Deif wrote:

Let's give it another try:

Bubbled!

Sc4v4ng3r wrote:

Better finish the M4M now before this gets qualified lmao

[General]

1. Looks fine.

[Salad]

1. 00:14:651 (4) - This distance might appear as intimidating for beginners due to the fruit being caught on the edge of the platter(which is hard to time) - I suggest you to decrease the distance, also to be consistent with 00:22:210 (4) - . Ok change.
2. 00:18:903 (1) - However this distance is quite underwhelming considering this is a part transition - I suggest you to increase it. Change.
3. 00:53:863 (3) - Don't really get why you made a dash here considering 00:46:304 (3) - this had a similar pitch and didn't have a dash. Would be nice to see consistency between them. Ok change.
4. 00:54:808 (1) - Wouldn't make a dash here because all the other downbeats until now in the kiai at least had a cymbal to support them, while this doesn't. Making a distance increment would be better to emphasize the downbeat however. Change.
5. 01:14:651 (2) - This also comes off as another intimidating distance cause it is quite close to being a dash. Try to reduce a little bit. Change.
6. 01:26:698 (1) - Just a suggestion but you could add a dash here as it is the end of the song, so that it gives more emphasis. Your choice though. Ok add a dash.

[Platter]

1. 00:13:706 (2) - Vocals here have a similar pitch like 00:14:178 (3) - this does so I don't really get why you use a distance close to being a dash - would try to lower the distance to avoid ambiguity. Change.
2. 00:20:438 (6) - This dash comes off as really weird for gameplay because your hitnormals are close to silent, and because you are not making a dash on a prominent sound(there's none here). I highly suggest you to remove the dash here. Change.
3. 00:21:265 (2) - This is very ambiguous due to how close it is close to being a dash, yet you can catch it by walking. This actually makes all the following notes quite intimidating to catch(these 00:21:737 (3,4) - two) cause if you mess the dash(or not) to this note, players are likely to encounter another ambiguous distance to the next note due to them overshooting a dash. Would reduce the distance here, and I highly recommend it. Change.
4. 00:23:155 (2) - Due to the previous hyper, catching this note solely by walking will be a challenge. I would try to reduce the distance so that the pattern becomes more linear to walk. Change.
5. 00:32:131 (1) - I'm surprised this can have no dash at all while the others can. You should be adding a dash here for the cymbals, and to stay consistent with your previous dashes(once every 2 downbeats). Ok change.
6. 00:39:218 (3) - Feels more like a dash than a simple distance increment, you only can catch this if you have a perfect timing. Even 00:41:107 (3) - this is easier to catch, so why not reduce the distance here? Change.
7. 00:48:666 (5) - I swear this is the only note I miss in the kiai. The distance makes this feel like a dash - but it is quite ambiguous cause your overall distance of the whole kiai is quite high. Would try to reduce this so that the pattern is a lot more linear to catch. Change.

[Rain]

1. I gotta say, I like the beginning part until the chorus. Nice job Thank you :3
2. 00:45:950 (4) - Placing a hyper on this red tick where there's nothing significant feels really off. For all the previous hypers I at least could see what you were following but not this one. Would have made more sense to add a hyper 00:46:068 (5) - here instead for both snare and the vocals, so maybe you could do that. Change.
3. 00:57:525 (4,1) - Swap NC for dem consistency. Ok.
4. 01:26:698 (1) - The tail fruit of the slider feels quite out of the blue - all the droplets were in quite a vertical fashion so it was very easy to catch them with just walking, but because of how much the tail fruit is spaced out compared to the droplets, players who don't react fast enough will miss(and they will likely do so because the droplets doesn't suggest anything intense), or players who actually reacted would try to dash to that note might fail. To remove that likely scenario I would make the ending part of this slider more vertical. (so instead of this, you will end up with something like this if you decide to apply) Change.

That's all, GL!

