World Fraction
thanks for modding :3World Fraction wrote:
Hey, here from my queue - no kds until i'm finished all the diffs
Love this song btw, i hope to see this ranked soon. you're not alone
[Jon's Futsuu]- 00:28:441 (54) - same thing as Weber's Kantan, you should changed this to a k instead, plus it plays better imo. seems legit, fixed
- 00:36:053 (67) - consider deleting this. and turning this 00:36:500 (68) - into a finisher (any color is fine) since I map to the lyrics, removing this extremely loud one would be sinful
- thats all i could find wrong with this diff
[Jon's Muzukashii]- 00:28:441 (76) - starting to notice a trend with this specific time lol. once again i'd suggest changing to a k
- other than that this was a fantastic Muzukashii. Great job on that one. fixed fixed
[Jon's Oni]- 00:08:142 (18) - consider changing to a d and deleting this 00:08:291 (19) - then change this 00:08:441 (20) - to a d and make it a ddk like this for example cursor on 00:08:142
- 00:09:933 (26) - same thing as above it's not the same as before, this pattern is including the lyrics
- 00:28:441 (108) - this one specific time. hmmmmmmmmmmm... looks kind of familiar rofl. make it a k just as i suggested b4
- other than what i suggested everything else looks great. fixed
Great job to both of the people you got to give you the taiko diffs. Very well mapped. I'm done here, good luck with the set
FlamingRok
Thanks for modding!! Thanks for modding! Don't let it get to you that i denied a lot. Your suggestions were well thought-out, I just have my own reasons for my patterns.FlamingRok wrote:
Heya, M4M from Jonawaga's queue incoming! For this mod, I looked at the mapping styles of both mappers and tried to find any inconsistencies, or things that may not be too friendly in the case of easier difficulties. With that said, let's move onto the mod!
[Jon's Futsuu]
00:10:232 (12) Just a mild suggestion, but you've made the same pattern with the doubles in this section of dk kd. To keep with the pattern, I think this could be a d, as it still matches the music just fine and continues the pattern. this is where the pitch starts rising in the vocals, and, since that's what I follow, I'm having it be kk
00:11:127 (14) (15) If you applied the previous point, please apply this one as well to have the 5 note bundle start like the other doubles. denied for the same reasons I guess
00:19:485 (35) Please refer to 00:10:232 as it's the same deal here of keeping with the dk kd pattern, except this note should change to k instead. However, if you don't wish to do that, I think a more interesting approach would be to ctrl+g 00:20:082 (36) (37) . This creates a different type of pattern which is kd dd dk dd, which the last dd is carried on through the 5 note bundle. ^
00:23:665 (45) Because the song is changing to a different type of melody here, this being a d is justified, but I think it still could work as a k really well. However, I'll understand either choice, as you do continue to use dk dd later on for this different section. it's because the pitch falls from the previous note
00:27:993 (53) However with the drastic change of rhythm in this section, I think changing this to a d so that players only have to worry about hitting at the right time instead of what color as well could help readability for Futsuu players. The pitch is increasing, and that's what matters to me.
If that results in the map being slightly more difficult, then so be it.
00:35:157 (65) Same deal with 00:27:993 , though this is definitely less of an issue due to not being a drastic change while in pattern. There's a wide enough break for Futsuu players to get their barrings beforehand. Still, I don't believe changing this to k would be harmful either. ^
01:17:247 (155) Same deal as 00:27:993 , except this time it is a bit more relevant due to being close to the 1/3 notes ahead. Because of the soon drastic spacing between these two rhythms, this being a k would help some readability. ^
[Jon's Muzukashii]
00:14:411 (32) Mild suggestion, but I noticed that outside of triplets, there aren't many instances where there are an odd number of k (outside of one) in a row. I think d could work here, but it is your choice. It's because I want to save d for the following low pitch 00:14:709 - here.
00:16:202 (38) Same dealio as ^ ^
00:25:306 (66) I think for this different spacing, the pattern of k d k d could sound and play really nicely, especially when followed up by a k to keep that pattern going. itsn't that what's there?
00:33:515 (93) Either this, or 00:34:411 (97) could work to be a d, the main reason I'm suggesting this is for the next point. That is, if you apply the next point, please apply one of these for consistency. all rising in pitch, no changes
00:34:709 (98) (99) (100) (101) Just like the spacing before and the k d k d suggestion, because this ends on a D with (102), I think d k d k works nicely with these notes. Combined with one of the suggestions from before to keep an even number of k in a row, this could be a really nice pattern. but the current represents the pitches perfectly
[Jon's Oni]
00:23:963 (88) (92) I think for variety sake and to help match the pitch of the voice, these two can be d. For even more of a compelling case, the triplet k triplet k triplet d triplet d appears right afterwards, just like what I'm suggesting here. I'm not really concerned about the vocal pitches herefor once, this section is more focused on the violin
00:35:008 (139) - 00:36:500 (146) Probably my biggest gripe with this difficulty is right here. Never again do these types of doubles appear in the song, which is really odd. You could argue it's to emphasize this part of the song, but you found a way to do that on the other difficulties without being drastically different. I'd say if we want to emphasize this part starting at (139), why not use a quintuplet that doesn't appear anywhere else in the song, such as dkkdk?
That would garner importance to this part of the song, while still matching the lyrics. Then we could move (146) back a 1/3 tick and change it to d to make a kkd triplet which also doesn't appear very often and matches the lyrics, while giving K enough space for it to be hit properly. Just a thing to think about. it's because the vocalswhich matter to me for placement as strong placement would be chaos, the vocals are on red ticks here, so I use the patterns which end on red ticks, these doubles, for proper emphasis
01:19:933 I'd say for a buildup to the end of the song, a few triplets could be welcome before the kiai time, and adding a d here would fit. I'd rather keep it consistent to the pre-chorus (00:39:485 (156)), where I only added triplets for the background instruments. The rest can remain 1/1, as buffing the difficulty would result in imbalances
01:21:575 (325) I'd say we start another kdk triplet here for the buildup. Why here of all places? There's a four note gap in between each triplet, including the first triplet of the kiai time, which works very well. So by changing (325) to a k and then adding a d in between (325) and (327) , we have this triplet once more. ^
01:25:456 (341) Your choice, but I think the single notes can be saved for after the final finisher, and before then, triplets should be used for emphasis on the buildup. As such, to keep with what you've been doing beforehand, this can change to a d, and a d can be added before (341) but after (340). triplets there were kinda silly in the first place, since I'd rather make the end of the map easy for players. But, fine suggestions.
Whew, that should just about do it. Solid mapset, just a few kinks here and there. Hope to see this in ranked soon!