A small thing I'd like to say in Grimbow's defense concerning 1/8 usage:
1/8 is not inherently bad, especially for a song that is as complex as this is. 1/8 in the case of this map is suitable, and it is only 250 BPM essentially. I feel that, in nearly every case where someone has a negative reaction to 1/8 usage, it is solely for the fact that 1/8 is not traditionally used for Taiko diffs. That much is a matter that the Taiko community needs to move beyond, because the nature of music is far more complicated than that, and the simple fact is that you do not have the ability to create a whole GCF for both 6 and 8 that is reducible to a rational time signature (such as 4/4). Nor can 1/4 be suitable when it is not a BPM divisible by 2 (as 125 would need to be at a base of 64.5 BPM, which would require a 5/4 time signature, which is not the case here).
I've rambled enough. But my point stands: People need to move beyond this 1/6 barrier, at least for cases such as this.
1/8 is not inherently bad, especially for a song that is as complex as this is. 1/8 in the case of this map is suitable, and it is only 250 BPM essentially. I feel that, in nearly every case where someone has a negative reaction to 1/8 usage, it is solely for the fact that 1/8 is not traditionally used for Taiko diffs. That much is a matter that the Taiko community needs to move beyond, because the nature of music is far more complicated than that, and the simple fact is that you do not have the ability to create a whole GCF for both 6 and 8 that is reducible to a rational time signature (such as 4/4). Nor can 1/4 be suitable when it is not a BPM divisible by 2 (as 125 would need to be at a base of 64.5 BPM, which would require a 5/4 time signature, which is not the case here).
I've rambled enough. But my point stands: People need to move beyond this 1/6 barrier, at least for cases such as this.