change the structure so that similar sounds are mapped the same.
   Example

   (same structure with gaps) (identical)
6. 00:38:613 It's the same sound so there should be 1/2 triples on this pattern. Also the 1/2 repeats on only one column is kind of odd. Either make everything alternate or make everything repeat
   or something like this

   
7. 00:39:158 - I'm guessing quads here refer to snares and piano, but sometimes piano key is not mapped and I don't see any pattern. If I didn't get it please explain, here are the stamps : 00:41:340 - 00:42:158 - 00:44:340 - 00:45:704 - 00:45:977 - 00:48:158 - 00:50:068
8. 00:45:977 - 1/2 repeat when at 00:41:613 there's none, move 6 to 7
9. 00:59:340 - Not sure if the single is there because there's no piano but the difference is so small there should be at least a double here.
10. 01:01:386 (61386|6) - This LN seems a bit out of place, it doesn't map accurately the vocals so no point in placing one here.
11. 01:04:658 - Should be a triple here for playability and sounds. Also the 2 => 13 appears a lot but it's tricky so try to avoid it if you can
12. 01:09:158 - I feel like mapping the vocals would be better here. To map both them and the snares you can go for a right to left flow.
13. 01:32:340 - Snares should be triples here just like at 03:01:658
14. 01:49:113 - The drums go a little wild from here but are mapped the same way as the rest of the map. Something like 02:06:431 without the LNs should fit.
15. 01:51:431 - Piano notes in these sections are triples and go back to being doubles from here 01:53:340 for no apparent reason. Change either one. Stamps : 01:51:704 - 01:51:840 - 01:52:113 - 01:52:386 - 01:52:795
16. 02:00:840 (120840|4) - Even if 5 reprents the kick in this short section, this idea isn't used too much later so just move it to 1 so the column is not too empty.
17. 02:28:249 - No particular sound is mapped with 1/2 repeats, move the notes.
18. 02:29:340 - ^
19. 02:28:795 (148795|4) - Column 1 feels empty again, move this to 1 and the next to to 2 to keep the stream flow
20. 02:38:613 - Same as 01:09:158
21. 03:02:886 (182886|6) - Moving this to 1 makes a perfect left to right flow
22. 03:05:749 (185749|1) - There's usually silence here (but doesn't matter too much)
23. 03:13:931 (193931|3) - The repeat is usually before the big white tick, so no reason to not have this either on 1 or 7.
24. 03:18:431 Same thing as 01:49:113
25. 03:25:522 (205522|5) - Extend this to the big white tick and remove 03:25:931 (205931|5)
26. 03:31:386 (211386|5) - Moving this to 7 to make reading easier.
27. 03:40:522 (220522|3,220658|3) - Move this to 6, no reason to have repeats in the same column.
28. 03:44:749 (224749|4) - Move this either to 2 6 or 7. This sound links to the first snare, not to the following ones so repeat should follow accordingly
29. 03:45:158 - This section should flow from right to left. It will be easier to notice the 1/3 change and follow more accurately the changing pitch.
30. 03:53:613 - The asymmetrical visuals are a bit weird. This looks better while keeping the piano buildup
    example

    
31. 03:59:886 - 04:07:522 - Snares have now become quads even though this isn't the climax of this song. Go back to triples and keep this mapping for the last chorus with the higher pitch.
32. 04:04:522 - Move some 1/2 repeats on other columns than 6
33. 04:06:704 - There's room to get rid of those random repeats, and they don't map anything special
34. 04:15:977 (255977|4) - Move this to 7, it fits both visually and gameplaywise the pattern
35. 04:17:340 - 04:34:795 This section is the most intense part of the song, it should look overmapped compared to the rest as you did with 03:59:886 (for example get rid of silences and map snares as quads)
36. 04:32:613 - Same as 01:49:113
37. 04:43:795 (283795|2) - Missing triple here
38. 04:44:340 (284340|3) - ^
39. 04:44:886 (284886|3) - Missing quad
40. 04:45:431 (285431|2) - ^
41. 04:51:363 (291363|4,291363|6,291363|3,291533|3,291533|5,291908|6,291908|3,291908|4,292045|6) - All these objects are mistimed and should be snapped to a 1/3 signature. Also managing 1/2 LNs and 1/3 notes is way too hard so map either ones but not both

