1. Ayyri's Futsuu (2,16 stars, 197 notes)
2. Ayyri's Muzukashii (2,7 stars, 302 notes)
3. Kantan (1,44 stars, 109 notes)
4. Oni (3,63 stars, 395 notes)

1. 00:23:212 - I don't know if you're following the vocal, but this note sounds better here 00:23:412 - imo. You can ignore this dw.
2. 00:29:612 - ^
3. 00:49:612 - I would move this to 00:49:812 - because the vocal accentuates more here.
4. 00:56:012 - Consider doing the same thing here.

1. 00:39:012 - This note sounds better as d since it's the beginning of the vocal. Just my opinion tho.
2. 00:50:612 - Consider removing this since the song supports it, and since you have a lot of 1/2.
3. 00:54:612 - ^
4. 00:55:812 - ^ This pattern is too long, I strongly suggest deleting this one.
5. 00:57:812 - ^
6. 01:02:212 - ^ as before, this is too long.
7. 01:03:812 - ^ and change 01:03:612 - to d so it fits better.
8. 01:10:612 - ^
9. 01:13:812 - ^
10. 01:19:812 - ^

1. 00:46:312 - I don't think this fits, there is no sound to justify where it is right now. The vocal is here 00:46:212 - so move it there and change 00:46:412 - to make it fit better.
2. 00:53:912 - I think deleting this triplet will be the best for the gap. You have a lot of triplets already and this one is not needed imo.
3. 01:00:712 - Same here, nothing really strong to support the triplet. You can also change 01:00:612 - to k.
4. 01:05:512 - I hear nothing here, so it would be best if you deleted this note.
5. 01:12:512 - Same as before, the sound doesn't ask for a triplet here. To not make the 1/2 boring, I would suggest you do k k d from here 01:13:212 -
6. 01:16:112 - ^
7. 01:18:112 - Nothing to justify this triplet imo.

1. 00:06:812 - I honestly think k ddd d will sound better. You can decide whether to ignore this or not.
2. 00:10:012 - ^
3. 00:13:212 - I think kdd k ddd sounds better as it fits the music and the background vocals imo. Might just be me tho.
4. 00:16:412 - ^
5. 00:21:212 - kkd fits more as it accentuates more the vocal.
6. 00:27:612 - ^
7. 00:38:212 - You can add a k here for the bass.
8. 00:46:712 - This note is not needed imo. Muzu has triplets and stuff but it's really simple, so I just suggest to delete this note for gap purposes.
9. 00:52:812 - In my opinion k k d ddk follows better the vocals, what you have here sounds weird imo.
10. 00:57:612 - I would do ddddk since I know why the k is at the end, but the drum sounds are the same.
11. 01:09:112 - I think you can delete this triplet to make the gap between Oni and Muzu not so big, plus, I think it sounds better without this note.
12. 01:16:712 - Same here, this note is not needed imo.
13. 01:22:812 - This 5plet should not be here, but it should be at 01:23:212 - as kkkkd, following the drums correctly.
14. 01:24:012 - This triplet does not fit with what you mapped before. Move this note 01:24:112 - here 01:23:912 -
15. 01:26:712 - There's still one drum here, why not adding a d?

Lost The Lights wrote:

Let's see what can I do. Mod requested by Ari bb. Thank you Tom.

[Ayyri's Futsuu]

1. 00:39:012 - This note sounds better as d since it's the beginning of the vocal. Just my opinion tho. That's actually the reason I had it as k. ;w;
2. 00:50:612 - Consider removing this since the song supports it, and since you have a lot of 1/2. While this is true, there is something else that could be removed. (I'll see with your later points.) But this one specifically, there's a change in the background here, and I'd like to emphasize that.
3. 00:54:612 - ^ This is more reasonable of a removal. Changed.
4. 00:55:812 - ^ This pattern is too long, I strongly suggest deleting this one. Actually removed the one that you gave the timestamp for. Since it's on the "and" beat for the vocals.
5. 00:57:812 - ^ Honestly, I kind of want to keep this one, since there's a build up for the finishers at 00:58:012 - . But along with the finishers, that might make this pattern too hard. So I will remove this for now. >w<
6. 01:02:212 - ^ as before, this is too long. Changed.
7. 01:03:812 - ^ and change 01:03:612 - to d so it fits better. Since this pattern is a bit different than the first time I rejected this, I'll remove that note. But I'd rather change 01:04:012 - to d instead of 01:03:612 - because the k at 01:03:612 - would be emphasizing the sound that is rising, rather than flat, like the vocal.
8. 01:10:612 - ^ Changed.
9. 01:13:812 - ^ Changed.
10. 01:19:812 - ^ Slightly changed the pattern here along with this removal.

[Ayyri's Muzukashii]

1. 00:46:312 - I don't think this fits, there is no sound to justify where it is right now. The vocal is here 00:46:212 - so move it there and change 00:46:412 - to make it fit better. You saw my reply to this in-game. ;___;
2. 00:53:912 - I think deleting this triplet will be the best for the gap. You have a lot of triplets already and this one is not needed imo. Fair enough. Removed.
3. 01:00:712 - Same here, nothing really strong to support the triplet. You can also change 01:00:612 - to k. Changed.
4. 01:05:512 - I hear nothing here, so it would be best if you deleted this note. Changed.
5. 01:12:512 - Same as before, the sound doesn't ask for a triplet here. To not make the 1/2 boring, I would suggest you do k k d from here 01:13:212 - The triplet is following the rising sound in the background.
6. 01:16:112 - ^ Same as above.
7. 01:18:112 - Nothing to justify this triplet imo. Same as the other two points.

