00:10:047 (5,6) - Ctl + G For flow
00:12:332 (5,6) - same
00:21:475 (5) - sa,e
etc.
Most of the map is in a consistent flow and there is no point in breaking it here.
00:19:189 (5,6) - For example, here you highlighted it as it should be.
00:28:332 (6) - Too far
00:32:904 (5) - same
etc.
00:45:618 (7) - Бро ты куда..
01:14:047 (5) - бро
00:30:904 (1) - I told you this before. Just make it 1/2
00:33:189 (1) - same
etc.
There is nothing there to follow before the blue tick
your patterns in kiais are pretty cool but i have suggestions of 00:36:189 (5,6) - 00:37:047 (3,4) - 01:11:618 (6,7) - 01:16:189 (6,7) - 01:18:189 (3,4) - 01:50:189 (3,4) - 01:57:332 (6,7) - 01:58:475 (5,6) - 02:06:475 (6,7) -
as you can see almost all snares are on the circle, but compared to 00:28:189 (5,6) - 00:29:332 (6,7) - 00:30:475 (6,7) - 00:35:047 (6,7) - they all did good spacing for giving feedback on snares so i think patterns mentioned above might be underperformed for those snares.
Here are the solutions i would suggest:
00:58:904 (5) - I see that you're trying to focus on the vocal but, but you generally mapped snares actively in this map. Would make it active rhythm.
You did reverse slider on 'Expert' diff already so, this would be a nice increase in difficulty between the two diffs.
01:14:904 (5) - Would be so cool if you represent the "Now, Now" with the 3/4 slider. You put the keysound on the 'normal' slider here anyways. Can also do the same to this by then (02:05:189 (5,6,7).
These two are the only times this "Now, Now" appears. It'd add something special to the map.