1. 00:04:611 (5,1) - why is this a hyper but not 00:05:556 (6,1) -? the second one has a finish hitsound just like 00:04:493 (4,5) - yet one is a hyper, and the other is walkable? On the other hand, this one got highlighted is a little bit unexpected.
2. 00:09:454 (1,2,3,4,5,6) - these reverse plays a lot easier than high space walks as you did on 00:04:966 (1,2,3,4,5,6) - but I'd say the quoted one has higher intensity. You may turn those reverse into straight walks (or small dashes)
3. 00:14:533 (6,7) - A normal dash is enough? the vocal in this whole part is not that heavy, so even you may jump for vocal, it still feels forced.
4. 00:22:682 (1,2,3) - 2->3 need a farther distance if you refer to vocal because generally longer vocals are easier to catch attention and easy to be felt as emphasized. The current design is: 1->2 is not walkable (after a dash on the opposite direction), while 2->3 is completely walkable. it's actually quite easy to totally overshoot (3), because the spacing is much smaller than expected
5. 00:26:462 (1,2) - Recommend make higher SV for these two sliders. Because in playing screen, it looks quite similar to 00:24:572 (1,2) - 00:17:013 (1,2,3) - . The sudden rhythm change of similar pattern has no enough implication. But making those two sliders longer can solve this problem (because there's obvious other hints than a red fruit)
6. 00:27:288 - This vocal sounds really emphasized and should be a sliderhead. something like this fits the music more.
7. 00:35:910 (1,2) - This HDash is acceptable but kinda inconsistent in this whole part (you don't do 1/1 HDash in this calm part generally)
8. 00:45:832 (3,4) - unjustified HDash. The drum on 00:45:950 (4) - is quite soft. You should probably move it to x336, or you can also move 00:45:832 (3) - to x368
9. 00:46:540 (2,3) - This jump is completely walkable. It feels a little bit unnatural during a Kiai. So probably make distance larger so that this jump is clear on playing screen?
10. 01:01:895 (7,8,9,10,1) - overdone considering it is in a calmer part. this is an antiflow hyper chain after all.
11. 01:03:548 - this sound being missed is really weird lol. I'd rather remove 01:03:076 (3) - and add something on 01:03:548 - because you are partially following vocal. 01:03:076 (3) - is just quite a soft drum while 01:03:548 - is a heavy vocal start.
12. Very decent flow.

1. 00:03:076 (3) - ctrl+G this will make the finish emphasis more consistent
2. 00:05:438 (4) - being a border hyper is of a problem, it's an uncomfortable stop from that hyper for sure
3. 00:20:084 (2,3,4,5) - wrong emphasis of rhythm. jump should be on 00:20:202 (3) - for the vocal probably
4. 00:21:265 (3,4,1) - I think the distance is sorta too large?
5. 00:42:643 (1,2,3) - this rhythm is pretty weird as a whole. Using 1 more 1/1 slider first, and then two 1/2 sliders might be a better option, since then the guitar sound mapped by 00:41:580 (1,2,3) - is mapped 4 times instead of 3. makes more sense for a 4/4 song. You may argue that those 1/2 sliders are made for vocals. But you also do hitsounds for drums. CTB players are mostly following one track instead of multi ones (mania players do). And the hitsound track is really catchy that most players will regard it as the main track. As a result, the vocal following patterns feel really weird anyway.
6. 00:52:682 (2) - the drum-whistle at slidertail is confusing. I don't see anything to be expresses by this whistle :thinking:
7. 00:53:863 (1,2,3,4) - these spaces are just weird. 00:54:218 (2,4) - these sounds are not really to be emphasized from my side, but there must be speed buff from 00:53:863 (1,3) - these vertical sliders toward those circles. It doesn't play right imo. Besides, it's really easy to overshoot those vertical sliders. If you are trying to make some differences with following pairs, that's even more weird: why would a slider with lower pitch play harder? In fact similar setting in next kiai plays better: 01:08:981 (1,2,3,4,1,2,3,4) - . I strongly suggest you use something similar to the latter one.
8. 00:57:879 (2,3) - Ctrl+G the rhythm. Otherwise rhythm arrangement here 00:57:879 (2,3,4,5) - is not really understandable for me. Clear drums and vocals are all on 00:57:879 - 00:58:115 - , and 00:58:233 - .
9. 01:19:021 (3) - something also should be done on this slider for the strong drum on slidertail. You can 01:18:785 (2) - ctrl+G this, then split 01:19:021 (3) - into 2 circles. The first one is on the left side to generate a normal walk from 01:18:785 (2) - (after Ctrl+G), then another circle on the right side to generate a jump. BESIDES, 1/1 slider and single circle for the vocal could also work.
10. 01:26:344 (4,5,6,7) - from a player perspective, they hyper strengths are significantly different, so this is pretty uncomfortable to play. And to make it worse, it doesn't follow a pattern of increasing or decreasing strength. if 01:26:462 (5,6,7) - were moved left a bit so that first hyper isn't so strong, you could have strong > weak > strong, but the difference between them would be less, so it's less "random" to play.

F D Flourite wrote:

This mod was done with JBHyperion about a week ago, so I'm here to post it in case there's anything else that may be worth fixing.