Yes I love leaving hidden messages for Ari. I love u bb. zzz

Epsile wrote:

Ayyri's Muzukashii

Hey there. c: yo
00:09:012 (9) - Change this to k, the pitch of the instrument being emphasized is higher than normal. I'd prefer to leave the piano emphasized here.
00:12:212 (20) - ^ ^
00:22:412 (58,59) - Ctrl + g this. Fits with the vocals more, along with gives this section better flow. This actually is removing the emphasis from the vocal at 00:22:612 - and what you're suggesting also disrupts the flow here, rather than improve it. dk kd fits the rhythm better here, and flows better.
00:28:812 (80,81) - ^ Same thing here too.
00:36:412 (103,104) - ^ ^
00:39:612 (113) - Change this to k, it gives the pattern better symmetry with the upcoming pattern and fits more with the vocals. Changed.
01:19:412 (272,273) - Ctrl + g this, it makes a nice pattern and fits more with the instrumental. This removes the emphasis from the vocals though.
That's all. ✊

Ayyri's Futsuu

So many 1/2 patterns. All of the suggestions are going to be for diff reduction unless stated otherwise.
00:07:212 (2,3) - Delete 2 and make 3 d. This would make this literally the same as Kantan. This is supposed to be a step to from that, not the same. =w=
00:19:812 (31) - Delete this. This is where the vocal begins. Why would there not be a note here?
00:23:212 (42) - ^ This would be ignoring the piano in an area where the map isn't really that dense.
00:26:212 (50) - ^ Again, this is completely skipping the vocal here.
00:29:612 (61) - ^ Same as the last time that this was mentioned.
00:30:412 (63) - ^ Same as before here too.
00:33:012 (71) - ^ ^
00:38:212 (84,85) - Delete 84 and make 85 k. Diff reduction and better pitch match. ^
00:44:412 (97,98,99,100,101) - Eh, 5 note 1/2 patterns aren't too encouraged in Futsuu imo. Puts a bit too much difficulty on the player, especially if they're just starting Futsuu. This is where the song builds up into the kiai. Not having a slightly more dense pattern here doesn't make sense with what the song is giving here.
00:48:012 (111) - Delete this. Again, ignoring the vocal here.
00:50:612 (121) - ^ ^
00:54:612 (135) - ^ Fixed with the previous mod.
00:55:812 (140) - ^ Same as before.
01:02:212 (163,164,165) - Delete 163 and ctrl + g 164 and 165. Fixed with the previous mod.
01:10:612 (192) - Delete this. Diff reduction, but also to have a little pause before the finisher. ^
01:19:412 (219) - Delete this. Vocal.
Just a bit of nerfing, and you'll have a normal icon. c:

bank78952 wrote:

Muzukashii

00:08:012 (5) - i think change to d is better This would be ignoring what I've been using the k's for.
00:11:212 (16) - d if you change at 00:08:012 - ^
00:22:412 (58,59) - ctrl+g Doesn't fit the vocals here.
00:23:012 (60,61) - ^ ^

Futsuu

00:08:012 (4) - d Same as Muzukashii.
too much 1/2 . . .

iloveyou4ever wrote:

Futsuu

00:22:212 - It seems that you map here according to the vocal This was according to the piano.
But here at 00:23:412 - There isn't any vocal here but there's a not here Same here too.
I think you should delete the note at 00:23:412 - to make players won't confused of that There's the piano here, but also the held vocal. Since you brought up that you assumed it was mapped to the vocal, it's still there.
00:29:812 - ^ Same here too.
00:34:612 - Add a note here can make the pattern consistent with 00:33:012 - The patterns are purposely different for density purposes.
00:38:012 - change to d d k seems better Same could be said for d k d.
00:40:412 - change to d k k and remove the last note d k k d fits better.
Notes are mapped on vocal so I think you should change the pattern to avoid inconsistent
00:58:612 - Better change this to D to emphasized the main beat It's already D.
01:06:212 - change to k d to be consistent as 00:53:412 - That's a d though.. ;w;

Muzukashii

00:07:412 - no pitch change,I suggest change to d The piano is more emphasized here.
00:10:612 - ^ ^
00:29:812 - change to k d d to be consistent with 00:23:412 - Fixed with a previous mod.
00:30:812 - change to k Changed with a previous mod.
01:03:712 - add k here? Changed by a different mod.

osu file format v14

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Title:Kamiiro Awase
TitleUnicode:カミイロアワセ
Artist:binaria
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Creator:Stefan
Version:Ayyri's Futsuu
Source:ダンガンロンパ3-The End of 希望ヶ峰学園- 絶望編
Tags:danganronpa danganronpa3 hope's peak academy kibō hō gakuen side despair zetsubou-hen tv size yanaginagi annabel ayyri thenutritiousguy tng
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Lost The Lights wrote:

Let's see what can I do. Mod requested by Ari bb.

[Kantan]

1. 00:23:212 - I don't know if you're following the vocal, but this note sounds better here 00:23:412 - imo. You can ignore this dw.
2. 00:29:612 - ^
3. 00:49:612 - I would move this to 00:49:812 - because the vocal accentuates more here.
4. 00:56:012 - Consider doing the same thing here.

[Oni]

1. 00:06:812 - I honestly think k ddd d will sound better. You can decide whether to ignore this or not.
2. 00:10:012 - ^
3. 00:13:212 - I think kdd k ddd sounds better as it fits the music and the background vocals imo. Might just be me tho. Did kdd k kdd instead but yeah.
4. 00:16:412 - ^
5. 00:21:212 - kkd fits more as it accentuates more the vocal.
6. 00:27:612 - ^
7. 00:38:212 - You can add a k here for the bass.
8. 00:46:712 - This note is not needed imo. Muzu has triplets and stuff but it's really simple, so I just suggest to delete this note for gap purposes.
9. 00:52:812 - In my opinion k k d ddk follows better the vocals, what you have here sounds weird imo.
10. 00:57:612 - I would do ddddk since I know why the k is at the end, but the drum sounds are the same. I decided for kdddk instead.
11. 01:09:112 - I think you can delete this triplet to make the gap between Oni and Muzu not so big, plus, I think it sounds better without this note.
12. 01:16:712 - Same here, this note is not needed imo. removed :512 instead.
13. 01:22:812 - This 5plet should not be here, but it should be at 01:23:212 - as kkkkd, following the drums correctly.
14. 01:24:012 - This triplet does not fit with what you mapped before. Move this note 01:24:112 - here 01:23:912 -
15. 01:26:712 - There's still one drum here, why not adding a d?

