Remember you only need one more BN now thanks to the new BN rule! Nominated~
thank you ;w;Cryptic wrote:
A few things:That should be about it, call me back.
- 00:01:964 (4) - 00:04:631 (4) - I think these are better off ending on the red tick. Having the next note only be a 1/4th away in the timeline just feels awkward to me. ++++
- 01:10:797 (1) - or 01:14:798 (1,2) - needs to change. They represent the same sound but are mapped differently. ++++
- 01:16:964 (1,2) - This reads as a 1/2 or something, I recommend just overlapping the 1 on the 2 somehow, like you do everywhere else in this section (01:20:631 (4,1) - 01:24:631 (4,1) - ) ++++
- 01:53:463 (1,2,1,2,1,2,1,2) - Why does spacing increase here when pitch decreases? In my opinion, it makes the last two (01:54:130 (1,2,1,2) - ) end up being way too large as you currently have it mapped. Bring down the spacing on those last two to be around the same as the first, and it should be fine. ++++
- 04:47:210 (1,2,3,4,5,6,1,2,3,4,5,1) - or 04:55:210 (1,2,3,4,5,1,2,3,4,5) - Aren't these essentially the same rhythms/sounds at different points? What lead to the different patterns? I hear 04:55:210 (1,2,3,4,5,1,2,3,4,5) - stronger beats, so i map it like only notes. It is very important for me to show this moment.
- 04:57:877 (1,2,1,2,1,2,1,2) - Not a huge fan of this. 04:57:877 (1,2,1,2,1,2) - Has an odd linear feel with flow breaks on the end of each 1/2, but then you break the patterning going from 04:58:543 (1,2,1,2) - which is more of a zig-zag. IMO, based off the rest of the map, zig-zag works better, but if you want that weird linear-short-stop sort of feel, change the kicks to fit it as well. (You'll have to change a bit about the kick jumps but it shouldn't be too hard to work in based off your current patternings.) ++++ . i change pattern
thankuNamki wrote:
smth passing by
okay, I can agree with undermapped prominent sounds at the beginning but 01:08:131 (4) - can you hear something here 01:08:297 - ? Having such prominent piano sound undermapped feels sorta weird to me. Consider emphasis it somehow. ++++
also, timing seems kinda off, recheck it once again, please. All is well with him, it was checked many times.
best of luck
fixed diffnameCryptic wrote:
Apparently quite a few people can't download or it doesn't open/show-up or something, so I'm going to try and figure out what causes that. It worked fine for me, but I'll look into it.
Also, before I qualify & recheck, I'd like you to change the diffname to something related to the song, as right now it's quite out-there and random.
Так это же из другого аниме :thinking:tokiko wrote:
жаль, что не "Extra Stage"
cacipan wrote:
02:43:297 (1) - overlapping the combo number when standard layout resolution
Cryptic wrote:
While the widescreen support and overlapping combo number do not matter, the epilepsy warning should be disabled. Also, while you're at it, make Combo 1 or Combo 2 color slightly more different from one another. They're a bit too similar at the moment.
I can directly requalify though, so call me back.
He doesn't really need it. I don't see any reasons to change it, Extra is good enough especially if nobody can provide Lama a better diffname. Though it depends on Lama's wishesNaotoshi wrote:
can u also get a slightly better but not as dumb diff name while you're at it
We can't make the file name longer, otherwise it may not open at some people.Naotoshi wrote:
can u also get a slightly better but not as dumb diff name while you're at it
Taking a generic diff name and using it on a marathon is actually unique compared to the diff naming of most other 5+ minute maps.Naotoshi wrote:
can u also get a slightly better but not as dumb diff name while you're at it
Lama Poluna wrote:
We can't make the file name longer, otherwise it may not open at some people.Naotoshi wrote:
can u also get a slightly better but not as dumb diff name while you're at it
F1r3tar wrote:
Using that on a marathon has been more original than most other approved maps.Naotoshi wrote:
can u also get a slightly better but not as dumb diff name while you're at it