[Nely's Overdose]

1. 00:03:076 (3) - ctrl+G this will make the finish emphasis more consistent
2. 00:05:438 (4) - being a border hyper is of a problem, it's an uncomfortable stop from that hyper for sure
3. 00:20:084 (2,3,4,5) - wrong emphasis of rhythm. jump should be on 00:20:202 (3) - for the vocal probably nope, vocal at 3 is weaker than 5 for me
4. 00:21:265 (3,4,1) - I think the distance is sorta too large? not really but i find that ctrl+g is better so i do
5. 00:42:643 (1,2,3) - this rhythm is pretty weird as a whole. Using 1 more 1/1 slider first, and then two 1/2 sliders might be a better option, since then the guitar sound mapped by 00:41:580 (1,2,3) - is mapped 4 times instead of 3. makes more sense for a 4/4 song. You may argue that those 1/2 sliders are made for vocals. But you also do hitsounds for drums. CTB players are mostly following one track instead of multi ones (mania players do). And the hitsound track is really catchy that most players will regard it as the main track. As a result, the vocal following patterns feel really weird anyway. that made for emphasis vocal yes, i think i can just change the hitsounds, i tried to try with ur suggestion but i cant find good emphasis to make them hyperdashes
6. 00:52:682 (2) - the drum-whistle at slidertail is confusing. I don't see anything to be expresses by this whistle :thinking:
7. 00:53:863 (1,2,3,4) - these spaces are just weird. 00:54:218 (2,4) - these sounds are not really to be emphasized from my side, but there must be speed buff from 00:53:863 (1,3) - these vertical sliders toward those circles. It doesn't play right imo. Besides, it's really easy to overshoot those vertical sliders. If you are trying to make some differences with following pairs, that's even more weird: why would a slider with lower pitch play harder? In fact similar setting in next kiai plays better: 01:08:981 (1,2,3,4,1,2,3,4) - . I strongly suggest you use something similar to the latter one. lowered their circles spacings, hopefully its good enough
8. 00:57:879 (2,3) - Ctrl+G the rhythm. Otherwise rhythm arrangement here 00:57:879 (2,3,4,5) - is not really understandable for me. Clear drums and vocals are all on 00:57:879 - 00:58:115 - , and 00:58:233 - . use circles and consistent spacing instead, i tried ctrl+g but cant find cute placement for them
9. 01:19:021 (3) - something also should be done on this slider for the strong drum on slidertail. You can 01:18:785 (2) - ctrl+G this, then split 01:19:021 (3) - into 2 circles. The first one is on the left side to generate a normal walk from 01:18:785 (2) - (after Ctrl+G), then another circle on the right side to generate a jump. BESIDES, 1/1 slider and single circle for the vocal could also work. yap, i use 1/2 slider repeat and circle instead
10. 01:26:344 (4,5,6,7) - from a player perspective, they hyper strengths are significantly different, so this is pretty uncomfortable to play. And to make it worse, it doesn't follow a pattern of increasing or decreasing strength. if 01:26:462 (5,6,7) - were moved left a bit so that first hyper isn't so strong, you could have strong > weak > strong, but the difference between them would be less, so it's less "random" to play.rippu pp ya i tried to reduce the (6) spacing a bit

Good luck~

osu file format v14

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TitleUnicode:XY&Z
Artist:Satoshi (CV:Rica Matsumoto)
ArtistUnicode:サトシ（CV:松本 梨香）
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Version:Nely's Overdose
Source:ポケットモンスターXY&Z
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F D Flourite wrote:

This mod was done with JBHyperion about a week ago, so I'm here to post it in case there's anything else that may be worth fixing.

Mod was done before Deif and Sc4's mod, so there might be something that had been mentioned.

[Rain]