Slaerd wrote:

Hiya, from my modding queue. Things written in bold are what I consider important, rest are suggestions.
Mod is long but doesn't mean map is bad :') I'd rather have long mods, shows that the modder actually takes their time to look for the errors and what can be improved. Long mods means more room for improvement. o/

[Rainbow Melody]

2. 00:03:295 - Moving 4 to 6 emphasizes the repeating sound without breaking the building up pitch flow. sure
3. 00:09:431 (9431|0,9568|0) - There shouldn't be 1/2 repeats if it sounds the same as 00:09:022 ^
4. 00:14:204 (14204|4,14204|2,14340|1,14340|3) - This should be mapped the same way as this 00:05:477 (5477|4,5477|2,5613|4,5613|1) ^
5. 00:19:795 to 00:20:613 - 2 has no real reason to be empty in this pattern. There are repeating sounds at 00:20:204 and 00:19:931 which are mapped the same but 00:19:795 is the same as well so the structure isn't too clear. Fill 2 or change the structure so that similar sounds are mapped the same.Made new patterns
   Example

   (same structure with gaps)[/b] (identical)
6. 00:38:613 It's the same sound so there should be 1/2 triples on this pattern. Also the 1/2 repeats on only one column is kind of odd. Either make everything alternate or make everything repeat Alternated them
   or something like this

   
7. 00:39:158 - I'm guessing quads here refer to snares and piano, but sometimes piano key is not mapped and I don't see any pattern. If I didn't get it please explain, here are the stamps : 00:41:340 - 00:42:158 - 00:44:340 - 00:45:704 - 00:45:977 - 00:48:158 - 00:50:068 fixed all except for 00:42:158 - , i can't hear the piano here
8. 00:45:977 - 1/2 repeat when at 00:41:613 there's none, move 6 to 7 adjusted slightly different
9. 00:59:340 - Not sure if the single is there because there's no piano but the difference is so small there should be at least a double here.the single here is for the kick only, nothing else
10. 01:01:386 (61386|6) - This LN seems a bit out of place, it doesn't map accurately the vocals so no point in placing one here. Originally it was supposed to follow bass guitar but it does look out of place. removed
11. 01:04:658 - Should be a triple here for playability and sounds. Also the 2 => 13 appears a lot but it's tricky so try to avoid it if you can remapped the section
12. 01:09:158 - I feel like mapping the vocals would be better here. To map both them and the snares you can go for a right to left flow. alright lets try that
13. 01:32:340 - Snares should be triples here just like at 03:01:658 alright
14. 01:49:113 - The drums go a little wild from here but are mapped the same way as the rest of the map. Something like 02:06:431 without the LNs should fit. changed
15. 01:51:431 - Piano notes in these sections are triples and go back to being doubles from here 01:53:340 for no apparent reason. Change either one. Stamps : 01:51:704 - 01:51:840 - 01:52:113 - 01:52:386 - 01:52:795 Changed the one at 01:53:340 -
16. 02:00:840 (120840|4) - Even if 5 reprents the kick in this short section, this idea isn't used too much later so just move it to 1 so the column is not too empty. Alright
17. 02:28:249 - No particular sound is mapped with 1/2 repeats, move the notes. I might be following bass guitar a bit too much,
    since others have also pointed that those are an issue. removed
18. 02:29:340 - ^ ^
19. 02:28:795 (148795|4) - Column 1 feels empty again, move this to 1 and the next to to 2 to keep the stream flow ok
20. 02:38:613 - Same as 01:09:158 alright lets try that again[/b]
21. 03:02:886 (182886|6) - Moving this to 1 makes a perfect left to right flow how did that get over there
22. 03:05:749 (185749|1) - There's usually silence here (but doesn't matter too much) I'll leave it as it is, to me it'll feel really empty if i didn't map those on all of those sections
23. 03:13:931 (193931|3) - The repeat is usually before the big white tick, so no reason to not have this either on 1 or 7. moved to 1
24. 03:18:431 Same thing as 01:49:113 same thing
25. 03:25:522 (205522|5) - Extend this to the big white tick and remove 03:25:931 (205931|5) It's 2 separate guitar sounds, not 1 continuous sound.
26. 03:31:386 (211386|5) - Moving this to 7 to make reading easier. sure thing
27. 03:40:522 (220522|3,220658|3) - Move this to 6, no reason to have repeats in the same column. sure thing
28. 03:44:749 (224749|4) - Move this either to 2 6 or 7. This sound links to the first snare, not to the following ones so repeat should follow accordingly moved to 2
29. 03:45:158 - This section should flow from right to left. It will be easier to notice the 1/3 change and follow more accurately the changing pitch. lets also try that
30. 03:53:613 - The asymmetrical visuals are a bit weird. This looks better while keeping the piano buildup the piano does start at 03:53:886 - though. altered to make it more symmetrical
    example