Those are mostly my concerns about the mapset. It has some problems but this should fix it imo. Good luck guys! Yes I love leaving hidden messages for Ari. I love u bb.

Epsile wrote:

Oni

00:07:412 (5) - I'd change this to k, mainly because it sounds better, plus it has a nice flow to it. Seems I will do that anyways since I was thinking bout that.
00:10:612 (18) - Same as above, but ya know, repetition is a bit boring. I'd still recommend changing it to k, though. It's still a valid argument.
00:17:412 - You could add a d in here, mainly for a decorative beat. Nah. I get your point but I find the stand-alone 00:17:612 (50) - is stronger without a note connecting to the previous pattern.
00:21:812 - There's a beat in here where you could add a d in. I wanted to emphasize the vocals more since they're pretty intense in their impact.
00:24:812 (84) - Change this to d. Much better flow and it sounds better with the music, plus a lot better consistency with this pattern. Due the music I'd rather keep k here, also because I used this before very well already.
00:38:412 (141) - Change this to k, there's a slight chime in the background that you can hear quite well that makes this note seem better for a k. I basically agree with you why. But I use (after LTL's mod) d k k d here and a 3rd k sounds kinda unfitting for reasons. So I will keep d here.
00:48:212 (179,180) - Ctrl + g this. Doing so will give you a good flow and accordance with the music. I prefer to emphasize the vocals with the k note at the end. But I get the rhythm you suggest me to add.
00:50:612 (192) - Maybe make this k. The map has better flow with this. It doesn't really suits to that what I follow. :v
00:51:212 (196,197,198,199,200) - This pattern could go really well with the vocals, if you make it ddkdk. Sounds really cool when you do so, as well! I find that kkddk is simpler and sounds good as well, keeping this way.
00:53:512 (211) - Change this to d, only because of the vocal pitch in this. ya.
00:57:012 (229) - Maybe make this k. Might not be that good of a suggestion, but it gives the pattern better flow. Sounds right, added.
That's all! Solid diff, I like it. c:

Kantan

There isn't much I could find here, it's great! (: \o/

Good map! I hope it gets ranked in the future. c: Good luck!

bank78952 wrote:

Hi o/
M4M From your queue

Oni

00:14:912 (36) - add d it will make sound better :3 Sounds about right, I add them for now.
00:21:812 (71) - add d Quoted from previous mod: "I wanted to emphasize the vocals more since they're pretty intense in their impact."
00:28:412 (104) - move to 00:28:612 - and change to d Another vocal mapping, the non-kiai sections are more vocal-orientated than bgm.
00:36:012 (136) - k to follow vocal Yeap!
00:40:812 (151) - k if you change in 00:36:012 - ^
00:47:212 (176) - k to follow rhythm uhh... I really don't know. I can't really agree here.
00:54:612 (218,219) - ctrl+g Why? it sounds reasoned due vocals.

Kantan

Fine for me :3 ~:3~

GL For rank my modding is s*it now

iloveyou4ever wrote:

Hi 0/
M4M From your queue

General

Just an little suggestion
why not changing Kantan od/hp to 3/7 I stay with OD4/HP6
muzukashii od/hp to 5/5? Ayyri agreed to change them slightly (OD 4.5/HP 5.5)

Kantan

00:49:812 - vocal here,not also adding k here? Fixed.
The difficulty looks fine~~

Oni

00:09:012 - change to d seems better I disagree, the light sound of the music fits pretty well.
00:12:212 - ^ ~
00:24:812 - ^~
00:29:412 - change to kdd to be sth opposite with 00:22:612 - Sounds good, added.
00:42:612 - no sound here,I recommend to delete it I think the note is okay, even when there is no sound it adds a nice beat to the vocals.
00:59:412 - I think it's good to emphasis this vocal(note),so I would delete the note at 00:59:312 - I will think about your suggestion, keeping the note for now.
01:26:712 - drum sound here,add d? Yup.

Pretty good song and map but I think there are still little improvement spaces
Hope it will rank soon

1. 00:32:412 - 00:45:212 : I think you should map the guitar strums. It's a change that feels considerably uncomfortable based on how you mapped the first 32 seconds of the song, whether you purposely mapped the rhythm off the guitar or not. I suggest, starting from the measure at 00:32:412, you put a don on the large white tick, and then replace the upcoming don with a katsu. Make the rest of this section uniform to my suggestion and the one below.
2. 00:36:412 : Assuming you follow my suggestion above, this note would be a k. The following one should also be k.
3. 00:43:612 : Make K instead of D
4. 01:16:412 : I know you're mapping based on the vocals being absent here, but I feel like the tom hits are dominant enough to map. Instead of k kd, make it kdkd. It feels better to play too, in my opinion.

1. 00:10:412 : I feel like you should make this like the very beginning. Keep it consistent; put d here and make the next note k. Do the same for the rest of this part
2. 00:36:212 : add d
3. 00:36:412 : change to k
4. 00:39:412 : add d
5. 00:40:412 : make dkkdk, like the one's before it (assuming you took my suggestions) it sounds better and feels better.
6. 01:01:612 : it sounds a lot nicer if, instead of dkk kd, you mapped it to ddkdk.
7. 01:18:812 : can't tell if the intention is to map to vocals or drums in this diff, but I feel like instead of dkddk, you should do ddkdd

1. 01:15:612 : I dunno why this was literally the only thing that bothered me in this entire diff, but this MUST be d. It just HAS to be.