1. 00:04:611 (5,1) - why is this a hyper but not 00:05:556 (6,1) -? the second one has a finish hitsound just like 00:04:493 (4,5) - yet one is a hyper, and the other is walkable? On the other hand, this one got highlighted is a little bit unexpected. Change.
2. 00:09:454 (1,2,3,4,5,6) - these reverse plays a lot easier than high space walks as you did on 00:04:966 (1,2,3,4,5,6) - but I'd say the quoted one has higher intensity. You may turn those reverse into straight walks (or small dashes) Change.
3. 00:14:533 (6,7) - A normal dash is enough? the vocal in this whole part is not that heavy, so even you may jump for vocal, it still feels forced. I think it's not a problem because 00:22:092 (2,3) - is consistant and it have hdash too
4. 00:22:682 (1,2,3) - 2->3 need a farther distance if you refer to vocal because generally longer vocals are easier to catch attention and easy to be felt as emphasized. The current design is: 1->2 is not walkable (after a dash on the opposite direction), while 2->3 is completely walkable. it's actually quite easy to totally overshoot (3), because the spacing is much smaller than expected Change a bit distance.
5. 00:26:462 (1,2) - Recommend make higher SV for these two sliders. Because in playing screen, it looks quite similar to 00:24:572 (1,2) - 00:17:013 (1,2,3) - . The sudden rhythm change of similar pattern has no enough implication. But making those two sliders longer can solve this problem (because there's obvious other hints than a red fruit) I think it's look ok but I will change a bit about distance.
6. 00:27:288 - This vocal sounds really emphasized and should be a sliderhead. something like this fits the music more. Change in my.
7. 00:35:910 (1,2) - This HDash is acceptable but kinda inconsistent in this whole part (you don't do 1/1 HDash in this calm part generally) Ok change.
8. 00:45:832 (3,4) - unjustified HDash. The drum on 00:45:950 (4) - is quite soft. You should probably move it to x336, or you can also move 00:45:832 (3) - to x368 Have change on Sc4's mod
9. 00:46:540 (2,3) - This jump is completely walkable. It feels a little bit unnatural during a Kiai. So probably make distance larger so that this jump is clear on playing screen? Ok change.
10. 01:01:895 (7,8,9,10,1) - overdone considering it is in a calmer part. this is an antiflow hyper chain after all.
11. 01:03:548 - this sound being missed is really weird lol. I'd rather remove 01:03:076 (3) - and add something on 01:03:548 - because you are partially following vocal. 01:03:076 (3) - is just quite a soft drum while 01:03:548 - is a heavy vocal start. I think it's ok follow a drum sound.
12. Very decent flow. Thank you :3

Good luck~

Kurokami wrote:

Re-checking this.

[Salad]

00:09:454 (1) - I personally don't recommend having pattern which goes backwards after a jump because new players are hardly have controls over their movements and they often overjump. Its better to have something closer to vertical or one which goes into the same direction as the flow. Change.
00:17:958 (4,1) - I'm not sure if it is intentional but this distance is perfectly walkable while can deceive newbies to jump and have a miss on the tick. Either move the head of 1 a bit closer to 4 or make the distance bigger to make it clearer. Change.
00:59:533 (2,3,1) - Similar spot to the first again. I would recommend to make the distance between 2,3 a bit bigger so you can eventually make 1 to be a bit more vertical to make it easier to handle. Change.
01:09:926 (1,2) - I would go with this pattern instead here: http://kurokami.s-ul.eu/U2pBwbAU ctrl+g where I basically rotated 1 to face to left then ctrl+g 2 and move it to x:232. For the next few note:
01:10:871 (3,4,1) - http://kurokami.s-ul.eu/albMQlEY (oh I accidentally ended 1 on blue tick that is just a mistake. :c) Change both.
01:12:643 (3) - After the changes above this will remain what I changed to be like http://kurokami.s-ul.eu/oaIkWNWl Feel free to make something different, or to be honest, you are encouraged to do that. Change a little.
01:17:485 (1) - For this while I don't really like the idea you could try moving a bit more to left to have it closer to the side of the screen so newbies will have a support in case they want to overjump it and might be able to handle the movement of this slider. Change.

These are not must to be fixed and mainly just personal preferences. Other wise the difficulty is fine. Thank you.

[Platter]

00:18:785 (5,1) - This Hyper is strong and the problem is not mainly come from the distance because 00:15:005 (5,1) - plays just fine. I think the problem is that here you almost used a vertical slider which requires sudden stop and good Hyper handling skill which I don't think players have at this level. I advice you to change the direction of 1 to be a bit more horizontal instead. i do 00:18:666 (4,5) - ctrl+g, it's look better.
00:29:651 (4,1) - I wonder why there is no Hyper here while there is one at 00:25:989 (4,1). I know it is not exactly the same so if you do not want that higher spacing is fine as well (currently the distance is walkable). Change.
00:41:580 (1,2,3) - This pattern could be really hard to those with no Hyper control yet. I tried out 2 scenario, the first when I only catched the first fruit by the edge of the platter, here I was able to catch the whole pattern without any additional dash. The other scenario was when I allowed myself to hit the wall and here comes the twist, after this not only several more additional dash needed but I even had some miss as well. My advice here to try to make these patterns a little bit more vertical to allow players to only move a few in the case the second scenario. Change.
00:50:084 (3,4,1) - This is the only spot where you used double Hyper on the whole difficulty. I'm not sure if it is even needed but if you really want to keep it then at least make 4 to face left to make it easier for new players to easily reach the second Hyperfruit. Move (4) to left 2 grid.