    
31. 03:59:886 - 04:07:522 - Snares have now become quads even though this isn't the climax of this song. Go back to triples and keep this mapping for the last chorus with the higher pitch. changed
32. 04:04:522 - Move some 1/2 repeats on other columns than 6 ^
33. 04:06:704 - There's room to get rid of those random repeats, and they don't map anything special moved
34. 04:15:977 (255977|4) - Move this to 7, it fits both visually and gameplaywise the pattern ^
35. 04:17:340 - 04:34:795 This section is the most intense part of the song, it should look overmapped compared to the rest as you did with 03:59:886 (for example get rid of silences and map snares as quads) Turned snares into quads and made most kicks double, will see if it's a good idea
36. 04:32:613 - Same as 01:49:113 same
37. 04:43:795 (283795|2) - Missing triple here [b]added
38. 04:44:340 (284340|3) - ^ ^
39. 04:44:886 (284886|3) - Missing quad ^
40. 04:45:431 (285431|2) - ^ ^
41. 04:51:363 (291363|4,291363|6,291363|3,291533|3,291533|5,291908|6,291908|3,291908|4,292045|6) - All these objects are mistimed and should be snapped to a 1/3 signature. Also managing 1/2 LNs and 1/3 notes is way too hard so map either ones but not both[/b] wow how did i mess up that bad but i'm not sure about not mapping both 1/2 LNs and 1/3 notes i may want to keep them

Good luck ! Much thanks for the detailed mod! I basically accepted almost everything o/

MrAntagonizer wrote:

Hello! NM mod from my queue.
I suck at mapping anything 7k and I feel like I asked more questions than provided feedback here. I could really only spot some consistency things and even then my feedback was dodgy. I love this song though. Same. Also it's perfectly okay to ask anything, I might find some errors in the map and you may learn something new
So yeah sorry for my bad mods x)
|1|2|3|4|5|6|7