1. 00:39:212 : Instead of dkddk, make dkkdk.
2. 00:46:512 : remove the d beat here.
3. 00:47:612 : add d
4. 00:53:812 : add k

Tsuchimikado wrote:

[Ayyri's Fuutsu]

1. 00:10:412 : I feel like you should make this like the very beginning. Keep it consistent; put d here and make the next note k. Do the same for the rest of this part Having the same pattern over and over gets rather monotonous, as well as the fact that it's a bit hard for the beginning of a Futsuu.
2. 00:36:212 : add d The vocal isn't that prominent to warrant making this a longer pattern. (As this difficulty already has an even amount of 1/2)
3. 00:36:412 : change to k Didn't apply the last point, so this doesn't sound right with what is currently there. Since it would mess up the pitches that the d d k were mapped to, after the dkk.
4. 00:39:412 : add d Same response as the first time this vocal pattern appeared.
5. 00:40:412 : make dkkdk, like the one's before it (assuming you took my suggestions) it sounds better and feels better. Unfortunately, I didn't agree with your suggestions, because this is purposely meant to show the differences between the vocal pitches.
6. 01:01:612 : it sounds a lot nicer if, instead of dkk kd, you mapped it to ddkdk. Same reasoning as the above statement.
7. 01:18:812 : can't tell if the intention is to map to vocals or drums in this diff, but I feel like instead of dkddk, you should do ddkdd This was meant to follow the drum build up, as well as the vocals.

[Ayyri's Muzukashii]

1. 01:15:612 : I dunno why this was literally the only thing that bothered me in this entire diff, but this MUST be d. It just HAS to be. Making this d would be ignoring the fact that the faster sound in the background is switching between higher and lower pitches. That is why it is a k.

Tsuchimikado wrote:

Yahouuuu~!

First time taiko modding heh. SAAaaaAAAA~ hajimemashou ne

[Kantan]

1. 00:32:412 - 00:45:212 : I think you should map the guitar strums. It's a change that feels considerably uncomfortable based on how you mapped the first 32 seconds of the song, whether you purposely mapped the rhythm off the guitar or not. I suggest, starting from the measure at 00:32:412, you put a don on the large white tick, and then replace the upcoming don with a katsu. Make the rest of this section uniform to my suggestion and the one below. It's pretty boring imo but I will add them for now.
2. 00:36:412 : Assuming you follow my suggestion above, this note would be a k. The following one should also be k. Since I removed the notes which follows the voice to map the guitar sounds this point is invalid at this case.
3. 00:43:612 : Make K instead of D oy
4. 01:16:412 : I know you're mapping based on the vocals being absent here, but I feel like the tom hits are dominant enough to map. Instead of k kd, make it kdkd. It feels better to play too, in my opinion. I think the simple and repeating rhythm is acceptable this way. I understand your point but I can't agree here.

[Oni]

1. 00:39:212 : Instead of dkddk, make dkkdk. I don't feel like changing these combination of dkddk dkkdk.
2. 00:46:512 : remove the d beat here. How so? the kdk is a cool switch between the hitsounds.
3. 00:47:612 : add d The break reinforces the impact of 00:47:412 (176) - imo, changes therefore.
4. 00:53:812 : add k Same reason as above.