[Rain]

00:03:076 (3) - I would make this more vertical. Currently coming out of the previous pattern it is easy to overjump the tail of this slider. Change.
00:15:123 (1,2) - Honestly this distance feels a little bit overdone to me. After that Hyper this requires a full dash to right but there is nothing in the music which suggest this kind of movement. I'm not against the pattern but it just don't fit in here. Please shorten the distance so the movement will be less harsh. Ok, Move it.
01:07:328 (2) - This note feels kinda out of place to me. I would go with an 1/2 slider instead. I think it's look ok because on 01:07:446 i hear a sound is low.

I honestly don't like this rain. It seems you used Hyper at every possible strong beat which makes it to be really close to Overdose level. I do believe that there are at least 4 different way to highlight stronger beats. But this also could be personal preference. Maybe because I want my Rain is enjoy so it will have a lot Hdash nearby Overdose but i try to delete it for new players.
[]

Kurokami wrote:

Do not force yourself to remove Hypers from Rain at all. Only do that if you truly think that should be done in case you do it. My last words are mainly aimed to your future mapping and not for this one. I tend to speak a little about my personal feelings and preferences about the difficulty itself at every one's end.

-Sh1n1- wrote:

Himely's Overdose

1. 00:12:997 (4,1) - add hyperdash, the current gap between rain and overdose at this part is weird cause rain have more hypers than you, I suggested him to remove some, but platter, rain (after apply my mod) and overdose will be basically the same (without hyper dash), so reconsider.
2. 00:46:777 (4,5,6) - this is very unconfortable at testing, make a mirrored pattern of 00:46:304 (1,2,3) - please, remove 00:46:777 (4,5,6) - and copy/paste 00:46:304 (1,2,3) -, then press ctrl+h and move to x:152
3. 00:51:029 (1,2) - I was asking me, why I'm always missing at this part, and I strongly recommend you to reduce the distance between such notes, around 1.20x feels better tbh.
4. 00:51:383 (3,4) - same as above for consistency.
5. 00:51:737 (5) - I don't think if this slider is following the song propertly and I'll explain why, drums are basically the same as 00:51:973 (1,2,3,4) - so it will be a good idea if you made a continues pattern like 00:31:422 (2,3,4) - or 00:26:816 (2,3,4,5) - avoiding a hyperdash between 00:51:737 (5,1) - nah i make 00:51:973 - hdash in here because to seperate prev pattern to this drum pattern, 00:51:973 (1,2,3,4,5) - since they have constant drum strengths here so i decide to make them like that with consistent spacing
6. 00:52:446 - 1/4 starts here, change it into slider and don't skip 00:52:505 -
7. 00:52:564 (1,2,3,1) - why are you decreasing the distances gradually? I mean, normally when I play this kind of patterns the distances should increase between each note gradually cause the strongest sound is at the end of the pattern, 00:52:918 - at this case, or do you think that 00:52:682 - is stronger than 00:52:918 -? because the current distance between 00:52:564 (1,2) - is longer than 00:52:800 (3,1) -.
8. 00:56:107 (2,3) - add hyperdash, I'm imagining that you skip the hyper dash here cause no vocal right? but what happened at 01:11:225 (2,3) - ? is the same but... why hyper dash? so keep consistency, add between 00:56:107 (2,3) - or remove between 01:11:225 (2,3) - lol removed the second one hdash instead
9. why if 00:58:588 (1,2) - and 00:58:942 (3,4) - have the same pitch, the second one have more distance? also with hyper dash, I recommend you to move 00:58:588 (1,2) - to x:468, then remove 00:58:942 (3,4) -, copy/paste 00:58:588 (1,2) - on 00:58:942 - and press ctrl+h, feels better imo
10. 01:20:792 (3) - can you finish it at 01:20:910 - and add notes at 01:21:029 - and 01:21:088 - cause drums are prominent. since the drum is weak its barely hearable in 100%, i prefer to emphasis "to" vocal here