Rainbow Melody

00:05:886 (5886|1) - A very minor thing, but since this sound has a crash effect to it, moving this note to column 1 would emphasize it better and match it with the same column distance that happens at 00:06:431 - Sure, seems okay
00:09:840 (9840|0,9840|3) - There is no sound here but using this as pattern filler works Actually, there's piano sounds here
00:21:977 (21977|1) - The presence of a lot of notes in column 2 are there for pitch relevency? Mapping 7k is still foreign to me so I'm trying to wrap my head around why 7k maps have this featured a lot of the time, though, correct me if I'm wrong about that. Reason for that is the same sound is repeating for the entirety of that measure (bass guitar) while the other notes represents the other sounds like piano and kick. Example, from 00:21:704 - , column 2 represents the bass guitar, column 3 for kick, and the others will be trying to follow pitch relevency of piano up until 00:23:886 - , then, since the bass guitar goes up in tone, that will follow pitch relevency as well, then it repeats the same idea from before, in this case, column 4 is the bass guitar and 5 is the kicks and the others are piano.
00:58:249 (58249|2,58386|2) - This pair of sounds is treated differently almost every time it appears until the first kiai, maybe keeping them as singles and following a jack pattern like this every time it appears would help with consistency? At the moment, most, if not all of them are different to help with the flow or patterning. If there's any of those which could be improved, it'll be changed
01:24:431 - This part seems kind of awkward with the patterns present here. Maybe move 01:24:568 (84568|3) - to column 2 instead? Yeah it does seem awkward. Moved
01:50:068 - to 01:51:158 - is a really pretty build-up (just wanted to say that) :D
02:04:658 (124658|3) - I feel like this LN should start on a different key since the sound is different than the other column 4 LN before it That's a good point. Changed the LNs in that section
02:48:840 (168840|5) - Same as above except in column 6 this time Moved that LN to 5 and shortened because vocal ends earlier
03:20:613 - The left hand seems to be doing most of the work in this section in between the two kiais. The two hands aren't too off balance here so it should be fine though. Doesn't seem like it's too much of an issue, both hands still do things constantly
03:29:886 (209886|6,209886|5,210022|5) - idk how uncomfortable these would be at this level of 7k, but because of the density here I'm sure this is okay To me, they seem comfortable enough. If it was reversed though, column 6 has the LN and 7 has the minijacks, then it would be really uncomfortable.
04:24:704 (264704|0,264704|3,264704|5,264704|4,264840|6,264840|4) - This bit looks rough to play but again, hand independency in 7k is a foreign concept to me. For this star rating of a map this is probably par for the course. Starting from 04:17:340 - , the intensity of the song sort of rises a bit, with the vocal pitch/tone/idk becoming higher than the other kiai sections, so this part is meant to be denser.
04:45:840 (285840|6) - I'm not certain if there is a sound here or not, but again, patterning blah blah idk these 04:45:704 (285704|6,285840|6,285977|6) - follows bass guitar, same as with 04:46:795 (286795|0,286931|0,287068|0) - in between those 2 sections, I tried to make the pattern go from right to left to also go along with the bass guitar going lower in pitch
05:03:158 - Even I can play this part! :DD

I hope you don't mind if I use your map as a resource for learning how to more effectively map 7k as well, and I hope ranking goes well! I don't mind at all,
but by all means this map isn't exactly perfect, in fact, it's far from it, haha. And much thanks for the mod! o/

Umo- wrote:

00:21:499 - why such a big slowdown? Players are alredy having enough trouble reading 0.80 - 0.90% but 0.50% is too much imo

Polytetral wrote:

Incoming Mod from RRM Queue
Glad I took to modding this, the song is actually really good.
One thing to note is that I'm not very experienced in 7k mapping or patterning in general, but I'll add some suggestions wherever necessary and its always open for discussion till we reach an agreement.
Okay, here we go! I'm mostly going to just suggest structural improvements and pinpoint some minor changes that might add that little touch to make it better. To apply them will mostly revolve around your opinion though.

Column 1|2|3|4|5|6|7

Rainbow Melody

• 
  00:02:068 (2068|0) - Assuming you added this note for the lower-pitched piano sound, I personally feel you could extend this to the beat before the melody plays at 00:03:568. The beginning just feels a bit empty without it and I thought it was possible to make it an LN since the pitch itself was held until the drums came in. The entire map doesn't have an LN for piano though, and I'm a bit hesitant to change that. Personal preference, but I'd say that having that the only piano note as an LN would be inconsistent and I'd have to search through the map for similar notes and make them LNs
  
  00:21:158 - Suggestion to add an LN in column 4: The presence of this LN is to reflect the resonating cymbal sound so it doesn't feel that empty for these few measures where there are no other notes. I'd recommend ending the LN at 00:21:704 so it'll look like this I could do that
  
  00:21:499 - Same general comment about the slowdown (refer to Umo-): While it would be possible to play this section with practice and adjustments, the slowdown feels a bit too abrupt. In my opinion, this slowdown could be toned up to 0.65x so it corresponds with your second verse slowdown at 02:08:545. If anything, it makes the transition from the first section into this verse more comfortable as well. Did some thinking and I guess it wouldn't be bad to speed it up a bit. changed to 0.65x
  
  02:11:068 (131068|1,131204|3,131340|2) - Could be changed to col 4-2-6, seems to flow better in terms of PR when combining both piano parts together. Sure
  
  02:17:340 - This part feels a bit undermapped compared to the rest of the map, keeping in mind that you spent most of this map layering on the bass. As part of a transition to the 2nd part of this verse you could map the vocals with LN, or reuse the piano patterning in 02:08:613. I personally prefer the latter as it was already introduced when you moved on to the second verse of the song. Personally, I feel like having this as a break section, as few notes as possible while still having something to play. It's a personal opinion though, that may change, but for now, I'm leaving it as it is.
  