Hope I was able to give you great suggestions, be helpful, inspire different ideas, etc etc.
~~~~~~~
Tsumi

k3v227 wrote:

Hello! From Stefan's m4m queue ^_^

Overall General:

00:51:612 + 01:01:212 + 01:04:412 + 01:07:612 + 01:09:612 + 01:10:812 + 01:14:012 + 01:17:212 + 01:20:412 - It's noticeable that all of these hits in the music aren't all finishers. Not a major issue imo, but worth pointing out if you guys weren't aware of this and wanted consistency.

00:58:012 to 01:01:212 - Kiai time should be consistent across all diffs here imo. Also finisher placement at 01:01:212 should be consistent too.

01:10:812 - Kiai should end here imo because it's the end of the chorus of the song. Although it can work as is.

In all diffs: 00:42:012 + 00:42:812 + 00:43:612 + 00:45:212 - Change to K K D K. Could just be my hitsounds but this better reflects the tension in the music.
■ 00:42:012 and 00:42:812 are louder than 00:43:612. Also the bass drops out at 00:43:612 and the music is soft and suspenseful.
■ 00:45:212 would be better with a louder finisher because it's the start of the chorus.

We had a nice talk on discord about all of this.

Ayyri's Futsuu

Proposals:

00:07:212 (2,3) - Delete 2 and make 3 a don to be consistent with how this part of the song is subsequently mapped. The opening is one of the few parts that I don't want to change. Because I want it to be a bit harder than Kantan, and not exactly the same.

00:20:812 (35,36,37,38) - d k d k. That's ignoring the stronger pitch of the vocals at 00:20:812 - and 00:21:612 - .
■ 00:26:812 (75,76) the vocal is the sings the same pitch here so these two should be the same note imo. k is to emphasize that the vocal there is by itself, rather than in a phrase.
■ 00:27:612 (77) is higher pitch than 76, 00:28:012 (78) is lower pitch that 77, 00:28:412 (79) is higher pitch than 78. When did you update this? Because these notes are wrongggg. aaaaaa ;___;

00:27:212 (54,55,56,57) - ^ ^

00:42:012 (94,95,96,101) - See 'Overall General' 'Overall General' suggestion doesn't really fit the vocal here.

01:08:012 (178,179,180,181) - Only a minor issue: The vocal is the same pitch over these 4 notes so this note choice seems a bit weird to me. 01:08:012 (220,222) are snare hits so you could make these kats? The k's are following the hit ting sound in the background, with the d's following the vocal.

Ayyri's Muzukashii

Proposals:

00:20:812 (54,55,56,57) - d k d k. Same as Futsuu.
■ 00:26:812 (75,76) the vocal is the sings the same pitch here so these two should be the same note imo. ^
■ 00:27:612 (77) is higher pitch than 76, 00:28:012 (78) is lower pitch that 77, 00:28:412 (79) is higher pitch than 78. ^

00:27:212 (76,77,78,79) - ^ ^

00:42:012 (119,120,121,126) - See 'Overall General' ^

00:44:812 (124) - Change to k. The kat emphasis here feels kinda weird being on the off beats. The build up is supposed to be switching between the two colors to emphasize the power of the kiai at the start of the next measure.

01:00:712 - Add k to map the snare fill here. Seems like overmapping, to be honest.

01:08:012 (220,221,222,223) - Same minor issue as the one in the Futsuu: The vocal is the same pitch over these 4 notes so this note choice seems a bit weird to me. 01:08:012 (220,222) are snare hits so you could make these kats? Same response as in Futsuu.

01:10:412 (228) - Change to k. The kat emphasis here feels kinda weird being on the off beats (same reasoning as the start of the kiai I guess). Same as at the beginning of the kiai.

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Title:Kamiiro Awase
TitleUnicode:カミイロアワセ
Artist:binaria
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Creator:Stefan
Version:Ayyri's Muzukashii
Source:ダンガンロンパ3-The End of 希望ヶ峰学園- 絶望編
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256,192,80812,1,8,0:0:0:0:
256,192,81012,1,0,0:0:0:0:
256,192,81212,1,8,0:0:0:0:
256,192,81612,1,0,0:0:0:0:
256,192,81812,1,0,0:0:0:0:
256,192,82012,1,8,0:0:0:0:
256,192,82212,1,0,0:0:0:0:
256,192,82412,1,0,0:0:0:0:
256,192,82612,1,8,0:0:0:0:
256,192,82812,1,0,0:0:0:0:
256,192,83212,1,8,0:0:0:0:
256,192,83312,1,8,0:0:0:0:
256,192,83412,1,8,0:0:0:0:
256,192,83612,1,0,0:0:0:0:
256,192,84012,1,8,0:0:0:0:
256,192,84212,1,0,0:0:0:0:
256,192,84812,1,8,0:0:0:0:
256,192,85212,1,0,0:0:0:0:
256,192,85612,1,8,0:0:0:0:
256,192,85812,1,0,0:0:0:0:
256,192,86212,1,0,0:0:0:0:
256,192,86412,1,8,0:0:0:0:
256,192,86512,1,8,0:0:0:0:
256,192,86612,1,8,0:0:0:0:

k3v227 wrote:

Hello! From Stefan's m4m queue ^_^

Overall General:

00:51:612 + 01:01:212 + 01:04:412 + 01:07:612 + 01:09:612 + 01:10:812 + 01:14:012 + 01:17:212 + 01:20:412 - It's noticeable that all of these hits in the music aren't all finishers. Not a major issue imo, but worth pointing out if you guys weren't aware of this and wanted consistency.

00:58:012 to 01:01:212 - Kiai time should be consistent across all diffs here imo. Also finisher placement at 01:01:212 should be consistent too.

01:10:812 - Kiai should end here imo because it's the end of the chorus of the song. Although it can work as is.

In all diffs: 00:42:012 + 00:42:812 + 00:43:612 + 00:45:212 - Change to K K D K. Could just be my hitsounds but this better reflects the tension in the music.
■ 00:42:012 and 00:42:812 are louder than 00:43:612. Also the bass drops out at 00:43:612 and the music is soft and suspenseful.
■ 00:45:212 would be better with a louder finisher because it's the start of the chorus. I don't really agree about K K D K. I am happy with my D D K pattern.

Kantan

Proposals:

There's a noticable high proportion of dons before the kiai but they fit well imo.

00:42:012 (14,15,16,17) - See 'Overall General' ~

00:53:412 - Add k to map the vocal here to be consistent with 00:50:212 (29) and 00:56:612 (43); Delete 00:53:612 (36,37). That doesn't sounds logical to be honest, no changes here.

01:03:012 - Add k and change 01:03:212 (54) to d to map the vocal. Delete/move 01:03:412 (55) ~

01:05:612 (60,61) - What about the vocal at 01:05:812 and 01:06:212? Feels a little weird to map the vocal earlier in the kiai but not here. Added on 01:05:812 - k, I have changed some parts previously so it's cooler now.

01:08:812 (66,67) - Same thing here with 01:09:012 and 01:09:412. ~

01:20:212 - Could consider mapping the vocal here; might not be a reasonable suggestion but worth pointing out. Nah, sounds spamy to me.

Oni

General:

Notes that aren't centered: 00:07:112 (3,6) + 00:08:712 (9,13) + 00:10:312 (16,19) + 00:11:912 (22,26) + 00:14:412 (34) + 00:16:012 (43) + 00:17:612 (51) + 00:19:212 (60) + 01:23:912 (387,392) + 01:25:512 (395,400)


Proposals:

00:21:612 (71) - d would be better for this because 00:22:012 (72,73) are mapped to higher pitched notes in the vocal. Changed.