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32,156,62249,1,0,0:0:0:0:
340,104,62367,6,0,P|420:92|448:108,2,95.9999970703126,8|0|8,0:2|0:0|0:0,0:0:0:0:
56,204,62721,2,0,L|176:208,1,95.9999970703126,0|8,0:0|0:2,0:0:0:0:
220,208,62958,2,0,L|104:208,1,95.9999970703126,0|8,0:0|0:0,0:0:0:0:
346,228,63194,6,0,P|429:264|492:200,1,191.999994140625
344,160,63548,2,0,L|232:160,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
28,100,63784,1,8,0:2:0:0:
136,88,63903,1,0,0:0:0:0:
456,112,64021,1,8,0:0:0:0:
352,96,64139,1,0,0:0:0:0:
80,124,64257,6,0,P|12:167|81:206,1,191.999994140625,4|8,0:0|0:0,0:0:0:0:
192,176,64611,1,0,0:0:0:0:
385,161,64729,2,0,P|453:204|384:244,1,191.999994140625,8|8,0:2|0:0,0:0:0:0:
272,252,65084,1,0,0:0:0:0:
36,200,65202,6,0,L|12:92,1,95.9999970703126,8|0,0:2|0:0,0:0:0:0:
208,180,65438,2,0,L|296:128,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
480,192,65674,2,0,L|508:80,1,95.9999970703126,8|0,0:2|0:0,0:0:0:0:
328,72,65910,2,0,L|236:124,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
28,140,66147,6,0,B|148:236|148:236|280:132,2,287.999991210938,4|4|4,0:0|0:0|0:0,0:0:0:0:
448,96,67328,2,0,L|336:116,1,95.9999970703126,8|0,0:0|0:2,0:0:0:0:
168,88,67564,1,8,0:0:0:0:
264,164,67682,1,8,0:0:0:0:
160,152,67800,1,8,0:0:0:0:
272,92,67918,1,8,0:0:0:0:
36,200,68036,6,0,P|77:274|144:222,1,191.999994140625,4|8,0:0|0:0,0:0:0:0:
244,188,68391,1,0,0:0:0:0:
136,136,68509,2,0,L|8:148,1,95.9999970703126,8|0,0:2|0:0,0:0:0:0:
328,92,68745,2,0,L|423:83,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
184,120,68981,6,0,L|252:340,1,191.999994140625,8|8,0:2|0:0,0:0:0:0:
340,296,69336,1,0,0:0:0:0:
16,144,69454,2,0,L|76:336,1,191.999994140625,8|8,0:2|0:0,0:0:0:0:
168,304,69808,1,0,0:0:0:0:
468,248,69926,6,0,L|272:248,1,191.999994140625,4|8,0:0|0:0,0:0:0:0:
368,176,70280,1,0,0:0:0:0:
24,248,70399,2,0,L|216:248,1,191.999994140625,8|8,0:2|0:0,0:0:0:0:
312,180,70753,1,0,0:0:0:0:
16,96,70871,6,0,L|212:96,1,191.999994140625,4|8,0:0|0:0,0:0:0:0:
308,92,71225,1,0,0:0:0:0:
176,96,71344,2,0,P|116:112|176:188,1,191.999994140625,8|8,0:2|0:0,0:0:0:0:
268,224,71698,1,0,0:0:0:0:
448,160,71816,6,0,P|388:152|332:176,2,95.9999970703126,4|0|8,0:0|0:0|0:0,0:0:0:0:
144,196,72170,2,0,P|100:172|160:60,1,191.999994140625
256,60,72525,1,8,0:0:0:0:
472,196,72643,6,0,P|356:224|296:168,1,191.999994140625
184,144,72997,2,0,L|164:240,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
276,132,73233,2,0,L|304:252,1,95.9999970703126,8|0,0:2|0:0,0:0:0:0:
64,136,73469,2,0,L|32:256,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
392,292,73706,6,0,P|428:232|368:128,1,191.999994140625,4|8,0:0|0:0,0:0:0:0:
112,132,74060,2,0,P|59:207|96:292,1,191.999994140625,4|8,0:0|0:0,0:0:0:0:
436,248,74414,6,0,L|224:248,1,191.999994140625,4|8,0:0|0:0,0:0:0:0:
32,160,74769,2,0,L|240:156,1,191.999994140625,4|0,0:0|0:0,0:0:0:0:
360,152,75123,2,0,L|380:56,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
223,156,75359,2,0,L|192:56,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
436,136,75596,6,0,P|488:211|451:296,1,191.999994140625,4|8,0:0|0:0,0:0:0:0:
96,292,75950,2,0,P|59:207|111:131,1,191.999994140625,4|8,0:0|0:0,0:0:0:0:
368,228,76304,6,0,L|168:216,1,191.999994140625,4|8,0:0|0:2,0:0:0:0:
300,140,76659,2,0,L|412:148,1,95.9999970703126,0|8,0:0|0:0,0:0:0:0:
208,140,77013,2,0,L|120:80,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
352,132,77249,2,0,L|448:80,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
96,192,77485,6,0,P|144:244|256:196,2,191.999994140625,4|8|8,0:0|0:0|0:2,0:0:0:0:
12,168,78076,1,0,0:0:0:0:
132,108,78194,2,0,L|244:116,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
480,168,78430,6,0,P|388:176|300:220,1,191.999994140625,4|8,0:0|0:0,0:0:0:0:
136,232,78785,2,0,L|28:228,2,95.9999970703126,4|8|0,0:0|0:2|0:0,0:0:0:0:
256,236,79139,1,8,0:0:0:0:
496,120,79257,6,0,B|424:88|424:88|328:148,1,191.999994140625,8|0,0:0|0:0,0:0:0:0:
112,144,79611,2,0,L|16:112,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
200,220,79847,2,0,L|105:217,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
292,320,80084,2,0,L|196:308,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
400,140,80320,6,0,P|447:131|494:135,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
300,212,80556,2,0,P|347:207|394:216,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
176,276,80792,2,0,B|266:326|266:326|350:298,1,191.999994140625,8|8,0:0|0:0,0:0:0:0:
468,256,81147,1,8,0:0:0:0:
440,252,81206,1,8,0:0:0:0:
312,240,81265,6,0,L|160:360,2,191.999994140625,4|8|8,0:0|0:0|0:2,0:0:0:0:
232,228,81855,1,0,0:0:0:0:
28,224,81973,1,8,0:0:0:0:
108,268,82092,1,0,0:0:0:0:
352,320,82210,6,0,P|412:308|336:260,1,191.999994140625,4|8,0:0|0:0,0:0:0:0:
161,243,82564,2,0,P|91:280|160:320,1,191.999994140625
256,340,82918,1,8,0:0:0:0:
52,248,83036,6,0,B|24:204|24:204|196:168,1,191.999994140625,4|0,0:0|0:0,0:0:0:0:
272,168,83391,2,0,P|321:160|376:172,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
240,212,83627,2,0,L|108:212,2,95.9999970703126,8|0|8,0:2|0:0|0:0,0:0:0:0:
472,170,83981,6,0,P|413:98|320:96,1,191.999994140625,4|0,0:0|0:0,0:0:0:0:
216,104,84336,2,0,L|116:104,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
172,192,84572,2,0,L|284:200,1,95.9999970703126,8|8,0:2|0:2,0:0:0:0:
472,170,84808,6,0,B|520:144|520:144|356:128,1,191.999994140625,4|0,0:0|0:0,0:0:0:0:
280,136,85162,1,0,0:0:0:0:
156,132,85281,2,0,L|144:12,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
374,173,85517,2,0,L|396:80,1,95.9999970703126,8|0,0:2|0:0,0:0:0:0:
187,286,85753,2,0,L|172:192,1,95.9999970703126,8|0,0:0|0:0,0:0:0:0:
456,324,85989,5,8,0:0:0:0:
360,328,86107,1,0,0:0:0:0:
72,288,86225,1,8,0:0:0:0:
160,288,86344,1,0,0:0:0:0:
360,160,86462,1,8,0:0:0:0:
256,160,86580,1,0,0:0:0:0:
484,160,86698,1,4,0:0:0:0:
256,192,86816,12,0,87407,0:0:0:0:

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-Sh1n1- wrote:

It seems that nobody will check this, so here I am.



Keep in mind that I'm trying to avoid being picky, so I'm pointing out only important stuff, read it carefully and poke me if you have any doubt about my mod. In other words, Let yourself help or I won't be able to do anything else.

Salad

1. 00:03:312 (3,1) - why aren't you enphasizing the strong sound on 00:03:785 -? I recommend you to move 00:00:477 (1,2,3,4,1,2,3) - to x:168. Move to x:136
2. 00:12:761 (4,1) - why are you still using the same distance as strong sounds like 00:07:092 (5,1) - or 00:08:981 (5,1) -? I can't hear a prominent sound that deserve a long jump or something related, reduce it around 2.30x or 2.40x of distance as u did on 00:20:320 (4,1) -, I suggest you to move 00:13:233 (1,2,3,4,5,1,2,3,4) - to x:376 Change.
3. 00:22:210 (4,1) - why a huge jump if the enphasis should be only at 00:22:918 (2,3) - as u did on 00:15:832 (4,5) -, try moving 00:22:682 (1,2,3) - to x:307, also I don't understand why 00:24:572 - and 00:26:225 - don't have notes if instruments are very intenses, so after apply my previous suggestion, I recommend you to add a note at 00:24:572 - at x:277 and other note at 00:26:225 - at x:182, add a jump between 00:26:225 - and 00:26:462 - Change all.
4. 00:54:808 (1,2) - add a little bit more distance here as you were doing on 00:53:863 (3,4) -, 1.30x of distance could be ok. Change.
5. 00:58:115 (4,1) - I was expecting a little bit more of distance if you think that your current distance is ok, reduce at 00:50:556 (4,1) -, it's up to you, but keep consistency, don't use different distances when the sound is the same. Try to make distance of both is equal.
6. 01:00:477 - missing NC. Add.
7. 01:07:564 (2) - what are you following with this slider? instrument or vocal? in both cases I feel that you miss a note at 01:07:328 -. Change.
8. 01:24:572 (5,1) - try to use the same distance as 01:22:564 (4,1) - cause is the same instrument sound and vocal pitches are more than similar. Change.