  03:55:522 (235522|2,235522|1,235522|5,235522|4,235522|6,235522|0) - suggestion to change this whole chord into an LN that extends to 03:57:431. Presence of this LN chord is to maintain the nature of the resonating cymbal, keyboard chords and the vocalist holding the pitch. For the chord LN No can do, cutting it off at 03:57:431 - isn't accurate; neither is the one at 03:57:704 - . The sounds go either longer or shorter than that. For example, the vocal doesn't go all the way there, it stops at 03:57:636 - and the keyboard chord (at least that's what i think you meant) stops at 03:57:158 - I guess this response also applies to the next point ↓. Gonna keep it as regular notes
  
  03:57:431 - if you applied^, have one of the LNs from the chord extend to 03:57:704 and cut off the rest at around 03:56:613. What I imagined in 2 screenshots For the LN releases
  
  05:07:249 (307249|3) - the piano note resonates a bit here if you listen closely. I think it stops being audible around 05:08:613 so what you can do is to extend that note till that timestamp as an LN Sorry, no again, I'd want to keep the piano as regular notes.

It's a short mod but that's about it from me unfortunately, I wish I could fix your inconsistency as pointed out in previous mods, but I suffer the same syndrome myself. Also can't really judge the playability of this as I don't really have the skills taken to play this properly yet It's alright, you took time to look at the map and still gave some suggestions, anything I can use helps. Don't worry about it
Overall still a really intuitive style of 7k mapping and I love it! If this is going for rank soon, good luck with it. All the best Much thank o/

• [Rainbow Melody]

1. 00:04:113 (4113|1) - i think a note enough, so remove this
2. 00:04:795 - and 00:05:340 - same sound so make them triplet
3. 00:05:204 - double
4. 00:05:477 - single
5. 00:06:158 - double
6. 00:06:295 - double
7. 00:06:704 - double
8. 00:07:249 - double
9. 00:07:931 - double
10. 00:08:477 - double
11. n etc. the song have a same pattern like kick kick drum like https://osu.ppy.sh/ss/9816196 double double triple n go on
12. 00:25:931 - double
13. 00:30:295 - triple, same sound like 00:30:158 -
14. 00:34:658 - double or triple

Syadow- wrote:

feed me some food what is a food?

• [Rainbow Melody]

1. 00:04:113 (4113|1) - i think a note enough, so remove this There's 2 sounds here, the melody and piano
2. 00:04:795 - and 00:05:340 - same sound so make them triplet 00:04:795 - has snare, 00:05:340 - doesn't have snare
3. 00:05:204 - double
4. 00:05:477 - single ok
5. 00:06:158 - double
6. 00:06:295 - double
7. 00:06:704 - double
8. 00:07:249 - double
9. 00:07:931 - double
10. 00:08:477 - double
11. n etc. the song have a same pattern like kick kick drum like https://osu.ppy.sh/ss/9816196 double double triple n go on going to reject almost everything stated up there because it's not just simple kick kick drum, sometimes the kicks are only kick, or kick with piano, or maybe kick with piano and something else.
12. 00:25:931 - double this section only kicks is 1
13. 00:30:295 - triple, same sound like 00:30:158 - made 00:30:158 - double, is actually bass guitar and kick together. 00:30:295 - is only kick
14. 00:34:658 - double or triple same as ^

the main issue is consistency, sometimes u put double for kick n than single or triple There might be times when it happens, sometimes it's my mistake (most of the times actually lmao), sometimes that's how it actually is
bout the variation, seems cool with the Vocal LN n good balance spread it's something haha

good luck >w< i'll take a look again sometimes too see ur map looking forward to that o/
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