00:42:612 (156) - Remove. I understand the feel that this note is going for but I don't think it follows the rhythm of the song - feels too forced imo. Removed.

00:42:012 (155,157,158,163) - See 'Overall General' ~

00:57:512 - I think add a k here to match the snare drum in the music. Would be too hard for the spread.

00:57:612 - 01:01:013 I'm not really a fan of this SV change because it feels too unnatural in the song. This effect would better suit a higher-energy song whereas this song is not that. I can't agree at this point.

00:56:612 (228,229,230,231,232,233,234,235,236,237,238) - d kkd ddkkkkk K
■ 00:57:312 to 00:57:912 - The drum fill here is actually straight 1/4 on the snare (kkkkkkk). I think mapping all 1/4 here would be a little much though, hence the pattern I suggested to allow space for a finisher. The k notes at the kdddk pattern follows the bling sound and the vocals very well, kkkkk doesn't really fits to me.

00:58:012 (238,239,240,246) - It would be nice if these could be finishers to emphasize the hits in the music here. Although the 1/4 before 238 and 246 complicates this, I think a rework here would be worth it; delete 00:59:312 (245)? Not really worth at all, no changes therefore.

00:59:812 (247,248,249,250,251,252,253,254) - Try this: d kkd k kkddd K
■ 01:00:012 to 01:01:112 - The drum fill here is actually straight 1/4 on the snare and tom-tom drums (kkkkkkdddd). I think mapping all 1/4 here would be a little much though, hence the pattern I suggested to allow space for a finisher. Changed 00:59:812 (246) - to d to differ it better from 00:59:412 (245,247) - , anything else is unchanged.

01:09:212 (299,300,301,302,303,304,305,306,307,308,309,310) - Try this: d d K ddk kkkkk D
■ 01:09:412 (300,301) - d K better represents the bass drum and subsequent crash imo. (300) is intentionally k due vocals.
■ 01:10:212 (305) to 01:10:712 (309) - In the music the drums play straight 1/4 snare during this. Having kkkkk and a space for a finisher here seems best. instead of kkkkk I kept using kkddk but the idea itself is good.
■ 01:10:812 (310) - Finisher would be nice here. Done.

01:24:412 (390,398) - These notes don't fit imo. The last few seconds of the music are soft and removing these notes would better match this energy imo. It's denser than the begin of the song - which similar to this part.

01:26:712 (403) - Could change to k to emphasis the last hit. Technically you could make 01:26:412 (400,401,402,403) all k because they are all mapped to the snare in the song. But I think kkdk would work as well. I think to keep it simple with kkdd is the better way.

Very fun mapset and great song

-Kev

KittyAdventure wrote:

No pp, Stefan?

JessiChan wrote:

Ayyri's Futsuu

00:19:612 (30) - d To not confuse them with the color change. ??? This sound has been mapped as k previously, and the note before is k. If anything, 00:19:812 - this d would be confusing, I guess (?) just for the sake that it's a different color.
00:26:012 (49) - Same^ The overall pattern doesn't seem confusing at all, and changing it would break consistency throughout all of the other times this was used.
01:18:812 (210) - k For the same ^ ^
01:20:012 (215) - d I think sound better so The k was to emphasize the difference between the fast paced background noise and the vocal here.

Muzukashii Diff is good. \o/

Prophecy wrote:

M4M as requested | Mod this -> (https://osu.ppy.sh/s/440885)

[]

[General]
> Custom color is not necessary. o

[Kantan]
> Kantan 1.79*... Maybe it should be slightly nerfed. ¯\_(ツ)_/¯

> 00:20:212 (22) - delete as you using 1/2 at previous notes, you should provide enough break for beginner player. I can give that idea a try, changed.

> 00:27:212 (34) - same as above. Wouldn't you remove 00:26:612 - instead? to be consistent with the previous point.

> 00:31:612 (4) - can be deleted as you mainly follow the vocal(?), you can ignore this beat in kantan. Sounds about a good idea but I hold it for now to be consistent.

> 00:38:412 (10) - a sudden kat appeared, you should not using this note as this is the calmest part of this song. Okay.

> 00:46:612 (20) - Unnecessary note here, I know you're following vocal(?), but it is too hard in Kantan. For another way, you can remove 00:46:412 (19) - if you really want to follow vocal. Maybe if you remove 00:46:612, you can move 00:47:212 to 1/2 ticks before (00:47:012)

> 00:53:012 (33) - same as above, if applied,move 00:53:612 (34) to 1/2 ticks before. If not, you can remove 00:52:812 (32) - for vocal.

> 01:02:412 (49) - same as previous situation, Or 01:02:612 (50) - for vocal

> 01:05:612 (56) - same, Or 01:05:812 (57) - for vocal.

> 01:08:812 (63) - Repeat again. Or 01:09:012 (64) - for vocal.

> 01:26:212 (6) - delete, too hard for beginner or this 01:25:812 (5) - .

>> Can be improved more, but most of the notes is appropriate and well placed.

I basically removed every oo part (where the 2nd note was deleted of them, so it's 1.48* now, holy sh)

[Oni]
> Clean oni! Nice job!

> 00:18:012 (52,53,54) - kkd seems better because you use 00:11:812 (21,22,23) - here. I believe it's okay the way I've mapped it, some variety is okay as long it doesn't sound totally like trash.

> 00:42:012 (155,156,157) - you use D D K in Kantan, but why you use K K K here. good argument, changed.

> 00:45:212 (162) - K will be better, the pitch is different(higher) than 00:45:012 (161) - . D is the stronger one of the finish notes and the music isn't that light as if K fits better.

> 00:46:412 (168,169,170) - kkd seems better as the reason before. yup, see above.

> 00:58:312 (238) - suddenly a following bg music note here, maybe remove for break too? I think it's justified to follow the background here, simply because of the impact it has.

> 00:59:012 (241,242,243,244,245) - I don't think it is ddddk, maybe more complex notes? Since it's the hardest difficulty already I want to keep the Oni simple.

> 01:26:812 - placing a don here, missing a note. Nah, that's definitely fine here not have no note.

>> Nice and clean work! (*´∀`)~♥

• 
  00:11:611 (7) - add k k
  00:12:811 (8) - delete k
  00:14:811 (11) - add k
  00:21:611 (20,21) - ctrl+g
  01:26:211 (6) - add circle

• 
  00:23:411 (42) - add k
  00:58:611 (136) - add k (k+finish better imo)
  01:22:811 (205) - delete k

• 
  00:13:811 (27) - add k

• 
  00:13:811 (31) - delete k

Oni test

1. 00:22:011 (68) - I know this note was made for the vocal, but in this part, you are mainly mapping the melody. So, to me, this note feel a bit out of place. I also know, you made those patterns : 00:19:611 (57,58,59,60,61,62,63) - for the vocal, but it also fit the melody very well. (unlike 00:22:011 (68) - )
   I also find this one 00:27:611 (95,96,97,98,99,100,101) - okay too, since even by skipping this note 00:28:611 - . It flow pretty well with the melody while following the vocal.