Platter

1. 00:22:564 (5) - I can't hear a prominent sound that deserve note, hyper dash could be aceptable but I strongly recommend you to remove such note. Not change. I need to have Hdash on 00:22:682 (1) - so it's hard to make Hdash with other pattern.
2. 00:33:785 - add clap, sounds much better. Sure.
3. 00:34:493 - no hitsound? clap with soft sampleset as you did on 00:36:383 -? Forget, Add it.
4. 00:48:666 (5,1) - this jump is overdone compared to the rest of hypers throughout the whole difficulty, keep the hyper dash but reduce the distance a bit Change.
5. 00:50:084 (3,4) - unnecessary hyper dash, I can hear voice pitch only, very similar as 00:54:808 (1,2,3) - and you are not using hyper dashes, be constant and don't place random hyper dashes Change.
6. 00:57:525 - add NC, I don't understand how you placed NCs cause there is a long Combo at 00:56:698 - and then NC for 3 fruits ( 00:58:588 (1) - ), also ( 00:59:533 (1,2,3,4) - ) Add.
7. 01:05:674 - missing clap Add.

Rain
I'm agree with kurokami about you used Hyper at every possible strong beat also at some nonsense parts, please reconsider removing some, specially to keep a better spread, and avoid more possible DQs around your map.

1. 00:11:344 - this part is calmer than 00:18:903 -, but where is the difference? plus, did you take a look to overdose at this part? your rain have more hyper dashes at this part than the highest diff, I don't think it is ok, so you should remove the current hyper dashes:
   - 00:11:816 (2,3) -
   - 00:12:997 (5,1) -
   - 00:14:533 (6,7) - Change all.
2. 00:20:792 (1,2,3,4,5,6,7,8) - you used this kind of patterns more than twice at kiai time, I won't say to remove it at least at kiai but this part isn't kiai, so be reasonable, there isn't a strong sound at 00:21:265 -, why hyperdash? you are overenphasizing some sounds without a reason, so remove the current hyper dash between 00:21:147 (4,5) - Change.
3. 00:22:092 (2,3) - same as above here, remove the current hyper dash, after removing it, try to test your diff and you will find a better balance between this part and kiai. Change.
4. 00:18:430 - are you missing a clap here? with soft sampleset maybe? Add.
5. 00:19:847 - 00:25:753 - 00:31:422 - 00:34:966 - 00:42:997 - 01:10:871 - 01:15:123 - 01:17:013 - add NC, your current combos are near to the maximum allowed of the RC. Change.
6. 00:49:611 (2,3,4,5) - I recommend you to make this part like 00:50:084 (1,2,3,4) - and change 00:50:556 (5,6,7,8) - into 00:49:611 (2,3,4,5) - cause drums at 00:50:556 (5,6,7,8) - have more intensity, take a look to 01:07:564 (3,4) - Change.
7. It's ridiculous how you enphasize 00:55:162 (4,5) - where I can't find a prominent sound that deserve a hyper and you missed one at 00:56:698 (1) -, first of all, I recommend you to remove hyperdash between 00:56:107 (2,3) -, add a note on 00:56:580 - to make a hyperdash between 00:56:580 - and 00:56:698 - Change.
8. 00:59:769 - clap, same as overdose, this part sounds empty without hitsound Change.
9. 01:02:013 (8,9) - unnecessary hyper dash, where is the strong sound? specially when you have a similar pattern so close that really deserve this pattern ( 01:07:564 (3,4) - ) Change.
10. 01:05:792 (7,8) - same as above, you can keep the hyper dash between 01:06:029 (9,1) - but make 01:05:674 (6,7,8,9) - like 00:50:084 (1,2,3,4) - or something related, this is a calm part, is the break between kiais, so be reasonable please. Change.
11. 01:25:517 (2,3) - another unnecessary hyper dash, this diff have potential patterns to get some DQ mods, if you are tired of getting your maps desqualified, please reconsider some hypers and read my mod carefully, I'm giving you examples and reasons, so I'll be waiting a good reply if you will decline it. Change.

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