took a quick look
Gero:
00:18:022 - 00:19:136 - i'd make some sort of differentiation between these 1 triplets tbh... like making one of them kdk or something, for better emphasis on the different vocals
00:26:936 - 00:28:050 - same
00:37:521 (140,141) - maybe ctrl G this since the vocals are pretty different and to make these triplets contrast with the ones at 00:34:456 - since the vocals for the earlier stamp are all the same and the ones for this one are kinda different from eachother
00:44:902 - maybe change this to k to give it a more progressive feel since the vocal here is a bit more intense than the one before, would also avoid excessive ddk usage
00:48:523 (189,190) - ctrl G for better flow and emphasis on the vocals?
00:53:816 - maybe change to k, same as before
00:57:437 (233,234) - ctrl G, same as before
Geno:
00:18:300 - 00:22:618 - the contrast in patterns used here for emphasis is a bit too strong since it's very similar overall... changing the entire rythm this drastically is a bit over the top imo
00:27:214 - 00:31:532 - same
-- ddk usage in the kiai is too repetitive, i'd suggest changing some patterns for better variety and emphasis on different vocals etc.
Oni:
overall usage of dk and the d dk -etc- rythm in total are a bit repetitive imo, i would suggest using a few different patterns and differentiating the individual sections by choosing somewhat different rythms for each one
Muzukashii:
00:10:780 - could change to d for variety and since there isn't this one sound that is at 00:08:273 - and 00:12:729 -
00:18:579 - change to k and 00:18:858 - move to 00:19:136 - for more interesting rythm, which also fits the vocals?
00:23:314 - chagne to k and move to 00:23:036 - , 00:23:593 - add k, ^
00:25:543 - rythm somehow gets less intense here even though the music is about the same and it's progressing further into the song... i would suggest just sticking to something similar as before
00:38:078 - delete, comes kinda unexpected and there isn't really any specific sound here that is as intense as the others that you are mapping in this section
looks fine otherwise
Futsuu:
00:43:927 - 00:46:156 - i would differentiate the triplets here for better variety and since the vocals are pretty different
00:50:612 - not sure about the 5plet here... considering the bpm of the song using 5plets is pretty acceptable but i don't feel like this is the right spot to use it... maybe use a kkddk 5plet at 00:55:069 - instead?
01:00:362 - maybe add a d here since there are pretty strong drums and you already used a 5plet earlier?
-- overall ddk/kkd usage before the kiai seems a bit repetitive too
Kantan:
00:36:128 - the kd kd kd seems here seems kinda weird and unfitting, maybe try something different?
-- looking at how dense the kiai is, maybe the part before the kiai might deserve a very slight buff in density
that's about it, i'll try to find you someone ^^
Gero:
00:18:022 - 00:19:136 - i'd make some sort of differentiation between these 1 triplets tbh... like making one of them kdk or something, for better emphasis on the different vocals
00:26:936 - 00:28:050 - same
00:37:521 (140,141) - maybe ctrl G this since the vocals are pretty different and to make these triplets contrast with the ones at 00:34:456 - since the vocals for the earlier stamp are all the same and the ones for this one are kinda different from eachother
00:44:902 - maybe change this to k to give it a more progressive feel since the vocal here is a bit more intense than the one before, would also avoid excessive ddk usage
00:48:523 (189,190) - ctrl G for better flow and emphasis on the vocals?
00:53:816 - maybe change to k, same as before
00:57:437 (233,234) - ctrl G, same as before
Geno:
00:18:300 - 00:22:618 - the contrast in patterns used here for emphasis is a bit too strong since it's very similar overall... changing the entire rythm this drastically is a bit over the top imo
00:27:214 - 00:31:532 - same
-- ddk usage in the kiai is too repetitive, i'd suggest changing some patterns for better variety and emphasis on different vocals etc.
Oni:
overall usage of dk and the d dk -etc- rythm in total are a bit repetitive imo, i would suggest using a few different patterns and differentiating the individual sections by choosing somewhat different rythms for each one
Muzukashii:
00:10:780 - could change to d for variety and since there isn't this one sound that is at 00:08:273 - and 00:12:729 -
00:18:579 - change to k and 00:18:858 - move to 00:19:136 - for more interesting rythm, which also fits the vocals?
00:23:314 - chagne to k and move to 00:23:036 - , 00:23:593 - add k, ^
00:25:543 - rythm somehow gets less intense here even though the music is about the same and it's progressing further into the song... i would suggest just sticking to something similar as before
00:38:078 - delete, comes kinda unexpected and there isn't really any specific sound here that is as intense as the others that you are mapping in this section
looks fine otherwise
Futsuu:
00:43:927 - 00:46:156 - i would differentiate the triplets here for better variety and since the vocals are pretty different
00:50:612 - not sure about the 5plet here... considering the bpm of the song using 5plets is pretty acceptable but i don't feel like this is the right spot to use it... maybe use a kkddk 5plet at 00:55:069 - instead?
01:00:362 - maybe add a d here since there are pretty strong drums and you already used a 5plet earlier?
-- overall ddk/kkd usage before the kiai seems a bit repetitive too
Kantan:
00:36:128 - the kd kd kd seems here seems kinda weird and unfitting, maybe try something different?
-- looking at how dense the kiai is, maybe the part before the kiai might deserve a very slight buff in density
that's about it, i'll try to find you someone ^^
