04:55:125 (295125|1,295165|2) - 04:55:963 (295963|2,296003|1) - 没啥意义的rare snap，用1/6就行了。你这一段tech并没有刻意回避1/6的手感（比如后面04:57:070 (297070|1,297116|0) - 这里也正常用了1/6）
04:55:205 (295205|1) - 04:56:042 (296042|2) - unsnap
04:51:884 (291884|0,291953|0) - 还是1/4好一点
04:52:000 (292000|3,292000|2,292070|1,292104|0,292139|3,292174|1,292209|2,292244|3,292279|0) - 原速的听感上我更倾向于1/7铺满而不是空第一个1/8
Metadata:
Artist: ミツキヨ
Source: ブルーアーカイブ -Blue Archive-
因为你的BPM只有100，根据BPM缩放https://osu.ppy.sh/wiki/zh/Ranking_criteria/Scaling_BPM ，谱面的实际难度应该是：
Normal->Easy
Hard->Normal
Very hard->Hard
Extreme->Insane
Insane->Expert
重命名之后，第三个难度和前后难度的gap不合理，需要削一下
第四个难度不是典型的Jackspeed，没必要在介绍页这么标
01:24:268 (84268|1) - you would better ignore this sound just like you did at 01:24:781 - 01:27:345 - etc
00:28:499 (28499|1,28884|2,29140|0,29397|1) - why do you extended them abruptly, this aound didnt change here
00:18:243 ~ 00:26:448 The gap between Hard and Normal is too big. Hard diff is even harder than insane.
For hard diff, an additional note for kick is enough. ("additional" means that using single if here is only a kick, using double if here are both of kick and melody). Same way at 01:40:294 - .
For Insane diff, I dont think use 1/2 notes for the deep bass is a good idea. It plays more like a rigid and unnecessary dump. You may inherit the doubles for kick from the original hard diff, and add some 1/2 notes for this synth sound 00:21:704 -.
00:16:961 (16961|3) - You would better extend this note just like you did at 00:12:089 (12089|3) - and 00:08:884 (8884|3) -
删除最后一段的所有timing并使用以下timing
135251,279.06976744186,4,2,1,30,1,0
135251,-97.7272727273,4,2,1,30,0,0
136367,287.081339712919,4,2,1,30,1,0
136367,-95,4,2,1,30,0,0
137515,291.26213592233,4,2,1,30,1,0
137515,-93.6363636364,4,2,1,30,0,0
138680,303.030303030303,4,2,1,30,1,0
138680,-90,4,2,1,30,0,0
139892,304.568527918782,4,2,1,30,1,0
139892,-89.5454545455,4,2,1,30,0,0
141110,324.324324324324,4,2,1,30,1,0
141110,-84.0909090909,4,2,1,30,0,0
00:56:160 - 这里是正常的1/4snap：
https://osu.ppy.sh/ss/19378860/16d5
也适用于其它难度
M4M 备注
https://osu.ppy.sh/s/2010443 https://osu.ppy.sh/s/2259714 https://osu.ppy.sh/s/2065294 https://osu.ppy.sh/s/872698 https://osu.ppy.sh/s/2243388
有5张图，你随便挑一个你想摸的就行，没啥好摸的就给个hype
00:37:888 (37888|3) - 根据你这一段的思路，这个LN应该在00:37:820 - 开始。
如果要表达急促地结束，可以让LN在00:37:888 - 结束（事实上小提琴也确实是在这里结束的）
inconsistency:
04:49:014 (289014|3) - 05:27:414 (327414|3) -
05:05:442 (305442|3) -
04:54:499 - 04:59:985 - 05:10:957 - 05:16:442 - 05:21:928 -
02:30:985 (150985|0,151028|1,151071|2,151114|1,151157|0) -
02:31:671 (151671|3,151714|2,151757|1,151799|2,151842|3) -
[Subjective] I think using 1/6 divisor to stretch this pattern is more appropriate, since this sound is obviously longer than 1/2 beat.
But if you want to emphasize the "1/4 jack tension" here, keep is also fine.
01:54:985 (114985|1,114985|2,115071|2,115157|3,115242|3,115328|3) -
This pattern is harder a lot than
02:00:471 (120471|1,120471|3,120557|3,120642|0,120728|0,120814|0) & 02:05:957 (125957|2,125957|3,126042|3,126128|0,126214|0,126299|0).
You would better not lock the index finger 01:55:071 (115071|2) while the middle finger was dealing with the hardest 3-notes jack 01:55:157 (115157|3,115242|3,115328|3).
Seperate them from the same hand.