2. 00:45:011 (156) - this one as k ? it will emphasis 00:45:211 (157) - .
3. 00:49:011 (178) - (personnal opinion) I know why this one is a k. Maybe just me, but I don't really like how it flow. I think this one as d would be better. ddkdk seems to flow better for me
4. 00:50:011 - I don't really know why you're skipping this beat, when you were really following the vocal 1/2 before. Tho, the downbeat vocal is too strong to be skipped (when you map vocal)

1. 00:49:011 (142) - I think this one as d flow better with the vocal. Since 00:49:211 (143) - is a stronger voice than 00:49:011 (142) - . So I prefer to have them different.
2. 01:09:411 (224) - since you're really following the vocal. How about changing this one as a k ? It's true, that it might flow weird with this one 01:09:611 (225) - as a big K. So, if you change it, into a k, I highly suggest to also change this one as D

1. 00:50:011 - I think it would be better to map this vocal note instead of this one 00:49:811 - . Since this note 00:50:011 - is a way stronger than this one 00:49:811 - .

1. 00:50:211 (55) - 00:56:611 (67) - note quite sure about this note on red tick. Tho, I understand why it is here. But it's all sudden, and those are the only one on this kiai. Consider changing it ?

Kin wrote:

Hey there!
M4M!

[Oni]

1. 00:22:011 (68) - I know this note was made for the vocal, but in this part, you are mainly mapping the melody. So, to me, this note feel a bit out of place. I also know, you made those patterns : 00:19:611 (57,58,59,60,61,62,63) - for the vocal, but it also fit the melody very well. (unlike 00:22:011 (68) - )
   I also find this one 00:27:611 (95,96,97,98,99,100,101) - okay too, since even by skipping this note 00:28:611 - . It flow pretty well with the melody while following the vocal. Made some changes in the chorus part so it's now more orientated to the background music.
2. 00:45:011 (156) - this one as k ? it will emphasis 00:45:211 (157) - . Sounds good.
3. 00:49:011 (178) - (personnal opinion) I know why this one is a k. Maybe just me, but I don't really like how it flow. I think this one as d would be better. ddkdk seems to flow better for me I had the feeling that the removal of 00:49:311 - feels better. I removed this note for now.
4. 00:50:011 - I don't really know why you're skipping this beat, when you were really following the vocal 1/2 before. Tho, the downbeat vocal is too strong to be skipped (when you map vocal) I really didn't feel to put anything here, it makes 00:49:811 (185,186) - weaker while I don't really agree the downbeat sounds significant.

[Kantan]

1. 00:50:211 (55) - 00:56:611 (67) - note quite sure about this note on red tick. Tho, I understand why it is here. But it's all sudden, and those are the only one on this kiai. Consider changing it ? I think they're fine this way, although they're the only 1/2 one in this part I think they can add some essential experience when it comes to learn the mode a bit.

That's all from me I guess~
good luck!

donkat wrote:

Kantan
00:32:411 (35) - I feel like you should decrease the slider velocity here. I honestly don't think this will work properly, even for a low bpm song this is very risky to use for a Kantan level difficulty.
00:50:211 (55) - In the map, you mostly follow the beat instead of vocals and this comes up really suddenly, I guess move it to 00:50:411 Like said in Kin's Mod I believe they're fine and representate the concept I follow in the kiai part.
00:56:611 (67) - Same here ^
01:06:411 (83) - Here is good though. The reason why I put it on the 1/1 is the impact the 1/1 rhythm has, compared to the vocals which goes by 1/2. As well, to have some variety which doesn't appear too sudden I think it's good that I use for once 1/2 and then 1/1.

Other diffs look really good, this map is awesome in general, GL

Nishizumi wrote:

Hi there
m4m from your queue

[General]

in the kiai, the hitsound is sounds inaudible for me. maybe increase the volume ? Good point, changed from 60/70% to 65/80%.
many greenlines isn't snapped -1ms or +1ms (for example : 00:32:410 on oni, snap to 00:32:411 - etc.). there're in all diffs Holy crap, what did I do here. lol

[Oni]

00:06:611 - unused greenline ? i think it doesn't have any note here so it doesn't affect in gameplay imo Explained below in the Kantan mod.
00:21:811 - add kat here ? there is a sound Changed some stuff with the last two mods. Used d instead though.
00:32:211 - same as the first. since there is no note so i think it's unnecessary ~
00:34:411 (126,131) - swap this for better structure ? if you do this, you'll get d-k-d-d-k------d-k-k-d-k-----d-k-d-d-k from 00:32:411 - i think it's better structure Changed 00:32:811 (123) - to k instead.
00:44:411 - start from here to kiai, the hitsound is quite inaudible. might to increase them from 72,74,76,78, and 80 to the kiai Has been fixed with the previous mod.
00:45:511 - add don here ? to follow the drum I want 00:45:211 (159) - to be REALLY REALLY strong, a note on 1/2 weakened it a lot imo.
00:56:411 - add don here ? this drum sound is intense, better to follow it i guess Didn't feel to put a note here, explained in Kin's mod above.
01:00:011 - add a kat ? the music is quite intense too the 1/2 follow is by far more significant than mapping 1/1 here.
01:02:811 - add a note ? reason same as above Denying that for the same reason.
01:06:011 - same as above ~
01:09:411 (296,297) - swap these ? on (296) the kick sound is similar as (295) and better if big note has different color with around imo I can't hear any kick at this point, it's rather because of the vocals.
01:26:811 - i think this diff actually stopped at here, because there is an echo sound (?) or whatever idk. but there is a sound here While I agree there is an echo I don't consider that as worthful timestamp to map.

[Kantan]

OD 3 and HP 8 please ? this diff is similar as normally kantan (not harder) so might be better if od 3 hp 8 Reducing the OD to 3.5 since lower doesn't look very profitable. Having HP8 for this sort of Kantan doesn't look right, it's despite of the SR still complex and so that 6.5 is high enough.

00:06:611 - unused greenline, same as oni It's not directly unused, the intention of this line is to reduce the volume until 00:06:811 - , while tapping for at least one ms too early, 00:06:811 (1) - would be played with 40% volume and that sucks awfully. 1/2 is a nice distance to prevent this problem. it's basically just a cosmetic prevention, that's all. lol
00:45:011 - same as above Same applies here.
00:58:411 - move to 00:58:611 - it's more fit if here since from this big note at 00:58:011 - more following to music instead of vocal Your point is valid. However, I decided to go with the vocals at this point since it's much easier and doesn't drop too much of the rhythm you can follow in the song.

hope my mod helps you, good luck

Weber wrote:

hi

Kantan

00:50:211 - This note here caught me pretty off-guard after so many 1/1 notes, which isn't really something you want to happen in a Kantan, I understand it matches with the vocals but for the sake of keeping it simple, i'd have this on the white tick in-between 00:49:611 (53,55) - (00:50:411) Already using 3/2 rhythm for the intro, and so on. due the BPM and the quite stiff difficulty curve I think it's important to include something s p i c i e r in the Kantan difficulty.
00:56:611 - ^ ^
01:24:811 - Consider making this k, since the pitch is noticeably higher for this note than (3,5), and also so you have a nice consistent ddkddk for the last notes of the song, Okay.


Can't find anything wrong with Oni. :3c

Good luck!

Nifty wrote:

A little birdie said I could stop by on this thread.

- Oni -

00:13:611 (30,31) - These notes should be ctrl-g'd. The way I see it, this pattern can easily be matched with the k_ddd_k from earlier by being turned into kdd_d_k. It carries the same rhythm as the first pattern but changes the middle, and I find the syncopated k's play better when matched between patterns. Also, this is mapped to the exact same sounds, so staying true to that, wouldn't the first pattern have to be k_ddk_k? The prime idea was to have some variety but I feel this isn't really necessary but to make straight a point what sounds are mapped lighter. changed.

00:15:611 (39) - Changing this to k would emphasize the synth that peaks there break up the boring kdd and kkd cycle that's been goin on. That on the other hand sounds weird to my pattern I did.

00:19:011 (55) - Change this to k, since the two kdd's before this use their k's to emphasize the notes in the synth, so that seems to be a pattern in these sections of the music. I haven't put kat for these parts so that change would be quite weird imo.

00:22:811 (73) - That little synth comes in here again, I would change this to a k if you want 00:24:011 (79,80) - to make more sense being mapped as k's. Certain sections up from 00:19:611 - are more vocal-orientated. Point is valid but doesn't exactly suit to my concept.

00:37:811 (138,139,140,141) - Why not k_k_d_d? Make sense pitch wise. Changed to d k d k

00:38:811 (142) - You can add a ddd leading up to this note, it's subtle in the music and I think could create momentum from the last pattern into the (kinda) repeated vocals. I don't think the space here is effective enough to impact the gameplay positively anyways. I really want to avoid triplets for the calmest part of the song. :v

00:43:611 (154) - I would remove the finisher from here to add more effect on the instruments cutting out. With the finisher on you can't hear that spooky silence. People found it strange that the note had no finisher before so I added. I will think about it later.

00:49:011 (180) - Would change this to d, reason being if you got rid of that middle note the constant k's wouldn't make any sense. Unless that's how the muzu is mapped... The idea is to follow the vocals more preceisly.

01:24:411 (386,394) - I don't hear sounds on these two notes, and deleting them would emphasize the piano "duhhh duhhhs" that the beat that is here is mapped around. Yeah, they are actually pretty annoying to listen. Removed.

ダンガンロンパ3 -The End of 希望ヶ峰学園- ＜絶望編＞ 

Skylish wrote:

From my M4M queue, sorry for being late due to unexpected workload irl and in game.

[General]

> 00:00:411 - / 00:06:611 - What do you mean by using 0.75x at the break at the beginning? Mainly to represent the slower BPM the song has here (it's halved?). It's purely for the design, no actual gameplay effect, and since there is no disadvantage of that I'd like to keep it - if that's fine.

> 01:10:811 - having the 2nd Kiai ending right here seems more suitable as the chorus ends. Okay.

> Source name should be:

ダンガンロンパ3 -The End of 希望ヶ峰学園- ＜絶望編＞ 

according to the official website. Aye Aye.

Metadata Source:

http://www.nbcuni.co.jp/anime/danganron ... 10000.html

[Kantan]

> 00:50:211 - shifting it to 00:50:411 - feels more natural according to other snappings in Kantan Really hoped that I can provide that vocal mapping for the Kantan but you're the 5th user to mention it. Guess I really should change it.

> 00:56:611 - similar case to 00:50:211 - , I found it a bit weird to hit them.

> 01:00:211 - a possible place for putting a note, not to make the gap so wide. Fair enough

> 01:20:611 - this slider's 1/2 gap is too cruel for Kantan level player I guess. Generally we keep 1/1 gap in Kantan, consider moving the head of it to 01:20:811 - Done.

[Oni]

> 00:32:211 - redundant green timing point tapping too early causes the sound volume of 00:06:811 - to apply with 70%, insteadd of 50%.
The song is abrupt calmer so I can't reduce it slowly.

> 00:44:411 - / 00:57:611 - Not a really significant point for SV changes though, up to you removed 00:44:411 - 00:45:011 - , kept 00:57:611 - 00:58:011 - because they still provide some impactful speed changes imo.

> 00:49:011 - rearrange the triplet position to 00:49:211 - , i.e. shift 00:49:111 - to 00:49:311 - . Check 00:52:411 - / 00:55:611 - / ... 00:49:111 - unchanged because both kdk k or k kdk works due vocals, changed 00:52:411 - to k ddk and additional changes to 00:53:411 (206,207,208) - in kdd, changed 00:55:611 (217,218,219) - to kkd instead, vocals on 00:55:711 - are lighter and works with kkd better than kdd.

> 00:59:411 - Finisher-worthy place, perhaps 00:59:011 - ddk K works quite well. Only added finish to the note.

> 01:23:011 - ddkkd sounds smoother by having some dons inserted. Yess

> 01:26:411 - how about kkk? The last note is pretty much extra, the music actually ends at 01:26:611 - which should be a kat too due to the ringing ending. There *is* a drum sound at 01:26:711 - . It used to be blank but added a not because it sounds odd to end at 01:26:611 - afterwards.
kkdd is used because the transistion goes better than kkkd (or kkkk).

[Ayyri's Futsuu]

> 01:23:011 - maybe add a don here to enrich the 7 x 1/1 patterns done.

[Ayyri's Muzukashii]

> 00:44:411 - not recommended to use SV changes in a not very significant case esp.ly in Muzukashii. Fair enough after I've removed them in Oni.

> 00:49:911 - add a don to balance the density with 01:03:711 - done.

> 00:53:411 (158,159,160,161) - how about 1/2 d k k d to make the flow better while matching the drum kick concretely? Changed 00:53:411 (159,160,161,162,163) - to k k d d k instead. It rather fits to what she's following.

> 01:21:611 (282) - how about separate the notes by grouping them in 5 notes: Done.
01:23:011 - Previous triplets have a 1/2 set behind them. This mapping style should be followed.

[]

Call me back when things are confirmed and ready.